Omero Antonutti - actor and voice dubber

Narrator of Oscar-winning Life is Beautiful enjoyed long and successul career

Omero Antonutti had success on
screen and as a stage actor

The actor Omero Antonutti, who acted in around 60 films and was the Italian voice of many international stars, was born on this day in 1935 in Basiliano, a village about 13km (eight miles) west of the city of Udine in the Friuli-Venezia Giulia region of northeast Italy.

His most acclaimed performance came in Padre padrone, a 1977 film directed by Paolo and Vittorio Taviani, a Palme d’Or winner at Cannes that was considered by many critics to be the co-directing brothers’ finest work.

Antonutti worked with the Taviani brothers again on La notte di San Lorenzo (1982), which won the Grand Prix du Jury at Cannes, and Kaos (1984) in which he took the part of the playwright Luigi Pirandello in a film based on some of Pirandello’s own short stories.

He was often asked to portray significant figures in dramatisations of real-life events. For example, he took the part of Roberto Calvi, the ill-fated chairman of the Banco Ambrosiano in the Giuseppe Ferrara’s 2002 feature The Bankers of God: The Calvi Affair, and played the shady Sicilian banker Michele Sindona in Michele Placido’s 1995 film Un eroe borghese - A Bourgeois Hero. In Piazza Fontana: The Italian Conspiracy, directed by Marco Tullio Giordano in 2012, Antonutti was cast as the Italian president, Giuseppe Saragat.

At the same time, his strong, deep voice meant his skills were in big demand as a voice dubber, with Italian cinema and television audiences preferring international productions to be voiced over by Italian actors, rather than have the visual experience spoiled by subtitles.

Antonutti was the Italian voice of Christopher Lee in the Lord of the Rings series, Sleepy Hollow, The Hobbit and other films. He voiced over Michael Gambon in The King’s Speech, Christopher Plummer in The Mystery of the Templars - National Treasure and Millennium - The Girl with the Hatred, and John Hurt in V for Vendetta. Omar Sharif, Robert Duvall, Donald Sutherland and Rutger Hauer were others whose words were interpreted by Antonutti.

Antonutti's voice can be heard as
the narrator in Life is Beautiful

Robert Benigni chose him to narrate Life is Beautiful in 1997, the film going on to win Oscars for Best Foreign Film, Best Leading Actor for Benigni himself and Best Soundtrack for Nicola Piovani.

As a young man, Antonutti lived in Trieste, the port city on the border of Italy and Slovenia. He found work in the shipyards but acted in his spare time, in the late 1950s appearing in the shows of the Silvio D’Amico Acting School before joining the company of the Teatro Stabile di Trieste.

His first film part came in 1966, when he appeared in Le piacevoli notte - Pleasant Nights, a trilogy of comedic tales set in the Middle Ages directed by Luciano Lucignani, acting in the illustrious company of Ugo Tognazzi, Gina Lollobrigida and Vittorio Gassman.

But it was not until the 1970s that his big screen career began in earnest. After landing a part in La donna della domenica (1975), the dramatisation of a popular murder mystery starring Marcello Mastroianni and Jacqueline Bisset and directed by Luigi Comencini, it was only two years before the Taviani brothers cast him as Efisio Ledda, the despotic father of Gavino Ledda in Padre Padrone, based on the semi-autobiographical novel of the same title by Gavino Ledda, which describes the way Efisio refused to let his son attend elementary school in the 1940s and forced him instead to work on the family sheep farm in Sardinia, which meant he grew up illiterate.

The acclaim Antonutti received for the dramatic intensity of his portrayal of Efisio set him up for a long career in the cinema, part of which he spent in Spain, where his life is commemorated at the Valencia Film Festival.

Antonutti (left) played opposite Saverio Marconi
in the Taviani brothers' Padre Padrone

The last important movie in which he appeared was Gianna Amelio’s Hammamet, released in 2020, a story about the last years in Tunisia of the controversial former prime minister, Bettino Craxi, who went into voluntary exile there to escape jail after being prosecuted as part of the Tangentopoli bribes scandal that rocked Italian politics in the 1990s. Antonutti, by then in his 80s, played Craxi’s father.

In his 50-plus years as a movie and television actor, Antonutti never forgot his theatrical roots. He often returned to the Teatro Stabile in Trieste, taking part whenever a milestone was celebrated in the theatre’s history and occasionally even accepting a part in a play, such was his love of acting in its purest form, on stage in front of a live audience.

Sadly, he did not live long enough to witness the release of his final film. In declining health for a number of years, he died from cancer in November 2019 at the Ospedale Civile in Udine where he was receiving treatment.

Antonutti had spent the final 10 years of his life with his wife, Graziella, whom he married in 2009. His funeral took place at the Chiesa di Sant'Antonio Nuovo in Trieste.

The Loggia del Lionello is one of the architectural
features of Udine's Piazza della Libertà

Travel tip:

Udine, the nearest city to Antonutti’s home village of Basiliano, is an attractive and wealthy provincial city, known as the gastronomic capital of Friuli. Udine's most attractive area lies within the mediaeval centre, which has Venetian, Greek and Roman influences. The main square, Piazza della Libertà, features the town hall, the Loggia del Lionello, built in 1448–1457 in the Venetian-Gothic style, and a clock tower, the Torre dell’Orologio, which is similar to the clock tower in Piazza San Marco - St Mark's Square - in Venice. Long regarded as something of a hidden gem, Udine does not attract the tourist traffic of other, better-known Italian cities, yet with its upmarket coffee shops, artisan boutiques and warm, traditional eating places in an elegant setting, it has much to commend it.

