Jacopo Mazzoni – philosopher

Brilliant scholar could recite long passages from Dante

Jacopo Mazzoni was known for literary
criticism as well as philosophy

Jacopo Mazzoni, a University professor with a phenomenal memory who was a friend of Galileo Galilei, died on this day in 1598 in Ferrara in Emilia-Romagna.

Mazzoni, also sometimes referred to as Giacomo Mazzoni, was regarded as one of the most eminent scholars of his period. His excellent powers of recall made him adept at recalling passages from Dante, Lucretius, Virgil and other writers during his regular debates with prominent academics. He relished taking part in memory contests, which he usually won.

Mazzoni was born in Cesena in Emilia-Romagna in 1548 and was educated at Bologna in Hebrew, Greek, Latin, rhetoric and poetics. He later attended the University of Padua where he studied philosophy and jurisprudence.

He became an authority on ancient languages and philology and promoted the scientific study of the Italian language.

Galileo Galilei was a fellow
professor at Pisa University

Although Mazzoni wrote a major work on philosophy, he became well known for his works on literary criticism, in particular for his writing in defence of Dante’s Divine Comedy - Discorso in Difesa Della Commedia della Divina Poeta Dante - published in 1572 and Della Difesa Della Commedia di Dante, which was not published until 1688.

Mazzoni was also influenced by Plato and Aristotle and often made references to their works.

In turn, his theories about poetry influenced romantic writers who came later such as Samuel Taylor Coleridge and Friedrich von Schiller.

Mazzoni is also credited with helping to found the Accademia della Crusca, a society of scholars of Italian linguistics and philology, in 1583. The academy, in Florence, is the oldest linguistic academy in the world and the most important research institution into the Italian language.

The pala - shovel - given to Mazzoni
by the Accademia della Crusca

Crusca is the Italian word for bran, its use a reflection of the society's symbology, which likened 'good' language to flour sifted from bran.  The society's emblem was the frullone, a machine used to separate flour from bran. The operator would load bran into the machine using a pala - shovel - and the society extended the symbolism by presenting each member with a shovel bearing the member's name and a motto, usually a line of verse.

Mazzoni worked as a university professor, first at Macerata and then at Pisa, where he taught philosophy from 1588 to 1597. It was there he met Galileo, who was a young mathematics professor at the university. They became good friends and in May 1597, Galileo wrote Mazzoni a letter in which he commented on Mazzoni’s latest book, In universam Platonis et Aristotelis philosophiam praeludia, and also stated his inclination towards the Copernican system over the Ptolemaic one.

Later that year, Mazzoni accepted the chair in philosophy at Rome’s La Sapienza University.

He was asked to accompany Cardinal Pietro Aldobrandini on a mission to Venice in 1598. After they stopped off in Ferrara on the way back, Mazzoni was taken ill and later died. He was 57 years old.

The Rocca Malatestiana in Cesena, once a prison, now
houses a museum of agriculture

Travel tip:

Cesena, the birthplace of Jacopo Mazzoni, is a city in Emilia-Romagna, south of Ravenna and west of Rimini. One of the main sights in the town is the 15th century Biblioteca Malatestiana, which houses many valuable manuscripts and was the first public library in Europe. The library has been preserved in its 15th century condition and is now a listed UNESCO World Heritage site. The city’s castle, the Rocca Malatestiana, was used by Cesare Borgia as a prison during the Italian Wars and is now a museum.

The Castello Estense is the centrepiece of the city
of Ferrara, where Mazzoni died

Travel tip:

Ferrara, where Jacopo Mazzoni died, is a city in Emilia-Romagna, about 50 km (31 miles) to the northeast of Bologna. It was ruled by the Este family between 1240 and 1598. Building work on the magnificent moated Este Castle (Castello Estense) in the centre of the city began in 1385 and the castle was added to and improved by successive rulers of Ferrara until the end of the Este line. The castle was purchased for 70,000 lire by the province of Ferrara in 1874 to be used as the headquarters of the Prefecture. You can still see Ferrara’s original narrow, medieval streets to the west and south of the city centre, between the main thoroughfares of Via Ripa Grande and Via Garibaldi. These were the original heart of the city in the middle ages before the Este family redesigned it.

Also on this day:

1726: The birth of physicist Giovanni Aldini

1886: The death of physician and politician Agostino Bertani

1926: Airship leaves Rome for the North Pole

1991: The Moby Prince disaster

(Picture credits - Mazzoni's shovel by Sailko CC-BY-3.0; Rocca Malatestiana by Otello Amaducci CC-BY-SA 3.0) 


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Alessandro Algardi – sculptor

Baroque works of art were designed to illustrate papal power

Algardi's extraordinary marble relief, Fuga d'Attila,
which he created for St Peter's Basilica in Rome

Alessandro Algardi, whose Baroque sculptures grace many churches in Rome, was born on this day in 1598 in Bologna.

