Corrado Cagli - painter

Jewish artist who fought in World War II as a US soldier

Corrado Cagli, pictured in his studio in Rome
in around 1969

The painter Corrado Cagli, one of the outstanding figures in the New Roman school that emerged in the early part of the 20th century, was born in Ancona on this day in 1910. 

He moved with his family to Rome in 1915 at the age of five and by the age of 17 had created his first significant work, a mural painted on a building in Via Sistina, the street that links Piazza Barberini with the Spanish Steps in the historic centre of the city.

The following year he painted another mural inside a palazzo on the Via del Vantaggio, not far from Piazza del Popolo.  In 1932, he held his first personal exhibition at Rome’s Galleria d’Arte Moderna.

At this stage, despite being both Jewish and gay, Cagli had the support of the Fascist government, who commissioned him and others to produce mosaics and murals for public buildings.

Although he would go on to experiment in neo-Cubist style and metaphysical styles, the aim of the Scuola Romana he sought to establish with fellow artists such as Giuseppe Capogrossi and Emanuele Cavalli was to reaffirm the principles of classical and Renaissance art.

However, in 1938, when the Fascist dictator Benito Mussolini stepped up his persecution of Jews and other minorities, Cagli sought refuge in Paris and later fled to New York.

A detail from Cagli's 1936 painting, The Battle of San Martino,
the final battle of the Second Italian War of Independence

Not knowing when or if he might return to Italy, Cagli became an American  citizen, even enlisting in the US Army. He went back to Europe as a soldier, taking part in the 1944 Normandy landings and seeing frontline combat fought in Belgium and Germany.

In fact, in an episode in his tour of duty that would have a profound effect on his life, he was part of a battalion that liberated Jewish prisoners from the Buchenwald concentration camp, near Weimar, in 1945. While he was there, Cagli made a series of dramatic drawings.

In 1948, Cagli finally returned to Rome to take up permanent residence again. At that time, he began to experiment in various abstract and non-figurative techniques, including metaphysical and neo-Cubist.

The recipient in 1946 of a Guggenheim award, in 1954 he was recognised with a Marzotto award, made by the Marzotto fashion company in Valdagno, in the Veneto between 1951 and 1968 to artists and thinkers who contributed to the cultural rebirth of Italy after the war.

In later life, he was the official banner painter for the Palio di Siena, the twice-yearly horse race around Siena’s Piazza del Campo, for which he had a particular fascination.

Corrado’s younger sister, Ebe, was a writer who also moved to the United States to escape Mussolini’s race laws.  She married an academic, Abraham Seidenberg, and did not return to Italy.

Cagli died in Rome in 1976.

Ancona's Cathedral of San Ciriaco, which occupies an
elevated position on the site of a former acropolis

Travel tip:

Ancona, where Cagli lived until he was five years old, is a bustling port with a population of almost 102,000, situated on the Adriatic coast in the Marche region. Although the area around the port has an industrial feel, there are some notable beaches nearby of which the Passetto is the best known.  There is a good deal of history in the older part of the city,  some of it bearing witness to its Greek and Roman past, as well as the Cathedral of San Ciriaco, which has mixed Romanesque-Byzantine and Gothic elements, and stands on a hill on the site of the former acropolis of the Greek city.  The 18m-high Arch of Trajan, built in honour of the emperor who built the city’s harbour, is regarded as one of the finest Roman monuments in the Marche region. The harbour contains the Lazzaretto, a pentagonal building constructed on an artificial island in the 18th century as a quarantine station designed to protect the city from diseases carried by infected travellers.

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Siena's beautiful Piazza del Campo, where the Palio di Siena
horse race is staged on tow dates every summer

Travel tip:

The shell-shaped Piazza del Campo, established in the 13th century as an open marketplace on a sloping site between the three communities that eventually merged to form Siena, is regarded as one of Europe's finest medieval squares, looked over by the Palazzo Pubblico and the Torre del Mangia.  The red brick paving, fanning out from the centre in nine sections, was put down in 1349.  The Palio, which features 10 horses, each representing one of Siena's 17 contrade, or wards, ridden bareback by riders wearing the colours of the contrada they represent, was first contested in 1656 and is now staged on July 2 and August 16 each year.

