Antonio Todde - supercentenarian

Sardinian shepherd holds record as oldest Italian in history

Antonio Todde attributed his longevity to long walks
and a daily glass of local red wine

Antonio Todde, who was the oldest living man in the world before he died at the age of 112 years 346 days in 2002 and remains the oldest Italian man in history, was born on this day in 1889 in Tiana, a mountain village in Sardinia.

There are 19 other Italians who have attained a higher age, but all are women. Maria Giuseppa Robucci, from Apulia, is still living at the age of 115 years 307 days but would need to survive a further year and 195 days to match Emma Morano, from Piedmont, who died in 2017 aged 117 years 137 days as the oldest Italian of all time.

Todde was the world’s most senior male centenarian from the death of the American John Painter on March 1, 2001 until his own death 10 months later.

He was born to a poor shepherd family in Tiana, about 140km (87 miles) north of Cagliari in the Gennargentu mountains, about 55km (34 miles) southwest of the provincial capital, Nuoro.

The area historically has a high number of centenarians and there was longevity in Todde’s family. His father Francesco lived to be 90 years old, and his mother Francesca 98. His sister Maria Agostina - one of 11 siblings - was still alive at the age of 97 at the time of his death and herself lived to be 102.

Emma Morano, pictured at 21, lived to be 117,
as the oldest Italian in history

Born the same year as the Eiffel Tower was completed, Todde believed that the secret of his long life was a daily glass of locally-produced red wine, made by his grandson on the same rocky hills on which, as a shepherd, he spent almost all his life.

He had a simple diet based on pasta, vegetable soup, red meat and cheese, took regular long walks and relaxed by playing cards with his friends.

He rarely suffered ill health and passed away in his sleep, just a few hours after complaining that he had no appetite.

Todde left Sardinia only to fight in the First World War, in which he suffered an injured shoulder as a result of a grenade explosion.

In 1920, he married Maria Antonia, then aged 25, and they had four daughters and a son. She died in 1990, aged 95.

Todde's life and those of his fellow islanders was the focus of a scientific project, called Akea, into ageing and longevity, which was prompted by the high number of Sardinia's 1.6 million population who become centenarians.

Some 135 people per million on the island live to see their 100th birthday, compared with the western average of 75.

Akea is an acronym for "A Kent'Annos" - a Sardinian traditional greeting which means "a hundred years". It grew from studies carried out since 1997 by the team of Professor Luca Deiana, head of the biochemistry clinic, University of Sassari. The study took into account genetic, dietary and lifestyle factors.

Antonio Todde worked as a shepherd in the rugged
Gennargentu mountains of central Sardinia

Travel tip:

The village of Tiana is located on the western slopes of the Gennargentu massif, almost at the geographical centre of Sardinia, surrounded by mountains climbing to more than 1,000m (3,280ft). The village traditionally produced a woolen fabric called orbace, obtained from spinning wool and used to make winter clothes. Narrow streets, houses huddled together and passages covered by arches characterize the historical centre of the village.  A museum of industrial archaeology in the locality of Gusagu includes Sa Cracchera de tziu Bellu, the last active fulling-mill on the island, and one of only a few in Europe. Fulling is a process aimed at eliminating oil, dirt and other impurities from wool and making it thicker.

Nuoro is a city of narrow streets and
traditional stone houses

Travel tip:

Nuoro is a city in eastern central Sardinia of about 36,000 people, the sixth largest on the island, characterised by cobbled streets lined with traditional stone houses.  Situated on the slopes of Monte Ortobene, it is the birthplace of several renowned writers, poets, painters, and sculptors, including Grazia Deledda, the only Italian woman to win the Nobel Prize in Literature, whose birthplace is one of the city’s many museums. As a cultural centre, Nuoro is sometimes called the Athens of Sardinia.

More reading:

Maria Radaelli - the Inter fan who for 10 months was the oldest living person in Europe

Lazzaro Ponticelli, the First World War veteran who became world's oldest living Italian

Francesco Chiarello: fought in two world wars, lived to be 109

Also on this day:

1506: The founding of the Papal Swiss Guard

1893: The birth of gang boss Francesco Ioele, also known as Frankie Yale

2005: The death of First World War veteran Carlo Orelli, aged 110


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Andrea Zanzotto - poet

Writer drew inspiration from landscapes of Veneto

Andrea Zanzotto wrote 15 volumes of poetry
during his active career, while also teaching

Andrea Zanzotto, who was regarded as one of Italy’s greatest 20th century poets, was born on this day in 1921 in Pieve di Soligo, the village near Treviso where he lived almost all of his life. 

Zanzotto, who spent 40 years as a secondary school teacher, wrote 15 books of poetry, two prose works, two volumes of critical articles and translations of French philosophers such as Michaux, Leiris and Bataille.

His first book of poetry, Dietro il paesaggio (1951), won a literary award judged by several noteworthy Italian poets. Critics reserved their greatest acclaim for his sixth volume, La beltà (1968), in which he questioned the ability of words to reflect truth.

