Nino Martoglio - writer, theatre and film director

Journalist and playwright whose movies inspired post-war neorealism 

Nino Martoglio is considered by some
as the founder of Sicilian theatre

The journalist, playwright and theatre and film director Nino Martoglio was born in Belpasso, a town in the foothills of volcanic Mount Etna in eastern Sicily, on this day in 1870.

Martoglio is widely considered to be Sicily’s finest dialect playwright and by some to be the founder of Sicilian theatre.  He was also an acclaimed poet, basing a good deal of his verse on the everyday conversations of working class Sicilians, written to amuse. His collection, Centona, is still sold today.

Later in a career that was ended abruptly by his death in an accident, Martoglio directed a number of silent films, the style of some of which prompted critics to describe them as forerunners of the post-war neorealism movement.

The son of a journalist and a school teacher, Martoglio studied sailing as a young man and obtained a captain’s licence. Yet he sought a career in journalism and joined the editorial staff of La Gazzetta di Catania, a daily newspaper founded by his father, Luigi.

In 1889, he launched a weekly magazine, D’Artagnan, a Sicilian language periodical devoted to art, literature and theatre, sharp political satire and the plight of the people of Civita, a poor neighbourhood in Catania which suffered particular deprivation. It also proved to be a useful vehicle for the poems that would eventually be gathered together in the Centona collection.

Theatre began to occupy most of Martoglio's attention from around the turn of the century. In 1901, he created the Sicilian Dramatic Company, which thanks to the talents of actors such as Angelo Musco, Giovanni Grasso, Virginia Balistrieri and others enjoyed success with Sicilian language productions even in Milan, where they performed at the Teatro Manzoni in 1903. The company’s productions of comedies written by a young Sicilian playwright, Pier Maria Rosso di San Secondo, were especially popular, among them San Giovanni Decapitato - Saint John the Beheaded - which he later turned into a film.

Martoglio staged the first theatrical
works of Luigi Pirandello (above)

Martoglio’s work became still more widely known after he moved to Rome in 1904, having become unhappy with the political climate in Sicily, where he had been elected a municipal councillor in Catania. In the capital, he met and married Elvira Schiavazzi, the sister of Piero Schiavazzi, a Sardinian tenor. They would go on to have four children. 

In 1910, he founded the first "Teatro Minimo" in Rome at the Teatro Metastasio. He staged one-act plays from the Italian and foreign repertoire, as well as bringing to the stage the first theatrical works of Luigi Pirandello, by then famous as a novelist and a future Nobel Prize winner. Their collaborations included A vilanza (la bilancia) and Cappidazzu pava tutu.

Martoglio’s venture into cinema spanned two years from 1913-14. He directed the actress Pina Menichelli, one of the so-called ‘three divas’ of Italian silent movies, in Il romanzo and followed it with Capitan Blanco, Sperduti nel buio, for which he wrote the screenplay and directed in collaboration with Roberto Danesi, and Teresa Raquin.  

All his screen work emphasised the gulf in Italian society between wealth and poverty and Sperduti nel buio - Lost in the Dark - which starred Grasso and Balistrieri - veterans of Martoglio’s original company in Catania - came to be regarded as a classic of the silent film era, representative of a small number of films that made up the realismo movement in Italian cinema. 

In the 1930s, the film critic and lecturer Umberto Barbaro enthusiastically showed Sperduti nel buio in his classes at Centro Sperimentale di Cinematografia in Rome, where his students included Roberto Rossellini and Luchino Visconti, who would go on to become leading figures in the neorealism film movement after the Second World War.

The bust of Martoglio
in the Bellini Gardens

Martoglio’s death at the age of 50 remains something of a mystery.  After visiting the Vittorio Emanuele II Hospital in Catania on the evening of 15 September, 1921, to see one of his sons, who was being treated there, Martoglio’s body was found the following morning at the bottom of an elevator shaft in part of the hospital that was under construction.  Although there were no witnesses, the assumption was that he had suffered a tragic accident, perhaps after getting lost as he tried to find the way out. 

His body was laid to rest at the Campo Verano monumental cemetery in the Tiburtino quarter in Rome, not far from the Basilica di San Lorenzo fuori le mura. The cemetery is notable as the burial place of hundreds of illustrious figures from the artistic, historical, literary, musical and cinematographic world.  