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More reading:

The Futurist painter who captured light, movement and speed

Painter whose early death robbed Italy of a great talent

The founder of the scuola metafisica movement

Also on this day:

1507: The death of Renaissance painter Gentile Bellini

1806: The birth of military general Manfredo Fanti

1821: The death of English Romantic poet John Keats

1822: The birth of archaeologist Giovanni Battista de Rossi

1834: The birth of Sicilian banker Emanuele Notarbartolo

(Painting: The Battle of San Martino (1936), Uffizi, Florence)

(Picture credit: Piazza del Campo by Ricardo André Frantz via Wikimedia Commons)

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Charlie Cairoli - circus clown

Milan-born performer who became a Blackpool legend

Charlie Cairoli became one of the world's
most famous clowns

The circus clown Charlie Cairoli, who would at his peak set a world record by appearing at the Blackpool Tower Circus in England for 40 consecutive seasons, was born in Affori, now a suburb of Milan but then a town in its own right, on this day in 1910.

Cairoli performed at the Tower for the first time in 1939 and returned every year until 1979, quitting only when his health began to fail him.

The run was not broken even by the outbreak of the Second World War, which Britain entered soon after he arrived, or his own arrest as a suspected ‘enemy alien’. He was the Tower’s most popular attraction for almost all of those years.

Cairoli, though born in Italy, was actually from a French family, albeit one of Italian descent, who christened him Hubert Jean Charles Cairoli.

His father, Jean-Marie, was also a clown; his mother, Eugenie, came from another French circus family with Italian heritage, the Rocono. Charles - known as Carletto - and his brother Louis-Philippe became part of the show as young children. Carletto made his debut at the age of seven.

At that age, he was doing little more than fetching and carrying for his parents, who were the stars. By the age of 17, he was entrusted with the role that would make him famous, that of the slapstick character known in the circus as an auguste, the figure of fun who would inevitably end up with a custard pie in the face, their trousers ripped off or a bucket of water over their head. Cairoli adopted a red nose, a bowler hat and oversized shoes as his trade marks.

Charlie Cairoli and his wife, Violetta.
during the TV show This Is Your Life

When he was 24 and working in Paris with his father in their Cairoli Brothers act at the the Cirque Medrano at Montmartre, he met his future wife, Violetta Fratellini, then only 19 and also from a famous circus family, who was there as part of a knockabout acrobatic act. Carletto showed off his musical talent by serenading her on the clarinet. By Christmas 1934 they were married.

In the winter of 1938, the Cairolis went to work in a Christmas pantomime in Birmingham, England. Clem Butson, the manager of the Blackpool Tower Circus, saw them in action and offered them a contract for the 1939 summer season.

When war broke out in September, Cairoli found himself in a difficult position. His father had French nationality and his brother had gone back to fulfil his military service. But Cairoli was born in Italy and was therefore Italian.

Before the war began he had applied for French citizenship but the papers had not come through. He even made the dramatic gesture of taking a watch he had given by the German leader Adolf Hitler after a performance in Munich and throwing it into the sea off the end of Blackpool’s North Pier, in the hope it would make his allegiance clear.

Cairoli regularly ended his Blackpool Tower Circus
shows soaked to the skin

Nonetheless, along with many other Italians living in Britain, mainly in the catering industry, Cairoli was deported to the Isle of Man.

Happily, proof of his French citizenship had arrived by October and he was able to return to the mainland, where he and his father spent the winter working in a munitions factory and appearing in variety shows before returning to Blackpool Tower for the summer season.

Cairoli was fortunate that Blackpool Tower Circus continued to operate throughout the war years, its location on the Lancashire coast just far enough away from the major cities to be relatively safe from bombing. And with foreign acts unable to travel to England, the Cairolis thrived.

He and Violetta established a good life in Blackpool, where they would remain for the rest of their lives. Cairoli’s popularity as a performer grew and the arrival of television saw his profile rise substantially in the ‘60s and ‘70s, with frequent television appearances both in Britain and America.

At the same time, he became a regular on stage in variety shows and pantomime, especially during the winters, including the Grand Theatre in Leeds and Alhambra in Bradford. On one occasion, he brought Christmas shopping in Leeds to a standstill as he led hundreds of youngsters through the streets to the City Varieties, where he gave a special show.

Cairoli had musical talent as well as a gift for comedy

A measure of his status as one of Britain’s best-loved entertainers was an invitation in 1970 to appear on the hugely popular TV show This Is Your Life.

