Manuela Arcuri - actress and model

TV drama star who portrayed woman who killed Mafia boss

The glamorous Manuela Arcuri has evolved
from model to popular TV actress

The actress and former model Manuela Arcuri, who received accolades for playing the lead role in a truth-inspired drama about a grieving widow who shot dead a gang boss, was born on this day in 1977 in Anagni, an ancient town in southern Lazio.

Arcuri portrayed a character based on Assunta ‘Pupetta’ Maresca, who made headlines in 1955 when she walked into a bar in Naples and shot dead the Camorra boss who had ordered the killing of her husband, just three months after they were married.

The four-episode drama, aired in 2013 on the Italian commercial TV channel Canale 5, was called Pupetta: Il coraggio e la passione (Pupetta: Courage and Passion). Directed by Luciano Odorisio and also starring Tony Musante, Eva Grimaldi and Barbara De Rossi, the series confirmed Arcuri’s standing as a television actress of note, winning her the award of best actress at the 2013 Rome Fiction Fest.

She had appeared by then in leading roles in a number of TV dramas and mini-series, including Io non dimentico (I Don’t Forget), Il peccato e la vergogna (The Sin and the Shame) and Sangue caldo (Hot Blood).

Manuela Arcuri met the real 'Pupetta'
during the making of the 2013 series

Arcuri’s ambition from an early age was to forge a career in show business. She attended art school in Latina, where she grew up, before moving to Rome to enrol at the Pietro Scharoff Academy of Dramatic Arts, where she graduated in 1997.

A girl of classic Italian beauty, she took her first modelling assignments at the age of 15 and her career as a glamour model evolved more quickly than her acting career, although she was steadily building up film credits for minor roles.  Her magazine shoots led rapidly to her being projected as a sex symbol, which quickly opened doors into television, where glamorous female presenters remain a ratings winner.

In 2002, still a relative newcomer, she was given huge exposure when she was chosen to co-host the Sanremo Music Festival alongside the veteran male presenter, Pippo Baudo.

Now, bigger and better TV parts began to be offered. She participated in the popular TV drama series Carabinieri and in 2005 played the title role in Imperia, la grande cortigiana, a TV film about the 16th century Roman courtesan and celebrity, Imperia Cognati.

In 2008, she met the challenge of appearing at the Teatro Parioli in Rome in a six-week run of the comedy Il primo che mi capita, then landed her biggest TV role to that point as the female lead in Io non dimentico, a drama set in Naples in the 1930s.

The statue in Porto Cesareo
that caused such controversy

Arcuri has a large following of fans, some of whom have expressed their admiration for her in unusual ways, such as the statue that was erected in 2002 by the local tourist board to celebrate the beauty and prosperity of the fishing port and resort of Porto Cesareo in Puglia, about 30km (19 miles) from the city of Lecce.

Carved by the sculptor Salvatino De Matteis, it depicts a female figure carrying a hollow shell brimming over with fish but with the hair, facial features - and cleavage - of Ms Arcuri, beneath which is an inscription that hailed the actress as a symbol of beauty and prosperity, a perfect match for Porto Cesareo itself.

Not surprisingly, the choice of an actress and glamour model over a more traditional symbol, such as a goddess or saint, or even a mermaid, divided opinion, with outspoken protests in particular by the wives of local fishermen, who had begun a daily ritual of touching the statue’s buttocks to bring them luck before they set out to sea.

For a while the statue was removed, only to later be reinstated after an equally voluble outcry from those who approved of it.  Ms Arcuri, who attended the original unveiling, returned to see it reborn.

Romantically linked with a series of high-profile men, including the footballer Francesco Coco, Arcuri has had a long-term relationship with the entrepreneur Giovanni Di Gianfrancesco, with whom she had a four-year-old son, Mattia.

