Valentina Cortese – actress

Vibrant performer made more than 100 films

Valentina Cortese in Michelangelo Antonioni's 1955 film
Le Amiche (The Girlfriends)

Film star Valentina Cortese was born on this day in 1923 in Milan.

She had an acting career lasting nearly 60 years and won an Academy Award nomination for her performance as an ageing, alcoholic movie star in Francois Truffaut’s Day for Night in 1973.

Cortese was born to a single mother, who sent her to live with her maternal grandparents in Turin when she was six years old.

She enrolled in the National Academy of Dramatic Arts in Rome at the age of 15 and made her screen debut in 1940. This paved the way for her first internationally acclaimed film in 1948, an Italian adaptation of Les Miserables with Gino Cervi and Marcello Mastroianni, in which she played the roles of both Fantine and Cosette.

She then appeared in the British film The Glass Mountain in 1949 and also appeared in many American films of the period, while continuing to work in Europe with directors such as Michelangelo Antonioni, Federico Fellini and Francois Truffaut.

After signing a contract with 20th Century Fox, Cortese starred in Malaya with Spencer Tracey and James Stewart and The House on Telegraph Hill with Richard Basehart and William Lundigan.

With the American actor James Stewart on the set of
Richard Thorpe's 1949 war drama Malaya

Cortese married her co-star, Richard Basehart, in 1951 and had one son with him, who became the actor Jackie Basehart.

The couple divorced in 1960 and Cortese never remarried.  Jackie died in Milan in 2015, four years before her own death.

She also enjoyed success on the stage, appearing in plays by Chekhov, Shakespeare, Brecht and Pirandello, frequently starring at Milan’s Piccolo Teatro.

Her final American film was When Time Ran Out in 1980, but she continued to make films in Italy until the 1990s. Having appeared in more than 100 films and TV shows, her final appearance was when she played the role of a Mother Superior in Franco Zeffirelli’s film, Sparrow, in 1993.

Valentina Cortese died in 2019 in Milan at the age of 96.

Milan's famous Gothic cathedral at the heart of
Lombardy's principal city

Travel tip:

Milan, where Valentina Cortese was born and died, is the capital city of the northern region of Lombardy. A leading city in the fields of art, entertainment, fashion and finance, Milan has a wealth of theatres with a long tradition of staging a variety of entertainment. In north west Milan, Teatro Dal Verme in San Giovanni sul Muro opened in 1872, the Teatro dell’Arte in Viale Alemagna was redesigned in 1960 and Teatro Litta next to Palazzo Litta in Corso Magenta is believed to be the oldest theatre in the city. The famous opera house, La Scala, inaugurated in 1778, has a fascinating museum that displays costumes and memorabilia from the history of the theatre. The entrance is in Largo Ghiringhelli, just off Piazza Scala. It is open every day except the Italian Bank Holidays and a few days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

The Piccolo Teatro Grassi in Milan,
founded in 1947

Travel tip:

The Piccolo Teatro in Milan, where Valentina Cortese regularly appeared, was founded in 1947 in Via Rivoli in north west Milan by theatre impresario Paolo Grassi and director Giorgio Strehler. The first public theatre in Italy, it aimed to be an arts theatre for everyone and continues to stage quality productions for the broadest possible audience to this day.

Also on this day:

1803: The birth of book thief Guglielmo Libri 

1926: The birth of singer Claudio Villa

1958: The birth of shoe designer Cesare Paciotti

Capodanno in Italy


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Giuseppina Tuissi - partisan

Key figure in capture and execution of Mussolini

Giuseppina Tuissi came from a strong
anti-fascist background near Milan

Giuseppina Tuissi, who was among a group of partisans who captured the deposed Fascist leader Benito Mussolini as he tried to escape to Switzerland in 1945, was born on this day in 1923 in Abbiategrasso, near Milan.

Tuissi and her comrades seized Mussolini at Dongo, a small town on the shores of Lake Como, on April 27, 1945, along with his mistress Claretta Petacci.  Having heard that Hitler was preparing to surrender to the Allies, Mussolini was trying to reach Switzerland before flying on to Spain in the hope of finding refuge under Franco’s nationalist dictatorship.