Cairoli continued with a hectic schedule of performances until 1979, when exhaustion forced him to miss a number of shows at the Tower. In November of that year he announced his retirement, which lasted only a few months, sadly.

He died in February 1980 at the age of just 70, at his home on Blackpool’s North Shore. His widow, Violetta, survived him by 22 years. One of their three children, also called Charlie, revived his father’s character for cabaret and pantomime performances, but never appeared at the Tower Circus.

The Villa Litta is a 17th century house within Milan's
oldest city park at Affori, where Cairoli was born

Travel tip:

Since 1923, Affori has been part of greater Milan and now has little to distinguish it from many other suburbs in the city, which now has a population of 1.25 million.  There is evidence of a settlement in the area since 915 and there are some remnants of a medieval town, notably a 14th century watch tower that forms part of a more modern building in Via Osculati. Affori’s main historical building today is the Villa Litta, a 17th-century house located within Milan’s oldest city park. The villa, originally built by Count Pirro I Visconti Borromeo in the style of the Medici villas of Tuscany, it was subsequently owned by several families of the Milanese aristocracy, namely the Corbella, the D'Adda and the Litta.

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The Piazza Santa Maria Novella in Florence, where Giuseppe
Garibaldi gathered support for his Expedition of the Thousand

Travel tip:

Violetta, Cairoli’s wife, was the granddaughter of Gustavo Fratellini, a circus trapeze artist and acrobat from Florence who was also a follower of Giuseppe Garibaldi, the patriotic general who led the drive to Italian unification in the 19th century, most notably with his Expedition of the Thousand, which claimed Sicily, Naples and the southern part of the mainland on behalf of the new Kingdom of Italy. Fratellini may have been inspired by a major speech Garibaldi gave to a crowd gathered in Piazza Santa Maria Novella as he toured the Italian cities, gathering recruits for his army of red shirts.

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More reading:

Moira Orfei - 'Queen of the Big Top'

The Venetian nobleman who fought to save Commedia dell'Arte

The comic genius of Ugo Tognazzi

Also on this day:

1564: The birth of astronomer and physicist Galileo Galilei

1898: The birth of comic actor Totò

1927: The birth of Cardinal Carlo Maria Martini, papal candidate

1944: Allied bombing destroys Monte Cassino Abbey

(Picture credits: Villa Litta by Goldmund100; Piazza Santa Maria Novella by Sailko; via Wikimedia Commons)

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Magda Olivero - soprano

Singer who performed into her 80s and lived to 104

Magda Olivero made her debut in an opera
broadcast for radio in 1932

The opera singer Magda Olivero, who became known as the last verismo soprano, died on this day in 2014. She was almost halfway through her 105th year, having been born in 1910.

Olivero became associated with the works among others of Francesco Cilea, Pietro Mascagni, Umberto Giordano and Franco Alfano, all of whom she actually worked with in person, her longevity providing a 21st century link with the world of 19th century Italian opera. She missed the chance to know and work with Giacomo Puccini only narrowly, the composer passing away at the age of 66 when Olivero was 14.

Born in Saluzzo in Piedmont, Olivero made her operatic debut eight years after Puccini’s death in a radio production in Turin in 1932. She gave her last stage performance 49 years later in 1981, although even that was not the end of her career. Her last recording of her signature role - Cilea’s Adriana Lecouvreur - did not come until 1994, when she was still able to control her pitch and tone at the age of 83.

Born as Maria Maddalena Olivero to a well-to-do family who gave her a good education, she built on her radio debut - singing Nino Cattozzo's oratorio, I misteri dolorosi - to establish a successful career, performing alongside pre-War stars such as Ebe Stignani, Beniamino Gigli and Francesco Merli.

Olivero with Mario del Monaco appearing in
Giordano's Fedora in Naples in 1965

In addition to Adriana, her most famous roles included Minnie in Puccini’s La Fanciulla del West, Mascagni's Iris, Riccardo Zandonai's Francesca da Rimini, and Giordano's Fedora. She sang Jules Massenet's Manon at Verona with Giuseppe di Stefano as Des Grieux, and Margherita in Arrigo Boito's Mefistofele to the Faust of Ferruccio Tagliavini.

