Asia Argento - actress and director

Twice winner of Italian ‘Oscar’ with turbulent private life

Asia Argento pictured with her father, the celebrated
horror film director, Dario Argento, at Cannes in 2012

The actress and director Asia Argento, whose father is the influential horror movie director Dario Argento, was born on this day in 1975 in Rome.

Argento’s mother was the actress Daria Nicolodi, granddaughter of the composer Alfredo Casella. She appeared in her first movie at the age of nine and turned out to have such a talent for acting she had won two David di Donatello best actress awards - the Italian equivalent of an Oscar - by the time she was 21.

As well as appearing in around 50 movies, some of which she also wrote and directed, and a number of television productions, Argento’s artistic talents have ranged to writing short stories and novels and recording solo albums as a singer.

Her private life has been somewhat turbulent. Married for five years to the director Michele Civetta, she was previously in a long-term relationship with the Italian rock musician Morgan, and later became romantically involved with the celebrity chef and documentary maker Anthony Bourdain, who took his own life at the age of 61.

Argento was a key figure in the
film industry's #MeToo movement

After alleging in 2017 that she had been raped by the since-jailed producer Harvey Weinstein at the Cannes Film Festival at the age of 21, Argento became a central figure in the #MeToo movement.

In 2018 she found herself at the heart of another sexual scandal, this time as the alleged perpetrator, when the New York Times reported claims from Jimmy Bennett, who had worked with Argento as a child actor, that he had been assaulted by her in a hotel room in California at the age of 17, below that state’s age of consent. Argento denied the allegation, although later reached a financial settlement with Bennett.

Argento’s first name appears in the records of the Rome register office as Aria after “Asia” was deemed inappropriate by officials at the time, although she has never been known as anything else. She claimed she took up acting in an attempt to grab her father’s attention during a childhood in which she said he was often absent because of work.

It worked. Two of her first three parts were in films produced by her father, who then directed her in a starring role in his 1993 horror-mystery Trauma.

Within a year, Argento had landed the first of her David di Donatello awards as best actress for her portrayal of a paraplegic in Perdiamoci di vista - roughly translated as 'Let’s Not Keep in Touch' - a bittersweet comedy directed by Carlo Verdone, who also co-stars.

Three years later, a second David di Donatello for best actress came her way after she starred in American director Peter del Monte’s drama Compagna di Viaggio - Travelling Companion - as a waitress who is asked by a friend to shadow her father, who has memory problems.

Argento has combined her 
acting career with music

In 2000, Argento moved into directing with Scarlet Diva, which she also wrote and her father co-produced. The film was well received by the critics. She directed Bennett, who was seven at the time, in The Heart Is Deceitful Above All Things four years later, herself playing a drug-addicted prostitute single mother, with Bennett cast as her son.

She won a Nastro d’Argento award - the prestigious award made by Italian film journalists - for the 2014 production, Incompresa - Misunderstood - which she directed and co-wrote.

A fluent English speaker, she became known to wider cinema audiences through starring in the 2002 Hollywood blockbuster, xXx, directed by Rob Cohen, in which she played an undercover spy, appearing alongside Vin Diesel and Samuel L Jackson, and landed a number of Hollywood roles as a consequence, before returning to the European cinema scene.

Alongside her film career, she is heavily involved with music. A singer with a deep, intense voice, she collaborated with a number of musicians in different genres, from traditional ballads to experimental new wave and techno rock. So far, she has released eight singles and two studio albums as well as appearing as a guest performer with other artists.

Her many TV appearances include participation in the 11th edition of Ballando con le Stelle - the Italian equivalent of America’s Dancing with the Stars and the UK’s Strictly Come Dancing - in which she was eliminated in week eight.

Argento published an autobiography, Anatomia di un cuore selvaggio (Anatomy of a Wild Heart), in 2021. She has two children, a daughter from her relationship with Morgan and a son by Michele Civetta, with whom she reportedly lives in the Vigna Clara neighbourhood to the north of Rome’s city centre.