Trieste's Canal Grande is overlooked by the 
Chiesa di Sant'Antonio Nuovo

Travel tip:

The port of Trieste, tucked away in a bay at the top of the Adriatic sea, is the capital of the Friuli-Venezia Giulia region. Within only a few kilometres of the border with Slovenia to its east and south and less than 30km (19 miles) from the northern border of Croatia, Trieste had been disputed territory for thousands of years and officially became part of the Italian Republic only as recently as 1954. Previously it had been part of the Austro-Hungarian empire and then Yugoslavia, who disputed the border until the Treaty of Osimo in 1975.  The area today is one of the most prosperous in Italy and Trieste is a lively, cosmopolitan city and a major centre for trade and ship building.  The city has a coffee house culture that dates back to the Hapsburg era.  Caffè Tommaseo, in Piazza Nicolò Tommaseo, near the grand open space of the Piazza Unità d’Italia, is the oldest in the city, dating back to 1830.

Also on this day:

1486: The birth of celebrated courtesan Imperia Cognati

1530: The death of Florentine military leader Francesco Ferruccio

1546: The death of architect Antonio da Sangallo the Younger

1778: The inauguration of Milan’s Teatro alla Scala

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Ugo Betti - playwright

Judge who combined writing with legal career

Ugo Betti wrote 27 plays between 1927
and his death in 1953

Ugo Betti, a playwright whose works exploring facets of the human condition are considered by some to be the finest plays written by an Italian after Luigi Pirandello, was born on this day in 1892 in Camerino in Le Marche. 

Betti wrote 27 plays, mainly concerned with evil, guilt, justice, atonement and redemption, largely in his spare time alongside a career in the legal profession.

Although he started life in what was then a remote town in the Apennine mountains, about 75km (47 miles) inland from the Adriatic coast and a similar distance from the city of Perugia, Betti moved with his family at an early age to Parma in Emilia-Romagna.

He followed his older brother Emilio in studying law, although his progress was interrupted when he was enlisted as a volunteer in the army after Italy entered the First World War. He was captured in the disastrous Battle of Caporetto and interned in a German prisoner of war camp.

By chance, he found himself in the company of two writers, Carlo Emilio Gadda and Bonaventura Tecchi, who encouraged him in his own writing. His first collections of poems, entitled Il re pensieroso (The Thoughtful King) and published in 1922, were written while he was in German captivity.

Betti's plays have been reproduced
in many editions in Italy

Betti returned to his studies after the war and became a magistrate and then a judge, first in Parma and later in Rome.  As a young man, he was also an enthusiastic amateur footballer and was one of a group that formed the city’s football club in 1913. In fact, along with another in the group, Betti designed the club’s original shirt - white with a black Latin cross - which has been revived this season as one of the Serie A team’s alternative strips.

His first play, La padrona (The Proprietress), was performed in 1927 at Rome's Teatro Odescalchi and received enough critical acclaim for him to continue. By the time the Second World War broke out, he had written seven more.

In one of these, Frana allo scalo nord (Landslide at the North Station), published in 1932, Betti explored the concept of collective guilt through a story about a court inquiry into an accident which had caused the death of some labourers and a girl. As the story evolves, the circle of those responsible becomes wider and wider so that ultimately humanity itself is on trial.

As a writer during the Fascist period in Italy, he was accused at different times of being anti-Fascist and a Fascist apologist, to the extent that he was threatened with imprisonment, although ultimately he continued to write unimpeded.  A job after the war in the library at the Ministry of Justice allowed him more time to write.

Betti managed to combine his literary career with
his position as a judge in the Italian legal system

Many consider his greatest play to be Corruzione al Palazzo di Giustizia (Corruption in the Palace of Justice), written between 1944 and 1945 although not performed until January 1949 at the Teatro delle Arti in Rome.

The play, in which an unscrupulous judge, having clawed his way to the presidency of the Supreme Court, realizes his own guilt after being investigated for corruption and and gives himself up. Again, Betti’s implication is that all of humanity is culpable.

Along with Delitto all'isola delle capre (Crime on Goat Island), a violent tragedy of love and revenge, and La regina e gli insorti (The Queen and the Rebels), in which the case is made for compassion and self-sacrifice, Corruzione al Palazzo di Giustizia established Betti’s reputation internationally.  Actors of the calibre of Vittorio Gassman, Enrico Maria Salerno, Salvo Randone and Tino Buazzelli - all highly regarded in Italian theatrical circles - eagerly accepted parts in Betti plays.

Betti, who finished his legal career at the court of appeal in Rome, won a number of awards, including the that of the Istituto Nazionale del Dramma in 1949 and the Premio Roma the following year.

He also co-founded the National Union of Dramatic Authors (SNAD), with the aim of safeguarding the work of dramatists and theatrical writers.

He died in Rome in June 1953, aged 61.

The walls of the Rocca Borgesca remain intact

Travel tip:

Camerino is built over the site of Camerinum, a Roman settlement, although no remains are visible, lying at least one metre below ground level. However, the town, which has a population of around 8,000, does have a neoclassical cathedral built in the early 19th century, a university that dates back to 1336 and, just outside the town, the Rocca Borgesca, a castle built after Camerino was invaded by Cesare Borgia in 1502. The fortress was built around a convent, although most of the buildings within the walls were demolished in the 17th century after the castle fell into disuse. Today the walls remain, surrounded by gardens, while a surviving stable building inside the walls has become a restaurant.