He and Petacci and their entourage were executed at the village of Giulino di Mezzegra the following day before the partisan group took their bodies to be put on public display in Milan.

Tuissi, however, would herself be killed less than a couple of months later, probably at the hands of fellow partisans who suspected her of betraying comrades during a period earlier in the year in which she had been held captive and tortured by Fascist militia and handed over to the Nazis but was then released.

Although she was born Abbiategrasso, about 30km (19 miles) southwest of Milan, Tuissi lived and worked in Baggio, a suburb of Milan. Her father Umberto, a blacksmith, her brother Cesare and boyfriend Gianni were active anti-fascist militants and members of the resistance movement.

In 1943, Tuissi became active in the movement, operating as a courier under the pseudonym Gianna.  Despite being small in stature and slight in build, she became known for her courage.

Luigi Canali, otherwise known as Captain Neri,
with whom Tuissi had a close bond

Her attitude towards the Fascists, who remained in control of the puppet Republic of Salò (also known as the Italian Social Republic) even after the Allied invasion, hardened after her boyfriend was captured and murdered by Fascist thugs.

She teamed up with the partisan Garibaldi Brigades, becoming a close associate of Luigi Canali, who operated under the pseudonym Captain Neri, and began plotting attacks on Fascist and German forces.

But they came under the surveillance of Mussolini’s secret police and were seized in the village of Lezzano by Fascist militia in January 1945, taken to a prison in Como and subjected to torture. Soon after being transferred to the German SS headquarters in Monza, where she was further tortured, she was released.

There has been speculation about why she was allowed to leave, ranging from a gestapo officer deciding to spare her after being struck by her bravery, to being allowed to leave so that she could be followed by SS officers and would lead them to Canali, who had managed to escape from prison.

It is said that she was offered the chance to flee to Switzerland but declined, preferring to remain in Italy to continue the work of the resistance.

However, the suspicion that she and Canali had betrayed their fellow resistance fighters while in captivity remained, even resulting in a death sentence being handed down by a “People’s Tribunal” , although their closest comrades in the 52nd Garibaldi Brigade ignored it, welcoming them back. Their leader appointed Canali to the rank of captain.

A small cross on a wall in Giulino di Mezzegra marks the spot
 at which Mussolini was killed by Tuissi and her comrades 

The day after the Mussolini execution, however, Tuissi was arrested in Baggio and held until May 9, during which time she was interrogated by Pietro Vergani, regional commander of the Garibaldi Brigades and a member of the Italian Communist Party. She was told that Canali had been executed.

Disillusioned and saddened by the death of her close colleague, she and Canali’s sister went to Milan to confront Vergani, demanding to know the circumstances of his death. Despite threats, Tuissi continued to ask questions and arranged to meet the editor of a daily newspaper in Milan.

She disappeared on April 23, 1945, her 22nd birthday. What happened to her has never been established but the suspicion is that her body was thrown into Lake Como at Cernobbio. This was backed up by the evidence of witnesses who saw two men and a girl arrive on a motorcycle at the lakeside in the town at around 9pm, heard shots and the sound of something hitting the water, then saw the motorcycle leave with the two men but no girl.

Four men were arrested, including Vergani and Dante Gorreri, the Communist Party secretary for Como, but all were released because of procedural irregularities.

The Visconti castle at Abbiategrosso in Lombardy

Travel tip:

Tuissi’s town of birth, Abbiategrosso, has a fine 14th century castle built by Gian Galeazzo Visconti and a basilica dedicated to Santa Maria Nuova that was built to celebrate the birth of Gian Galeazzo’s son, but its more recent claim to fame is as a prominent member of the Cittaslow movement, an offshoot of the Slow Food movement, which promotes a calm way of life and a spirit of neighbourliness. It has attracted many Milanese to buy property there to escapes the pressures associated with city life.

