Girolamo Benivieni – poet

Follower of Plato, Dante and Savonarola

Girolamo Benivieni, pictured as an old man in
a painting attributed to Ridolfo Ghirlandaio

The poet Girolamo Benivieni, who turned Marsilio Ficino’s translation of Plato’s Symposium into verse, was born on this day in 1453 in Florence.

His poem was to influence other writers during the Renaissance and some who came later.

As a member of the Florentine Medici circle, Benivieni was a friend of the Renaissance humanists Ficino, Giovanni Pico della Mirandola and Angelo Poliziano, commonly known as Polician.

Ficino translated Plato’s Symposium in about 1474 and wrote his own commentary on the work.

Benivieni summarised Ficino’s work in the poem De lo amore celeste - Of Heavenly Love - These verses then became the subject of a commentary by Pico della Mirandola.

As a result of all these works, Platonism reached such writers as Pietro Bembo and Baldassare Castiglione and the English poet, Edmund Spencer.

Benivieni later fell under the spell of Girolamo Savonarola, the fiery religious reformer, and he rewrote some of his earlier sensual poetry as a result. He also translated a treatise by Savonarola into Italian, Della semplicità della vita cristiana - On the Simplicity of the Christian life - and he wrote some religious poetry of his own.

Benivieni's tombstone behind the statue of
Savonarola in the Church of San Marco

He took part in Savonarola’s Bonfire of the Vanities and documented the destruction of art works worth ‘several thousand ducats’ at the time.

Lucrezia de’ Medici supported him in his writing and they shared an interest in the works of Dante Alighieri. In 1506 Benivieni published an edition of Dante’s Divine Comedy with maps by Antonio Manetti and commentaries by Benivieni and Manetti.

He drafted a letter for Lucrezia to send to her brother, Pope Leo X, seeking his assistance in bringing Dante’s body back to Florence from Ravenna where he was buried.

Benivieni also used his connection with Lucrezia to advance his ideas on church reform with her brother, and later with her cousin, Pope Clement VII.

In 1530 he wrote a letter to Pope Clement in defence of Savonarola, seeking to have his reputation restored within the Church.

He died in 1542, a few months before his 90th birthday and was buried in the Church of San Marco in Florence next to his friend, Pico della Mirandola.

The Church of San Marco in Florence is close to where
the fiery priest Girolamo Savonarola lived

Travel tip:

The Church of San Marco, where Girolamo Benivieni and Giovanni Pico della Mirandola are buried together, is in Piazza di San Marco to the north of the Galleria dell’Accademia, which houses Michalangelo’s David. The original tombstone is in Latin. It says: ‘Here lies Giovannni Mirandola; known both at the Tagus and the Ganges and maybe even the antipodes. He died in 1494 and lived for thirty-two years. Girolamo Benivieni, to prevent separate places from disjointing after death the bones of those whose souls were joined by Love while living, provided for this grave where he too is buried. He died in 1542 and lived for eighty-nine years and six months.’ Next to the church is the convent of San Marco, now the Museo Nazionale di San Marco, where Savonarola and the painters, Fra Angelico and Fra Bartolomeo, once lived.

The tomb of Dante Alighieri adjoins the
Basilica of San Francesco in Ravenna

Travel tip:

A tomb built for Dante in the Basilica di Santa Croce in Florence still remains empty. Dante died while living in exile in Ravenna in about 1321. He was buried at the Church of San Pier Maggiore in Ravenna and a tomb was erected there for him in 1483. Florence has made repeated requests for the return of Dante’s remains to the city but Ravenna has always refused.


More reading:

The Bonfire of the Vanities - preacher Savonarola's war on Renaissance 'excesses'

Giovanni Pico della Mirandola – the philosopher who wrote the 'Manifesto of the Renaissance'

Pietro Bembo - the poet and scholar who became Lucrezia Borgia's lover

Also on this day:

1577: The birth of Roman heroine Beatrice Cenci

1778: The birth of the poet and revolutionary Ugo Foscolo

1908: The birth of six-times Italian prime minister Amintore Fanfani


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Andrea Zanzotto - poet

Writer drew inspiration from landscapes of Veneto

Andrea Zanzotto wrote 15 volumes of poetry
during his active career, while also teaching

Andrea Zanzotto, who was regarded as one of Italy’s greatest 20th century poets, was born on this day in 1921 in Pieve di Soligo, the village near Treviso where he lived almost all of his life. 

Zanzotto, who spent 40 years as a secondary school teacher, wrote 15 books of poetry, two prose works, two volumes of critical articles and translations of French philosophers such as Michaux, Leiris and Bataille.

His first book of poetry, Dietro il paesaggio (1951), won a literary award judged by several noteworthy Italian poets. Critics reserved their greatest acclaim for his sixth volume, La beltà (1968), in which he questioned the ability of words to reflect truth.

Zanzotto, whose verse was consistently erudite and creative, was known for his innovative engagement with language and his fascination with the rugged landscapes of the Veneto, from which he drew inspiration and provided him with much symbolism.

