Showing posts with label Francesco Gasparini. Show all posts
Showing posts with label Francesco Gasparini. Show all posts

26 October 2019

Domenico Scarlatti - composer

Neapolitan famous for his 555 keyboard sonatas


A portrait of Domenico Scarlatti, painted by  Domenico Antonio Valasco in 1738
A portrait of Domenico Scarlatti, painted by
Domenico Antonio Velasco in 1738
The composer Giuseppe Domenico Scarlatti, known as Domenico Scarlatti, was born in Naples on this day in 1685.

Born in the same year as Johann Sebastian Bach and George Frideric Handel, Scarlatti was the sixth of 10 children fathered by the composer Alessandro Scarlatti.

Like his father, Domenico composed in a variety of musical styles, making the transition in his lifetime from Baroque to traditional Classical. Today, he is known mainly for his 555 keyboard sonatas, which expanded the musical possibilities of the harpsichord.

Although he began his career in Naples, Scarlatti spent a large part of his life in the service of the Portuguese and Spanish royal families. In fact, he died in Madrid in 1757.

Early in 1701, at the age of just 15, Scarlatti was appointed as composer and organist at the royal chapel in Naples. At 17, his first operas, L’Ottavia restituita al trono and Il Giustino, were produced there.

In 1705 his father sent him to Venice, reputedly to study with the composer Francesco Gasparini, although nothing is known with certainty about his life there. It is thought he may have met a young Irishman, Thomas Roseingrave, who later described Scarlatti’s advances in harpsichord music to the English musicologist Charles Burney, although other accounts of his life suggest he may have first encountered Roseingrave in Rome.

Alessandro Scarlatti passed on his musical versatility to his son, Domenico
Alessandro Scarlatti passed on his musical
versatility to his son, Domenico
Scarlatti is known to have been in Rome from 1709, having entered the service of the exiled Polish queen Marie Casimire. In Rome, Scarlatti is believed to have developed a friendship with Handel, against whom, legend has it, he featured in a trial of skill on harpsichord and organ at the palace of Cardinal Ottoboni in Rome. Handel is said to have been judged the better organ player but outperformed by Scarlatti on the harpsichord. He became known as the "greatest Italian harpsichord composer of all time".

While in Rome, Scarlatti was maestro di cappella at St. Peter's from 1715 to 1719. Also in Rome, he produced his last opera, Ambleto and collaborated with Nicola Porpora in Berenice, regina di Egitto.

His Rome adventure also brought a commission from the Portuguese embassy, for which in 1714 he composed a cantata in honour of the birth of a crown prince of Portugal. A few years later, he quit his position at the Vatican to move to Lisbon, where his serenata La Contesa delle Stagioni was performed at the royal palace.

Scarlatti became musical director to King John V of Portugal, as well as music master to the king’s younger brother Don Antonio and to Princess Maria Bárbara de Bragança, who was to remain his patroness and for whom most of the harpsichord sonatas were written.

In 1728, after his father had died, Scarlatti returned to Italy, where he married a Roman girl, Maria Caterina Gentili, who was much younger than him and who bore him six children.  In the same year, after his pupil, Maria Bárbara, married the Spanish crown prince, the future Ferdinand VI, he followed the newlywed royal couple to Spain.

The castrato singer Farinelli, like Scarlatti, enjoyed the patronage of the court of Madrid
The castrato singer Farinelli, like Scarlatti, enjoyed
the patronage of the court of Madrid
Initially based in Seville, Scarlatti moved to Madrid in 1733 to be music master to Maria Bárbara. He stayed in Spain for the last 25 years of his life.  After the death of his first wife in 1742, he married a Spaniard, Anastasia Maxarti Ximenes, with whom he had five more children.

Among his compositions for the Spanish court were most of his 555 keyboard sonatas.  While in their service, he befriended the Neapolitan castrato singer Farinelli, who also enjoyed royal patronage in Madrid.

Scarlatti died in Madrid at the age of 71. His residence on Calle Leganitos is designated with a historical plaque. His descendants still live in the Spanish capital.

His music, the sonatas in particular, had a profound influence on the compositions of contemporary and subsequent composers. Among his admirers, apart from Handel and Bach, were Bartók, Mozart, Beethoven, Liszt, Brahms, Chopin and Debussy.