Zanzotto, whose verse was consistently erudite and creative, was known for his innovative engagement with language and his fascination with the rugged landscapes of the Veneto, from which he drew inspiration and provided him with much symbolism.

His upbringing was difficult at times because his father, Giovanni Zanzotto, a painter who has trained at the Bologna Academy of Fine Arts, was a committed supporter of the Socialist politician Giacomo Matteotti, who was murdered by Fascist thugs in 1924 a few days after accusing Mussolini’s party of electoral fraud.

Zanzotto had a difficult upbringing in the
Fascist Italy of the 1920s and 1930s

Fearing for his own safety, Giovanni fled to France in 1925. He returned to the Veneto, taking a job as a teacher in Santo Stefano di Cadore, about 100km (62 miles) north of Pieve di Soligo, not far from the border with Austria, in 1927 and the family reunited there in 1928.

Giovanni, in fact, painted some frescoes in a church in nearby Costalissoio but his campaigning against the Fascists and the collapse of a co-operative that was providing financial support for his family, forced him into exile again in 1931.

Andrea, who had been deeply affected by the death of his younger sister, Marina, became close to his maternal grandmother and an aunt, and began to develop his love of writing. They helped him to see his first work published in 1936.

After completing school, Zanzotto began to focus on a career in teaching but suffered another loss in 1937 when his other sister, Angela, died of typhus. The grief, combined with the fatigue of commuting to college in Treviso, took a toll on his health, yet he obtained his teaching credentials.

Zanzotto enrolled at the University of Padua, where he received his diploma in literature in 1942, with a thesis on the work of the Italian Nobel Prize winner Grazia Deledda, after which he began teaching in Valdobbiadene and then Treviso.

Andrea Zanzotto spent the majority of
his 90-year life in Pieve di Solito

In the meantime, having avoided conscription because of severe asthma, he participated in the Italian Resistance, working largely on propaganda publications, and after the war spent some time travelling in Switzerland, France and Spain before returning to Pieve di Soligo where he resumed his work as a teacher.

Zanzotto’s poetry was influenced by his study of European intellectual thought and became notable for his of divergent language, from the lofty lingua aulica of the great poets of the past, notably Petrarch and Dante, to the language of pop songs and advertising slogans.

Dialect was one of Zanzotto’s favourite linguistic registers. Section one of Filò (1976) was written in a pseudo-archaic Venetian dialect. It was composed at the request of Federico Fellini for his film Casanova. Section two, in fact, included a diatribe against the film industry.

Dialectal words and phrases reoccurred in Il Galateo in bosco (1978), the first book of a trilogy completed by Fosfeni (1983) and Idioma (1986), which are regarded among his finest works.

Although a lot of his writing suggested nostalgia for disappearing landscapes, languages and cultures, Zanzotto never lost sight of the present and its possible effects on the future. His later works were increasingly engaged with topical issues such as the effects of the Chernobyl nuclear disaster, the war in Bosnia, and local environmental changes.

He died in October 2011 at the age of 90, survived by his wife, Marisa, to whom he had been married for 52 years, and their children.

The neighbourhood of Cal Santa in Pieve di Solito, where
Zanzotto lived for many years in his childhood

Travel tip:

Pieve di Soligo is a town of some 12,000 inhabitants a little more than 30km (19 miles) north of Treviso, in a plain bordered to the north by the Belluno Prealps. At the heart of the town is the cathedral dedicated to Santa Maria Assunta, a neo-Romanesque monument built in the early 20th century by the architect Domenico Rupolo, who is well known for having designed the fish market by the Rialto bridge in Venice. Along the banks of the Soligo river are two of the oldest parts of the town, including Cal Santa, where Zanzotto spent much of his formative years.

The vine-clad hills around Valdobbiadene, home of Italy's
finest Prosecco wines

Travel tip:

The picturesque hills around Valdobbiadene, where Zanzotto briefly worked as a supply teacher, are famous for the production of what is generally regarded as the best Prosecco in Italy. It is largely made from Glera grapes and though the name comes from that of the village of Prosecco near Trieste, where the grape and wine originated, the only Prosecco granted DOCG status - the classification granted to superior Italian wines - is produced from grapes grown on the hills between the towns of Conegliano and Valdobbiadene, or from a smaller area around the town of Asolo, a few kilometres south of Valdobbiadene.

More reading:

How Grazia Deledda became the first Italian woman to win a Nobel Prize

The tragic brilliance of Giacomo Leopardi

What the Italian language owes to Petrarch

Also on this day:

1881: The death of missionary Saint Daniele Comboni

1891: The birth of Mafia boss Stefano Magaddino


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Grazia Deledda - Nobel Prize winner

First Italian woman to be honoured

Grazia Deledda was the first Italian
woman to win a Nobel Prize

The novelist Grazia Deledda, who was the first of only two Italian women to be made a Nobel laureate when she won the Nobel Prize for Literature in 1926, was born on this day in 1871 in the city of Nuoro in Sardinia.

A prolific writer from the age of 13, she published around 50 novels or story collections over the course of her career, most of them drawing on her own experience of life in the rugged Sardinian countryside.

The Nobel prize was awarded "for her idealistically inspired writings which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general."