His upbringing was difficult at times because his father, Giovanni Zanzotto, a painter who has trained at the Bologna Academy of Fine Arts, was a committed supporter of the Socialist politician Giacomo Matteotti, who was murdered by Fascist thugs in 1924 a few days after accusing Mussolini’s party of electoral fraud.

Zanzotto had a difficult upbringing in the
Fascist Italy of the 1920s and 1930s

Fearing for his own safety, Giovanni fled to France in 1925. He returned to the Veneto, taking a job as a teacher in Santo Stefano di Cadore, about 100km (62 miles) north of Pieve di Soligo, not far from the border with Austria, in 1927 and the family reunited there in 1928.

Giovanni, in fact, painted some frescoes in a church in nearby Costalissoio but his campaigning against the Fascists and the collapse of a co-operative that was providing financial support for his family, forced him into exile again in 1931.

Andrea, who had been deeply affected by the death of his younger sister, Marina, became close to his maternal grandmother and an aunt, and began to develop his love of writing. They helped him to see his first work published in 1936.

After completing school, Zanzotto began to focus on a career in teaching but suffered another loss in 1937 when his other sister, Angela, died of typhus. The grief, combined with the fatigue of commuting to college in Treviso, took a toll on his health, yet he obtained his teaching credentials.

Zanzotto enrolled at the University of Padua, where he received his diploma in literature in 1942, with a thesis on the work of the Italian Nobel Prize winner Grazia Deledda, after which he began teaching in Valdobbiadene and then Treviso.

Andrea Zanzotto spent the majority of
his 90-year life in Pieve di Solito

In the meantime, having avoided conscription because of severe asthma, he participated in the Italian Resistance, working largely on propaganda publications, and after the war spent some time travelling in Switzerland, France and Spain before returning to Pieve di Soligo where he resumed his work as a teacher.

Zanzotto’s poetry was influenced by his study of European intellectual thought and became notable for his of divergent language, from the lofty lingua aulica of the great poets of the past, notably Petrarch and Dante, to the language of pop songs and advertising slogans.

Dialect was one of Zanzotto’s favourite linguistic registers. Section one of Filò (1976) was written in a pseudo-archaic Venetian dialect. It was composed at the request of Federico Fellini for his film Casanova. Section two, in fact, included a diatribe against the film industry.

Dialectal words and phrases reoccurred in Il Galateo in bosco (1978), the first book of a trilogy completed by Fosfeni (1983) and Idioma (1986), which are regarded among his finest works.

Although a lot of his writing suggested nostalgia for disappearing landscapes, languages and cultures, Zanzotto never lost sight of the present and its possible effects on the future. His later works were increasingly engaged with topical issues such as the effects of the Chernobyl nuclear disaster, the war in Bosnia, and local environmental changes.

He died in October 2011 at the age of 90, survived by his wife, Marisa, to whom he had been married for 52 years, and their children.

The neighbourhood of Cal Santa in Pieve di Solito, where
Zanzotto lived for many years in his childhood

Travel tip:

Pieve di Soligo is a town of some 12,000 inhabitants a little more than 30km (19 miles) north of Treviso, in a plain bordered to the north by the Belluno Prealps. At the heart of the town is the cathedral dedicated to Santa Maria Assunta, a neo-Romanesque monument built in the early 20th century by the architect Domenico Rupolo, who is well known for having designed the fish market by the Rialto bridge in Venice. Along the banks of the Soligo river are two of the oldest parts of the town, including Cal Santa, where Zanzotto spent much of his formative years.

The vine-clad hills around Valdobbiadene, home of Italy's
finest Prosecco wines

Travel tip:

The picturesque hills around Valdobbiadene, where Zanzotto briefly worked as a supply teacher, are famous for the production of what is generally regarded as the best Prosecco in Italy. It is largely made from Glera grapes and though the name comes from that of the village of Prosecco near Trieste, where the grape and wine originated, the only Prosecco granted DOCG status - the classification granted to superior Italian wines - is produced from grapes grown on the hills between the towns of Conegliano and Valdobbiadene, or from a smaller area around the town of Asolo, a few kilometres south of Valdobbiadene.

More reading:

How Grazia Deledda became the first Italian woman to win a Nobel Prize

The tragic brilliance of Giacomo Leopardi

What the Italian language owes to Petrarch

Also on this day:

1881: The death of missionary Saint Daniele Comboni

1891: The birth of Mafia boss Stefano Magaddino


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Alessandro Malaspina - explorer

Mapped Pacific on four-year epic journey

Alessandro Malaspina spent much of his
life in the employ of the Spanish navy

Alessandro Malaspina, an explorer not so well known as his compatriots, Amerigo Vespucci and Christopher Colombus, but whose contribution to mankind’s knowledge of the globe was no less important, was born on this day in 1754 in Mulazzo, a village now in the province of Massa-Carrara, about 120km (75 miles) northwest of Florence.

Like Vespucci and Columbus, Malaspina sailed under the flag of Spain, whose king, Charles III, was an enthusiastic supporter of scientific research and exploration.