The sumptuous Villa d'Este on Lake Como at Cernobbio

Travel tip:

Cernobbio is known because of the presence of the Villa d’Este, the vast complex built as a 16th century summer residence for the Cardinal of Como, but it is only one of many fine villas fronting the water. The town once attracted large crowds hoping to catch a sight of movie star George Clooney, who had a house at nearby Laglio and would occasionally be spotted at a cafe in Cernobbio. Scenes from the movie Ocean’s 12, in which Clooney starred, were filmed locally. The place still has a neighborhood feel to it, especially on summer evenings and weekends when the main piazza is full of families and couples.

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Giuseppe Panza - art collector

Businessman amassed more than 2,500 pieces

Giuseppe Panza collected more than 2,500 works of art
between the 1950s and 1980s

The art collector Giuseppe Panza di Biumo, whose fascination with postwar art, particularly American, led him to build up one of the world’s most important collections, died on this day in 2010 in Milan.

A businessman who succeeded his father in making money from wine and property, Panza acquired more than 2,500 pieces in his lifetime, many of which he sold or donated to museums and art galleries.

Some he parted with for millions of dollars, although he always insisted that his motivation was never financial gain but the love of art.

Approximately 10 per cent of his collection remains in the 18th-century Villa Menafoglio Litta, his family home at Varese, north of Milan, where he created 50,000 square feet (4,600 sq m) of exhibition space.

He had an astute eye for talent, often identifying unknown artists who would go on to become collectible long before their works commanded premium prices.

For example, he anticipated the popularity of Minimalism in the 1960s, snapping up works by Donald Judd and Dan Flavin well before their careers had really taken off.

Panza's collection was one of the
largest assembled

Born in 1923 in Milan, Panza had a comfortable background. His father, Ernesto, was a wine distributor who invested in real estate and who in 1940 was given the title of count, which Giuseppe inherited, by King Vittorio Emanuele III.

He began reading books about art as an adolescent recovering from illness but it would be some years before he had the chance to develop his knowledge.  In the meantime, he fled wartime Italy for Switzerland in 1943, fearing that his misfortune to be living in the north of the country would lead to him being conscripted to fight on behalf of the Fascists and the Germans against the partisans in what already appeared to him to be a losing cause.

On his return to Italy after lying low in Lucerne, he enrolled at the University of Milan to study law, but never practised. Instead, he joined his father in the family business, although with no great enthusiasm. However, it was on a business trip to the United States in 1954 that he bought his first paintings and set forth on what would become a lifetime’s obsession.

With his wife, Rosa Giovanna Magnifico, he began a collection that included some work by European artists but which focussed primarily on the American artists who had captured his imagination. He bought his first work by the abstract expressionist Frank Kline, entitled Buttress, for $500. Years later, it was part of a collection of 80 works he sold for $11 million to the Museum of Contemporary Art in Los Angeles.

Panza paid $500 for Frank Kline's Buttress, which he later
sold as part of a $11 million collection

He and Rosa were among the first patrons of Pop art, Minimalist and Conceptual Art, collecting works by Robert Rauschenberg, Roy Lichtenstein, Brice Marden and Robert Morris among others.

They brought their paintings back to their home in Corso Porta Romana in Milan, originally intending to stop at 100 but finding themselves unable to resist the lure of finding new works by new artists.

By the 1980s, Panza began to dismantle the collection.  His intention at first was to sell to Italian museums and galleries so that the pleasures he had derived from from assembling it over 25 years and more could be shared with his fellow Italians, but Italian institutions were not wealthy and there were few takers.

Instead, many works went back to America.  In addition to the Museum of Contemporary Art in Los Angeles, he struck a deal with the Solomon R. Guggenheim Museum in New York, which acquired, as part of a $30 million package, more than 300 Minimalist sculptures and paintings in the 1990s.

The Hirshhorn Museum in Washington, the Albright-Knox Art Gallery in Buffalo and the San Francisco Museum of Modern Art also have substantial Giuseppe Panza collections.

Nearer home, he donated more than 200 works to the Lugano Cantonal Art Museum in Italian-speaking southern Switzerland and gave the Villa Menafoglio Litta to the Fondo Ambiente Italiano, the Italian equivalent of the National Trust.