Search for hotels in Camerino with tripadvisor

The pink marble baptistery is one of the
attractions of Parma's elegant centre

Travel tip:

Parma, where Betti grew up and began his working life, is an historic city in the Emilia-Romagna region, famous for its Prosciutto di Parma ham and Parmigiano Reggiano cheese, also known as ‘parmesan’. Noteworthy buildings include the 12th century Romanesque cathedral and its pink marble baptistery. The golden fresco that covers the cupola in the cathedral is Correggio’s 1520s masterpiece The Assumption of the Virgin. The Teatro Regio, a 19th-century opera house, is a noted theatre and the Galleria Nazionale, inside the Palazzo della Pilotta, displays works by painters including Correggio and Canaletto. The composer Giuseppe Verdi was born near Parma at Bussetto.


More reading:

Pietro Badoglio - the controversial general who presided over Italy's defeat at the Battle of Caporetto

Why Carlo Emilio Gadda's work draws comparisons with James Joyce and Carlo Levi

Vittorio Gassman - multi-talented star of stage and screen

Also on this day:

1667: The birth of painter Alessandro Magnasco

1676: The birth of 'forgotten' composer Giacomo Facco

1875: The birth of patriotic campaigner Cesare Battisti

2014: The death of novelist Eugenio Corti

(Picture credits: Rocca Borgesca by Tuvok89; Parma baptistery by Wistula via Creative Commons)


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Tiziana ‘Tosca’ Donati - singer

Versatile performer whose range spans musicals to sacred songs

The singer Tiziana Donati, known as Tosca, during
one of her stage performances

The singer Tiziana Donati, who performs under the stage name Tosca, was born on this day in 1967 in Rome.

Winner of the Sanremo Festival in 1996, Tosca has recorded 10 studio albums, released the same number of singles and has recorded duets with many other artists.

She has enjoyed a successful stage career, appearing in numerous theatrical productions, and has been invited to perform songs for several movies, including the title track for Franco Zeffirelli’s version of Jane Eyre in 1996. She also sang and spoke the part of Anastasia in the Italian dubbed version of the Disney cartoon of the same name.

At Christmas in 1999, she participated in concerts in churches in Italy where she performed Latin songs set to music by Vincenzo Zitello and Stefano Melone.

Following this she began a collaboration with the Vatican, taking part in several televised events to commemorate the Jubilee of 2000, and was chosen to sing the Mater Iubilaei, the Marian anthem of the Jubilee, in a ceremony led by Pope John Paul II.

Throughout 2000, she toured with Musica Caeli, a concert made up of never-before performed sacred chants, staged in some of the biggest churches and cathedrals around the world.

Tosca was spotted singing in a piano bar in Rome in the
1990s before winning the Sanremo Festival in 1996

Tiziana said her love of singing began as a child when she suffered from acute articular rheumatism, a debilitating health condition affecting the joints that prevented her taking part in normal activities.  She did, however, accompany her grandmother to church almost every day and soon set her heart on becoming a member of the choir.

She went along to choir practice and was accepted and drew a sense of pride and self-worth from being asked to stand on a chair and sing at family occasions. Singing and later acting gave her a sense of purpose.

In her teens, Donati joined a theatre company in Rome and began singing in a piano bar in the city, where she was spotted by Renzo Arbore, a musician and television presenter, who invited to sing on the show Il caso Sanremo, a unique programme in which winning songs from different years of the Sanremo Festival were placed on “trial” in a set made to resemble a courtroom.

The exposure propelled her into the public eye. She adopted Tosca as a stage name and released her first album in 1992.

Tiziana Donati pictured during a studio recording
session with fellow musician Chico Buarque

Her big break, though, was winning Sanremo itself in 1996 with Vorrei incontrarti fra cent'anni - I Want To Meet You In One Hundred Years - a song written by Rosalino Cellamare, who performed under the stage name Ron, and who also provided backing vocals and guitar.

After another appearance at Sanremo the following year, she released an album, entitled Incontri e passaggi of songs written for her by artists such as Lucio Dalla, Chico Buarque de Holanda, Grazia Di Michele, Ennio Morricone and Mariella Nava, which won her the Targa Tenco prize as the year’s outstanding performer.

Since 2000, Donati has mixed concerts with stage shows and musicals and has recently worked as a section director at the Pasolini Workshop in Rome, a venture - named in honour of the film director Pier Paolo Pasolini - run in collaboration with the University of Rome and the Conservatory of Santa Cecilia to unearth and nurture new talent.

Still in demand today for high-profile roles, recently starring at the Teatro Argentina in Rome in the touring show Donne come noi - Women Like Us - based on a book of the same name about 100 Italian women who have changed their lives and those of others.

Last year, Tosca celebrated her life in music with a sell-out concert at the Auditorium Parco della Musica in Rome in which she was joined on stage by artists including Nicola Piovani, Danilo Rea and Joe Barbieri, all of whom had become friends at different points of her career.

