Giuseppe Tartini – composer and violinist

Baroque musician also contributed to science

As well as composing for violin, Tartini
established a new technique for playing

Giuseppe Tartini, who was influential in the development of music by establishing the modern style of violin bowing, was born on this day in 1692 in Pirano in the Republic of Venice.

A violinist, baroque composer, and theorist, Tartini also formulated the principles of musical ornamentation and harmony.

His birthplace of Pirano was part of Venetian territory in the 17th century but is now named Piran and is part of Slovenia.

Tartini spent most of his career in Padua, where he went to study divinity and law and became an expert at fencing. Before he reached the age of 20, he had secretly married Elisabetta Premazore, a protégée of the Archbishop of Padua, but this led to him being arrested on charges of  abduction. He disguised himself as a monk and fled the city, taking refuge in a monastery in Assisi.

Later, Tartini was allowed to return to his wife by the archbishop after news that his violin playing had attracted favourable attention had reached him.

Tartini became principal violinist and maestro di cappella at the Basilica of Sant’Antonio in 1721 and he was invited to Prague in 1723 to direct the orchestra of the Chancellor of Bohemia.

After his return to Padua in 1728 he founded a school of violin playing and composition there.

Tartini composed more than 100 violin concertos and many sonatas, including the Trillo del Diavolo (Devil’s Trill). He also composed music for trios and quartets and religious works.

His playing was said to be remarkable because of its combination of technical and poetic qualities, and his bowing technique became a model for later violinists. He was invited to go on a concert tour of Italy in 1740.

Tartini contributed to the science of acoustics with his discovery of the Tartini tone, which was a third note, heard when two notes are played steadily and with intensity.

He wrote a treatise on music, Trattato di musica, in 1754 as well as a dissertation on the principles of music harmony and a treatise on ornamentation in music.

Tartini died in Padua in 1770 at the age of 77.

Giotto's frescoes lining the Scrovegni Chapel in Padua
considered among the world's great artworks

Travel tip:

The elegant city of Padua, where Tartini was principal violinist and maestro di cappella at the Basilica di Sant'Antonio, is an important centre for pilgrims. The Scrovegni Chapel contains frescoes by Giotto, considered to be among the greatest works of art in the world. Dedicated to Santa Maria della Carita (Saint Mary of the Charity), the chapel was decorated with frescoes by Giotto between 1303 and 1305. He was commissioned to paint the frescoes by Enrico degli Scrovegni, who was hoping to atone for the sins of usury committed by himself and his dead father. The frescoes narrate events in the lives of the Virgin Mary and Christ and the stunning scenes cover the interior walls of the chapel. On the wall opposite the altar is Giotto’s magnificent Universal Judgment, which tells the story of human salvation and includes the figure of Enrico degli Scrovegni offering up a model of the chapel to the Virgin Mary in a desperate bid to save his father from hell. For more information visit www.cappelladegliscrovegni.it

The Basilica di Sant'Antonio in Padua is
visited by some five million pilgrims each year

Travel tip:

The enormous Basilica di Sant’Antonio di Padova, sometimes known as the Basilica del Santo, where Tartini was principal violinist and maestro di cappella, is one of the most important places of Christian worship in the world. An estimated five million pilgrims visit the basilica every year to file past and touch the tomb of their beloved Sant’Antonio, a Franciscan monk who became famous for his miracles. The magnificent church, in Piazza del Santo, is an architectural masterpiece created between the 13th and 14th centuries, but it was later enriched with works of art by masters such as Titian, Tiepolo and the sculptor Donatello. 

Also on this day:

1492: The death of Medici ruler Lorenzo the Magnificent

1848: The death of composer Gaetano Donizetti

1868: The birth of equestrian pioneer Federico Caprilli

1929: The birth of historian Renzo De Felice

(The portrait of Giuseppe Tartini, by an anonymous artist, is housed in the Museo del Castello Sforzesco in Milan)

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Francesco Durante – composer and teacher

Musician devoted his life to passing on his composing skills to others

Francesco Durante numbered many famous
pupils when he taught in Naples

An esteemed composer of religious and instrumental music, Francesco Durante was born on this day in 1684 at Frattamaggiore near Naples.