He was survived by Rosa Giovanna and their children, Alessandro, Maria Giussepina, Federico, Giovanni, Giulio and Maria Luisa.

The Porta Romana in Milan stands on the site of one
of the original Roman gates into the city

Travel tip:

The Corso Porta Romana in Milan runs from the remains of the Porta Romana, one of the city’s traditional gateways, to Piazza Giuseppe Missori, in the city centre, a short distance from Piazza del Duomo. The visible remains of the gateway dates back to the 16th century Spanish walls, although there was a corresponding gate in the Roman walls. Indeed, Porta Romana was the first and the main imperial entrance to the city and the starting point of the road leading to Rome.

Piazza Monte Grappa in Varese

Travel tip:

Varese is a city in Lombardy, 55km north of Milan and close to Lake Maggiore. It is rich in castles, villas and gardens, many connected with the Borromeo family, who were from the area. Lake Varese is 8.5km long, set in low rolling hills just below Varese. Many visitors to the city are drawn to the Sacro Monte di Varese (the Sacred Hill of Varese), which features a picturesque walk passing 14 monuments and chapels, eventually reaching the monastery of Santa Maria del Monte.

More reading:

Giorgio de Chirico's scuola metafisica

The Futurist art of Carlo Carrà

Flaminio Bertoni - sculptor from Varese who turned his talents to car design

Also on this day:

1859: The birth of coffee maker Luigi Lavazza

1966: The birth of footballer Alessandro Costacurta

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Benito Jacovitti - cartoonist

Multiple comic characters loved by generations 

Benito Jacovitti

Benito Jacovitti, who would become Italy's most famous cartoonist, was born on this day in 1923 in the Adriatic coastal town of Termoli.

Jacovitti drew for a number of satirical magazines and several newspapers but also produced much work aimed at children and young adults.

His characters became the constant companions of generations of schoolchildren for more than 30 years via the pages of Diario Vitt, the school diary produced by the publishers of the Catholic comic magazine Il Vittorioso, which had a huge readership among teenagers and young adults, and for which Jacovitti drew from 1939 until it closed in 1969.

Jacovitti gave life to such characters as "the three Ps" - Pippo, Pertica and Pallo - as well as Chicchiriccì and Jack Mandolino via their cartoon adventures in Il Vittorioso, introduced Zorry Kid, a parody of Zorro, through a later association with children's journal Il Corriere del Picoli, and the cowboy Cocco Bill, who emerged during his 10-year stint as cartoonist for the daily newspaper, Il Giorno.

Cocco Bill, the character Jacovitti created
during his years working for Il Giorno

Born Benito Franco Iacovitti, he was the son of a railway worker.  Both his parents had Albanian origins. His first names stemmed from his father's fascination with the powerful political figures of the time.

Benito showed the first evidence of his artistic talent as a small child. He would draw comic stories on pavements in Termoli at the age of six.  The family moved to Macerata in Marche, where Jacovitti attended art school from the age of 11, and then to Florence, where he enrolled at the Art Institute as a 16-year-old.

It was there that he acquired the nickname lisca di pesce (fishbone) on account of his rather scrawny physique. He adopted the nickname as his signature.

He launched his career with the Florentine satirical magazine Il Brivido, where he decided he preferred his second name to begin with a 'J' rather than an 'I'.  The work with Il Vittorioso came soon afterwards and made him a household name.

Notable for his sense of the absurd, Jacovitti drew figures that inevitably had huge noses and gigantic feet and were sometimes quite grotesque. He has cited Elzie Crisler Segar, creator of Popeye, as one of his influences.

Though he became known for the characters and storylines he invented for his young audience, Jacovitti continued to maintain his skills as a satirist, drawing for the magazine Il Travaso for much of the 1950s under the signature of 'Franz'.

The Pippo cartoons with Il Vittorioso
established Jacovitti's popularity

During his time with Il Travaso, he collaborated with the film director Federico Fellini on an anti-communist strip that was very popular.

Controversially, he also worked on Kamasultra, a comic book parody of the Hindu adult text the Kamasutra, which in some eyes somewhat tarnished Jacovitti's reputation.

