Domenico Scarlatti - composer

Neapolitan famous for his 555 keyboard sonatas

A portrait of Domenico Scarlatti, painted by
Domenico Antonio Velasco in 1738

The composer Giuseppe Domenico Scarlatti, known as Domenico Scarlatti, was born in Naples on this day in 1685.

Born in the same year as Johann Sebastian Bach and George Frideric Handel, Scarlatti was the sixth of 10 children fathered by the composer Alessandro Scarlatti.

Like his father, Domenico composed in a variety of musical styles, making the transition in his lifetime from Baroque to traditional Classical. Today, he is known mainly for his 555 keyboard sonatas, which expanded the musical possibilities of the harpsichord.

Although he began his career in Naples, Scarlatti spent a large part of his life in the service of the Portuguese and Spanish royal families. In fact, he died in Madrid in 1757.

Early in 1701, at the age of just 15, Scarlatti was appointed as composer and organist at the royal chapel in Naples. At 17, his first operas, L’Ottavia restituita al trono and Il Giustino, were produced there.

In 1705 his father sent him to Venice, reputedly to study with the composer Francesco Gasparini, although nothing is known with certainty about his life there. It is thought he may have met a young Irishman, Thomas Roseingrave, who later described Scarlatti’s advances in harpsichord music to the English musicologist Charles Burney, although other accounts of his life suggest he may have first encountered Roseingrave in Rome.

Alessandro Scarlatti passed on his musical
versatility to his son, Domenico

Scarlatti is known to have been in Rome from 1709, having entered the service of the exiled Polish queen Marie Casimire. In Rome, Scarlatti is believed to have developed a friendship with Handel, against whom, legend has it, he featured in a trial of skill on harpsichord and organ at the palace of Cardinal Ottoboni in Rome. Handel is said to have been judged the better organ player but outperformed by Scarlatti on the harpsichord. He became known as the "greatest Italian harpsichord composer of all time".

While in Rome, Scarlatti was maestro di cappella at St. Peter's from 1715 to 1719. Also in Rome, he produced his last opera, Ambleto and collaborated with Nicola Porpora in Berenice, regina di Egitto.

His Rome adventure also brought a commission from the Portuguese embassy, for which in 1714 he composed a cantata in honour of the birth of a crown prince of Portugal. A few years later, he quit his position at the Vatican to move to Lisbon, where his serenata La Contesa delle Stagioni was performed at the royal palace.

Scarlatti became musical director to King John V of Portugal, as well as music master to the king’s younger brother Don Antonio and to Princess Maria Bárbara de Bragança, who was to remain his patroness and for whom most of the harpsichord sonatas were written.

In 1728, after his father had died, Scarlatti returned to Italy, where he married a Roman girl, Maria Caterina Gentili, who was much younger than him and who bore him six children.  In the same year, after his pupil, Maria Bárbara, married the Spanish crown prince, the future Ferdinand VI, he followed the newlywed royal couple to Spain.

The castrato singer Farinelli, like Scarlatti, enjoyed
the patronage of the court of Madrid

Initially based in Seville, Scarlatti moved to Madrid in 1733 to be music master to Maria Bárbara. He stayed in Spain for the last 25 years of his life.  After the death of his first wife in 1742, he married a Spaniard, Anastasia Maxarti Ximenes, with whom he had five more children.

Among his compositions for the Spanish court were most of his 555 keyboard sonatas.  While in their service, he befriended the Neapolitan castrato singer Farinelli, who also enjoyed royal patronage in Madrid.

Scarlatti died in Madrid at the age of 71. His residence on Calle Leganitos is designated with a historical plaque. His descendants still live in the Spanish capital.

His music, the sonatas in particular, had a profound influence on the compositions of contemporary and subsequent composers. Among his admirers, apart from Handel and Bach, were Bartók, Mozart, Beethoven, Liszt, Brahms, Chopin and Debussy.

The Conservatorio di Musica San Pietro a Majella became
the centre of the 18th century music scene in Naples

Travel tip:

The famous Conservatorio di Musica San Pietro a Majella, which became the centre of the city’s musical world in the years after Scarlatti, evolved from four institutions set up in the 16th century with the prime purpose of providing a refuge for orphan children.  The name ‘conservatorio’ relates to this original purpose, which was to conserve the lives of the children.  The oldest was the orphanage of Santa Maria di Loreto, situated in the poor fisherman’s district of the city. These institutions aimed to provide tuition in various skills, including music.  In time they acquired such a good reputation for providing a musical education that they began to be seen as music colleges primarily, and Naples eventually became one of the most important centres for musical training in Europe, nicknamed the “conservatory of Europe". Under the rule of Joachim Murat, the French cavalry leader Napoleon installed as King of Naples for a short period in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.

