Showing posts with label Arcetri. Show all posts
Showing posts with label Arcetri. Show all posts

7 February 2019

Vittoria delle Rovere – Grand Duchess of Tuscany

Bride who brought the treasures of Urbino to Florence


Vittoria della Rovere, a portrait by the Flemish painter Justus Sustermans, circa 1639
Vittoria della Rovere, a portrait by the Flemish
painter Justus Sustermans, circa 1639
Vittoria della Rovere, who became Grand Duchess of Tuscany, was born on this day in 1622 in the Ducal Palace of Urbino.

Her marriage to Ferdinando II de’ Medici was to bring a wealth of treasures to the Medici family, which can still be seen today in the Palazzo Pitti and the Uffizi Gallery in Florence.

Vittoria was the only child of Federico Ubaldo della Rovere, the son of the Duke of Urbino, Francesco Maria. Her mother was Claudia de’ Medici, a sister of Cosimo II de’ Medici.

As a child it was expected that Vittoria would one day inherit the Duchy of Urbino, but Pope Urban VIII convinced Francesco Maria to leave it to the Papacy and the Duchy was eventually annexed to the Papal States.

Instead, at the age of nine, Vittoria received the Duchies of Rovere and Montefeltro and an art collection.

Vittoria had been betrothed to her Medici cousin, Ferdinando, since the age of one and was sent by her mother to be brought up at the Tuscan court.

Vittoria and her husband, Ferdinando II de' Medici,  also by Sustermans, probably painter in around 1660
Vittoria and her husband, Ferdinando II de' Medici,
also by Sustermans, probably painter in around 1660
The marriage was arranged by Ferdinando’s grandmother, Christina of Lorraine, who had been acting as joint regent of the Duchy with Ferdinando’s mother, Maria Maddalena of Austria. Even after Ferdinando II reached his majority in 1628, the dowager Grand Duchess Christina remained the power behind the throne until her death eight years later.

The wedding between Vittoria and Ferdinando took place in 1633, when she was just 11 years old. Her inheritance was included in her dowry which was offered to the Medici family and her art collection became the property of the Grand Duchy of Tuscany.

Vittoria was educated in a convent and the marriage was not consummated until six years later. Vittoria had two sons who both died soon after birth, but in 1642 gave birth to Cosimo de’ Medici, who was styled Grand Prince of Tuscany.

Shortly after the birth of Cosimo, Vittoria is said to have caught her husband in bed with a page and the couple became estranged.

It was not until 1659 that they were reconciled, after which Vittoria gave birth to their last child, Francesco Maria.

The Villa del Poggio Imperiale, as depicted by the 18th century Florentine printmaker Giuseppe Zocchi
The Villa del Poggio Imperiale, as depicted by the 18th
century Florentine printmaker Giuseppe Zocchi
Ferdinando II died in 1670 and was succeeded by his eldest son, who became Cosimo III.

Vittoria vied with her daughter-in-law, Marguerite Louise d’Orleans, for power, but Cosimo took his mother’s side and assigned to her the day-to-day administration of Tuscany. She was formally admitted into the Grand Duke’s Consulta or Privy Council.

Eventually Cosimo III and Marguerite agreed to separate on condition that Marguerite went to live at the Abbey Saint Pierre de Montmartre in Paris and Vittoria was made guardian of her three grandchildren.

In later life Vittoria spent time living in the Villa del Poggio Imperiale in Arcetri to the south of Florence, to which she transferred some of her art collection. She died at Pisa in 1694 at the age of 72 and was buried at the Basilica of San Lorenzo in Florence.

Her titles of Rovere and Montefeltro became extinct when her grandson, Gian Gastone de’ Medici, died in 1737 without an heir, ending the Medici line. Vittoria’s only granddaughter, Electress Palatine Anna Maria Luisa, who had married Elector Johann Wilhelm II, willed the contents of the Medici properties to the Tuscan state in 1743, ensuring Vittoria’s inheritance and the art works collected by the Medici for nearly three centuries remained in Florence.

The Ducal Palace at Urbino is thought to have been completed by the High Renaissance architect Donato Bramante
The Ducal Palace at Urbino is thought to have been completed
by the High Renaissance architect Donato Bramante
Travel tip:

Urbino, where Vittoria was born, is inland from the Adriatic resort of Pesaro, in the Marche region. It is a majestic city on a steep hill and was once a centre of learning and culture, known not just in Italy but also in its glory days throughout Europe. The Ducal Palace, a Renaissance building made famous by The Book of the Courtier by Castiglione, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.



The Palazzo Pitti in Florence, as seen from the Giardini Boboli behind the palace, was Vittoria's home
The Palazzo Pitti in Florence, as seen from the Giardini
Boboli behind the palace, was Vittoria's home
Travel tip:

Palazzo Pitti, where Vittoria lived as Grand Duchess of Tuscany, was originally built for the banker, Luca Pitti, in 1457 in the centre of Florence. He wanted to outshine the Medici family, but they later bought it from his bankrupt heirs and made it their main residence in 1550. Today visitors can look round the richly decorated rooms and see treasures from the Medici collections. The Palatine Gallery contains 16th and 17th century paintings, including works by Raphael. The Treasury, which was once known as the Silver Museum, displays Medici household treasures, such as silver tableware, stone vases and precious jewellery.