The Conservatorio di Musica San Pietro a Majella became  the centre of the 18th century music scene in Naples
The Conservatorio di Musica San Pietro a Majella became
the centre of the 18th century music scene in Naples
Travel tip:

The famous Conservatorio di Musica San Pietro a Majella, which became the centre of the city’s musical world in the years after Scarlatti, evolved from four institutions set up in the 16th century with the prime purpose of providing a refuge for orphan children.  The name ‘conservatorio’ relates to this original purpose, which was to conserve the lives of the children.  The oldest was the orphanage of Santa Maria di Loreto, situated in the poor fisherman’s district of the city. These institutions aimed to provide tuition in various skills, including music.  In time they acquired such a good reputation for providing a musical education that they began to be seen as music colleges primarily, and Naples eventually became one of the most important centres for musical training in Europe, nicknamed the “conservatory of Europe". Under the rule of Joachim Murat, the French cavalry leader Napoleon installed as King of Naples for a short period in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.

The Palazzo della Cancelleria in Rome was the home of Cardinal Pietro Ottoboni, a patron of music in the city
The Palazzo della Cancelleria in Rome was the home of
Cardinal Pietro Ottoboni, a patron of music in the city
Travel tip:

The Palazzo della Cancelleria, the palace of Cardinal Ottoboni where Domenico Scarlatti’s musical trial against Handel is thought to have taken place, is situated between Corso Vittorio Emanuele II and the Campo de' Fiori. It is probably the earliest Renaissance palace to be built in Rome. It is the work of the architect Donato Bramante between 1489 and 1513, initially as a residence for Cardinal Raffaele Riario, who was the Camerlengo - treasurer - of the Holy Roman Church under Pope Sixtus V. It evolved as the seat of the Chancellery of the Papal States.  The Roman Republic used it as their parliament building.


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24 December 2018

Domenico Sarro – composer

Court choirmaster wrote several important operas


Domenico Sarro, as depicted by Nicolò Maria Rossi
Domenico Sarro, as depicted
by Nicolò Maria Rossi
Opera composer Domenico Sarro was born on this day in 1679 in Trani, a seaport north of Bari in Apulia.

He was given the middle name, Natale, which is the Italian word for Christmas.

Sarro is famous for being the composer of Achille in Sciro, the opera chosen for the opening night of the new Teatro San Carlo in Naples in 1737.

He studied music from the age of six at Sant’Onofrio, a church near Porta Capuana, one of the ancient city gates of Naples, which at the time was the location of the city’s music conservatory. His first opera, L’opera d’amore, was performed in Naples in 1702.

He was appointed assistant choirmaster to the Neapolitan court in 1702 and by 1706 was having his religious music performed in churches in Naples. He wrote several of what were then referred to as three-act musical dramas, which were performed in theatres and private palaces throughout the city.

Sarro’s opera, Didone abbandonata, was premiered on February 1, 1724 at the Teatro San Bartolomeo in Naples. It was the first setting of a major libretto by the writer Pietro Metastasio, who would become the most celebrated librettist of the 18th century. The intermezzo, Dorina e Nibbio or L’impresario delle canarie, has been performed extensively by orchestras since then, right up to the present day. It has also been imitated by composers such as Tomaso Albinoni, Francesco Gasparini, Leonardo Leo and Martini il Tedesco.

The title page of Sarro's opera Didone Abbandonata
The title page of Sarro's opera
Didone Abbandonata
Sarro’s 1726 opera, Valdemaro, is considered important because it demonstrates Sarro’s interest in the upper voice, as in this opera the melodic lines are dominant in the upper voices.

Sarro, sometimes called Sarri, also wrote many vocal cantatas, which have been admired by music experts for their charm and inventiveness.

The only known portrait of Domenico Sarro is part of a painting called The Viceroy at the Festa of the Quattro Altari by Nicolò Maria Rossi. Sarro is one of the many composers depicted by the artist as part of the Neapolitan Court.

Domenico Sarro died in Naples in 1744, aged 65.