He began to draw for newspapers in the 1950s, first for Quotidiano and, from 1956 to 1966, for Il Giorno, the national daily based in Milan.

Jacovitti's work was published in many other periodicals in Italy and abroad and he had commercial companies queuing up to use his characters in advertising for their products. They appeared in commercials for Eldorado ice cream, Fiorucci salami, Teodoro oils and Fiat cars among others.

During his career, Jacovitti created more than 60 characters and produced around 150 books, making him one of the most prolific and original artists in comic book history.

He was a great admirer of Carlo Collodi, the creator of Pinocchio, and illustrated a number of editions of the famous story during his career.

Awarded the title of Knight Order of Merit of the Italian Republic by the President, Oscar Luigi Scalfaro, in 1994, he died in Rome in 1997 at the age of 74.

Travel tip:

Termoli, once primarily a fishing port but now a popular tourist resort, particularly with Italian families who flock to its sandy beaches, is notable for the Borgo Antico, an historic old town that sits on a promontory surrounded by walls which, on one side, drop into the sea.  An 11th century castle stands guard at the entrance and many of the houses are painted in pastel colours.  The Cathedral of St Mary of the Purification, built in the 12th and 13th centuries, is an example of Apulian Romanesque design. Contained within are the remains of the town's two patron saints, Bassus of Lucera and Timothy.

Termoli hotels by Booking.com  

Macerata hosts the Sferisterio Opera Festival every summer

Travel tip:

The walled city of Macerata in Marche is not among Italy's mainstream tourist destinations yet offers much to charm the visitor with its hill-town characteristics and maze of cobbled streets.  At the heart of the city, in the pretty Piazza della Libertà, is the Loggia dei Mercanti with its two-tier arcades, dating from the Renaissance. There are several beautiful palaces and a university that is among the oldest it Italy, established in 1290.  Each July and August the city hosts the Sferisterio Opera Festival, one of the most important dates on the Italian opera calendar, which is held in the 2,500 seat open-air Arena Sferisterio, a huge neoclassical arena built in the 1820s. Most of the world's great opera singers have performed there, attracted by its perfect acoustics, and it has been credited with staging some of the finest productions in the history of numerous regularly performed works, including Ken Russell's direction of Puccini's La Bohème in 1984.

More reading:

How Carlo Collodi's Pinocchio stories carried hidden meanings

Giacomo Puccini - the opera genius who inherited Verdi's baton

Giovanni Guareschi - satirical magazine editor who created Don Camillo

Also on this day:

1943: The birth of Mario Monti, the technocrat prime minister known as 'Super Mario'

(Picture credit: Sferisterio Festival by Florian Prischl via Wikimedia Commons)




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Franco Zeffirelli – film director

Shakespeare adaptations made director a household name

Franco Zeffirelli excelled in adapting
classic plays and operas for the big screen

The film, opera and television director Franco Zeffirelli was born on this day in Florence in 1923.

He is best known for his adaptations of Shakespeare plays for the big screen, notably The Taming of the Shrew (1967), with Richard Burton and Elizabeth Taylor, Romeo and Juliet (1968) and Hamlet (1990) with Mel Gibson. 

Boldly, he cast two teenagers in the title roles of Romeo and Juliet and filmed the tragedy against the backdrop of 15th century buildings in Serravalle in the Veneto region. His film became the standard adaptation of the play and has been shown to thousands of students over the years.

His later films include Jane Eyre (1996) and Tea with Mussolini (1999), while he directed several adaptations of operas for the cinema, including I Pagliacci (1981), Cavalleria rusticana (1982), Otello (1986), and La bohème (2008). 

Zeffirelli's name was, in fact, an invention, and a misspelled one to boot.

He was the child of Alaide Garosi, a fashion designer, as a result of an affair with a wool and silk dealer, Ottorino Corsi. Since both his parents were married to other partners, his registered surname could neither be Garosi or Corsi. Instead, his mother intended him to be registered as Zeffiretti - the Italian for 'little breezes' - in a reference to a line in Mozart's opera, Idomeneo. However, it was misspelled in the register and he became Gian Franco Corsi Zeffirelli.