In 2022, after taking a step back from films for a number of years, Argento made a comeback, again directed by her father, in Dark Glasses, a dark thriller in which she plays the guardian of a blind woman being hunted by a psychotic killer.

Dario Argento's Profondo Rosso store in Rome
also houses his Museum of Horror

Travel tip:

Dario Argento’s standing among horror movie fans is such that, in 1989, he opened a memorabilia shop in Via dei Gracchi, a short distance from the Vatican and Castel Sant’Angelo in the heart of Rome. Named Profondo Rosso (Deep Red) after the title of one of Argento’s most popular films, which starred David Hemmings and Argento’s wife, Daria Nicolodi, it is a small premises crammed to the rafters with rubber masks, costumes, props, posters and model figures. It is also the home of Argento’s Museum of Horror, a red-painted basement accessed via a door next to the till, containing model reconstructions of famously gory scenes from his extensive back catalogue.

The historic Ponte Milvio is one of the Rome
attractions accessible on foot from Vigna Clara

Travel tip:

Vigna Clara, where Asia Argento has a home, is a pleasant neighbourhood to the north of the historical centre of Rome, reached by crossing the Tiber via the Ponte Flaminio and proceeding north about 1.5km (1 mile). It has a lively commercial centre with good amenities and several public parks, while the residential streets comprise elegant buildings and upmarket villas. It offers access on foot to tourist attractions such as the historic Ponte Milvio, the Stadio Olimpico and the Auditorium Parco della Musica.  It is a 15-minute train ride from the Vatican, while the main city centre attractions are about 40 minutes away by train and metro.  The neighbourhood's church of Santa Chiara a Vigna Clara, designed by Alberto Ressa and opened in 1962, is unusual for having a circular layout.

Also on this day:

1378: Election of Pope Clement VII

1870: Rome’s walls breached in final act of unification

1934: The birth of actress Sophia Loren

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Ennio Porrino - composer

Premature death robbed Italian music of great talent

Ennio Porrino is seen by some as
one of the greats of Italian opera

The composer Ennio Porrino, best known for his symphonic poem, Sardegna, and his opera, I Shardana, was born on this day in 1910 in Cagliari.

Porrino was critically acclaimed, his operas earning comparisons with the great Giacomo Puccini, although to some his reputation has been tarnished by his association with Benito Mussolini’s Fascist regime. He was only 49 when he died in Rome.

His 1941 opera, Gli Orazi, has been interpreted as a ‘hymn to fascism’ by some critics, while his piece, The March of the Volunteer, was used by Mussolini’s short-lived Italian Social Republic as its anthem.

Little is known of Porrino’s early years. It is thought that his family moved to Rome when he was a small child and most accounts of his life begin with his studies at the Accademia Nazionale di Santa Cecilia, which he attended from the age of 17 and where he graduated in 1932.

He also studied with the composer Ottorino Respighi, who was keen to see his potential realised.  Respighi would be a significant influence on Porrino’s own work.

Porrino was not slow to make an impact in Roman musical circles. In 1931 he won an opera competition organised by the Giornale d'Italia newspaper. Two years later, his overture for orchestra, Tartarin de Tarascon, won the Accademia di Santa Cecilia’s own competition for the 25th anniversary concerts at the Teatro Augusteo, where it premiered under the baton of Bernardino Molinari. 

Porrino studied under the violinist and
composer Ottorino Respighi (above)

Molinari was the conductor in January of the following year when Porrino’s  symphonic poem Sardegna was performed for the first time. A tribute to a homeland Porrino was yet to understand and appreciate, Sardegna was based largely on the nostalgic tales passed to him by his Sardinian mother. The piece was widely appreciated and performed numerous times in Italy and abroad, as well as being included in the Italian music section of the 1935 Hamburg International Festival. 

Like Respighi, who died in 1936, Porrino championed an Italian national music movement faithful to its classical roots. He openly opposed modernist composers such as Alfredo Casella.

However, some academics argue that there was a dark side to Porrino’s enthusiasm for traditional Italian music, citing an article he wrote for an antisemitic journal, La difesa della razza - The Defence of Race - in 1938.