The conductor Tullio Serafin helped her with her technique, although he was less helpful, she later claimed, after she refused his amorous advances. She said that her relationship with the tenor, Tito Schipa, also became strained after he became similarly enamoured with her.

In fact, in 1940 she decided to retire from the stage at the age of only 30 after she married Aldo Busch, an industrialist, hoping they would raise a large family. One of her last performances was of Cilea’s Adriana Lecouvreur in Ravenna and it was Cilea, almost a decade later, who would persuade her to make a comeback, telling her that she was the only singer who could do justice to the character.  She performed the role again in Brescia in 1951, shortly before the composer died.

That work was to become her calling card, and she sang it many times, as well as featuring often in leading roles in Puccini’s La Bohème, Madame Butterfly and Manon Lescaut, and in Giuseppe Verdi’s La Traviata.

Magda Olivero at the age of 95 in 2005

She made her London debut at the Stoll Theatre, in 1952 and in 1963 she substituted for Renata Tebaldi at the Edinburgh Festival in Adriana Lecouvreur, its first performance in Britain for 60 years.

Her first appearance in the United States came in Dallas in 1967, followed by Kansas and San Francisco. By now her fame as an interpreter of the verismo genre, in which the characters are ordinary people and the singers are adept at bringing dramatic expression to the roles, was established and her New York debut as Tosca at the Metropolitan Opera in 1975 was a much-hyped sensation, even though by then she was 65.

According to the New York Times report, when she made her first entrance, the audience began screaming and cheering, forcing the conductor Jan Behr to stop the music; arias were interrupted by bursts of spontaneous applause and at the end she was given a 20-minute ovation, one of the longest in the theatre's history. She reprised her Tosca for the Met in 1979, opposite Luciano Pavarotti. 

For all her success, though, she never really escaped the shadow of Maria Callas or Renata Tebaldi, who were always seen as more marketable and therefore enjoyed more recording contracts than Olivero, whose only complete opera recordings are Turandot and Fedora (1969), in which she was partnered by Mario del Monaco and Tito Gobbi.

After her second retirement, she settled in Milan, telling visitors to her home that the secret of her long life was yoga and a vegetarian diet. She lived for 31 years following the death of her husband in 1983, her wish for a family having never come to pass.

The early 15th century Cathedral of the Assumption in
Piazza Risorgimento in Saluzzo

Travel tip:

Saluzzo, where Olivero was born, is a hill town about 33km (20 miles) north of Cuneo and 61km (38 miles) south of Turin, in Piedmont. Most of its 15th century old town is intact, with numerous cobbled streets, steep staircases, churches and elegant palaces to explore. In the Piazza Risorgimento is Cathedral of the Assumption, built between 1491 and 1511 in the Lombard-Gothic style. Another attraction is the Castiglia, a castle built at the summit of the town in the 13th century by the Marquis Tommaso I and renovated in 1492 by Ludovico II of Saluzzo, at the time when the town was a powerful city-state.

The Teatro degli Arcimboldi, which was built in a
converted Pirelli tyre factory in Milan

Travel tip:

Milan’s best-known theatre is the opera house and ballet theatre Teatro alla Scala, inaugurated in 1778, but it is not the only theatre. Other respected venues are Teatro Sala Fontana, set within the beautiful cloisters of the church of Santa Maria alla Fontana in the northern part of the city, the Teatro Manzoni in Via Alessandro Manzoni, not far from Porta Nuova, and the ultra-modern Teatro degli Arcimboldi, which was built in 2001 in anticipation of the closure and renovation of La Scala opera house, in a converted Pirelli tyre factory about 7km (4.5 miles) from the city centre, in an area known as Bicocca.

More reading:

The beautiful work of Francesco Cilea

Giacomo Puccini - the musical genius who took the baton from Verdi

Pietro Mascagni and a career built on one great opera

Also on this day:

1474: The birth of poet Ludovico Ariosto

1504: The unveiling of Michelangelo's David in Florence


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Angelo Bruno - Mafia boss

Sicilian head of Philadelphia mob known as 'the Gentle Don'

Angelo Bruno was the head of the
Philadelphia crime family for 20 years

Angelo Bruno, a mobster who ran the Philadelphia Mafia for two decades, was born Angelo Annaloro in Villalba, in the province of Caltanissetta, in Sicily, on this day in 1910.