The saxophonist Bobby Watson has
performed at Gregory's in Rome

Travel tip:

One of Rome’s traditional music venues is the jazz club Gregory’s, which can be found in Via Gregoriana, a short walk from Piazza di Spagna and the Scalinata di Trinità dei Monti. The club has a ‘hall of fame’ that includes the likes of Bobby Durham, Victor Lewis, Steve Grossman, Gregory Hutchinson, Bobby Watson and Scott Hamilton, all of whom have performed at the venue.  The club hosts live sets almost every night, starting at around 9.30pm. A sister venue, Gregory’s By The River, stages live music during the summer months on the edge of the Tiber at Castel Sant’Angelo.

The Teatro Argentina in Rome is one of the city's
oldest opera houses, inaugurated in 1732

Travel tip:

The Teatro Argentina, where Tosca recently performed in the show Donne come noi, is a traditional opera venue in the square Largo di Torre Argentina. Built over the Curia of Pompey - the meeting hall in which Julius Caesar was murdered in 44BC - it is one of the oldest theatres in the city, commissioned by the Sforza-Cesarini family and inaugurated in 1732. Rossini's The Barber of Seville was given its premiere there in February 1816. It has staged drama productions as well as opera and music. In the mid-20th centuries, works by Luigi Pirandello, Henrik Ibsen and Maxim Gorky were performed there for the first time.

More reading:

How Enrico Caruso inspired Lucio Dalla

Why Sanremo winner Adriano Celentano is Italy's biggest-selling recording artist of all time

The Barber of Seville premieres at Teatro Argentina

Also on this day:

1875: The birth of flautist Lorenzo De Lorenzo

1991: Anti-Mafia hero Libero Grassi is murdered in Palermo

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Peppino De Filippo - comedian, actor and playwright

Talented Neapolitan who lived in shadow of his brother

Peppino de Filippo enjoyed a successful
career on stage and screen

The playwright and comic actor Peppino De Filippo was born Giuseppe De Filippo on this day in 1903 in Naples.

A highly accomplished performer on stage in serious as well as comedy roles, De Filippo also had a list of film credits numbering almost 100, of which he is best remembered for his screen partnership with the brilliant comic actor Totò.

To an extent, however, he spent his career in the shadow of his older brother, Eduardo De Filippo, who after Luigi Pirandello was regarded as the second great Italian playwright of the 20th century.

The two fell out in the 1940s for reasons that were never made clear, although it later emerged that they had many artistic differences.

They were never reconciled, and though Peppino went on to enjoy a successful career and was widely acclaimed it annoyed him that he was always seen as a minor playwright compared with his brother.

When Peppino published an autobiography in 1977, three years before he died, he called it Una famiglia difficile - A Difficult Family. In the book he described his relationship with his sister, Titina, as one of warmth and affection, but portrays Eduardo as something of a tyrant.

Peppini, second from the right, with his father,
mother, brother and sister in about 1910

The son of Eduardo Scarpetta, one of the most prominent Neapolitan playwrights of the early 20th century, and Luisa De Filippo, he was born in a house on the corner of Via Giovanni Bausan and Via Vittoria Colonna in the Chiaia district of central Naples, about a 20-minute walk from Piazza del Plebiscito and the Royal Palace.

Yet he spent the first five years of his life being cared for by a nanny in Caivano, a small town about 14km (9 miles) northeast of Naples, and returned to his family somewhat reluctantly.

He made his stage debut at the age of six in a play written by his father, learned to play the piano and worked in various theatre companies as he grew up, meeting Totò for the first time in 1920 at the Teatro Nuovo in Naples, in the Spanish Quarter.

Married in 1929 to Adela Carloni, he became a father the following year and soon afterwards joined his brother, Eduardo, and Titina in forming the Compagnia Teatro Umoristico: i De Filippo - the De Filippos’ Humorous Theatre Company.

They were very successful, touring Italy, presenting new comedies to full theatres and enthusiastic reviews.

However, in 1944, after a number of clashes with Eduardo - one story was that Eduardo disapproved of his brother’s relationship with another woman, Lidia Maresca, who later became his second wife  - Peppino left the company.

Peppino de Filippo, right, with Totò, centre, in a scene
from their 1956 movie, La Banda degli Onesti

His own plays were lighter in tone than Eduardo’s and, some critics argued, superior work, yet he never achieved the same recognition for his writing.

On the other hand, he became a highly respected actor known for his versatility. His performances in Harold Pinter’s play The Caretaker and in Molière’s The Miser attracted glowing reviews.

Nonetheless, Peppino’s career tends to be defined by the high profile he achieved in film and on television.

His films with Totò, of which there were 16, though snubbed by the critics, were hugely successful, so much so that the popularity of De Filippo in his own right meant that several movies in which the pair collaborated, such as Totò, Peppino e la malafemmina and Totò, Peppino e le fanatiche, had his name in the title as well as that of his more famous co-star.

He worked with Federico Fellini - in Boccaccio '70, for example - and with Alberto Lattuada and also invented Pappagone, a character for a TV show, who represented a servant employed by himself, a typical character in Neapolitan theatre, whose phrases and jargon became popular sayings.

He married three times in total but had only child, his son Luigi, who maintained the family tradition by becoming an actor, director and playwright, producing and performing in many works by his father and uncle.

De Filippo died in Rome in 1980 and was buried at the Campo Verano cemetery.

The Naples waterfront to the west of the city centre - Chiaia
is the area behind the trees of Villa Comunale 

Travel tip:

Chiaia, where Peppino De Filippo was born, is a neighbourhood bordering the seafront in Naples, roughly between Piazza Vittoria and Mergellina. It has become one of the most affluent districts in the city, with many of the top fashion designers having stores on the main streets. It is the home of a large public park known as the Villa Comunale, flanked by the large palazzi along the Riviera di Chiaia on one side, and the sweeping promenade of the Via Francesco Caracciolo on the other.