He spent much of his life as an officer in the Spanish navy, and it was after completing an 18-month circumnavigation of the world on behalf of the Royal Philippines Company between September 1786 and May 1788 that he proposed to the Spanish government that he make an expedition to the Pacific similar to those undertaken by the British explorer James Cook and the Frenchman Comte de la Pèrouse.

His proposal was accepted in part after word reached Spain that a Russian expedition was being prepared with the objective of claiming territory on the northwest coast of North America that had already been claimed by Spain.

After two years of preparation, the Malaspina Expedition, made up of two frigates - one named Descubierta in honour of Cook's Discovery - that he had built specially for the expedition, set sail from Cadiz on July 30, 1789, bound for South America. They rounded Cape Horn and sailed up the Pacific coast to Mexico.

The route followed by Malaspina's party

At this point, Malaspina received word that King Charles IV, who had inherited the throne following the death of Charles III in 1788, wanted him to detour to Alaska and survey the coastline to find out whether a rumoured northwest passage from the Pacific coast to the Atlantic existed.

Malaspina’s vessels anchored off Alaska for a month, studying local tribespeople and collecting and recording numerous plants. Today, a glacier between Yakutat Bay and Icy Bay is known as the Malaspina Glacier.

Malaspina knew that Cook had surveyed the west coast of Prince William Sound about 15 years earlier had not found a northwest passage. He was not convinced it did exist and, rather than spend more time looking after failing to find evidence of it, the Italian set sail for the Spanish outpost at Nootka Sound on Vancouver Island, established two years earlier.

His men surveyed and mapped the area around Nootka Sound more accurately than had previously been achieved, and made more botanical studies. He moved south again to explore the mouth of the Columbia River, near where Seattle is now.

Malaspina's two frigates, drawn by Fernando Brambilla, one
of a number of artists who accompanied the expedition

Eventually, he headed back along the coast to Acapulco in Mexico, before crossing the ocean to explore the Philippines, New Zealand and Australia, before returning to Spain, arriving in arriving in Cadiz in September 1793, to be greeted with great acclaim.

Malaspina was elevated to fleet-brigadier in the Spanish navy but his status as a national hero collapsed, however, over the next few years as the political climate in Spain changed following the French Revolution. He became involved with a plot to overthrow the prime minister and was arrested.

He was stripped of his rank and sentenced to life imprisonment. He was released after eight years when Napoleon Bonaparte, who had taken control of the territory around his home town in Italy, intervened on his behalf. But the years in jail, often in solitary confinement, had destroyed his health.

Malaspina’s documentation from the expedition was taken from him during his incarceration and his proposed seven-volume account of the journey was left unpublished.

He returned to Italy, settling in Pontremoli in the area of northern Tuscany at that time known as the Kingdom of Etruria, where he died in 1810 at the age of 55.  Although some of his journals had by then been published, it was not until 1987 – 177 years after his death - that the first volume of his full account was published by the Spanish Naval Museum.

The last of the seven was published in 1999 and the full extent of Malaspina’s achievement could finally be appreciated, so that he could take his place alongside Columbus and Vespucci as one of history’s great explorers.

Mulazzo has a monument to the poet Dante Alighieri

Travel tip:

Mulazzo is a village in the part of northwestern Tuscany known as Lunigiana, an area of great beauty that was a favourite of the poet Dante Alighieri.  Although he would often retreat to the Monastery of Santa Croce Corvo on the coast near Marina di Carrara, he also enjoyed the peace and solitude of the mountain regions inland and visited Mulazzo, which stages a Dante celebration every year.  Mulazzo also has a study centre dedicated to the career of Alessandro Malaspina.

Pontremoli sits alongside the Magra river

Travel tip:

Pontremoli has the status of city even though its population is fewer than 8,000.  Built on the site of a settlement first noted in 1,000 BC, its position and fertile landscape in the Magra valley made it a strategically important location and consequently it changed hands many times, owned by a succession of powerful families until 1508, when it became part of an area controlled by the French.  Subsequently it was taken over by the Holy Roman Empire, the Spanish, the Republic of Genoa, the Medici Grand Duchy of Tuscany and the French again before becoming part of the unified Italy.  Malaspina had a palace there.

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Saverio Bettinelli – writer

Jesuit scholar and poet was unimpressed with Dante

Saverio Bettinelli saw only limited
merit in Dante's Divine Comedy

Poet and literary critic Saverio Bettinelli, who had the temerity to criticise Dante in his writing, died at the age of 90 on this day in 1808 in Mantua.

Bettinelli had entered the Jesuit Order at the age of 20 and went on to become known as a dramatist, poet and literary critic, who also taught Rhetoric in various Italian cities.

In 1758 he travelled through Italy and Germany and met the French writers Voltaire and Rousseau.

Bettinelli taught literature from 1739 to 1744 at Brescia, where he formed an academy with other scholars. He became a professor of Rhetoric in Venice and was made superintendent of the College of Nobles at Parma in 1751, where he was in charge of the study of poetry and history and theatrical entertainment.