Algardi emerged as the principal rival of Gian Lorenzo Bernini in the field of portrait sculpture and although Bernini’s creations were known for their dynamic vitality and penetrating characterisation, Algardi’s works were appreciated for their sobriety and surface realism. Many of his smaller works of arts, such as marble busts and terracotta figures are now in collections and museums all over the world.

Algardi was born in Bologna, where he was apprenticed in the studio of Agostino Carracci from a young age.

He soon showed an aptitude for sculpture and his earliest known works, two statues of saints, were created for the Oratory of Santa Maria della Vita in Bologna.

After a short stay in Venice, he went to Rome in 1625 with an introduction from the Duke of Mantua to the late pope’s nephew, Cardinal Ludovico Ludovisi, who employed him to restore ancient statues.

This portrait by Carlo Maratta
 is thought to be of Algardi

Although it was a time for great architectural initiatives in Rome, Algardi struggled for recognition at the start as Bernini was given most of the major sculptural commissions.

Algardi was commissioned to produce some terracotta and marble portrait busts and also worked on the tombs of the Mellini family in the Mellini Chapel in Santa Maria del Popolo.

He received his first major commission in about 1634 to sculpt a funeral monument for Pope Leo XI, who had reigned for less than a month in 1605.

Then he was asked to create a colossal statue of Filippo Neri for Santa Maria in Vallicella and after this Algardi produced a sculptural group to represent the beheading of St Paul for the Church of San Paolo in Bologna. These works firmly established his reputation.

In 1644 the new pope, Innocent X, and his nephew, Camillo Pamphili, favoured Algardi over Bernini.

A large bronze of Innocent X by Algardi is now in the Capitoline Museums. In the grounds of Villa Pamphili, Algardi and members of his studio executed fountains adorned with sculptures and created other garden features.

Algardi's funeral monument for Pope Leo XI

In 1650 Algardi received commissions from Spain and there are four chimney pieces by him in the Royal Palace of Aranjuez and figures by him on the fountain of Neptune in the gardens. A tomb in the Augustinian monastery at Salamanca is also by him.

The Fuga d’Attila relief, Algardi’s large marble panel of Pope Leo XI and Attila for St Peter’s Basilica, reinvigorated the fashion for marble reliefs. It depicted the historical legend of the Pope stopping the Huns from looting Rome, illustrating papal power.

Algardi died in 1654 within a year of completing this work, which was much admired by his contemporaries.

The 17th century Villa Doria Pamphili is situated in
Rome's largest landscaped public park

Travel tip:

The Villa Doria Pamphili is a 17th century villa in Rome with, what is today, the largest, landscaped public park in the city. The villa is situated just outside Porta San Pancrazio in the ancient walls of Rome. It began as a villa for the Pamphili family and when the line died out in the 18th century it passed to Prince Andrea IV Doria, from which time it has been known as the Villa Doria Pamphili. In 1644 Cardinal Giambattista Pamphili was elected to the papacy and took the name of Innocent X. He aspired to a grand villa and brought in Algardi to help with the design and create the sculptures in the garden.

Travel tip:

The huge marble Fuga d’Attila relief, showing Pope Leo XI restraining Attila from marching on Rome, was the largest high relief sculpture in the world when it was created by Algardi between 1646 and 1653 for St Peter’s Basilica in Rome. The Basilica had been completed and consecrated in 1626. It was believed to be the largest church in the world and was built to replace the original fourth century Basilica that had been constructed on what was believed to be the burial site of Saint Peter.

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Gian Lorenzo Bernini – sculptor and architect

Italy's last universal genius

Gian Lorenzo Bernini, a self-portrait from 1623,
 which is housed in Rome's Galleria Borghese

Gian Lorenzo Bernini, who was considered the greatest sculptor of the 17th century, was born on this day in 1598 in Naples.

Bernini developed the Baroque style, leading the way for many other artists that came after him. He was also an outstanding architect and was responsible for much of the important work on St Peter’s Basilica in Rome.

Bernini began his career working for his father, Pietro Bernini, a Florentine who moved to live and work in Rome.

The young Bernini earned praise from the painter Annibale Carracci and patronage from Pope Paul V and soon established himself as an independent sculptor.

His early works in marble show his amazing ability to depict realistic facial expressions.

The Fontana del Tritone - the Triton Fountain - in
Rome's Piazza Barberini

Pope Urban VIII became his patron and urged Bernini to paint and also to practice architecture. His first major commission was to remodel the Church of Santa Bibiana in Rome.