Deledda’s success came at the 11th time of asking, having been first nominated in 1913. The successful nomination came from Henrik Schuck, a literature historian at the Swedish Academy.

Born into a middle-class family - her father, Giovanni, was in her own words a “well-to-do landowner” - Deledda drew inspiration for her characters from the stream of friends and business acquaintances her father insisted must stay at their home whenever they were in Nuoro.

The cover of an early edition of Elias
Portolú, Deledda's first big success

She was not allowed to attend school beyond the age of 11 apart from private tuition in Italian, which was not at the time the first language of many Sardinians, who tended to converse in their own dialect, sardo logudorese. Beyond that, she continued her education by reading as much quality literature as she could get hold of.

Her parents did not encourage her writing but she persevered and, on the advice of her English teacher, submitted a story to a magazine when she was 13 and was delighted when they decided to publish it.

Even at that early stage in her career, her stories tended to be starkly realistic in their reflection of the hard life many Sardinians endured at the time and she often used the sometimes brutally challenging landscape of the island as a metaphor for the difficulties in her characters’ lives.

Yet she would more often blame societal factors and flawed morals for the difficult circumstances in which her characters found themselves, which reflected her own optimistic view of human nature.

However, she was chastised by her father for the way her stories questioned the patriarchal structure of Sardinian society and they were not received well generally in Nuoro, where some people expressed their displeasure by burning copies of the magazine that published her work.

There is a commemorative bust of
Grazia Deledda on Pincio hill in Rome

Deledda completed her first novel, Fior di Sardegna (Flower of Sardinia) in 1892, when she was not quite 21. She sent to a publisher in Rome, who accepted. Again it was shunned in Nuoro, but it was successful enough elsewhere for her to set about writing more and she submitted at least one every year, sometimes using a pseudonym.

In 1900, she visited Cagliari, the Sardinian capital on a rare holiday. She had never been far from Nuoro before but it proved a momentous occasion. She met Palmiro Madesani, a civil servant who would become her husband.  After they were married, they moved to Rome, where Deledda would live for the remainder of her life.

It was there that she tasted her first real success with Elias Portolú (1903), a novel that was published in Italian first but which was translated into French and subsequently all the major European languages, bringing her international recognition for the first time.

The period between 1903 and 1920 was her most productive phase for her, in which she wrote some of her best work. Her 1904 novel Cenere (Ashes) was turned into a film starring the celebrated actress Eleonora Duse.

Deledda preferred a quiet life with her family to any
celebrity despite the attention the prize brought her

Life in Sardinia continued to be her favourite theme. Nostalgie (Nostalgia, 1905), I giuochi della vita (The Gambles of Life, 1905), L’ombra del passato (Shadow of the Past, 1907) and L’edera (The Ivy, 1908) brought her more success.

This brought her a comfortable living and she was happy in Rome, even if she preferred a quiet life at home to celebrity. If she was bitter at the way her family had reacted to her writing, she did not let it stand in the way of her humanity and she supported her brothers, Andrea and Santus, after her father died.

Deledda died in Rome in 1936 at the age of just 64, having suffered with breast cancer. Her last years were painful but she never lost her optimistic view of life, which she believed was beautiful and serene and gave her the strength to overcome physical and spiritual hardships. Her later works reflected her strong religious faith.

Italy's only other female Nobel Prize-winner is Rita Levi-Montalcini, who won the 1986 Nobel Prize for Medicine.

The house in Nuoro where the novelist
was born is now a museum

Travel tip:

Deledda's birthplace and childhood home in Nuoro has been preserved as a museum in her honour. Called the Museo Deleddiano, it consists of 10 rooms where the stages of the writer's life are reconstructed.  The building is located in Santu Pedru, one of the city's oldest quarters. The house was sold in 1913 but remains mostly unaltered. It was acquired by the Municipality of Nuoro in 1968 and, thanks to the generosity of the Madesani-Deledda family,  a large number of manuscripts, photographs, documents and personal belongings of the novelist are on display.  The museum, in Via Grazia Deledda, is open from 10am to 1pm and from 3pm to 7pm (8pm in summer), every day except Mondays.

Nuoro is situated in a ruggedly mountainous area

Travel tip:

Nuoro, situated on the slopes of the Monte Ortobene in central eastern Sardinia, has grown to be the sixth largest city in Sardinia with a population of more than 36,000.  The birthplace of several renowned artists, including the poet Sebastiano Satta, the novelist Salvatore Satta - a cousin - the architect and car designer Flavio Manzoni and the award-winning sculptor Francesco Ciusa, it is considered an important cultural centre.  It is also home of one of reputedly the world’s rarest pasta - su filindeu, which in the Sardinian language means "the threads of God" - which is made exclusively by the women of a single family to a recipe passed down through generations.

More reading:

Giosuè Carducci - the first Italian to win the Nobel Prize for Literature

How Nobel Prize-winner Dario Fo put the spotlight on corruption

The groundbreaking talent of actress Eleonora Duse

Also on this day:

1966: The birth of rapper Jovanotti

1979: The death on Capri of actress and singer Gracie Fields 


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