Claudio Abbado – conductor

The distinguished career of a multi award-winning musician

Claudio Abbado had a long and
successful career in music

The internationally acclaimed orchestra conductor Claudio Abbado was born on this day in 1933 in Milan.

Abbado was musical director at Teatro alla Scala, the opera house in his native city, from 1972 to 1980 and remained affiliated to the theatre until 1986. He was the principal conductor of the Vienna Philharmonic and the London Symphony Orchestra and was appointed director of the Vienna State Opera and the Berlin Philharmonic.

Born into a musical family, Abbado studied the piano with his father, Michelangelo Abbado from being eight years old. His father was a professional violinist and a professor at the Giuseppe Verdi Conservatory in Milan. His mother, Maria Carmela Savagnone, was a pianist and his brother, Marcello, became a concert pianist, a composer, and a teacher.

The Nazis occupied Milan during his childhood and his mother spent time in prison for harbouring a Jewish child. Abbado grew up to have anti-fascist political beliefs.

Abbado studied piano, composition and conducting at the Milan Conservatory. After deciding to be a conductor, he went to study in Vienna, winning the Koussevitsky prize in 1958 and the Metropolitan Prize in 1963. He made his conducting debut in Trieste in 1958 and his conducting debut at La Scala in 1960.

After being engaged by the New York Philharmonic, he began a successful international career. He was principal guest conductor of the Chicago Symphony Orchestra, founder and director of Lucerne Festival Orchestra, founder and director of Mahler Chamber Orchestra, founding Artistic Director of Orchestra Mozart, and music director of European Youth Orchestra

Claudio Abbado made his conducting debut in
Trieste in 1958 at the age of 25

While serving as musical director of La Scala, Abbado was credited with broadening the repertoire of the theatre and lifting standards. He also introduced inexpensive performances for students and working people. Experts praised him for his attention to detail and his robust rhythmic grasp. He was particularly strong on German and Italian 20th century operatic traditions.  

Abbado had a son and daughter from his first marriage, a son from his second marriage, and a son as a result of his four-year relationship with the Russian-born British violinist Viktoria Mullova.

In 2013, Italian President Giorgio Napolitano appointed Abbado to the Italian Senate as a Senator for life.

One of the leading conductors of his generation, Abbado died in Bologna in 2014 at the age of 80. As a tribute to him, La Scala’s orchestra, conducted by Daniel Barenboim, performed the slow movement of Beethoven’s Symphony No 3 to an empty theatre, with the performance relayed to a crowd in the square in front of the opera house and live streamed via La Scala’s website.

The Teatro alla Scala in Milan was originally
built almost 250 years ago

Travel tip:

Milan’s Teatro alla Scala, known to Italians simply as La Scala, has become the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The Teatro Massimo in Palermo had been dark
for 23 years when it was reopened in 1997

Travel tip:

Palermo’s Teatro Massimo became a symbol of Italy’s fight back against the Mafia when Claudio Abbado conducted the Berlin Philharmonic in a concert there in 1997. The largest opera house in Italy, the Teatro Massimo had been closed for supposedly minor refurbishments in 1974, but with the Mafia controlling local government, no money was made available for the work. However, after the murder of Giovanni Falcone, the city turned against the Mafia and maestro Abbado was invited to conduct there at its grand reopening after the theatre had been dark for 23 years.

Also on this day:

1906: The birth of singer and actor Alberto Rabagliati

1944: British bombers attack San Marino

1968: The birth of footballer Paolo Maldini

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Vittorio Gui – composer and conductor

Precise and sensitive musician enjoyed a long and distinguished career

Vittorio Gui enjoyed a long
and distinguished career

Internationally renowned orchestra conductor Vittorio Gui was born on this day in 1885 in Rome.

Gui composed his own operas, while travelling around Italy and Europe conducting the music of other composers. He spent many years conducting in Britain and served as the musical director of the Glyndebourne Festival for 12 years.

He was taught to play the piano by his mother when he was a young child. He graduated in Humanities at the University of Rome and then studied composition at the Accademia Nazionale di Santa Cecilia.

The premiere of his opera, David, took place in Rome in 1907. He made his professional conducting debut at the Teatro Adriano in Rome in the same year, having been brought in as a substitute to lead Ponchielli’s La Gioconda.

This led to Gui being invited to conduct in Rome and Turin. Arturo Toscanini then invited him to conduct Salome by Richard Strauss as the season opener at La Scala in Milan in 1923.