Trani's 12th century duomo - the Cattedrale di San Nicola Pellegrino - stands on a platform on the sea
Trani's 12th century duomo - the Cattedrale di San Nicola
Pellegrino - stands on a platform on the sea
Travel tip:

The port of Trani, where Domenico Sarro was born, is about 40km (25 miles) to the northwest of Bari. It was a flourishing port as early as the 11th century because of its location on the Adriatic Sea. In 1063 Trani issued a maritime law code, believed now to be the oldest in western Europe. Trani has lost its old walls and bastions but still has a 13th century fort,  which has been restored as a museum and performance venue. The 12th century Cathedral on a raised site over the sea is dedicated to St Nicholas the pilgrim, a Greek who died there in 1094 while on the way to Rome.

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The church of San Pietro a Majella, looking along Via dei Tribunali
The church of San Pietro a Majella, looking
along Via dei Tribunali
Travel tip:

Sarro studied at the Music Conservatory when it was in Sant’Onofrio in Naples. Today, the Music Conservatory is in the complex of San Pietro a Majella, close to Via dei Tribunali, one of the main thoroughfares in the heart of the centro storico in Naples. It is the last of a string of establishments that were once music conservatories in Naples, dating back to when the Spanish ruled the city in the 16th century. One of the earliest, I Poveri di Gesù Cristo, was founded in 1589 by Marcello Fossataro, a Franciscan monk. It was next to the Church of Santa Maria a Colonna on Via dei Tribunale, but in 1743 it was converted into a church seminary.

More reading:

Tomaso Albinoni, the Venetian most famous for his haunting Adagio in G Minor

How Pietro Metastasio progressed from street entertainer to great librettist

Francesco Gasparini, the musical director who gave Vivaldi a job

Also on this day:

Vigilia di Natale - Christmas Eve

1836: The birth of food canning pioneer Francesco Cirio

1897: The birth of Lazzaro Ponticelli, the longest surviving veteran of World War One


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19 March 2018

Francesco Gasparini – musician and writer

Opera composer who gave Vivaldi a job


Francesco Gasparini, captured in a caricature by Pier Leone Ghezzi
Francesco Gasparini, captured in a
caricature by Pier Leone Ghezzi
Francesco Gasparini, one of the great Baroque composers, whose works were performed all over Europe, was born on this day in 1661 in Camaiore near Lucca in Tuscany.

Gasparini also worked as a music teacher and was musical director of the Ospedale della Pietà in Venice for about 15 years, where he made the inspired decision to employ a 25-year-old Antonio Vivaldi as a violin master.

By the age of 17, Gasparini was a member of the Philharmonic Academy of Bologna. He moved to Rome, where he studied under the musicians Arcangelo Corelli and Bernardo Pasquini. His first important opera, Roderico, was produced there in 1694.

After arriving in Venice in 1702, he became one of the leading composers in the city. He wrote the first opera to use the story of Hamlet - Ambleto - in 1705, although he did not base the work on Shakespeare’s play.

Gasparini was appointed musical director of the Ospedale della Pietà, an orphanage in Venice where young girls received a musical education. The most talented pupils stayed on to become members of the Ospedale’s orchestra and choir.

Listen: Excerpt from Gasparini's "Amore e Ombre"



He engaged the services of Antonio Vivaldi in 1703 to teach the violin. Vivaldi, who had been taught to play the violin to a high level by his father, composed most of his major works while working there over the next 30 years.

Gasparini hired Antonio Vivaldi to teach violin at the Ospedale della Pietà, in Venice
Gasparini hired Antonio Vivaldi to teach violin
at the Ospedale della Pietà, in Venice
Gasparini’s Missa canonica, written in Venice in 1705 for four voices, became known to Johann Sebastian Bach, who copied it out in 1740 and, after adding parts for strings and wind instruments, performed it in churches in Leipzig.

While in Venice, Gasparini also taught the Venetian composer Benedetto Marcello and wrote a treatise on the harpsichord, published in 1708, which continued to be reprinted for more than 100 years and was used in Italy well into the 19th century.

Gasparini was the leading composer for the theatre in Venice, having written 23 operas and 15 oratorios by the time he left the city.

After his return to Rome in about 1720, he was maestro di cappello in two churches and taught the Neapolitan composer Domenico Scarlatti. He also taught counterpoint to the German flautist and composer Johann Joachim Quantz.