Bruno was known as “the Gentle Don” because he preferred to solve problems and consolidate his power through non-violent means, such as bribery, and commissioned murders only as a last resort.

The son of a grocer, he emigrated to the United States in his teens and settled in Philadelphia. He became a close associate of New York crime family boss Carlo Gambino. Bruno dropped the name Annaloro and replaced it with his paternal grandmother's maiden name, Bruno.

Bruno’s dislike of violence was not driven by any compassion for his fellow man.  During his early days in Philadelphia, he worked for a series of bosses and did not shirk the tasks he had to perform in order to be rise through the ranks, which included carrying out killings himself.

But in 1959, when he succeeded Joseph Ida as boss of the Philadelphia crime family, he decided it was in his interests and those of his criminal organisation to operate in a way that avoided attracting unwanted attention.

Bruno's strategic policy of avoiding violence
earned him the nickname 'the Gentle Don'

In other cities, the tendency of Mafia families to embark on campaigns of violence to strengthen their powerbase inevitably resulted in the authorities cracking down on mob activity.

Bruno, whose longest time in prison was two years after he refused to testify before a grand jury, reasoned that keeping his operations relatively low key was the best way to achieve success.

Therefore, he preferred to remove obstacles to his progress by bribery rather than murder, and was able to operate for two decades with only minimal interference from law enforcement officers.

However, it was his old-school methods that ultimately proved his downfall.

Under Bruno’s rule, involvement of the Philadelphia family in narcotics trafficking was off-limits. He insisted that the family maintained its focus on more traditional Cosa Nostra operations, such as bookmaking, prostitution and loansharking.

However, by allowing other gangs, notably members of the Gambino family, to distribute heroin in Philadelphia in return for a share of the proceeds, he attracted opposition from inside the family from individuals who felt they were missing out on an opportunity to make big profits.

Meanwhile, as Atlantic City, traditionally part of the Philadelphia empire, grew as a gambling centre, Bruno allowed Gambino gangs to take a slice of that lucrative market, too.

How the Philadelphia Daily News
announced Bruno's murder in 1980

Several factions within the Philadelphia crime family began to conspire against Bruno, who was murdered on March 12, 1980, as he returned to his home in South Philadelphia after going out to dinner. He was killed in his car by an assailant who shot him in the back of the head.

There were several suspects, three of whom were themselves found dead within weeks of Bruno’s murder.  Antonio Caponigro, Bruno’s consigliere – advisor – and who was believed to have ordered the execution of his boss, was murdered before police were able to track him down, as were Frank Sindone and John Simone, the Mafiosi suspected of carrying out the killing.

Bruno's driver, John Stanfa, who escaped with only minor injuries, was also a suspect in the murder. He was not killed but would eventually be sentenced to eight years in jail for refusing to testify during the trials.

The turnout for Bruno’s funeral in Philadelphia was substantial. The procession involved more than 100 cars and about 1,000 people turned up at the Holy Cross Cemetery for the service.

Travel tip:

Villalba, a town of around 1,800 inhabitants, is known as the città bianca – white city - because of the large number of white houses. It is situated in a hilly inland area of western Sicily some 98km (61 miles) south-east of Palermo and 51km (32 miles) north of Caltanissetta.  The town grew in size in the 18^th century, which saw the building of its two main churches, the Chiesa Madre and the Chiesa della Conciliazione and the palace of Nicolò Palmieri Morillo, also built during the 18th century, who owned much of the land.

The church of San Sebastiano in the
city of Caltanissetta

Travel tip:

The city of Caltanissetta has a population of more than 80,000 and despite being in an area of volcanic activity – notably the mud volcanoes of the so-called Hill of the Volcanoes  a short distance outside the city – has many notable and well preserved buildings.  The Cathedral of Santa Maria La Nova, built over the late 16^th and early 17^th centuries, has a Renaissance style that is unusual in the area and contains frescoes by the Flemish painter Guglielmo Borremans.  In front of the cathedral on Piazza Garibaldi is the church of San Sebastiano, built in the 16^th century as a gesture of thanks to San Sebastian for deliverance from the plague.  Formerly a major centre for sulphur mining, the town now is famous for the production of the liqueur Amaro Averna.

More reading:

Did Carlo Gambino inspire Mario Puzo to write The Godfather?