Although his films were lost, presumably stolen or destroyed during World War Two, Martoglio’s nieces, Vincenza and Angela, took steps to preserve their uncle’s manuscripts.  There is a monumental bust of him in the Bellini Gardens in Catania, a short distance from the Teatro Metropolitan. 

The Teatro Comunale Nino
Martoglio in Belpasso

Travel tip:

The town of Belpasso, where Martoglio was born, has a population of 28,000. Located about 10km (six miles) northwest of the city of Catania, it has something of a chequered history, having twice been destroyed by the forces of nature and repositioned in consequence. In 1669, it was buried in lava following an eruption of the Mount Etna volcano which looms over Catania. Rebuilt in another location at a lower level, it was then badly damaged by an earthquake in 1693 and abandoned. The current settlement was founded two years later at a third site. Today, it is best known as the home of Condorelli, one of Sicily’s most famous brands of confectionary, biscuits and cakes. Nino Martoglio’s name is preserved in the Teatro Comunale Nino Martoglio, the town’s municipal theatre, in Via XII Traversa.

The port city of Catania, the second largest city
in Sicily, with a snow-capped Etna in the distance

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Twice destroyed by earthquakes, in 1169 and 1693, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe.  As such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  It is also notable for many fine examples of the Sicilian Baroque style of architecture, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade.

Also on this day:

1596: The birth of violin maker Nicolò Amati 

1779: The birth of Tuscan painter Matilde Malenchini

1911: The birth of composer Nino Rota

1917: The death in WW1 of champion cyclist Carlo Oriani

1937: The birth of actress Angela Luce

1947: The birth of controversial politician Mario Borghezio

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Etna’s biggest eruption

Sicily volcano spewed lava for four months

Eruptions are a regular occurrence on the Mount Etna
volcano - this spectacular shot was taken in January this year

The largest eruption of the Mount Etna volcano in recorded history began on this day in 1669.

After several days of seismic activity in the area, a fissure measuring two metres wide and about 9km (5.6 miles) long opened up on the southeastern flank of the Sicilian mountain in the early hours of 11 March.

The lava that was spewed out of the enormous gash continued to flow for four months until the eruption was declared to be over on 16 July, a duration of 122 days.

Although stories of 20,000 deaths as a result of the eruption have been dismissed as myth, with no recorded evidence of any casualties, an estimated 15 towns and villages were destroyed as well as hundreds of buildings in the city of Catania, and some 27,000 people are thought to have been made homeless.

Mount Etna is situated in the northeastern vertex of the triangular island of Sicily. The most active volcano in Europe, it looms over the coastal city of Catania, which has a population within its metropolitan area of more than 1.1 million.  It has a long history of eruptions, first documented in 396BC, when it reportedly thwarted an advance on Syracuse by the Carthanaginians. 

Etna looms large over the port city of Catania,
with the outskirts just 15km from the summit

The 1669 eruption began after a period of intense seismic activity, with accounts of steam and gas rising from the summit to greater heights than normal. A number of earthquakes took place on the evening of 10 March before the first of several fissures in the mountainside appeared shortly after midnight. More opened up in the course of the next day.

The wide stream of molten lava made for a spectacular sight after nightfall but it destroyed every settlement in its path, while other buildings collapsed under the weight of boulders and ash.  Villages up to 5km (3.1 miles) away were covered by up to 12cm (4.7ins) of ash and ash deposits were recorded in Calabria on the Italian mainland, and even as far away as Greece.

Catania itself began to come under threat just over a week after the first rupture appeared on the southeastern flank but volcanologists believe the progress of the lava slowed when it reached a lake and consequently did not reach the walls of the city until around 16 April, having travelled about 15km (9.3 miles).

Some accounts have it that Catania was destroyed but it is thought now that, while many buildings near the boundary were severely damaged, most of the city was left intact.  Although the walls were eventually breached by the lava, it took a further 15 days for that to happen, and the barrier they presented was enough to divert the main flow towards the Ionian Sea.  

The 1669 eruption is captured in art by Giacinto
Platania in a fresco in Catania's duomo

The evacuation of the city was considered, but thanks to barriers being constructed within the walls from the remains of buildings that had been destroyed, the lava advanced only about another 200m.