The Palazzo della Cancelleria in Rome was the home of
Cardinal Pietro Ottoboni, a patron of music in the city

Travel tip:

The Palazzo della Cancelleria, the palace of Cardinal Ottoboni where Domenico Scarlatti’s musical trial against Handel is thought to have taken place, is situated between Corso Vittorio Emanuele II and the Campo de' Fiori. It is probably the earliest Renaissance palace to be built in Rome. It is the work of the architect Donato Bramante between 1489 and 1513, initially as a residence for Cardinal Raffaele Riario, who was the Camerlengo - treasurer - of the Holy Roman Church under Pope Sixtus V. It evolved as the seat of the Chancellery of the Papal States.  The Roman Republic used it as their parliament building.


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Francesco Gasparini – musician and writer

Opera composer who gave Vivaldi a job

Francesco Gasparini, captured in a
caricature by Pier Leone Ghezzi

Francesco Gasparini, one of the great Baroque composers, whose works were performed all over Europe, was born on this day in 1661 in Camaiore near Lucca in Tuscany.

Gasparini also worked as a music teacher and was musical director of the Ospedale della Pietà in Venice for about 15 years, where he made the inspired decision to employ a 25-year-old Antonio Vivaldi as a violin master.

By the age of 17, Gasparini was a member of the Philharmonic Academy of Bologna. He moved to Rome, where he studied under the musicians Arcangelo Corelli and Bernardo Pasquini. His first important opera, Roderico, was produced there in 1694.

After arriving in Venice in 1702, he became one of the leading composers in the city. He wrote the first opera to use the story of Hamlet - Ambleto - in 1705, although he did not base the work on Shakespeare’s play.

Gasparini was appointed musical director of the Ospedale della Pietà, an orphanage in Venice where young girls received a musical education. The most talented pupils stayed on to become members of the Ospedale’s orchestra and choir.

Listen: Excerpt from Gasparini's "Amore e Ombre"



He engaged the services of Antonio Vivaldi in 1703 to teach the violin. Vivaldi, who had been taught to play the violin to a high level by his father, composed most of his major works while working there over the next 30 years.

Gasparini hired Antonio Vivaldi to teach violin
at the Ospedale della Pietà, in Venice

Gasparini’s Missa canonica, written in Venice in 1705 for four voices, became known to Johann Sebastian Bach, who copied it out in 1740 and, after adding parts for strings and wind instruments, performed it in churches in Leipzig.

While in Venice, Gasparini also taught the Venetian composer Benedetto Marcello and wrote a treatise on the harpsichord, published in 1708, which continued to be reprinted for more than 100 years and was used in Italy well into the 19th century.

Gasparini was the leading composer for the theatre in Venice, having written 23 operas and 15 oratorios by the time he left the city.

After his return to Rome in about 1720, he was maestro di cappello in two churches and taught the Neapolitan composer Domenico Scarlatti. He also taught counterpoint to the German flautist and composer Johann Joachim Quantz.

In his day, Gasparini was the principal composer of the Italian operas presented in London. His last important work, Tigrane, was produced in Rome in 1724.

The composer died in Rome in 1727, aged 66.

Piazza Principale, the main square in Camaiore

Travel tip:

Camaiore, the birthplace of Francesco Gasparini, is a city within the province of Lucca in Tuscany. It derives its name from the time it was a large Roman encampment, Campus Major, and an important station along the Via Cassia. It has two Romanesque churches, the Collegiata di Santa Maria Assunta and the Church of Santi Giovanni e Stefano as well as a Benedictine Abbey, Badia di San Pietro, that dates back to the eighth century.

Camaiore hotels by Booking.com

The church of La Pietà, also known as Santa
Maria della Visitazione, in Venice

Travel tip:

The Church of La Pietà, or Santa Maria della Visitazione, on Riva degli Schiavoni facing the lagoon in Venice, dates back to the 15th century. It started its life as a foundling home for orphans. After Gasparini was appointed musical director there, he employed Vivaldi to teach the violin and they both composed music for the orchestra and choir. The church is now a regular venue for music concerts.

Find a Venice hotel with Tripadvisor

More reading:

How Vivaldi enjoyed success but died a pauper

Why composer Antonio Salieri was haunted by rumours surrounding the death of rival Mozart

The lost operas of Tomaso Albinoni

Also on this day:

1923: The birth of cartoonist Benito Jacovitti

1943: The birth of former prime minister Mario Monti



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