The Cathedral of Santa Maria Annunziata
in Anagni dates back to the 11th century

Travel tip:

Anagni, where Manuela Arcuri was born, is an ancient town in the province of Frosinone in Lazio, 70km (43 miles) southeast of Rome in an area known as Ciociaria, named after the primitive footwear, ciocie, a type of sandal, worn by people living in the area. The town produced four popes, the last one being Boniface VIII, who was hiding out there in 1303 when he received the famous Anagni slap, delivered by an angry member of the fiercely antipapal Colonna family after he refused to abdicate. After his death the power of the town declined and the papal court was transferred to Avignon. The medieval Palace of Boniface VIII, is near the Cathedral in the centre of the town.

Search for a hotel in Anagni with tripadvisor

The Cathedral of San Marco, in the 'ideal' Fascist town of
Latina in Lazio, was built in 1932

Travel tip:

Latina, a town built in the middle of what used to be the Pontine Marshes, south of Rome, has been described as a living monument to Fascism - not in the sense of celebrating the horrors of the darker side of Mussolini’s grip on power, but as an example of the dictator’s utopian dreams of efficient modern cities for the Italian people.  Mussolini drained the malaria-ridden Pontine swamps and gave the reclaimed land to peasants and settlers, building them houses in exchange for their labour and sweat. The centre of Latina - inaugurated in 1932 as Littoria - has been preserved almost as it was. The Fascist buildings remain in place, their rationalist architecture decorated with pagan statues as well as military and rural bas-reliefs. The Cattedrale di San Marco, designed by Oriolo Frezzotti and built in 1932, is a good example of the fusion of classical and modern, linear styles that was typical of Fascist architecture.


More reading:

The true story of Assunta Maresca - the 'little doll' who shot dead a Mafia boss 

Pippo Baudo - the record-breaking host of Sanremo

Mara Carfagna - from glamour model to politician

Also on this day:

1337: The death of the brilliant painter Giotto

1921: The birth of Sicilian writer Leonardo Sciascia

2016: The death of Maria Teresa de Filippis, the first woman to drive in Formula One


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Agostino Chigi - banker and arts patron

Nobleman from Siena became one of Europe’s richest men

A Roman coin bearing the image of Agostino Chigi,
who was one of the 16th century's richest bankers

The banker Agostino Chigi, who was a major sponsor of artists during the Renaissance, was born on this day in 1466 in Siena.

At its height, Chigi’s banking house in Rome was the biggest financial institution in Europe, employing up to 20,000 people, with branches throughout Italy and abroad, as far apart as London and Cairo.

Chigi invested a good deal of his wealth in supporting the arts, notably providing financial backing to almost all the main figures of the early 16th century, including Perugino, Sebastiano del Piombo, Giovanni da Udine, Giulio Romano, Il Sodoma (Giovanni Bazzi) and Raphael.

Perugino painted The Chigi Altarpiece, dated at around 1506-1507, which hangs in the Chigi family chapel in the church of Sant'Agostino in Siena. 

Chigi’s significant legacy to Rome was to have built a chapel in the church of Santa Maria della Pace, another - his mortuary chapel, the Chigi Chapel - in the church of Santa Maria del Popolo, and the superb suburban villa in Trastevere, on the banks of the Tiber, which since 1579 has been known as the Villa Farnesina. 

The altarpiece painted by Perugino
for Agostino Chigi in Siena

Agostino Chigi was the son of the prominent Sienese banker Mariano Chigi, from an ancient and illustrious Tuscan family. He moved to Rome around 1487, taking with him a rich fund of capital.

He grew the wealth of his own bank by lending considerable sums to Pope Alexander VI and others, and by diversifying from regular banking practice by buying monopoly control of salt mining in the Papal States and the Kingdom of Naples, as well as that of alum, a mineral used in the textile industry.

After the death of the Borgia pope Alexander VI and his short-lived Sienese successor Pius III Piccolomini, Chigi helped Pope Julius II, in return for which he became treasurer and notary of the Apostolic Camera.  Agostino even accompanied Julius in the field in his military campaigns and went to Venice on his behalf to buy Venetian support for the papal forces in the War of the League of Cambrai.