He conducted at the Teatro Regio in Turin between 1925 and 1927 and premiered his own fairytale opera, Fata Malerba, there.

Gui founded the Orchestra Stabile in Florence and developed the Maggio Musicale Fiorentino festival, which he led for ten years, conducting the Orchestra Stabile and trying out unusual operas there.

Some recordings of performances
conducted by Gui are still available 

He was guest conductor at the Salzburg festival in 1933 and invited by Sir Thomas Beecham in 1936 to be a regular conductor at the Royal Opera House in Covent Garden in London.

Complete recordings of Gui conducting Il Trovatore and La Traviata from the 1939 Covent Garden season have survived.

Gui remained in Britain during World War Two and made his debut at the Glyndebourne Festival in 1948. He served as musical director there from 1951 to 1963 and as artistic counsellor to the festival from 1963 to 1965.

He was particularly known for his conducting of music by Brahms and in 1947, on the 50th anniversary of the death of Brahms, he conducted a complete cycle of the orchestral and choral works of the composer  throughout Italy.

A prolific writer and critic, Gui’s works include a study of Boito’s opera, Nerone, an article on Mozart in Italy and a collection of essays, Battuta d’aspetto.

Gui died in October 1975 at his home in Florence at the age of 90 after an attack of angina. He had made his final appearance as a conductor in Italy just two weeks before his death, when he inaugurated the new season at the Teatro Comunale in Florence with a concert of Mozart and Brahms.

He was considered by critics to have been one of the most precise and sensitive conductors of the 20th century and he had been presented with a gold medal by the regional administration of Florence on 14 September, 1975, his 90th birthday.

The Teatro Regio in Turin was closed for 37 
years after a catastrophic fire in 1936

Travel tip:

The Teatro Regio in Turin, where Gui conducted in the 1920s, was burnt down in a catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973. The theatre, which is in Piazza Castello close to the Palazzo Reale in the centre of the city, had something of a chequered history even before the fire. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but somehow survived.

The Teatro del Maggio Musicale 
has been fully open only since 2014

Travel tip:

The Orchestra Stabile Fiorentina founded by Gui evolved into the Orchestra del Maggio Musicale Fiorentino, resident at the Teatro Comunale in Corso Italia, on the edge of the city’s historic centre, about 1.5km (1 mile) from the Ponte Vecchio along the Arno river.  Since 2014, the May Festival has had its own base at the new Teatro del Maggio Musicale Fiorentino, situated less than one kilometre away on land opposite the vast public park known as Le Cascine. Designed by Paolo Desideri, it was inaugurated in 2011 with a performance of Beethoven's Ninth Symphony conducted by Zubin Mehta, although not fully opened until 2014-15, when its first opera season was staged. The square in front of the theatre is named Piazza Vittorio Gui in honour of the festival’s founder.

Also on this day:

1321: The death of the poet Dante Alighieri

1937: The birth of architect Renzo Piano

1938: The birth of journalist Tiziano Terzani

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Salvatore Di Vittorio – composer and conductor

Musician has promoted his native Palermo throughout the world

Salvatore Di Vittorio is the musical director and
 conductor of the Chamber Orchestra of New York

Salvatore Di Vittorio, founding music director and conductor of the Chamber Orchestra of New York, was born on this day in 1967 in Palermo in Sicily.

Also a composer, Di Vittorio has written music in the style of the early 20th century Italian composer, Ottorino Respighi, who, in turn, based his compositions on the music he admired from the 16th and 17th centuries.

Di Vittorio has been recognised by music critics as respectful of the ancient Italian musical tradition and also as an emerging, leading interpreter of the music of Ottorino Respighi.

He began studying music when he was a child with his father, Giuseppe, who introduced him to the operas of Giuseppe Verdi and Giacomo Puccini. He went on to study composition at the Manhattan School of Music and Philosophy at Columbia University.

He has since worked with orchestras all over the world and composed music for them to perform and has also taught music in New York.

In 2007, Di Vittorio was invited by Elsa and Gloria Pizzoli, Respighi’s great nieces, to edit and complete several of the composer’s early works, including his first Violin Concerto, composed in 1903.

Di Vittorio has been honoured by his
home city of Palermo

Di Vittorio premiered and then recorded his completed versions of Respighi’s music, along with his own Overtura Respighiana. The recordings were released in 2011.