After travelling to Germany, Strasbourg and Nancy, he returned to Italy, taking with him two young relatives of the Prince of Hohenlohe, who had entrusted him with their education. He took the eldest of his pupils with him to France, where he wrote his famous Lettere dieci di Virgilio agli Arcadi, which were published in Venice.

He also wrote a collection of poems, Versi sciolti, and some tragedies for the Jesuit theatre.

The cover page for the first of 24 volumes
of Bettinelli's complete works 

In 1757 he wrote a series of letters addressed to Virgil, in which he criticised the Divine Comedy by Dante Alighieri. He stated: ‘Among the erudite books, only certain parts from the Divine Comedy should be included, and these would form no more than five cantos.’ Voltaire praised his opinions but Bettinelli made enemies among Italians as a result of what he had written.

In 1758 he was sent by King Stanislaw, Duke of Lorraine to visit Voltaire on a business matter.

Afterwards he went to live in Modena where he became a professor of Rhetoric again. In 1773 after the suppression of the Jesuit Order, he returned to live in his home town of Mantua. Then a siege of the city by the French caused him to move to Verona.

In 1797 he returned to Mantua, where despite his age, he remained energetic and capable. He published a complete edition of his works, which ran to 24 volumes, in 1799 in Venice.

Bettinelli died on 13 September 1808 in Mantua having reached the age of 90.

Detail from Andrea Mantegna's frescoes in the Camera
degli Sposi in Mantua's Palazzo Ducale

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

Paolo Monti's 1972 photograph of the Basilica

Travel tip:

The 15th century Basilica of Sant’Andrea in Mantua, which houses the artist Andrea Mantegna’s tomb, is in Piazza Mantegna. Mantegna was buried in the first chapel on the left, which contains a picture of the Holy Family and John the Baptist that had been painted by him. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

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Kidnapping of Pope Boniface VIII

When the Pope was slapped down by a disgruntled landowner

Boniface VIII had a long-running
conflict with Philip IV of France

An army, representing King Philip IV of France and the anti-papal Colonna family, entered Anagni in Lazio and captured Pope Boniface VIII inside his own palace on this day in 1303.

The Pope was kept in custody for three days and was physically ill-treated by his captors until the local people rose up against the invaders and rescued him.

Boniface VIII returned to Rome, but he was physically and mentally broken after his ordeal and died a month later.

The Pope had been born Benedetto Caetani in Anagni in 1230. He became Pope Boniface VIII in 1294 after his predecessor abdicated. He organised the first Catholic Jubilee Year to take place in Rome in 1300 and founded Sapienza University in the city in 1303, the year of his death.

But Boniface VIII is mainly remembered for his conflicts with Philip IV of France. In 1296 Boniface VIII issued the bull Clericis Laicos which forbade under the sanction of automatic excommunication any imposition of taxes on the clergy without express licence by the Pope. Then in 1302 he issued a bull proclaiming the primacy of the Pope and insisting on the submission of the temporal to the spiritual power.

The 'Anagni slap' as depicted by French
 artist Alphonse de Neuville

Philip IV countered this with an order forbidding all exports of money and valuables from France to the Papal States along with the expulsion of foreign merchants.

The squabble escalated until Boniface VIII excommunicated the King of France and released a decree stating that every human creature was subject to the Roman pontiff.

He sent mercenaries to destroy other people’s castles and declared the anti-papal Colonna family’s property forfeited. He then shared their land out among his own family members.

An army representing the powerful Colonna family and accompanied by Guillaume de Nogaret, Philip IV’s minister, marched into Anagni where the Pope was spending the summer at his palace. They kidnapped the Pope and demanded that he abdicate.

When he refused he was allegedly slapped by Sciarra Colonna, which famously became known as the 'Anagni slap' - lo schiaffo di Anagni. The Colonna family wanted to kill the Pope but de Nogaret wanted to take him to France to try him for his crimes in front of a General Council.

According to many accounts Boniface VIII was subjected to ill-treatment over a period of three days until he was rescued by local people. He survived the attack only to die a month later after he had returned to Rome.

The writer Dante Alighieri had been personally exiled by the Pope for supporting the limitation of papal powers, so when he wrote his Divine Comedy he had his revenge by placing Boniface VIII in hell.

Boniface's papal palace in Anagni

Travel tip:

Anagni is an ancient town in the province of Frosinone in Lazio. It is south east of Rome in an area known as Ciociaria, named after the primitive footwear, named ciocie, favoured for many years by people living in the area. Boniface VIII was the fourth Pope produced by Anagni but after his death the power of the town declined and the papal court was transferred to Avignon. The medieval Palace of Boniface VIII, where he received the Anagni slap, is near the Cathedral.  Close by there is a restaurant named Lo Schiaffo.

Part of the Giotto fresco
 commemorating the Jubilee

Travel tip:

The Papal Archbasilica of San Giovanni in Laterano in Rome houses a small portion of a fresco cycle painted by Giotto for the Jubilee of 1300, called by Pope Boniface VIII after he was elected to the Papacy.