More reading:

Gian Gastone de' Medici - the last Medici to rule Florence

Why Cosimo II de' Medici sponsored and supported Galileo Galilei

The life of Claudia de' Medici, Vittoria's mother

Also on this day:

1497: Savonarola lights his Bonfire of the Vanities

1909: The birth of Amedeo Guillet, the last army office to lead a charge against the British

1941: The birth of '60s pop star Little Tony

(Picture credits: Ducal Palace by Zyance; Palazzo Pitti by Stefan Bauer via Wikimedia Commons)


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25 August 2018

Galileo demonstrates potential of telescope

Scientist unveiled new instrument to Doge of Venice


How the Milanese artist Giuseppe Bertini imagined the scene as Galileo demonstrated his telescope to the Doge
How the Milanese artist Giuseppe Bertini imagined the
scene as Galileo demonstrated his telescope to the Doge
The scientist and inventor Galileo Galilei demonstrated the wonders of the telescope to an audience of Venetian lawmakers on this day in 1609.

The 90th Doge, Leonardo Donato, and other members of the Venetian senate accompanied Galileo to the top of the campanile of St Mark’s Basilica, where each took it in turn to look through the instrument.

The meeting had been arranged by Galileo’s friend, Paolo Sarpi, who was a scientist, lawyer and statesman employed by the Venetian government. The two were both professors at the University of Padua.

Galileo, whose knowledge of the universe led him to be called the ‘father of observational astronomy’, was for many years wrongly credited with the invention of the telescope when in fact the first to apply for a patent for the device was a Dutch eyeglass maker named Hans Lippershey.

However, Galileo’s work using uncertain details of Lippershey’s design certainly took the idea to a different level.

Like Galileo, Paolo Sarpi was a professor at the University of Padua
Like Galileo, Paolo Sarpi was a professor
at the University of Padua
Whereas Lippershey’s device magnified objects by about three times, Galileo eventually produced a telescope with a magnification factor of 30.

The one he demonstrated on August 25, 1609, is thought to have had a factor of about eight or nine.

Galileo was the first to realise the potential of the telescope for astronomical study.

He was able to make out mountains and craters on the moon, as well as a ribbon of diffuse light arching across the sky — the Milky Way.  Galileo also discovered the rings of Saturn, sunspots and four of Jupiter's moons.

It was his findings on Jupiter’s moons in January 1610 that would lead him indirectly into trouble with the Roman Inquisition over his belief in heliocentrism, the concept that the sun and not the Earth was the centre of the solar system, as had been theorised by the Polish scientist Nicolaus Copernicus in the previous century.

In observing the three objects in proximity to the planet Jupiter that he had originally thought to be distant stars, he noticed that their position relative to the planet changed in a way that would have been inexplicable if they had really been fixed stars.

One day he noticed that one of them had disappeared altogether only to reappear later and within a few days had concluded that they were orbiting Jupiter. When, later in the year, he discovered that the planet Venus had ‘phases’ similar to the earth’s Moon, when differences in appearance suggested different positions in the sky, he began to subscribe firmly to the Copernican theory.

This flew in the face of a major part of Roman Catholic belief, based on the Aristotelian principle that all heavenly bodies orbited the Earth.

In time, Galileo was found guilty of heresy and forced to recant his views under threat of torture. He would have spend the last years of his life in prison had the court not shown some clemency and commuted his sentence to house arrest.

The campanile of St Mark's is a famous landmark in Venice, towering over the basilica
The campanile of St Mark's is a famous landmark
in Venice, towering over the basilica
Travel tip:

The Campanile of St Mark’s has become one of the symbols of Venice, instantly recognisable as part of the landscape of St Mark’s Square - Piazza San Marco - standing away from the basilica itself. Constructed in the ninth century, one of its first uses was a watchtower or lighthouse. Over the centuries it has been restored and added to several times, often following regular lightning strikes.  It assumed its definitive shape in the 16th century with restorations made to repair damage caused by the earthquake of March 1511, when the belfry, attic and spire were added. The whole structure collapsed in 1902, a few days after a large crack appeared in the north wall, it is thought because of erosion of the foundations after almost 1,000 years, but was rebuilt over the following 10 years.

Travel tip:

Galileo lived under house arrest was Villa Gioella, a house he rented a couple of miles from the from the centre of Florence in the Arcetri hills.  In Galileo’s time it was a farmhouse, surrounded by many acres of land. The area is also home to the Arcetri Observatory, which was opened in 1872 after astronomers at La Specola Observatory, not far from the Pitti Palace, decided that pollution from artificial light was making clear images impossible.

More reading:

The father of modern science

Galileo Galilei convicted of heresy

How Niccolò Zucchi discovered the 'belts' around Jupiter

Also on this day:

The Feast Day of Saint Patricia of Naples

79AD: Vesuvius erupts


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