He has also edited Respighi’s 1908 orchestration of Claudio Monteverdi’s Lamento di Arianna, from the 1608 opera, Arianna.

In November 2012, the critics acclaimed his neo-classical compositions after the world premiere of Di Vittorio’s Sinfoni No 3 Templi di Siciliana with the Orchestra Sinfonica Siciliana at the Teatro Politeama Garibaldi in Palermo.

He completed Respighi’s orchestration of the 1913 Tre Linche - Three Art Songs - in time for the 100th anniversary of the compositions in 2013.

In 2019, Di Vittorio completed the first printed edition of Respighi’s second violin concerto, ‘all’Antica.

Di Vittorio has been awarded the Medal of Palermo from Mayor Leoluca Orlando, in recognition of his contribution to promoting the city of Palermo around the world.

Ottorino Respighi was the inspiration
for Di Vittorio's music

In 2016, Di Vittorio became the first Italian-born composer to be invited to donate an autograph manuscript of his work to the Morgan Library and Museum’s world-renowned music archive. He composed La Villa d’Este a Tivoli in 2015 for the Morgan on the occasion of its exhibition, City of the Soul: Rome and the Romantics.

In June 2019, Di Vittorio recorded a second album of his music, which included several world premiere recordings and his new, fourth symphony.

He has said he is fascinated by storytelling in music and is known for his lyrical, symphonic poems, which are often inspired by classical antiquity and show connections to the Italian Renaissance and Baroque periods.

Di Vittorio lives with his family in both Palermo and New York.

Mount Etna, still an active volcano, is a dominant
presence in the east of the island of Sicily

Travel tip:

Sicily is the largest island in the Mediterranean, just off the toe of Italy’s boot. The ancient ruins, diverse architecture and wonderful cuisine enjoyed by visitors are all testament to the island’s colourful history. Watching over the island is Mount Etna, a volcano that is still active. The capital city, Palermo, where Salvatore di Vittorio was born, has a wealth of beautiful architecture, plenty of shops and markets and is home to the largest opera house in Italy, the Teatro Massimo.

The Teatro Politeama Garibaldi in Palermo staged the world
premiere of Di Vittorio's Sinfoni No 3 Templi di Siciliana

Travel Tip:

The Teatro Politeama Garibaldi, where Salvatore Di Vittorio conducted the Orchestra Sinfonica Siciliana playing his Sinfoni No 3 Templi di Siciliana on the occasion of its world premiere, is in Piazza Ruggero Settimo in the historic centre of Palermo. It is the second most important theatre in the city, after the Teatro Massimo. The theatre was inaugurated as the Teatro Municipale Politeama in 1874, but after the death of Giuseppe Garibaldi in 1882, it was decided to name the theatre after him. The theatre was finally completed in 1891 and opened by King Umberto I and Queen Margherita, who were treated to a performance of Giuseppe Verdi’s Otello, featuring the tenor Francesco Tamagno., who had sung Otello in the first performance of the opera in 1887.

Also on this day:

1885: The birth of tenor Giovanni Martinelli

1965: The birth of actress Valeria Golino

1968: Soave is awarded DOC status


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Carlo Maria Giulini - conductor

Boy violinist who became a maestro of the baton

Giulini conducted some of the world's
great orchestras in a long career

Carlo Maria Giulini, who conducted many of the world’s great orchestras in a career spanning 54 years, was born on this day in 1914 in Barletta, a town on the Adriatic coast 66km (41 miles) north of the port city of Bari.

Appointed musical director of Teatro alla Scala in Milan in 1953, he went on to become one of the most celebrated conductors of orchestral performances, developing long associations with the Chicago Symphony Orchestra and the Philharmonia of London in particular, as well as the orchestra of the Royal Opera House, Covent Garden, the Vienna Symphony Orchestra and the Los Angeles Philharmonic.

He became renowned for projecting serene authority from the podium, as well as his selfless devotion to the score. A handsome man who was always impeccably tailored, he had a magisterial presence. Initially most recognised for the breadth and detail he brought to the operas of Verdi and Mozart, he eventually became as well known for his orchestral repertoire.

Carlo Maria Giulini was born to a Neapolitan mother and a father from Lombardy. Although born in the south of Italy, he was raised in Bolzano, which was part of Austria until 1915. For Christmas in 1919, when he was five, Giulini was given a violin and he progressed rapidly thanks to local instructors, notably a pharmacist who was also a violinist, whom he nicknamed Brahms.