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The Bonfire of the Vanities

Preacher Savonarola's war on Renaissance 'excesses'

The statue of Girolamo Savonarola in
Piazza Savonarola in Florence

The most famous 'bonfire of the vanities' encouraged by the outspoken Dominican priest Girolamo Savonarola took place in Florence on this day in 1497.

Savonarola campaigned against what he considered to be the artistic and social excesses of the Renaissance, preaching with fanatical passion against any material possession that might tempt the owner towards sin.

He became notorious for organising large communal bonfires in the tradition of San Bernardino of Siena, urging Florentines to come forward with items of luxury or vanity or even simply entertainment that might draw them away from their faith.

Savonarola arrived in Florence from his home town of Ferrara in 1482, entering the convent of St Mark. With Lorenzo de' Medici at the height of his power, Savonarola became disturbed by what he perceived as the moral collapse of the Catholic church.

For a number of years he confined himself to speaking about repentance to congregations of believers in the parishes around Florence but on returning to the city in 1490 he began to campaign with more vigour about what he saw as the need for a return to piety.

He issued dire warnings about what would happen to Florence and its citizens if they did not renounce their sins, prophesising that a powerful leader would arrive from the north to punish Italy and reform the church.

Paintings by Botticelli were considered
indecent under's Savonarola's moral code

Savonarola's condemnation of what he considered the vice and corruption infecting the Catholic bishops and cardinals, and his attacks on the wealthy for ignoring the plight of the poor and sick, struck a chord with the common people and he became an increasingly powerful figure.

When Emperor Charles VIII of France invaded Italy from the north in 1494, many people saw this as confirmation of Savonarola’s prediction.  They rose up against the Medici family, the major sponsors of Renaissance art and literature, and drove them from the city, after which Savonarola became the effective leader of a new Florentine republic.

Savonarola began to host his bonfires in 1495, at around the time that used to be taken up with Carnival celebrations, which he cancelled.

At first, it was items of vanity such as mirrors, cosmetics, jewellery and fine clothes that were thrown on to the flames, along with playing cards, musical instruments and such pagan fripperies as books of magic and astrology. Savonarola employed street urchins to knock on doors, demanding luxurious and suspect items were handed over.

But the scope of what was deemed to be sinful grew. Soon, he was demanding that books he saw as immoral, such as works by Boccaccio, were burned, as well as paintings and sculptures, manuscripts and tapestries. Priceless works by Dante and the Roman poets Ovid and Propertius were said to have been consigned to the flames.

A painting by an unknown Florentine artist depicts the bonfire
built in Piazza della Signoria in which Savonarola was burned

At the same time, Savonarola spread fear among the people with ever more horrific visions of what fate would befall them if they did not live according to his strict moral code. Higher church officials viewed all this with increasing unease and for Pope Alexander VI, it seems, the huge bonfire of 1497 - in which the Florentine artist Sandro Botticelli is said to have burned several of his own paintings - was the last straw.

Already in defiance of a ban on his preaching imposed when he failed to support Pope Alexander's military response to the French invasion, Savonarola was excommunicated in May 1497. The following year, having confessed that his visions and prophecies were invented, he was condemned as a heretic and, with two other friars, hung from a cross in Florence's Piazza della Signoria, to be consumed by a bonfire built beneath him.

A statue of Savonarola, completed in 1875 by the sculptor Enrico Pazzi, from Ravenna, can be found in Piazza Savonarola, about 2km north-east of Florence's centre,

Travel tip:

Florence's Piazza della Signoria has been the focal point of the city since the 14th century. Overlooked by the imposing Palazzo Vecchio, it was the scene of the triumphant return of the Medici family in 1530, three and a half decades after they had been driven from the city by the supporters of the fanatical Savonarola. The controversial priest's bonfires of the vanities were built in the middle of the square, where his own body was burned at the stake in 1498 after he was denounced as a heretic. A marble circle inscription on the piazza shows the spot where he was burned.

Florence hotels from Hotels.com

The Piazza della Signoria is Florence's main square

Travel tip:

The Piazza della Signoria contains several important sculptures and statues, including a copy of Michelangelo's David - the original is in the Galleria dell'Accademia - outside the Palazzo Vecchio, which is said to be a symbol of defiance against the tyranny of the Medici.  The family apparently installed or appropriated their own symbols of power in the shape of Bandinelli's Hercules and Cacus, just to the right of the David, and the Nettuno by Ammannati, which celebrates the Medici's maritime ambitions.  Giambologna's equestrian statue of Duke Cosimo I is a tribute to the man who brought all of Tuscany under Medici military rule.  Under the Loggia dei Lanzi, to the right of Palazzo Vecchio, the statue of Perseo holding Medusa's head, by Benvenuto Cellini, is a stark reminder of what happened to those who crossed the Medici. Giambologna's Rape of the Sabines can also be found in the Loggia dei Lanzi.