Work began on his magnificent palace in Trastevere in 1506. Chigi took the unusual step of commissioning an untried pupil of Bramante, Baldassare Peruzzi, to design and oversee the construction of the villa, although he may have been helped Giuliano da Sangallo, the favored architect of Lorenzo de' Medici.

Raphael's fresco The Triumph of Galatea.
in the loggia at the Villa Farnesina

His design differed from that of the typical urban palazzo, which tended to be rectangular, with an enclosed courtyard. This villa, intended as an airy summer pavilion, had a U-shaped plan with a five-bay loggia between the arms, facing north, which was the main entrance.

The best known element of the sumptuous decorations are Raphael's frescoes on the ground floor, both in the loggia depicting the classical and secular myths of Cupid and Psyche, and in the east-facing loggia, depicting The Triumph of Galatea. 

This was a mythological scene from an intended series inspired by the Stanze per la giostra of the Florentine poet Angelo Poliziano. It shows the near-naked sea nymph Galatea on a shell-shaped chariot drawn by two dolphins, surrounded by other sea creatures.

It has been noted that Raphael’s Galatea bore similarities to the courtesan, Imperia Cognati, who was Agostino Chigi's lover and is said to have posed for Raphael on more than one occasion. The art historian and Raphael's near-contemporary, Giorgio Vasari, noted, however, that Raphael had said that Galatea was the product of his imagination, an idealised beauty.

It was at this villa that Chigi held sumptuous banquets. He was recognised as the richest man in Rome but was said to have affected a contempt of money by throwing silver dishes into the Tiber at the end of the parties, although it is thought his servants were on hand to collect them in nets draped under the windows.

The villa was called the Viridario in Chigi's time. It became the property of the Farnese family in 1577, more than a half-century after his death.

The Palazzo Chigi, the current official residence of Italian prime ministers, was bought by Fabio Chigi, related to Agostino as a descendent of his father’s brother, shortly after he became Pope Alexander VII in 1655.

The northern aspect of the Villa Farnesina, which was
Agostino Chigi's summer palace in Rome

Travel tip:

The Villa Farnesina can be found on Via della Lungara in the Trastevere district of Rome.  After the Farnese family, the villa belonged to the Bourbons of Naples and in 1861 to the Spanish Ambassador in Rome, Bermudez de Castro, Duke of Ripalta. Today, it is owned by the Italian State and accommodates the Accademia dei Lincei, a long-standing academy of sciences. The main rooms of the villa, including the Loggia, are open to visitors from 9am to 2pm on Monday to Saturday, and on every second Sunday of the month from 9am to 5pm. For more details, visit http://www.villafarnesina.it

The Palazzo Chigi in Rome was built originally for the
Aldobrandini family before passing to the Chigi family in 1659

Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Piazza Colonna and the Via del Corso in Rome, was begun in 1562 by Giacomo della Porta and completed by Carlo Maderno in 1580 for the Aldobrandini family. It was in the ownership of the Chigi family, who had it remodelled by Felice della Greca and Giovan Battista Contini, from 1659 until the 19th century. It became the residence of the Austro-Hungarian Ambassador to Italy in 1878 before being bought by the Italian state in 1916, when it became the home of the Minister for Colonial Affairs. Later it was the official residence of the Italian Minister of Foreign Affairs and in 1961 became the official meeting place of Council of Ministers, whose president is the head of the Italian government - the prime minister - and can now use the palace as his official residence.


More reading:

Raphael: The precocious genius from Urbino

How the courtesan Imperia Cognati became a 16th century celebrity

Pope Alexander VI - the scheming Borgia pope

Also on this day:

1463: The birth of antiquities collector Andrea della Valle

1797: The birth of composer Donizetti

1850: The birth of Agostino Richelmy, the cardinal who fought with Garibaldi

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Imperia Cognati - courtesan

Prostitute who became a celebrity

Raphael's Galatea in his frescoes at the Villa
Farnesina in Rome is thought to be Imperia

Imperia Cognati, who acquired celebrity status in Rome in the early 16^th century as a courtesan to a number of rich and powerful figures, was born on this day in 1486.