Giulini with his wife Marcella de Girolami, to whom
he was married for more than half a century

When the distinguished Italian violinist and composer Remy Principe gave a recital in Bolzano in 1928, he invited Giulini to study with him at Italy's foremost conservatory, the Accademia Nazionale di Santa Cecilia in Rome. He soon won a place in the academy’s prestigious orchestra.

He played under such giants of conducting as Bruno Walter, Wilhelm Furtwängler, Richard Strauss, Igor Stravinsky, and Otto Klemperer. Giulini’s first public performance was the Brahms Symphony No. 1 under Walter.

In 1940, Giulini won a competition with the prize of a chance to conduct the St. Cecilia orchestra. However, before the concert took place at which he was due to conduct, he was drafted into the Italian army and sent to the front in Croatia, in spite of being unequivocally opposed to Benito Mussolini and a committed pacifist. He refused to fire his gun at human targets.

In 1942, on a 30-day break in Rome, he married Marcella de Girolami, his girlfriend since 1938. They would remain together until her death 53 years later.

Giulini began his career mainly conducting
opera, first for the Rai radio orchestra 

In September 1943, the Armistice between Italy and Allied armed forces was signed, but the occupying Nazis refused to abandon Rome. When Giulini's Italian commander ordered his troops to fight on, Giulini went into hiding, living for nine months in a tunnel underneath a home owned by his wife's uncle, along with two friends and a Jewish family. There were posters around Rome showing his face with instructions that he be shot on sight.

After the Allies liberated Rome in June 1944, Giulini - one of the few conductors not tainted by associations with Fascism - was chosen to lead the Accademia's first post-Fascist concert, held in July 1944. On the programme was the Brahms Symphony No. 4, which would become almost his signature work, one that he conducted 180 times over the course of his career.

In 1948, Giulini conducted his first opera, a production of Verdi’s La Traviata for Italian radio, before conducting his first theatre production of the same opera in Bergamo in 1950.

After hearing Giulini’s radio broadcast of Debussy's La mer, the great conductor Arturo Toscanini asked to meet Giulini and recommended him to be musical director at La Scala. He took up the post in 1953, although in the event he resigned after members of the audience jeered Maria Callas during a run of operas in 1956.

In 1958, Giulini conducted a highly acclaimed production of Verdi's Don Carlos at the Royal Opera House in London - directed by Luchino Visconti - and although he returned to Covent Garden several more times, and to other venues in Europe, he became so disillusioned with some of the modern visual interpretations of classic works that he effectively quit opera in 1965 to concentrate on orchestral works. Even the Metropolitan Opera in New York could not persuade him to change his mind.

Giulini, who worked into his 80s, had a long association
with the Chicago Symphony Orchestra

In 1955 he made his American debut with the Chicago Symphony Orchestra, leading to a 23-year association with the orchestra, of which he was principal guest conductor from 1969 to 1972 and continued to appear with them regularly until 1978. In 1956, he began his association with the Philharmonia of London.

In addition to his role in Chicago, he was music director of the Vienna Symphony from 1973 to 1976. From 1978 to 1984, he served as principal conductor and music director of the Los Angeles Philharmonic, launching his tenure there with performances of Beethoven's 9th Symphony.

In addition to being in great demand as a guest conductor of major orchestras around the world, Giulini made numerous recordings with the Philharmonia in London.

Two Mozart recordings, Don Giovanni and Le Nozze Di Figaro, brilliantly produced by Walter Legge, were recalled as exceptional. The recordings that followed during the early 1960s reflected a London concert repertory that included music by Schubert, Brahms, Dvorak, Tchaikovsky, Debussy and Ravel, as well as brilliant Rossini overtures and memorable performances of the Verdi Requiem.

Giulini often said that he found the public role of being a conductor uncomfortable and that ideally he would prefer to do no publicity at all. Yet he had an eccentric side that appeared to enjoy fame, to the extent that during his time in Los Angeles he would sometimes be spotted driving around in an open-top Mercedes, wearing sunglasses, a flowing scarf and a large hat that could scarcely fail to get him noticed.

His later years in America were marred somewhat by the ill health and eventual death of his wife in 1995, not long after which, in 1998, he announced his retirement, returning to Italy and living in the area around Brescia in Lombardy, where he died in 2005 at the age of 91.