An artist's sketch of the Teatro Nuovo in around 1900

Travel tip:

The Teatro Nuovo, where Peppino first met Toto, is located on Via Montecalvario in the Quartieri Spagnoli - Spanish quarter - of Naples, off the Via Toledo, a few steps from Piazza del Plebiscito. The original theatre was an opera house designed by Domenico Antonio Vaccaro completed in 1724. It specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday, including 15 by Cimarosa and seven by Donizetti. The theatre has twice been destroyed by fire, in 1861 and again in 1935.

More reading:

How Eduardo De Filippo captured the spirit of Naples

The brilliance of Luigi Pirandello

The versatility of Alberto Lattuada

Also on this day:

1540: The death of the artist Parmigianino

1902: The birth of Mafia boss Carlo Gambino


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Marta Abba - actress

Aspiring star who became Pirandello’s muse

Marta Abba was just 24 when she met the
playwright Luigi Pirandello

Marta Abba, who as a young actress became the stimulus for the creativity of the great playwright Luigi Pirandello, was born on this day in 1900 in Milan.

The two met in 1925 when Pirandello, whose most famous works included the plays Six Characters in Search of an Author (1921) and Henry IV (1922), asked her to see him, having read an enthusiastic appreciation of her acting talents by Marco Praga, a prominent theatre critic of the day.

Abba had made her stage debut in Milan in 1922 in Anton Chekhov’s The Seagull and was noted for the exuberance and passion of her performances. Pirandello was impressed with her and immediately hired her as first actress for his Teatro d’Arte company in Rome.

Over the next nine years until Pirandello’s death in 1936, Abba would become not only his inspiration but his confidante. When Abba was not working with him but was on stage in some other city or country, they would correspond in writing, exchanging hundreds of letters.

Pirandello was said to be infatuated with Abba from
their first meeting in 1925 in Rome

There was a considerable age gap between them - Abba was 24 and Pirandello 58 when they met - and their relationship was complex and not always harmonious.  It has been speculated that there was a romance between them but any love affair was probably one-sided.

The Sicilian playwright, who was married but whose wife was in an asylum for the mentally ill, was infatuated with the young actress but it is thought it was a passion that was unconsummated, which meant that the relationship was a source of torment for Pirandello as well as one that inspired his creativity.

The eldest daughter of a Milan merchant, Abba went to a theatre school in Milan and was always set on a career in theatre.  Her collaboration with Pirandello, starring in many of his plays, would make her a significant figure in theatre in Italy.

Abba did not marry until after
Pirandello's death

In 1930 she founded her own theatrical company and specialized in staging the works of Pirandello and other European playwrights such as George Bernard Shaw, Gabriele d'Annunzio and Carlo Goldoni, under the direction of prestigious directors such as Max Reinhardt and Guido Salvini.

After Pirandello’s death, she moved to the United States, making her Broadway debut was in the play Tovarich, by the French writer Jacques Deval, at the Plymouth Theatre.

She remained single until after Pirandello’s death. In January 1938 she married a wealthy Cleveland polo player, Severance Allen Millikin.  They lived in Cleveland until they divorced in 1952, at which point Abba returned to Italy.

Her health remained robust until the last few years of her life, when she was confined to a wheelchair.  She spent the last few weeks before her death in 1988 receiving treatment at the spa town of San Pellegrino Terme, north of Bergamo.

She wrote an autobiography, La mia vita di attrice (My Life as an Actress). After her death, a collection she had kept of more than 500 letters between her and Pirandello was donated to the University of Princeton, in New Jersey.

The Art Nouveau Grand Hotel in San Pellegrino Terme

Travel tip:

San Pellegrino Terme is a small town in a little over 20km (12 miles) north of the city of Bergamo, in Lombardy, in the Val Brembana. Its name has become known all over the world because of the fame of its spring water, bottled by a company that marketed it as San Pellegrino mineral water. The company’s main production centre used to be in the town, which is also notable for several striking Art Nouveau buildings from the early 20th century, including the Casinò, the Grand Hotel and the Terme (Baths).

The Palazzo Chigi-Odescalchi in Rome

Travel tip:

Luigi Pirandello’s Teatro d’Arte company used to stage its productions at the Odescalchi Theatre inside the Palazzo Chigi-Odescalchi, in Piazza Santi Apostoli, a short distance from Piazza Venezia in the heart of Rome. The palace, which belonged originally to the Colonna family, was remodelled by Carlo Maderno before undergoing a later transformation under the great Roman sculptor and architect Gian Lorenzo Bernini, with later input from Nicola Salvi and Luigi Vanvitelli, with the façade on Via del Corso rebuilt by Raffaelo Ojetti.

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Salvatore Quasimodo - Nobel Prize winner

Civil engineer wrote poetry in his spare time

Salvatore Quasimodo is one of six Italians to win
the Nobel Prize in Literature

Salvatore Quasimodo, who was one of six Italians to have won a Nobel Prize in Literature, died on this day in 1968 in Naples.

The former civil engineer, who was working for the Italian government in Reggio Calabria when he published his first collection of poems and won the coveted and historic Nobel Prize in 1959, suffered a cerebral haemorrhage in Amalfi, in Campania, where he had gone to preside over a poetry prize.