Hotels in Florence from Expedia

More reading:

The execution of Girolamo Savonarola

Sandro Botticelli - Renaissance master forgotten until the 19th century

How scheming Pope Alexander VI married off his children to secure power

Also on this day:

1622: The birth of Vittoria della Rovere, Grand Duchess of Tuscany

1909: The birth of Amedeo Guillet, the army office who led the last cavalry charge against the British

1941: The birth in San Marino of pop singer Little Tony

(Picture credits: Savonarola statue by liviathana; Piazza della Signoria by Zolli; via Wikimedia Commons)

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Giovanni Pico della Mirandola – philosopher

Writer of the 'Manifesto of the Renaissance' met an early death

Giovanni Pico della Mirandola: this portrait by
Cristofano dell'Altissimo hangs in the Uffizi

Renaissance nobleman and philosopher, Giovanni Pico della Mirandola died on this day in 1494 in Florence, sparking a murder mystery still not solved more than 500 years later and that led to the exhumation of his body in 2007.

Pico became famous for writing the Oration on the Dignity of Man, which was later dubbed the Manifesto of the Renaissance.

At its heart, the Oration proposed that man is the only species of being to which God assigned no specific place in the chain of being and that man could ascend the chain through the exercise of his intellectual capacity, and for that reason it stresses the importance of the human quest for knowledge.

Renowned for his memory as well as his intellect, he could recite Dante’s Divine Comedy line-by-line backwards and by the time he was 20 he has mastered six languages.

But he made enemies and it his thought that his death at the age of just 31 was the result of poisoning because of concerns that he had become too close to hellfire preacher Girolamo Savonarola, an enemy of Florence's ruling Medici family.

It was Savonarola himself who delivered the funeral oration when Pico was buried at the Convent of San Marco in Florence where he was the Prior.

The philosopher was born into a noble family at Mirandola, near Modena, in 1463. He was the youngest son of Gianfrancesco della Mirandola, Count of Concordia, who lived in the Castle of Mirandola and was closely related to the Sforza, Gonzaga and Este dynasties.

Pico studied at the University of Padua, where he wrote sonnets in Latin and Italian, which because of the influence of Savonarola, who encouraged his followers to burn possessions that might tempt them into sin, he destroyed towards the end of his life.

Portrait of Lorenzo de' Medici by the Flemish
Baroque painter Peter Paul Rubens

He travelled to Paris, the most important centre in Europe for Philosophy and Theology and it is thought while he was there he began writing his celebrated 900 Theses on religion, philosophy and magic, and came up with the idea of defending them in a public debate.

When he returned to Florence in 1484 he met for the first time Lorenzo de' Medici, also known as Lorenzo the Magnificent, who seems to have been charmed by him and wished to help him.

On his way to Rome, where he intended to publish his 900 Theses and debate them with other scholars, Pico stopped off in Arezzo, where he had a love affair with the wife of one of Lorenzo de' Medici’s cousins. He attempted to run away with her but was caught, wounded and imprisoned. He was released only after the intervention of Lorenzo himself.

While recovering from his wounds he became interested in Hebrew writings, which he believed educated people should study. He travelled to Rome to publish his 900 Theses and offered to pay the expenses of any scholars who came to Rome to debate them publicly.

But Pope Innocent VIII halted the proposed debate and condemned part of his 900 Theses as heretical.

Pico fled to France where he was arrested and imprisoned but at the instigation of Lorenzo de Medici he was released and allowed to move back to Florence. He settled in a villa near Fiesole provided by Lorenzo and carried on writing.

After the death of Lorenzo, Savonarola became increasingly influential. This led to a wholesale destruction of books and paintings in Florence.

Pico was determined to become a monk and destroyed his own poetry and gave away his fortune.

When he fell ill in 1494, the King of France, Charles VIII, whose armies would take control of Florence on the day of Pico's death, driving the Medici into exile, sent his own physicians to tend to him but after two weeks of suffering he passed away.

The Castello dei Pico in an image from a 1940s postcard

It was rumoured that Pico was poisoned by his own secretary, who is said to have made a confession to that effect two years later after being arrested by Savonarola, who by then had taken control of Florence from the French.  Some historians believe it was Piero de' Medici, the son of Lorenzo, who ordered his killing.

Another theory was that Pico had died of syphilis but when his body was exhumed in 2007, as part of a project led by Giorgio Gruppioni, a professor of anthropology from Bologna, tests showed toxic levels of arsenic in his remains.

Travel tip:

The small city of Mirandola, which is about 30km north-east of Modena in Emilia-Romagna, developed as a fortress city in Renaissance times and was once an independent principality.  The Palazzo Communale and the Castello dei Pico can both be found in Piazza della Costituente.  The castle was forced to close its door to the public because of damage sustained in an earthquake in 2012.

Hotels in Mirandola from Hotels.com

Fra Angelico's stunning fresco The Last Judgment

Travel tip:

The Convent of San Marco in Florence, which holds the major collection of the works of Giovanni of Fiesole, known as Fra Angelico, stands on the site of a 12th century monastery. It was rebuilt in 1437 by Cosimo il Vecchio de’ Medici, who entrusted the work to Michelozzo, with the decoration of the walls carried out by Fra Angelico and his assistants, who included Benozzo Gozzoli.   His masterworks are considered to be the The Last Judgment and the The Crucifixion.