Under the title, La musica nella tradizione della nostra razza - Music in the tradition of our race - Porrino argued that Italian music was a fundamental component of Italian culture and national pride, but that it had been corrupted by internationalism, which was generally recognised as code for Judaism. 

His opposition to Casella, it has been suggested, might have had as much to do with the latter’s opposition to Mussolini’s despised race laws as his music. Casella also happened to be married to a French woman from a Jewish family.

Porrino was also excited by Mussolini’s dream of restoring Rome to its former grandeur as the heart of his Fascist empire and his promotion of what he saw as the masculine, dynamic values of so-called romanità (Roman-ness).

Gli Orazi told the story of the feud between the
Orazi and Curiazi families in 7th century Rome

In was in this context, perhaps, that Porrino wrote Gli Orazi, which is the story of a conflict between the Roman family of Horatius (Orazio) and that of Curiatius (Curiazio), from Alba Longa, just to the south of Rome, when the two cities are at war during the seventh century.

The one-act opera concludes with a victory for the Orazi in this feud and a celebration of Rome’s defeat of Alba in the war.  Porrino collaborated with the librettist Claudio Guastalla on Gli Orazi, as he had in completing Respighi’s unfinished opera, Lucrezia, after Respighi’s death. Guastalla, though he regarded himself unequivocally as Italian, was the son of Jewish parents and his name ultimately disappeared from the credits.

Nonetheless, Gli Orazi was staged with great success at La Scala in Milan in February 1941.  

After the fall of Mussolini and the defeat of the Fascists, the immediate post-war years saw Porrino devote more time to academic work than to composing. He was appointed professor of composition at the Rome Conservatory, and became a full member of both the Accademia di Santa Cecilia and the Luigi Cherubini Academy in Florence.

In 1946 he was appointed substitute librarian in the Library of the Conservatory of San Pietro a Majella in Naples, where he also taught composition.  Later, he became director of the Pierluigi da Palestrina Conservatory of Cagliari, and conducted orchestral and choral performances in Naples and Venice.

Sardinia is dotted with the remains of nuraghe,
conical stone towers as old as the Shardana

He returned to opera composition triumphantly with I Shardana, a 1959 work set among the warrior race that spent much of its time defending Sardinia from foreign invaders during the Bronze Age.

Inspired by what Porrino had learned about his homeland after returning as an adult, the opera is regarded as one of the most important in Italy post 1945 and confirmed Porrino’s reputation, according to some critics, as the greatest Italian musician since Puccini.

It came as a profound shock, then, just a few months after I Shardana’s premiere at Teatro San Carlo in Naples, when it was reported in September 1959 that Porrino had died, following a sudden illness. He had been in Venice only a few days earlier, when his work La bambola malata, described as a pantomime, had been performed at the Venice International Festival of Contemporary Music.  

He left a widow, Malgari, a painter and theatrical designer, and a daughter, Stefania, born in 1957, who became a playwright and stage director in adulthood.

An orchestral performance inside the modern
Accademia Nazionale di Santa Cecilia in Rome

Travel tip:

The Accademia Nazionale di Santa Cecilia, one of the oldest musical institutions in the world, was established in 1565. It was founded in Rome by Pope Sixtus V at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members, among them opera singers Beniamino Gigli and Cecilia Bartoli. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, in Viale Pietro de Coubertin in the Flaminio district, close to the location of the 1960 Summer Olympic Games.

A view from the sea similar to that which the
writer D H Lawrence might have experienced

Travel tip:

Cagliari, where Porrino was born, is Sardinia's capital, an industrial centre and one of the largest ports in the Mediterranean. Yet it is also a city of considerable beauty and history, most poetically described by the novelist DH Lawrence when he visited in the 1920s. As he approached from the sea, Lawrence set his eyes on the confusion of domes, palaces and ornamental facades which, he noted, seemed to be piled on top of one another. He compared it to Jerusalem, describing it as 'strange and rather wonderful, not a bit like Italy.’  What he saw was Cagliari’s charming historic centre, known as Castello, inside which the city’s university, cathedral and several museums and palaces - plus many bars and restaurants - are squeezed into a network of narrow alleys.