Where Catania did suffer was from an influx of homeless refugees, up to 20,000 in number, swarming in from settlements razed to the ground by the lava, whose presence led to a breakdown of law and order and caused the artisan classes and the aristocracy to flee.

It is thought that the confusion over the extent of damage and casualties may be because Catania was hit by a further natural catastrophe only 24 years later when an earthquake and tsunami killed up to 60,000 Sicilians, including a third of the population of Catania.

In fact, only 77 deaths have been recorded in Etna’s entire known history, largely because its activity is generally well anticipated and its lava eruptions slow enough to allow residents to escape to safety.

Etna's eruptions attract thousands of visitors for
their spectacular nighttime views

Travel tip:

Mount Etna’s regular eruptions make for spectacular sights, particularly after night has fallen, while the mountain dominates the region even during its periods of relative quiet.  It has a base diameter of 40km (25 miles) and is more than 3,330m (10,825ft) tall, although its height varies depending on activity.  Despite its high level of activity, tourist excursions to see the craters and to appreciate the diversity of flora and fauna at the lower levels are very popular. Visitors must be mindful that temperatures at elevated levels are much colder than at sea level even in the height of summer. Indeed, during the winter months, a number of the mountainside villages become ski resorts.

Catania's beautiful Basilica
della Collegiata

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Twice destroyed by earthquakes, in 1169 and 1693, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe.  As such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  It is also notable for many fine examples of the Sicilian Baroque style of architecture, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade.

Catania hotels by Booking.com

Also on this day:

1544: The birth of poet Torquato Tasso

1847: The birth of politician Sidney Sonnino

1851: The opera Rigoletto premieres in Venice

1924: The birth of psychiatrist Franco Basaglia

(Picture credits: Etna looming over Catania by notiziecatania from Pixabay; Basilica della Collegiata by Luca Aless via Wikimedia Commons)

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Amalfi destroyed by tsunami

Quake beneath Tyrrhenian Sea sparked killer wave

Today Amalfi is a tranquil town with a peaceful harbour - a
far cry from the devastation of 1343

The former maritime republic of Amalfi, which once had a population of 70,000 people, was effectively wiped out when a massive earthquake that occurred under the Tyrrhenian Sea on this day in 1343 sparked a devastating tsunami along the coast of southern Italy.

The tremor itself caused deaths but not on the scale of the tsunami that followed, as a stretch of coastline from north of Naples to south of the Cilento National Park bore the brunt of a huge killer wave.

The towns of Bussanto and Blanda, near the present-day resorts of Sapri and Maratea, were among communities that disappeared completely, while Amalfi and Minori on what we know now as the Amalfi Coast were decimated.

Amalfi’s harbour and all the boats in it were destroyed, while the lower town fell into the sea. Where there had once been a thriving city, only a village remained, the population of which has never grown much beyond about 6,000 people. Its days as a significant maritime power were over.

The poet Petrarch was staying in
Naples at the time of the deadly quake

Salerno and Naples suffered considerable damage, although the death toll was never recorded, it can be assumed it ran into tens of thousands.

What is known today is in part down to the poet Francesco Petrarca - Petrarch - who was staying in Naples at the time of the catastrophe, at the convent of San Lorenzo, and recorded what he had witnessed.

His account, which was contained in a volume of letters entitled Epistolae familiares, described how Naples was in a state of fear on the day of the earthquake, having been warned by Bishop Guglielmo of Ischia that the city would be destroyed. It is thought likely that there had been a series of smaller tremors in the days leading up to the major quake.

Petrarch spoke of a “furious storm” with the only illumination provided by the frequent flashes of lightning, and recorded that “everything began to tremble” soon after he went to bed. He said that people “ran outdoors and tried to avoid things that fell to the ground.”

At first light, when Queen Giovanna was among those surveying the considerable damage to the port, the waters of the bay were seen to recede. Petrarch described the “hideous whiteness of the foam” as the sea suddenly started to retreat.

An artists' mock-up of how a tsunami off Campania might
impact on coastal cities

This was followed, in Petrarch’s words, by "a thousand mountains of waves not black nor blue, as they are usual to be in other storms but very white, they were seen coming from the island of Capri to Naples”.