In his day, Gasparini was the principal composer of the Italian operas presented in London. His last important work, Tigrane, was produced in Rome in 1724.

The composer died in Rome in 1727, aged 66.

Piazza Principale, the main square in Camaiore
Piazza Principale, the main square in Camaiore
Travel tip:

Camaiore, the birthplace of Francesco Gasparini, is a city within the province of Lucca in Tuscany. It derives its name from the time it was a large Roman encampment, Campus Major, and an important station along the Via Cassia. It has two Romanesque churches, the Collegiata di Santa Maria Assunta and the Church of Santi Giovanni e Stefano as well as a Benedictine Abbey, Badia di San Pietro, that dates back to the eighth century.




The church of La Pietà, also known as Santa
Maria della Visitazione, in Venice
Travel tip:

The Church of La Pietà, or Santa Maria della Visitazione, on Riva degli Schiavoni facing the lagoon in Venice, dates back to the 15th century. It started its life as a foundling home for orphans. After Gasparini was appointed musical director there, he employed Vivaldi to teach the violin and they both composed music for the orchestra and choir. The church is now a regular venue for music concerts.

4 March 2016

Antonio Vivaldi – Baroque composer

The success and the sadness in the life of musical priest 


This portrait by an unknown artist is believed to have been painted in 1723
A portrait of Antonio Vivaldi painted by an
anonymous artist in around 1723
Violinist, teacher, composer and cleric Antonio Lucio Vivaldi was born on this day in Venice in 1678.

Widely recognised as one of the greatest Baroque composers, he had an enormous influence on music throughout Europe during his own lifetime.

His best-known work is a series of beautiful violin concertos called The Four Seasons.

Vivaldi was a prolific composer who enjoyed a lot of success when his career was at its height.

As well as instrumental concertos he composed many sacred choral works and more than 40 operas.

Vivaldi’s father taught him to play the violin when he was very young and he became a brilliant performer. At the age of 15 he began studying to be a priest and he was ordained at the age of 25. He soon became nicknamed ‘Il Prete Rosso’, the red priest, because of his red hair.

He became master of violin at the Ospedale della Pietà, an orphanage in Venice, and composed most of his works while working there during the next 30 years.

The orphaned girls received a musical education and the most talented pupils stayed on to become members of the Ospedale’s orchestra or choir. Vivaldi wrote concertos, cantatas and sacred vocal music for them to perform.


Listen to Vivaldi's 'Summer' concerto from The Four Seasons, performed by the Italian chamber orchestra I Musici




His first opera was produced in Vicenza in 1713 and he was invited to Mantua to be director of music for the city’s governor in 1718.

At the height of his career, Vivaldi received commissions from European nobility and royalty. After meeting the Emperor Charles VI he moved to Vienna with the intention of staging some of his operas there. But Charles VI died shortly after his arrival, leaving the composer with no income or royal protection.

Vivaldi became impoverished and died in 1741 following an infection. He was given the equivalent of a pauper’s funeral in Vienna.

Vivaldi worked at La Pietà for 30 years
The Church of La Pietà. Photo:
Didier Descouens (CC BY-SA 3.0)
Travel tip:

Vivaldi was baptised by the midwife immediately after his birth at his family’s home in the Castello district of Venice. His official church baptism took place two months later at the simple Gothic-style Church of San Giovanni Battista in Bragora in Campo Bandiera e Moro in Castello.

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Travel tip:

The Church of La Pietà, or Santa Maria della Visitazione, on Riva degli Schiavoni facing the lagoon, dates back to the 15th century. It started its life as a foundling home for orphans. From 1703 till 1740 Vivaldi directed the Pietà’s musical groups and composed music for the orchestra and choir. The church is now a regular venue for concerts featuring Vivaldi’s music. 

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More reading:

How Giovanni Gabrieli inspired the spread of the Baroque music style

Tomaso Albinoni, Venetian who composed a famously haunting adagio

Francesco Gasparini, the musical director who took Vivaldi on at the Ospedale della Pietà

Also on this day:

1848: The first Italian Constitution is agreed

1943: The birth of singer-songwriter Lucio Dalla

Selected books:

The Vivaldi Compendium, by Michael Talbot

Vivaldi: Red Priest of Venice, by Susan Adams


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