Hotels in Florence from venere.com

More reading:

Girolamo Savonarola and the 'Bonfire of the Vanities'

Cosimo de' Medici - banker who founded the dynasty

Why Cosimo II de' Medici was the patron of Galileo

Also on this day: 

1878: Umberto I survives assassination attempt



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Roberto Benigni - Oscar winner

How Life is Beautiful made Tuscan actor and director famous

Roberto Benigni

Roberto Benigni, whose performance in the 1997 film Life is Beautiful won him an Oscar for Best Actor, was born on this day in 1952 in rural Tuscany, around 20km south of Arezzo.

The Academy Award, for which he beat off strong competition from Nick Nolte (Affliction) and Tom Hanks (Saving Private Ryan) among others, put him in the company of Anna Magnani (1955) and Sophia Loren (1961) as one of just three Italian winners of best actor or actress.

Benigni, who also directed Life is Beautiful, had won the Oscar for Best Foreign Language Film earlier in the awards ceremony, which delighted him so much he famously clambered on to the back of the seats of audience members in the row in front of his to lead the applause before stepping up to the stage to receive the award from Sophia Loren.

When Helen Hunt called out his name for Best Actor - the first since Loren to win the most coveted prize with a foreign language film - he began his acceptance speech by apologizing for having "used up all my English", before proceeding to deliver another joyously emotional expression of gratitude.

Benigni was born in the hamlet of Manciano la Misericordia, near the walled town of Castiglion Fiorentino.  His family moved when he was six years old to Vergaio, a village near Prato, to which he made reference in his speech, thanking his parents, Luigi and Isolina, for "the gift of poverty", despite which he had a happy childhood and believes shaped his character and made him appreciate his good fortune all the more.

Roberto Benigni with his wife
and co-star, Nicoletta Braschi

He based Life is Beautiful, the story of a Jewish Italian bookshop owner who uses his comic imagination to shield his son from the horrors of internment in a Nazi concentration camp, in part on the experiences of his father, who spent almost three years in the Belsen concentration camp in Germany.

Written in collaboration with Vincenzo Cerami, the film was attacked by some critics for presenting an unrealistic picture of the Holocaust which contained too little suffering, and suggested that "laughing at everything" was disrespectful to the millions of victims.

However, others praised Benigni for having the artistic daring and skill to create such a sensitive comedy against a background of dark, unparalleled tragedy.

Before the huge fame the movie brought him, Benigni, who was raised as a Catholic and was an altar boy in his local church, had enjoyed relatively modest success in his acting and directing career.

After studying initially to become a priest, a path he abandoned after the school he attended in Florence was damaged in the floods of 1966, he developed a fascination with a circus that was playing near his home and was offered work as a magician's assistant.

He had his first taste of theatre in Prato before moving to Rome, where he appeared in avant-garde theatre and became popular for his improvisation of epic poems, such as those of Ludovico Ariosto, Edmund Spenser and Dante Alighieri.

It was in Rome that he met Giuseppe Bertolucci - brother of Bernardo - who cast him in a film entitled Berlinguer, I love You, that appealed to his Communist sympathies.  Enrico Berlinguer was the leader of the Italian Communist Party.

See Roberto Benigni's acceptance speech for Best Foreign Language Film Oscar

He appeared in a number of TV shows directed by Renzo Arbore, one of which was banned by the censors, and worked on films with Bernardo Bertolucci and Federico Fellini.

The first of his nine films as a director was Tu mi turbi (You disturb me), a comedy that satirizes religion and the banking system.  He also starred in the film opposite Nicoletta Braschi, an actress from Cesena with whom he became romantically involved.  They have been married since 1991.  Braschi also appears in Life is Beautiful as the wife of Benigni's character.

Benigni's two films after Life is Beautiful - Pinocchio and The Tiger and the Snow - played well with home audiences but were less well received outside Italy and in the 11 years since the latter he has not made another film, although he hinted recently that he has a new project in mind.

Roberto Benigni on stage in his touring
one-man show, TuttiDante

He has remained successful on stage and television with his 90-minute one-man show TuttiDante, in which he has returned to his love of improvisatory poetry - a particularly Tuscan art form for which his father was an enthusiast.

During the show, Benigni combines current events with his memories of the past in a passionate interpretation of Dante's Divine Comedy.

No stranger to controversy, apart from his role in the Abore TV show that was taken off the air, he attracted headlines for appearing to call Pope John Paul II by an impolite name, for lifting a startled Enrico Berlinguer off his feet in an embrace at a Communist rally, and then for gatecrashing a TV news bulletin reporting on a protest against Silvio Berlusconi in which he had taken part, removing his shirt, draping it around the shoulders if the presenter and declaring (falsely) that Berlusconi had resigned.

