Guido Reni – painter

Bolognese artist who idealised Raphael

Guido Reni: a self-portrait executed in about
1603, currently in the Palazzo Barberini in Rome

The leading Baroque painter, Guido Reni, was born on this day in 1575 in Bologna, then part of the Papal States.

He was to become a dominant figure in the Bolognese school of painting, which emerged under the influence of the Carracci, a family of painters in Bologna. He was held in high regard because of the classical idealism of his portrayals of mythological and religious subjects.

Although his father, Daniele, wanted him to follow in his footsteps as a musician, Guido Reni passionately wanted to become an artist and was apprenticed to the Flemish painter Denis Calvaert when he was 10 years old. He focused on studying the works of Raphael, who, for the rest of his life, remained his ideal.

Reni went on to enter the academy led by Ludovico Carracci, the Accademia degli Incamminati - The academy of the newly-embarked - in Bologna. He was received into the guild of painters in the city in 1599 when he was nearly 24.

After this he divided his time between his studios in Bologna and Rome.

One of his most famous works, Crucifixion of St Peter, which is now in the Vatican Museum in Rome, was painted for Cardinal Aldobrandini in 1605.

Reni's dramatic depiction of the
Crucifixion of St Peter (1605)

Early in his career, Reni executed important commissions for Pope Paul V, painting frescoes in churches in Rome, including the Basilica of Santa Maria Maggiore. One of his most celebrated works from this period is the Aurora fresco, painted between 1613 and 1614 for the large central hall of the Casino dell’Aurora, located in the grounds of the Palazzo Pallavicini-Rospigliosi.

Reni travelled to Naples in 1622 to paint frescoes on the ceiling of the chapel of San Gennaro in the Cathedral.

In 1630, the Barberini family commissioned from Reni a painting of the Archangel Michael for the Church of Santa Maria della Concezione dei Cappuccini. There was a rumour that Reni had represented Satan, crushed under St Michael’s foot, with the facial features of Cardinal Giovanni Battista Pamphili, in revenge for a slight he had experienced from him.

Reni’s unique style was to paint religious and mythological subjects in light, soft colours, posing the figures gracefully, as in Atalanta and Hippomenes, executed in 1625.

Ancient Greek sculptures and the frescoes of Raphael were the main inspiration for his type of art.

He became one of the most famous painters of his day in Europe and was the model for other Italian Baroque artists who came later.

Reni died, aged 66, in 1642 in Bologna. He was buried in the Rosary Chapel of the Basilica of San Domenico. The painter Elisabetta Sirani, whose father had been Reni’s pupil, and who was considered by many to have been the artistic reincarnation of Reni, was later interred in the same tomb.

Reni painted frescoes in the Naples Duomo, also known
as the Cattedrale di San Gernnaro

Travel tip:

The Duomo in Naples, in Via Duomo, off Via Tribunali, was built over the ruins of two earlier Christian churches for Charles I of Anjou at the end of the 13th century. One of the main attractions inside is the Royal Chapel of the Treasure of San Gennaro, which contains Reni’s frescoes, along with many other precious works of art. The Duomo is also sometimes referred to as Cattedrale di San Gennaro. It is open to the public from 8.30am to 1.30pm and 2.30 to 8pm, Monday to Saturday, and 8.30am to 1.30pm and 4.30 to 7.30pm on Sundays.

The Basilica of San Domenico in Bologna, where Reni is
buried, contains several important works of art

Travel tip:

Guido Reni is buried in the Rosary Chapel of the 13th century Basilica of San Domenico in Piazza San Domenico in Bologna. The church is close to the Archiginnasio, once the main building of the University of Bologna. Behind the red-brick façade of the church, which was added as recently as 1910, lies a treasure house of art including works by Pisano, Michelangelo, Iacopo da Bologna and Guido Reni himself. In the Rosary Chapel, the most important work is the Mystery of the Rosary, a group of paintings worked on by Lodovico Carracci, Bartolomeo Cesi, Denis Calvaert, Lavinia Fontana, Guido Reni and Domenichino. The artist Elisabetta Sirani was later interred in the same tomb as Guido Reni.