Courtesans were originally the female companions of courtiers of the papal court, whose duties required them to be educated and familiar with etiquette, so that they could participate in the formalities of court life and take part in polite conversation.

In time, however, in some cases their companionship became of a more intimate nature and they became the mistresses of their courtiers, who in the papal court were clerics nor permitted to marry.

It was common, too, for courtesans to be the companions of several clients simultaneously.  They were in effect a new class of prostitute, refined and educated enough to hold their own in polite society.

Imperia Cognati acquired her elevated status mainly through being the chosen companion of Agostino Chigi, a Sienese banker closely associated with Pope Alexander VI and others and a patron of the Renaissance.  At one time he was thought to be the richest banker in the world.

He lavished Imperia – as she was usually known – to the extent that she could afford to keep both a palace in Rome and a country villa.

The statue named Imperia at Konstanz is said to have been
 inspired by Balzac's fictional portrayal of a courtesan

Chigi remained her main client but she took others, maintaining her status – and income – by being very selective over the men with whom she would consort.  Her exclusive list included Angelo di Bufalo, who was another banker, Angelo Colocci, a papal secretary under Leo X, Tommaso Inghirami, a papal librarian, and the painter Raphael, of whom Chigi was a sponsor.

Imperia posed as a model for Raphael on a number of occasions.  It is thought that the nymph Galatea in the frescoes Raphael painted for the Villa Farnesina in Rome, built by Chigi, is actually Imperia.

Imperia’s background is not entirely clear. Some sources suggest she hailed from Ferrara but the consensus is that she was born in Rome, the daughter of a prostitute, Diana di Pietro Cognati, and raised in Via Alessandrina in the district of Borgo.

It was speculated that her father was Paris de Grassis, who would later serve as master of ceremonies under Pope Julius II, which may explain how she acquired an education, and why she at times referred to herself as Imperia de Paris.

She gave birth to a daughter, named Lucrezia, at the age of 17, of whom the father was assumed to be Chigi.

The artist Raphael was among Imperia's
lovers at the time she posed for him

Imperia died in 1512, at the age of just 26, apparently from poisoning, thought to be self-administered.

Various theories have been put forward as to what might have prompted her to take her own life. One is that she was distraught that Angelo di Bufalo, supposedly her true love, decided to end their relationship, another is that she felt pushed out when Chigi took a new, younger mistress. 

Whatever the reason, she was given a stately funeral in Rome, fit for a noblewoman rather than a prostitute, paid for by Agostino Chigi.  She was buried at the church of San Gregorio Magno al Celio in Rome, although the monument erected in her name has not survived.

Apart from her image being preserved in works by Raphael, Imperia is thought to have been the inspiration for Honoré de Balzac’s 1832 story La Belle Impéria, set in the time of the Council of Konstanz, which ended the Western Schism in the Catholic Church, in which a courtesan is given the name Imperia.

The character in Balzac’s novel has been portrayed by the German painter Lovis Corinth in 1925, and also inspired the larger-than-life Imperia statue in the harbour of Konstanz, the town on the lake in Germany of the same name, erected in 1993.

Travel tip:

Via Alessandrina is a street, nowadays closed to vehicles, that runs alongside the Roman ruins of the Italian capital, from the Forum in the direction of the Colosseum, joining up with Via dei Fori Imperiali.

The Villa Farnesina in the Trastevere district in Rome

Travel tip:

The Villa Farnesina, built by Baldassare Peruzzi for Agostino Chigi, can be found in the Via della Lungara, in the district of Trastevere in Rome. Owned at different times by the Bourbons of Naples and the Spanish Ambassador in Rome, it is today owned by the Italian State and accommodates the Accademia dei Lincei, a renowned Roman academy of sciences.  The main rooms of the villa, including the Loggia, are open to visitors.

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