He was taken by car to Naples but died in hospital a few hours later, at the age of 66.  He had suffered a heart attack previously during a visit to the Soviet Union.

The committee of the Swedish Academy, who meet to decide each year’s Nobel laureates, cited Quasimodo’s “lyrical poetics, which with ardent classicism expresses the tragic experiences of the life of our times".

The formative experiences that shaped his literary life began when he was a child when his father, a station master in Modica, the small city in the province of Ragusa in Sicily, where Salvatore was born in 1901, was transferred in January 1909 to Messina, at the tip of the island closest to the mainland, to supervise the reorganisation of train services in the wake of the devastating earthquake of December 1908.

Much of the city had been destroyed in the quake, as had Reggio Calabria, just across the Straits of Messina, and Quasimodo’s family lived in a freight wagon in an abandoned station. The physical devastation all around them had a profound effect on Salvatore, as did his daily contact with survivors in their struggle to come to terms with the destruction of their surroundings and the catastrophic loss of human lives, with perhaps as many as 120,000 killed in the areas worst hit.

Quasimodo worked as a civil engineer before
turning to writing full time

Quasimodo attended college in Palermo and, later, the rebuilt Messina, where he was able to publish his poetry for the first time in a journal he founded with a couple of fellow students.

He graduated in maths and physics and moved to Rome, hoping to continue his studies with a view to becoming an engineer.  But he had little money and had to abandon his studies in order to earn a living, taking a number of short-term jobs. In time he moved to Florence, where he got to know a number of poets and developed an interest in the hermetic movement, a form of poetry in which the sounds of the words are as important as their meaning.

Eventually in 1926 he handed a position with the Ministry of Public Works in Reggio Calabria, working with civil engineers as a surveyor.  He continued to write and to study Greek and Latin, making friends both in literary and political circles, including an anti-fascist group in the city. He also married for the first time. His published his first collection of poetry, called Acque e terre (Waters and Lands) in 1930.

He was transferred a number of times with his job, to Imperia, Genoa and Milan, before he quit to write full time from 1938.  In 1941 he was appointed professor of Italian literature at the "Giuseppe Verdi" Conservatory of Music in Milan, a position he held until his death.

After the Second World War, in which he was an outspoken critic of Mussolini but did not join the Italian resistance movement, his poetry shifted from the hermetic movement to a style that reflected his increasing engagement with social criticism.

The area of the Sicilian town of Modica in which
Salvatore Quasimodo was born in 1901

Among his best-known volumes were Giorno dopo giorno (Day After Day), La vita non è sogno (Life Is Not a Dream), Il falso e il vero verde (The False and True Green) and La terra impareggiabile (The Incomparable Land).

He won numerous prizes in addition to the Nobel Prize, in which he joined Giosuè Carducci (1906), Grazia Deledda (1926) and Luigi Pirandello (1934) as Italian winners of the Literature award. Eugenio Montale (1975) and Dario Fo (1997) followed him.

After his first wife had died in 1948, he was married for a second time to the film actress and dancer, Maria Cumani, with whom he had a tumultuous relationship that produced a son, Alessandro, before they were legally separated in 1960.

After his death in Naples, he was buried in the Monumental Cemetery in Milan in the Famedio - a place reserved for the tombs of famous people - alongside another great writer, novelist, poet and playwright, Alessando Manzoni.

Modica's spectacular cathedral of San Giorgio

Travel tip:

Built amid the dramatic landscape of the Monti Iblei, with its hills and deep valleys, the steep streets and stairways of the medieval centre combined with many examples of more recent Baroque architecture, including a spectacular cathedral, make UNESCO-listed Modica is one of southern Sicily's most atmospheric towns, with numerous things to see in its two parts, Modica Alta, the older, upper town, and Modica Bassa, which is the more modern but still historic lower town. Famous in Sicily for its chocolate, it has the reputation of a warm and welcoming city with an authentic Sicilian character.

Part of the dramatic cityscape of Ragusa

Travel tip:

Nearby Ragusa, the principal city of the province and just 15km (9 miles) from Modica, is arguably even more picturesque. Set in the same rugged landscape with a similar mix of medieval and Baroque architecture. again it has two parts - Ragusa Ibla, a town on top of a hill rebuilt on the site of the original settlement destroyed in a major earthquake in 1693, and Ragusa Superiore, which was built on flatter ground nearby in the wake of the earthquake.  A spectacular sight in its own right and affording wonderful views as well, Ragusa Ibla may seem familiar to viewers of the TV detective series Inspector Montalbano as the dramatic hillside city in the title sequence. The city streets also feature regular in location filming for the series, based on the books of Andrea Camilleri.

More reading:

Giosuè Carducci - Italy's first winner of the Nobel Prize in Literature

Dario Fo - the outspoken genius whose work put spotlight on corruption

The playwright born in a village called Chaos

Also on this day:

1800: Napoleon defeats the Austrians at the Battle of Marengo

1837: The death of the poet and philosopher Giacomo Leopardi

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Giuseppe Tornatore - writer and director

Oscar winner for Cinema Paradiso

Giuseppe Tornatore set many of his films
in his native Sicily

The screenwriter and director Giuseppe Tornatore, the creator of the Oscar-winning classic movie Cinema Paradiso, was born on this day in 1956 in Bagheria, a small town a few kilometres along the coast from the Sicilian capital Palermo.