Among the first victims when the waves hit the Naples shoreline were a thousand soldiers deployed to help survivors of the original quake.  Only one ship in the harbour was not destroyed, Petrarch noting that it had on board 400 convicts

The 1343 tsunami was not the first to be recorded on the Italian coast. After the eruption of Vesuvius in 79AD, Pliny the Younger described what experts have interpreted as a small tsunami.

Present day seismologists warn that the submerged volcano Marsili beneath the Tyrrhenian Sea about 175m (109 miles) south of Naples could pose a threat to millions of people living on the coast. Although it has not erupted in recorded history, volcanologists believe that Marsili is a relatively fragile-walled structure, made of low-density and unstable rocks, fed by an underlying shallow magma chamber.

Marsili belongs to the Aeolian Islands volcanic arc and is the largest active volcano of the chain, larger than Mount Etna. It was discovered during the 1920s and named after Italian geologist Luigi Ferdinando Marsili.

Amalfi's ninth-century cathedral was one
building that survived the 1343 disaster

Travel tip:

Although Amalfi is much smaller than it once was, it is still a significant town on the Campania coastline between Sorrento and Salerno, attracting huge numbers of tourists each year.  Its ninth-century Duomo dominates the town's central piazza, sitting at the top of a wide flight of steps. The cloister (Chiostro del Paradiso) and museum close by house sculptures, mosaics and other relics.  Radiating away from the cathedral, narrow streets offer many souvenir shops and cafes for visitors.  Amalfi is accessible by bus from Sorrento and Salerno and there are boat services that run along the coast.

A panorama of the coastal city of Salerno

Travel tip:

Salerno, which has a population of about 133,000, is a city often overlooked by visitors to Campania, who tend to flock to Naples, Sorrento, the Amalfi coast and the Cilento, but it has its own attractions and is a good base for excursions both to the Amalfi coast and the Cilento, which can be found at the southern end of the Gulf of Salerno. Hotels are cheaper than at the more fashionable resorts, yet Salerno itself has an attractive waterfront and a quaint old town, at the heart of which is the Duomo, originally built in the 11th century, which houses in its crypt the tomb of one of the twelve apostles of Christ, Saint Matthew the Evangelist.  The city can be reached directly by train from Naples, which is about 55km (34 miles) north.

More reading:

The Naples earthquake of 1626

How Italy's worst earthquake killed up to 200,000

The 79AD Vesuvius eruption

Also on this day:

1881: The birth of Pope John XXIII

1950: The birth of comedian and novelist Giorgio Faletti

1955: The birth of choreographer and dance show judge Bruno Tonioli


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Daniela Rocca – actress

Tragic beauty shunned after breakdown

Daniela Rocca broke into films after winning a beauty
contest in her native Sicily at the age of 15

The actress Daniela Rocca, who starred in the hit big-screen comedy Divorce, Italian Style, was born on this day in 1937 in Sicily.

The movie, in which she starred opposite Marcello Mastroianni, won an Academy Award for its writers and acclaim for former beauty queen Rocca, who revealed a notable acting talent.

Yet this zenith in her short career would in some ways also prove to be its nadir after she fell in love with the director, Pietro Germi.

The relationship she hoped for did not materialise and she subsequently suffered a mental breakdown, which had damaging consequences for her career and her life.

Born in Acireale, a coastal city in eastern Sicily in the shadow of the Mount Etna volcano, Rocca came from poor, working class roots but her looks became a passport to a new life. She entered and won the Miss Catania beauty contest before she was 16.

Divorce, Italian Style broke new ground
in Italian cinema

She subsequently entered Miss Italia, and although she did not win her looks made an impression on the movie talent scouts who took a close interest in such events, on the lookout for potential starlets.

Rocca’s acting debut came in 1957 in the French director Maurice Cloche’s film Marchand de Filles and after a series of roles as the glamorous love interest in various melodramas she began to acquire box office appeal.

Germi saw her in 1961 in Rome 1585, which was also known as I Masnadieri – the Mercenaries – the last film to be made by the veteran Italian director Mario Bonnard, by which time Rocca was popular enough with audiences to share top billing with Antonio Cifariello, an established star of romantic comedies and adventure movies.

The part Germi offered her in Divorce, Italian Style was a little different, however.