Also on this day:

1526: The birth of mathematician Rafael Bombelli

1920: The birth of film director Federico Fellini

1950: The birth of magazine editor Franca Sozzani

1987: The birth of motorcycle racer Marco Simoncelli

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Alfredo Casella – composer

Musician credited with reviving popularity of Vivaldi

Alfredo Casella was born into a musical
family in Turin in 1883

Pianist and conductor Alfredo Casella, a prolific composer of early 20th century neoclassical music, was born on this day in 1883 in Turin.

Casella is credited as being the person responsible for the resurrection of Antonio Vivaldi’s work, following a 'Vivaldi Week' that he organised in 1939.

Casella was born into a musical family. His grandfather had been first cello in the San Carlo Theatre in Lisbon and he later became a soloist at the Royal Chapel in Turin.

His father, Carlo, and his brothers, Cesare and Gioacchino, were professional cellists. His mother, Maria, was a pianist and she gave the young Alfredo his first piano lessons. Their home was in Via Cavour, where it is marked with a plaque.

Casella entered the Conservatoire de Paris in 1896 to study piano under Louis Diemer and to study composition under Gabriel Fauré.

Ravel was one of his fellow students and Casella also got to know Debussy, Stravinsky, Mahler and Strauss while he was in Paris.

Casella at his piano. He spent some
years in the United States 

He admired Debussy, but he was also influenced by Strauss and Mahler when he wrote his first symphony in 1905. The composer made his debut as a conductor when he led the orchestra at the symphony’s premiere in Monte Carlo in 1908.

During World War I, Casella taught piano at the Accademia Nazionale di Santa Cecilia in Rome.

He married Yvonne Muller in Paris in 1921. Their granddaughter is the actress Daria Nicolodi and their great granddaughter is the actress Asia Argento.

From 1927 to 1929, Casella was principal conductor of the Boston Pops Orchestra in Boston, Massachusetts.

Playing the piano, with Arturo Bonucci, cello, and Alberto Poltronieri, violin, Casella formed the Trio Italiano in 1930, which played to great acclaim in Europe and America. He wrote some of his best compositions for the Trio to play on tour.

Perhaps his biggest success was his music for the ballet, La Giara, written in 1924, but he also wrote some beautiful music for the cello, piano and harp.

Casella made live-recording piano music rolls for the Aeolian Duo-Art system, which can still be heard today.

A wall plaque marks the house in Turin where Casella was born

In 1923, with Gabriele D’Annunzio and Gian Francesco Malpiero from Venice, he founded an association to promote the spread of modern Italian music, the Corporation of the New Music.

Antonio Vivaldi’s music became popular again in the 20th century, thanks to the efforts of Casella, who organised Vivaldi Week in 1939.

In 1947, a Venetian businessman founded  the Istituto Italiano Antonio Vivaldi to promote the baroque composer’s music.

Casella’s work on behalf of the Italian baroque composers was to profoundly influence his own music. The composer died in Rome in 1947.

The Palazzo Madama in Piazza Castello

Travel tip:

Turin, where Casella was born, is the capital city of the region of Piedmont. The city has some fine architecture, which illustrates its rich history as the home of the Savoy Kings of Italy. Piazza Castello, with the royal palace, royal library and Palazzo Madama, which used to house the Italian senate, is at the heart of ‘royal’ Turin.

Inside the modern Accademia Nazionale di Santa Cecilia

Travel tip

The St Cecilia Academy - Accademia Nazionale di Santa Cecilia - where Casella taught the piano, is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano.

More reading:

Success and sadness in the life of Antonio Vivaldi

How Cecilia Bartoli put the spotlight on forgotten composers

The opera composer who gave Vivaldi a job

Also on this day:

1467: The world's first artillery battle

1654: The birth of Baroque composer Agostino Steffani



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