The city of Bolzano is set against a backdrop of
 stunning Alpine views

Travel tip:

Bolzano, where Giulini grew up, is a city in the South Tyrol province of northern Italy, also known as Alto Adige. It is in a valley amid hilly vineyards. A gateway to the Dolomites mountain range in the Italian Alps, it has a medieval city centre, where can be found wooden market stalls are laid out with Alpine cheese, ham and dark, seeded loaves. Bolzano us the home of the South Tyrol Museum of Archaeology, which features a Neolithic mummy called Ötzi the Iceman. Nearby is the imposing 13th-century Mareccio Castle, and the Duomo di Bolzano with its Romanesque and Gothic architecture.

The beautiful 14th century Basilica di Santa
Maria Maggiore in Barletta

Travel tip:

Giulini’s home town of Barletta is a working port with modern suburbs and an attractive historic centre, where one of the most famous sights is an ancient bronze 'Colossus', thought to be the oldest surviving bronze Roman statue. The identity of the figure the statue represents is not clear but one theory is that it is the Byzantine Emperor Marcian and that the statue’s original home was in Constantinople.  Barletta has a beautiful 12th century cathedral, renovated in the 14th century, the Basilica of Santa Maria Maggiore.

More reading:

How a chance opportunity changed conductor Arturo Toscanini's life

The life of the passionate maestro Riccardo Muti

Why Luchino Visconti was known as the aristocrat of Italian cinema

Also on this day:

1740: The birth of composer Giovanni Paisello

1946: Italy's King Victor Emmanuel III abdicates

2013: The death of fashion designer Ottavio Missoni


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Gianandrea Noseda - conductor

Milanese musician has achieved worldwide acclaim

Gianandrea Noseda is one of the most
able conductors of his generation

Gianandrea Noseda, who is recognised as one of the leading orchestra conductors of his generation, was born on this day in 1964 in Milan.

He holds the title of Cavaliere Ufficiale al Merito della Repubblica Italiana for his contribution to the artistic life of Italy.

Noseda studied piano and composition in Milan and began studying conducting at the age of 27.

He made his debut as a conductor in 1994 with the Orchestra Sinfonica di Milano Giuseppe Verdi. He won the Cadaques International Conducting Competition for young conductors in Spain the same year.

In 1997 he became principal guest conductor at the Mariinsky Theatre in St Petersburg and during his time there became fluent in Russian.

In 2002 he became principal conductor of the BBC Philharmonic and in this role led live performances in Manchester of Beethoven’s nine symphonies. In 2006 his title was changed to chief conductor.

Noseda has been music director at the
Teatro Regio in Turin since 2007

The London Symphony Orchestra announced the appointment of Noseda as its new principal guest conductor in 2016.

Noseda has been Music Director of the Teatro Regio Torino since 2007, taking their orchestra to the Edinburgh Festival in 2017. He has also conducted the orchestra of the Teatro Regio Torino for the recording of a number of opera albums, featuring celebrated singers such as Rolando Villazon.

The conductor celebrates his 54th birthday today and at the end of May he will lead the Met Orchestra at Carnegie Hall for the first time. He will conduct the orchestra in Mozart’s Violin Concerto No 5 and Mahler’s Symphony No 5.

He met his Sicilian-born wife, Lucia, at the Milan Conservatory when they were both students. They have a home on the western shore of Lake Maggiore.

The Naviglio Grande is a colourful and lively stretch of
Milan's canal system

Travel tip:

The Orchestra Sinfonica di Milano Giuseppe Verdi, where Noseda made his debut as a conductor, was founded in 1993 and is now based at the Auditorium di Milano Fondazione Cariplo in Largo Gustav Mahler close to the city’s Navigli district.  The auditorium was inaugurated in 1999 and quickly became one of the most important cultural venues in the city.  Navigli is the name of the triangle bounded by the Naviglio Grande and the Naviglio Pavese canals in the southwestern quadrant of the city, an area that is popular with young Milanese and boasts many attractive bars and restaurants.

The modern auditorium at the Teatro Regio of today

Travel tip:

The Teatro Regio Torino, where Noseda has been musical director, is in Piazza Castello close to the Palazzo Reale in the centre of Turin. The Teatro Regio has had something of a chequered history. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but limped into the 20th century only to be burnt down in a catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973.

More reading:

How American TV made Arturo Toscanini a star

Riccardo Muti still going strong at almost 77

The conductor who helped make Maria Callas a star

Also on this day:

1857: The birth of opera composer Ruggero Leoncavallo

1939: The birth of Mafia boss Stefano Bontade


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