Although from a middle-class background in Liguria, Germi’s films were often realistic social dramas, usually with a Sicilian setting. He tackled serious subjects and though Divorzia all’Italiana was to be a comedy, his aim was to denounce what he saw as the absurdity of a society that would not allow a man to divorce his wife but would look leniently on him if he killed her in a so-called crime of passion, to protect his ‘honour’.

He chose Rocca to play Rosalia, the wife of Mastroianni’s character, an impoverished Sicilian nobleman called Ferdinando Cefalù, who wants to be free of the devoted but rather dowdy Rosalia so that he can marry his much younger and prettier cousin, Angela.

Rocca had enjoyed some success taking glamorous roles in
adventure movies before Germi's film showcased her acting 

The plot sees Cefalù concoct a scheme to push Rosalia into having an affair, so that he could discover her infidelity and kill her in a fit of impassioned rage at the stain on his honour.  Of course, his plan goes comically wrong.

Given her history of playing glamorous female leads, Rocca seemed an unusual choice to play a frumpy, oppressive housewife yet she gave a impressive performance, dressing in unflattering clothes and allowing make-up to give her a moustachioed top lip, allowing Angela (Stefania Sandrelli) to outshine her at every turn.

Divorce, Italian Style was ground-breaking in that it used comedy as a genre that allowed film directors to tackle controversial topics that would otherwise have been taboo in Italy. Other directors followed suit, producing movies that allowed Italians to laugh at themselves and which in some ways broke the ice surrounding difficult social problems that needed debate and resolution.

The movie won the Academy Award for Best Writing, Story and Screenplay. Mastroianni was nominated for Best Actor in a Leading Role and many critics considered Rocca to be worthy of similar acclaim.  

It should have been the springboard to her recognition as a serious actress. Instead, it virtually ended her career.

Pietro Germi, pictured with Claudia Cardinale, had been
a successful actor before turning to directing

During the making of the film, despite their age difference – at 48, he was twice her age – she developed an infatuation with Germi. When it became clear to Rocca that his feelings about her did not match hers for him she tried to kill herself.

As a result, other directors quickly became reluctant to cast her, fearful that her mental state was too fragile. Offers of parts became few and far between and soon ceased altogether.  She fell into a state of severe depression and, after cutting her wrists in what was seen as another suicide attempt, was admitted to a mental institution in Palermo.

She remained there for several years, finally allowed to go home in 1975.  Later she said she felt abandoned by former colleagues and misunderstood by doctors, claiming they mistook a simple nervous breakdown for insanity.

The experience aged Rocca prematurely and she died from heart failure at the age of just 57, having moved into a retirement home in Milo, near Catania - although she did leave something of a creative legacy.

Remarkably, while living in the home, she wrote and had published three novels, a book on psychoanalysis and a volume of poetry.

Acireale's Piazza del Duomo is illuminated at night

Travel tip:

Daniela Rocca came from a working class neighbourhood but Acireale is a city with a wealth of culture and many beautiful buildings, some with clear Muslim influences dating back to the Arabic conquest of Sicily in the ninth century, after which the Muslim forces remained in charge until the Normans took control in the 11^th century. At the centre of the city is the beautiful Piazza del Duomo, where can be found not only the cathedral, dedicated to Maria Santissima Annunziata, but also the Basilica of Saints Peter and Paul and the Town Hall.  The Zalantea art gallery showcases many local painters from the 17^th to the 20^th centuries.

The mighty Mount Etna, smoke emerging from its snow-
capped peak, dominates eastern Sicily

Travel tip:

Looming over Acireale and all the other communities, large and small, in the eastern part of Sicily, Mount Etna is one of the most active volcanoes in the world and by far the tallest of the three active volcanoes in Italy, at 3,329 metres (10,922 feet) some two and a half times the height of Vesuvius.  Across the whole of Europe and North Africa, only Mount Teide in Tenerife is taller.  Eruptions occur regularly and often last for long periods. One, starting on July 6, 2009, lasted 417 days, the longest since the 473-day affair between 1991 and 1993, and events lasting anything from three weeks to six months happen with relative frequency.  Despite its volatility, tourists can still take excursions to the summit. It is advisable to wear warm clothing, however. Visitors who board the cable cars in 25-30 degree summer temperatures are often surprised to it decidedly chilly at the top. 

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