More reading:

Elisabetta Sirani - talented young painter whose sudden death shocked Bologna

How Annibale Carracci made his mark in Rome

Domenichino - the Bolognese master who rivalled Raphaal

Also on this day:

1333: Florence devastated by catastrophic floods

1737: The inauguration of Teatro San Carlo in Naples

1964: The birth of crime writer Sandrone Dazieri


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Elisabetta Sirani – artist

Sudden death of talented young woman shocked Bologna

A self-portrait by Elisabetta Sirani

The brilliant Baroque painter and printmaker Elisabetta Sirani died in unexplained circumstances at the age of 27 on this day in 1665 in Bologna.

The body of the artist was carried to the Chapel of the Rosary in the Basilica of San Domenico in Bologna to be mourned, not just by her family, but by an entire community as she was loved and respected as an important female painter.

Elisabetta has been described as beautiful, focused and selfless and she became a symbol of the progressive city of Bologna, where the creativity of women was encouraged and they were able to express themselves through art and music.

Elisabetta’s father, Giovanni Andrea Sirani, was himself an artist and she was trained in his studio, although contemporary writers have recorded that he was reluctant to teach her to paint in the Bolognese style, as established by artists in the city in the 16th and 17th centuries as a way to distinguish themselves from the artists of Florence and Rome.

But Elisabetta acquired the technique anyway and became one of the most renowned painters in Bologna , overshadowing her father. He had been a pupil of the highly regarded Bolognese painter Guido Reni, who had died in 1642, and many local people considered Elisabetta to be a female reincarnation of him.

Sirani's beautiful painting Sant'Antonio da
Padova in adorazione del bambino

When she was just 16 her father became incapacitated by gout and so Elisabetta began running his workshop and became the breadwinner for the whole family.

She never married, despite being described as attractive, lively and warm-hearted. Some people believed that her father prevented her from marrying.

When Elisabetta died suddenly on 28 August 1665 in Bologna her death was treated as suspicious and a servant, Lucia Tolomelli, was charged with poisoning the artist. She was put on trial but Elisabetta’s father later withdrew the charges.

Modern thinking, based on the descriptions recorded of her symptoms, is that she probably died of peritonitis after suffering a ruptured peptic ulcer.

Elisabetta was given an elaborate funeral that included an enormous catafalque - a kind of moving platform - containing a life-sized sculpture of her and she was buried in the same tomb as Guido Reni.

During her brief career she had produced more than 200 paintings, 15 etchings and hundreds of drawings. She painted many religious subjects but was also an accomplished portrait painter and was much mourned by the women of Bologna who had sat for her.

She established an academy for women painters in Bologna and trained many artists at what was the first school in Europe for women painters that was outside a convent.

Her 1663 painting Virgin and Child is now in the collection of the National Museum of Women in the Arts in Washington . In 1994 it was selected by the United States Postal Service for their Christmas holiday stamp series.

The Pinacoteca Nazionale di Bologna houses a number
of paintings by Elisabetta Sirani

Travel tip:

You can see paintings by Elisabetta Sirani in The Pinacoteca Nazionale di Bologna in Complesso di Sant’Ignazio in Via Belle Arti, a gallery close to Due Torri, the two towers that have become symbols of Bologna . One of the most beautiful paintings on show is Sant’Antonio da Padova in adorazione del bambino, which shows the saint kneeling at the baby’s feet. Also on display is her striking painting of Santa Maria Maddalena, which shows the saint bare-breasted and holding a crucifix.

Guido Reni's ceiling The Glory of San
Domenico is a feature of the basilica

Travel tip:

Elisabetta Sirani is buried with the artist Guido Reni in the Rosary Chapel of the 13th century Basilica of San Domenico in Piazza San Domenico. The church is close to the Archiginnasio, once the main building of the University of Bologna . Behind the red-brick façade of the church, which was added as recently as 1910, lies a treasure house of art including works by Pisano, Michelangelo, Iacopo da Bologna and Guido Reni. In the Rosary Chapel, the most important work is the Mystery of the Rosary, a group of paintings worked on by Lodovico Carracci, Bartolomeo Cesi, Denis Calvaert, Lavinia Fontana, Guido Reni and Domenichino.

More reading:

The Bolognese master Guercino

How the Bolognese painter Annibale Carracci influenced art in Rome

Why Domenichino is seen as the Raphael of the Bolognese School

Also on this day:

1909: The birth of Bicycle Thieves actor Lamberto Maggiorani

1938: The birth of journalist and TV talk show host Maurizio Costanzo


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