Bernini was then asked to build a symbolic structure over the tomb of Saint Peter in Rome. The result was the immense gilt-bronze baldachin executed between 1624 and 1633, an unprecedented fusion of sculpture and architecture and the first truly Baroque monument.

After the death of Carlo Maderno in 1629, Bernini became architect of St Peter’s and Palazzo Barberini.

A fervent Roman Catholic, he believed that the purpose of religious art was to teach and inspire the faithful. His tomb for Urban VIII shows the pope seated with his arm raised in a commanding gesture, with two white marble figures below him representing the virtues.

Bernini’s fountains are his most obvious contribution to the city of Rome, in particular the Triton fountain, constructed in 1642 with its four dolphins.

The Fontana dei Quattro Fiume - the Fountain of the Four
Rivers - in Piazza Navona in Rome

Perhaps one of his most spectacular works is the Fountain of the Four Rivers in Rome’s Piazza Navona, with four marble figures symbolising the four major rivers of the world.

Bernini’s greatest architectural achievement is the colonnade enclosing the piazza in front of St Peter’s Basilica, which holds the crowd gathered for the papal benediction at Easter and on other special occasions.

Bernini died at the age of 81 after having served eight popes. He was considered not only Europe’s greatest artist, but also one of its greatest men. He was possibly the last of Italy’s universal geniuses, a polymath to be ranked alongside Galileo, Michelangelo and Leonardo da Vinci.

Travel tip:

St Peter’s Square - Piazza San Pietro - was designed by Bernini to provide a large space where the faithful, from all over the world, could gather together. It is filled to capacity by pilgrims and visitors on Easter Sunday, Christmas Day and other important religious occasions when the Pope appears to address the crowd. These events are televised and watched by viewers all over the world.

Hotels in Rome from Hotels.com

The Basilica of St Peter in Rome

Travel tip:

The stunning Renaissance Basilica of St Peter was completed and consecrated in 1626. Believed to be the largest church in the world, it was built to replace the original fourth century Basilica that had been constructed on what was believed to be the burial site of Saint Peter. Bernini made many important artistic and architectural contributions to St Peter’s during his life.

More reading:

Cigoli - Tuscan architect who left his impression on Rome

Why Michelangelo was regarded as the greatest painter and sculptor of all time

Galileo Galilei - the great thinker dubbed the father of science

Also on this day:

The Feast of St Ambrose

(Picture of St Peter's by Alvesgaspar via Wikimedia Commons)

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Giovanni Riccioli – astronomer

Jesuit priest had a crater on the moon named after him

Giovanni Battista Riccioli pictured in
an illustration from a 17th century book

Giovanni Battista Riccioli, a Jesuit priest who became one of the principal astronomers of the 17th century, was born on this day in 1598 in Ferrara.

He was renowned for his experiments with pendulums and falling bodies and for his studies of the motion of the earth and the surface of the moon.

Riccioli entered the Society of Jesus when he was 16 and after completing his training began studying the humanities.

Between 1620 and 1628 he studied philosophy and theology at the Jesuit College in Parma, where he was taught by Giuseppe Biancani, who had accepted new ideas such as the existence of lunar mountains.

After Riccioli was ordained he taught physics and metaphysics at Parma and engaged in experiments with falling bodies and pendulums. He is believed to be the first scientist to measure the rate of acceleration of a freely falling body. He also carried out observations of the surface of the moon.

Riccioli's moon map, which he drew in 1651

Riccioli became more committed to studying astronomy than theology and his superiors in the Jesuits assigned him to carry out astronomical research.

He went to work at a college in Bologna where he built an observatory equipped with telescopes and instruments for astronomical observation.

One of his most significant works was his Almagestum Novum, an encyclopaedic volume packed with illustrations and tables that became a standard reference book for astronomers. He continued to publish works on astronomy and theology and to correspond with other scientists right up to his death at the age of 73 in 1671 in Bologna.

A crater on the moon has been named the Riccioli crater in honour of the astronomer.

Ferrara's impressive castle

Travel tip:

Ferrara in Emilia-Romagna, where Riccioli was born, was the city of the Este dukes and still has winding cobbled streets, medieval houses, Renaissance palaces and a stunning castle. It has been declared a World Heritage Site by Unesco.

Travel tip:

Bologna, where Riccioli worked until he died, is the capital of the Emilia-Romagna region and home to the oldest university in the world, which was founded in 1088. An important cultural and artistic centre, Bologna is famous the world over for its dish of tagliatelle al ragù bolognese, strips of pasta with a rich, meat sauce.

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