Known as Nuovo Cinema Paradiso in Italy, Tornatore’s best-known work won the award for Best Foreign Language Film at the 62nd Academy Awards following its release in 1988.

The movie, written by Tornatore, tells the story of Salvatore, a successful film director based in Rome who returns to his native Sicily after hearing of the death of the man who kindled his love of the cinema, the projectionist at the picture house in his local village, who became a father figure to him after his own father was killed on wartime national service.

Much of the film consists of flashbacks to Salvatore’s life as a child in the immediate post-war years and there is a memorable performance by Salvatore Cascio as the director’s six-year-old self, when he was known as Toto, as he develops an unlikely yet enduring friendship with Alfredo, the projectionist, played by the French actor Philippe Noiret.

The movie is accompanied by a wonderful soundtrack by the composer Ennio Morricone, whose haunting theme captures the beautiful poignancy of the movie.

Morricone worked with Tornatore on many of his films, including two other magically crafted works in Baarìa, set in his home town of Bagheria, and Malèna, which has the model and actress Monica Bellucci in the title role, another Sicilian story of a 12-year-old boy’s obsessive love for a beautiful young woman.

Philippe Noiret and Salvatore Cascio in one of the most
famous screenshots from Nuovo Cinema Paradiso

Tornatore initially worked as a photographer, seeing his efforts published in various photographic magazines. By the age of 16, he staged had staged two plays, by Luigi Pirandello and Eduardo De Filippo, and then began making documentary films for TV, beginning a long association with Rai in his early 20s.

In 1986 he made his debut in feature films with Il camorrista, starring the American actor Ben Gazzara, taken from a book by Giuseppe Marrazzo about a petty criminal in Naples, Raffaele Cutolo, who uses a spell in the Poggioreale prison to form the mafia organisation Nuova Camorra Organizzata, which would go on to become one of the most powerful criminal groups in Italy.  The movie earned him a Silver Ribbon as best new director from the Italian National Syndicate of Film Journalists.

Cinema Paradiso was only his second film, confirming the arrival of a new talent to rival some of the greats of the post-War era of Italian cinema, although the movie was almost written off as a flop.  When it was released in Italy in 1988, it did little to excite Italian audiences and takings were poor.

Yet the manager of a small cinema in Sicily, who had warmed to its theme, kept it on, inviting cinema-goers to watch it for nothing and then pay at the end if they liked it.  The offer was taken up in increasing numbers and gradually the film acquired almost a cult following. It won the Grand Jury Special Prize at the 1989 Cannes Film Festival, which gave it the springboard that would eventually lead to the Oscars the following year.

Tornatore’s body of work is not huge, amounting to only a dozen feature films in more than 30 years. The love of his native Sicily is a recurring theme and inevitably his movies are beautifully crafted.

In addition to the Oscar and Golden Globe for Cinema Paradiso, Tornatore has won four Best Director awards at the David di Donatellos - the premier awards ceremony in Italy - for L’uomo delle stelle (The Star Maker, 1986), La leggenda del pianista sull'oceano (The Legend of 1900, 1998), La sconoscuita (The Unknown Woman, 2006) and his English language film The Best Offer (2013).

The Villa Cattolica is one of Bagheria's characteristic
Baroque villas. It now houses a museum.

Travel tip:

Just 15km from Palermo in a southeast direction along the coast, Bagheria, which occupies an elevated position a short distance from the sea, has an atmosphere of a traditional Sicilian town and as well as featuring both in Cinema Paradiso and Baarìa - which is its Sicilian dialect name - it was also used for some scenes in The Godfather Part III. In the 17th and 18th centuries, it was a favoured by the aristocracy of Palermo as somewhere to spend the summer, the legacy of which is some 20 or more Baroque villas that add to the town’s charm.

The Greek Theatre in Taormina is a regular venue for
open-air concerts in the summer months

Travel tip:

Very much mimicking the Oscars, the David di Donatello awards were conceived in 1955 as a way to recognise the best of Italian cinema and promote the movie industry. Like the Oscars, the award itself is a gold-plated statuette, in this case a replica of the statue of David sculpted by Donatello, probably in around 1430-40, and currently housed in the Bargello museum in Florence. Between 1957 and 1980, the awards were presented at the open air Greek Teatre in Taormina.

Also on this day:

1508: The death of Lucrezia Crivelli, the 'mystery' woman of a Da Vinci painting

1944: The birth of Bruno Vespa, the face of Italy's long-running late night politics show Porta a Porta

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Sergio Tòfano – actor and illustrator

The many talents of stage and screen star

Sergio Tòfano as Professor Toti, in Luigi
 Pirandello's comic play Pensaci, Giacomino!

Comic actor, director, writer and illustrator Sergio Tòfano died on this day in 1973 in Rome.

He is remembered as an intelligent and versatile theatre and film actor and also as the creator of the much-loved cartoon character Signor Bonaventura, who entertained Italians for more than 40 years.

Tòfano was born in Rome in 1886, the son of a magistrate, and studied at the University of Rome and the Academy of Santa Cecilia. He made his first appearance on stage in 1909.

He soon specialised as a comic actor and worked with a string of famous directors including Luigi Almirante and Vittorio de Sica.

  

He became famous after his performance as Professor Toti in Luigi Pirandello’s comic play, Pensaci, Giacomino! 

Also a talented artist and writer, Tòfano invented his cartoon character Signor Bonaventura for the children’s magazine, Il Corriere dei Piccoli, signing himself as Sto.