The heroic Palermo businessman who refused to pay protection money

The police raid that nabbed the head of the Camorra 

Also on this day:

1972: Michelangelo's Pietà is vandalised

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Attilio Pavesi - Olympic cycling champion

Rider from Emilia-Romagna won Italy's first road racing gold 

Pavesi was soon regarded as a star in Italy,
 where posters of him were everywhere

Attilio Pavesi, the first winner of an individual Olympic gold medal in Italian cycling history, was born on this day in 1910 in the small town of Caorso in Emilia-Romagna.

At the Los Angeles Olympics of 1932, Pavesi won the individual road race and picked up a second gold medal as a member of the Italian quartet that won the team classification in the same race.

Italy had already won gold medals for the team pursuit in track cycling - indeed, they won that title for the fourth time in a row in 1932 - but had not enjoyed success on the road before Pavesi's triumph.

Pavesi, the last of 11 children born to Angelo, a poultry farmer, and his wife Maria, was a natural all-round sportsman, excelling at running, long jump, swimming, diving, gymnastics and football as he grew up.

He was such a strong swimmer he once saved a boy from drowning in a local river by pulling him to the bank by his hair.

His interest in cycling developed after he left school at the age of 10 to take a job in a workshop, learning how to repair all modes of transport from bicycles to tractors.  He joined a cycling team and won a number of trophies and continued to compete during his national service.

Pavesi was selected to travel to Los Angeles as a reserve for the road race but was determined that he would not make the arduous journey just to be a spectator.  The transatlantic crossing typically took about two weeks and when he boarded the SS Conte Biancamano in Naples he had a plan to keep himself in good physical shape by exercising each day.  Luckily, while others on the voyage suffered from seasickness, he was unaffected.

The SS Conte Biancamano pictured at the port of Naples

After disembarking in New York, the Italian athletes then had to make a five-day journey by train to cross from the east coast to the west.  When their individual fitness was assessed, Pavesi was in the best shape and was picked as one of the four-man team.

He won the race, staged as a 100km time trial with the finishing line on Santa Monica Beach, with a time of two hours, 28 minutes and five seconds.  With team-mate Guglielmo Segato second and Giuseppe Olmo fourth, Italy comfortably won the team gold.

Pavesi afterwards attributed his physical strength to his mother's home-made bread.

After the Games, Pavesi turned professional, competing in cycle races at home and abroad.  At the time when the future of Italy and Europe was becoming increasingly uncertain with the outbreak of the Second World War began, he decided to emigrate to Argentina.

The circumstances are not clear, but it appears he had been competing in an event in Buenos Aires when the boat on which he intended to return to Italy departed without him. He eventually settled in the town of Sáenz Peña on the outskirts of Buenos Aires, where he opened a bicycle shop and organised professional races.

Pavesi's victory paved the way for a golden period for Italian cycling, with the next six Olympics after the War bringing 16 gold medals.

He visited Italy regularly but Argentina became his home and he had such good health that he survived beyond his 100th birthday.  He was the oldest surviving Olympian when he passed away in August 2011, just two months shy of his 101st birthday.  He spent his final days in a nursing home, looked after by his son Claudio and daughter Patricia.

Pavesi's last visit to Italy was in 2003 at the age of 93, as the principal guest at the opening of the Fiorenzuola Velodrome, not far from Caorso.  The complex contains an Attilio Pavesi Museum, commemorating his career.

The historic Rocca Mandelli in Caorso houses the town hall

Travel tip:

The town of Caorso is notable for the Rocca Mandelli, a fortress built in 820 by the sisters of the Bishop of Piacenza, Imelde and Ursa.  It is thought that the fort was first known as Ca' Ursa - the house of Ursa - from which evolved the name Caorso. The Mandelli family took control of the fort in the late 14th century and it remained in their ownership for more than 400 years.  Nowadays it houses the town hall and municipal offices.

Travel tip:

Piacenza, which stands at the confluence of the Po and Trebbia rivers, was declared "First born of the Unification of Italy" after what happened in 1848 when a massive 98 per cent of the population voted to become part of the Kingdom of Sardinia, having previously been occupied by Austria and Croatia.  It remained strategically important and suffered severe damage at the hands of Allied bombers in the Second World War.  Surviving buildings include the 13th century town hall - Il Gotico - on Piazza Cavelli and the 12th century Romanesque Cathedral.

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