Zeffirelli worked with Luchino Visconti
in his early days of film direction

Alaide died when Franco was six and he subsequently was looked after within expatriate English community in Florence, an experience that later inspired his film Tea with Mussolini, which was semi-autobiographical.

Zeffirelli studied art and architecture at Florence University before fighting as a partisan during the Second World War.

After the war he worked as a scenic painter in Florence until he was hired by Luchino Visconti, initially as an actor and stage director in his theatre company, and subsequently as assistant director on his 1948 film La terra trema (The Earth Trembles). He also worked with directors Vittorio De Sica and Roberto Rossellini in Italy's booming post-war cinema industry.

His focus then switched more to stage design, particularly for opera. His first major design for opera was a 1952-53 production of Gioachino Rossini’s L’Italiana in Algeri for La Scala in Milan. He maintained his link with opera in theatrical and arena settings throughout his career, working on notable productions of La traviata, Lucia di Lammermoor, La Bohème, Tosca, Falstaff, and Carmen. He became a friend of Maria Callas, eventually directing her in La Traviata in America and in Tosca at the Royal Opera House in London, with Tito Gobbi.

A 17-year-old Olivia Hussey in Zeffirelli's Romeo and
Juliet, which established the director's reputation

The Taming of the Shrew was Zeffirelli's first film as director in 1967. It was originally planned that Sophia Loren and Marcello Mastroianni would take the starring roles but to help fund production it was decided that Taylor and Burton would give the film a higher profile. 

Zeffirelli's major breakthrough came the year after with Romeo and Juliet (1968), which earned $14.5 million dollars at the box office in the United States and made Zeffirelli's name, earning him a nomination for Best Director at the Oscars, although at the same time it set a standard that some critics believe he never quite met in his subsequent work, for all his success. 

As well as Shakespeare adaptations, Zeffirelli made a number of films with religious themes, such as a life of St. Francis of Assisi entitled Brother Sun, Sister Moon (1972), then his TV mini-series Jesus of Nazareth (1977), although these attracted criticism from some religious groups for what they perceived as the blasphemous representation of biblical figures. 

Zeffirelli, who received the Order of Merit of the Italian Republic in 1977, is a former senator for the Forza Italia political party and received an honorary knighthood in Britain in 2004. 

UPDATE: Franco Zeffirelli died in Rome in June 2019 at the age of 96.

The Florence floods of 1966 did huge damage
to precious art treasures

Travel tip:

The University of Florence can trace its origins back to the 14th century, but the modern University, where Zeffirelli studied, dates back to 1859, when a number of higher studies institutions were grouped together. When his native Florence was flooded in the 1960s, causing millions of pounds worth of damage to precious art and literary treasures and the buildings housing them, Zeffirelli made a documentary film, Florence: Days of Destruction, to raise funds for the disaster appeal.

Book your stay in Florence with Booking.com

A typical Serravalle palace

Travel tip:

Serravalle, where Zeffirelli filmed Romeo and Juliet, was combined with the town of Ceneda nearby and renamed Vittorio in 1866 in honour of King Vittorio Emanuele II. After the last decisive battle of the First World War had taken place nearby, Vittorio was renamed Vittorio Veneto. The small town of Serravalle is the more picturesque of the two places that make up Vittorio Veneto and its fine 15th century palazzi and pretty arcaded streets made a wonderful backdrop for Zeffirelli’s film.  

Hotels in Serravalle by Booking.com



More reading:

Why Luchino Visconti was called 'the aristocrat of Italian cinema'

The genius of Vittorio De Sica

Sophia Loren - glamorous star is one of just three Italian Oscar-winning actors

Also on this day:

1602: The birth of Baroque painter Michelangelo Cerquozzi

1799: The death of biologist Lazzaro Spallanzani, pioneer of artificial insemination

1937: The birth of Vittorio Emanuele, heir to the last King of Italy

1944: The birth of actress and singer Claudia Mori

(Picture credits: Zeffirelli in 2008 by Alexey Yushenkov; Serravalle palace by Paolo Steffan; via Wikimedia Commons)

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