Signor Bonaventura made his first appearance in 1917. The character wore a red frock coat and a hat and his fans interpret him as showing how good people, despite making mistakes, can avoid the bad outcome they seem fated to experience, even in complicated situations, because there is always hope.

Tòfano's invention, the cartoon
character Signor Bonaventura

After the Second World War Tòfano continued to act, working with important directors such as Luchino Visconti and Giorgio Strehler at the Piccolo Teatro in Milan performing in plays by Ibsen and Shakespeare. He also took parts in plays by Molière and Goldoni at the Teatro dei Satiri in Rome.

Tòfano has a string of film and television credits to his name, his most successful films including Goffredo Alessandrini’s 1934 comedy Seconda B, the Raffaello Matarazzo drama Giù il Sipario (1940) and Partner (1968), directed by Bernardo Bertolucci and based on the on the novel The Double by Fyodor Dostoyevsky

He continued to act until his death at the age of 87, having survived his wife, Rosetta, a costume designer he married in 1923, by 13 years.

Before 1935, Rome University's base was in
the Palazzo della Sapienza, near Piazza Navona
 

Travel tip:

Rome University, where Tòfano studied, is often known simply as La Sapienza, which means ‘the wisdom’.  It can trace its origins back to 1303, when it was opened by Pope Boniface VIII as the first pontifical university. In the 19th century the University broadened its outlook and started to offer more than just ecclesiastical studies. Today’s campus was built near the Termini railway station in 1935. Rome University now caters for more than 112,000 students.

Travel tip:

The Piccolo Teatro della Città di Milano, where Tòfano performed regularly after it was founded in 1947, was Italy’s first permanent repertory company. It now operates from three venues in Milan, the Teatro Grassi, the Teatro Studio and the Teatro Strehler.

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Giosuè Carducci – poet and Nobel Prize winner

Writer used his poetry as a vehicle for his political views 

Giosuè Carducci in a photograph

 taken in about 1870

Giosuè Carducci, the first Italian to receive the Nobel Prize in Literature, was born on this day in 1835 in Tuscany.

Christened Giosuè Alessandro Giuseppe Carducci, he lived with his parents in the small village of Valdicastello in the province of Lucca.

His father, a doctor, was an advocate of the unification of Italy and was involved with the Carbonari, a network of secret revolutionary groups. Because of his politics, the family was forced to move several times during Carducci’s childhood, eventually settling in Florence.

During his time in college, Carducci became fascinated with the restrained style of Greek and Roman literature and his work as an adult often used the classical meters of such Latin poets as Horace and Virgil. He published his first collection of poems, Rime, in 1857.

He married Elvira Menicucci in 1859 and they had four children.

Carducci in around 1900

Carducci taught Greek at a high school in Pistoia and was then appointed as an Italian professor at the University of Bologna.

Carducci was a popular lecturer and a fierce critic of literature and society. He was an atheist, whose political views were vehemently hostile to Christianity generally and the Catholic Church in particular.

These opinions were voiced in a deliberately blasphemous and provocative poem, Inno a Satana - Hymn to Satan. This poem was published in Bologna’s radical newspaper, Il Popolo, at a time when feelings against the Vatican were running high and the public were pressing for an end to the Vatican’s domination over the papal states.

In 1890 Carducci met Annie Vivanti, a writer and poet with whom he had a love affair.

His greatest works have been judged to be his collections of poems, Rime Nuove (New Rhymes) and Odi Barbare (Barbarian Odes).

A bust of Carducci stands proud
in Castagneto Carducci

Carducci received the Nobel Prize in Literature in 1906 and was also made a Senator of Italy.

In the words of the citation, the award was made to Carducci "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces"

The Nobel Prize in Literature has been awarded subsequently to five other Italians - Grazia Deledda, Luigi Pirandello, Salvatore Quasimodo, Eugenio Montale and Dario Fo.

During his life, Carducci wrote 20 volumes of literary criticism, biographies, speeches and essays.

He died in 1907 at the age of 71 in Casa Carducci, his home in Bologna and was buried in the Certosa di Bologna monumental cemetery.  His achievement is commemorated with busts and statues in public places in several Italian towns, including Castagneto Carducci, a hill town in the province of Livorno where he spent some years as a child.

Marina di Pietrasanta's beach is considered
to be in among the best in Italy

Travel tip:

Valdicastello, where Carducci was born, is part of Pietrasanta, a small town in the province of Lucca in the north-west corner of Tuscany. The town has Roman origins and part of the Roman wall still exists. The town is three kilometres (two miles) inland from the coastal resort of Marina di Pietrasanta. The Marina, with its golden sand, is considered to have one of the best beaches in Italy.

The Casa Carducci in Bologna houses the
Civic Museum of the Risorgimento

Travel tip:

Casa Carducci, where the poet lived until his death in 1907, is a 16th century villa in Piazza Giosuè Carducci in Bologna. The ground floor now houses the Civic Museum of the Risorgimento, which tells the story of the unification of Italy from a cultural, social and economic perspective. Visitors can also see Carducci’s bedroom, with the small granite washbasin he used, and the family dining room, which has a large clock with the hands stopped at the exact moment of the poet’s death. In his office there is a framed fragment of a tunic belonging to Petrarch and an armchair, where Garibaldi is said to have sat while he was recovering from an injury. The library contains about 40,000 books, pamphlets and documents, meticulously catalogued by Carducci himself.

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