Travel tip:

Arezzo, where much of Life is Beautiful is filmed, is a city in eastern Tuscany famous among other things for the frescoes of the artist, Piero della Francesco, in the 13th century church of San Francesco.  The Legend of the True Cross, painted between 1452 and 1466, is considered to be one of Italy’s greatest fresco cycles.  Arezzo is also the birthplace of the 14th century Renaissance poet, Francesco Petrarca, widely known by his English name, Petrarch.

The view through one of the archways
in Giorgio Vasari's loggia

Travel tip:

Apart from its 13th century walls, the Tuscan hill town of Castiglion Fiorentino, of which Manciano la Misericordia, Benigni's birthplace, is a frazione (parish), is notable for a handsome nine-arch loggia designed by the 16th century artist and architect, Giorgio Vasari, along one side of the Piazza del Municipio, which offers a beautiful vista looking out over the Val di Chio below the town.  Vasari, who worked for the Medici family in Florence, designed the loggia at the Palazzo degli Uffizi and the Vasari Corridor, which connects the Uffizi with the Medici residence across the River Arno at Palazzo Pitti and includes the covered Ponte Vecchio bridge.

More reading:

Death of brilliant actress Anna Magnani shocked her friends

La Dolce Vita and the cinematic legacy of Federico Fellini

Dante's Divine Comedy 'the greatest work of Italian literature'

(Top photo of Benigni by Gorup de Besanez CC BY-SA 4.0)
(Second photo of Benigni by Georges Biard CC BY-SA 3.0)
(Photo of Vasari's loggia view by Silviapitt CC BY-SA 3.0)

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Dante Alighieri – poet

Famous son of Florence remains in exile

Sandro Botticelli's portrait of Dante,
painted in 1495

Dante Alighieri, an important poet during the late Middle Ages, died on this day in 1321 in Ravenna in Emilia-Romagna.

Dante’s Divine Comedy is considered to be the greatest literary work written in Italian and has been acclaimed all over the world.

In the 13th century most poetry was written in Latin, but Dante wrote in the Tuscan dialect, which made his work more accessible to ordinary people.

Writers who came later, such as Petrarch and Boccaccio, followed this trend.

Therefore Dante can be said to have played an instrumental role in establishing the national language of Italy.

His depictions of Hell, Purgatory and Heaven in the Divine Comedy later influenced the works of John Milton, Geoffrey Chaucer and Lord Alfred Tennyson, among many others.

Dante was also the first poet to use the interlocking three-line rhyme scheme, terza rima.

Dante was born around 1265 in Florence into a family loyal to the Guelphs. By the time he was 12 he had been promised in marriage to Gemma di Manetto Donati, the daughter of a member of a powerful, local family.

He had already fallen in love with Beatrice Portinari, whom he first met when he was only nine.

A beautiful depiction of Dante and Beatrice in Florence, by
the English artist Henry Holliday in 1883

Years after his marriage to Gemma, Dante claimed to have met Beatrice again and wrote several sonnets to her, without ever getting to know her properly, an example of courtly love.

After defeating the Ghibellines, the Guelphs divided into two factions, the White Guelphs and the Black Guelphs and when the Black Guelphs took power, Dante, a White Guelph was condemned to exile and ordered to pay a fine.

Dante, who was in Rome at the time, did not pay the fine and was condemned to perpetual exile. If he had returned to Florence he could have been burned at the stake.

By 1315 Florence had been forced to grant an amnesty to those in exile in exchange for public penance and the payment of a heavy fine, but Dante refused, preferring to remain in exile.

He accepted an invitation from Prince Guido Novello da Polenta to go to Ravenna in 1318. He finished Paradiso and died there, possibly of malaria, at about the age of 56.

The tomb of Dante Alighieri at the Church
of San Pier Maggiore in Ravenna

Dante was buried at the Church of San Pier Maggiore and a tomb was erected for him there in 1483.

Florence made repeated requests for the return of Dante’s remains but Ravenna has always refused. A tomb was built for him in the Basilica of Santa Croce in Florence but it has remained empty.

Travel tip:

Ravenna, where Dante lived in exile until his death in 1321, has a wealth of well-preserved late Roman and Byzantine architecture and eight UNESCO World Heritage Sites. One of the most important examples of early Christian Byzantine art and architecture is the Basilica of San Vitale, which is famous for its fine Byzantine mosaics. The city of Ravenna is mentioned by Dante in Canto V of his Inferno.

Dante's house in Via Santa Margherita in
Florence, which is now a museum

Travel tip:

Dante’s house in Via Santa Margherita in Florence is now a museum, il Museo Casa di Dante, open daily to the public from 10 am till six pm in summer and from Tuesday to Sunday from 10 am till five pm between October and March. The museum is spread over three floors with exhibits illustrating the life and works of the great poet.


(Photo of Dante's tomb by Pivari CC BY-SA 3.0)
(Photo of Dante's house by Sailko CC BY-SA 3.0)

More reading:

Petrarch - the writer whose work inspired the the modern Italian language

Ludovico Ariosto - the father of humanism

Books:

The Divine Comedy: Inferno, Purgatorio, Paradiso

Dante: The Story of His Life, by Marco Santagata


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