Durante was a highly regarded teacher at the Sant'Onofrio Conservatorio and the Santa Maria di Loreto Conservatorio and was also Chapelmaster at the Conservatorio dei Poveri di Gesú Cristo in Naples.

He had some famous pupils, among whom were Niccoló Jommelli, Niccoló Piccinni and Giovanni Battista Pergolesi, who became leading composers of the Neapolitan School of 18th century opera.

Durante studied music in Rome and at Naples, where he was a pupil at San Onofrio and is believed to have studied under Alessandro Scarlatti. He began his own teaching career at the Sant'Onofrio Conservatorio in 1710.

Between 1728 and 1742 he also taught at Santa Maria Loreto and the Conservatorio dei Poveri di Gesú Cristo.  He succeeded Leonardo Leo as principal teacher at Sant'Onofrio Conservatorio in 1745.

There was always rivalry between Leo’s students and his own pupils, who at various times included the composers Giovanni Paisiello, Tommaso Traetta and Leonardo Vinci.

Durante’s own compositions included motets, masses, requiems and oratorios. A pastoral mass for four voices and a setting of the Lamentations of Jeremiah are considered among his best works. He also composed for the harpsichord and for stringed instruments.

A collection of his works was presented to the Bibliothèque National in Paris by a Neapolitan collector of art and music and the Imperial library in Vienna also houses a collection of his manuscripts. He seems to have composed mainly sacred works and is considered by experts to have been one of the best composers of church music of his period.

Durante, who was married three times, died in Naples in 1755, aged 71.

The Piazza Umberto I in Frattamaggiore, with the
campanile of the Basilica of San Sossio 

Travel tip:

Frattamaggiore, where Durante was born, is a comune of Naples, about 15km (9 miles) north of the city, and 15 km southwest of Caserta. Known as Fratta to the locals, Frattamaggiore was named a Benedictine city in 1997 and was awarded the title of City of Art in 2008. It is thought to date back to before Roman times, but the first recorded mention of Frattamaggiore was in 921 AD. The patron saint of Frattamaggiore is Saint Sossius, or Sosius. His remains were first preserved at Miseno, but after the town was destroyed by the Saracens his followers moved to live in Frattamaggiore. The saint’s relics were recovered by Benedictines and preserved in a convent in Naples, but after the convent was suppressed during Napoleonic times, his relics were transferred to Frattamaggiore where they are preserved in a basilica dedicated to him.

The entrance to the Sant'Onofrio
Conservatory at Porta Capuana

Travel tip:

The Conservatorio di Sant'Onofrio at Porta Capuana, where Durante taught at the beginning and end of his career, was one of the four original Naples music conservatories. Founded in 1588, it was developed first as an orphanage. Almost one fifth of the students at the Conservatorio di Sant'onofrio were castrati. Its popularity declined during the Napoleonic period, and only 30 students remained when the conservatory merged with that of Santa Maria di Loreto in 1797. Porta Capuana is now a free-standing gateway that was once part of the Aragonese walls of the city and is situated between the city’s main railway station and the Duomo. The Conservatorio di Sant'onofrio, which was in time absorbed into the Naples Conservatory, used to be close to the Castel Capuano, which was originally a 12th century fortress but has been modified several times. Until recently, the castle was home to the city’s Hall of Justice, also known as the Vicaria, which housed legal offices and a prison.

More reading:

The opera buffa genius of Giovanni Battista Pergolesi

Why Domenico Cimarosa's Il Matrimonio Segreto is seen as one of the greatest comic operas

First night at Teatro di San Carlo

Also on this day: 

1425: The birth of Bianca Maria Visconti, Duchess of Milan

1675: The birth of Pope Benedict XIV

1941: The birth of cartoonist Franco Bonvicini

1958: The birth of crime writer Maurizio De Giovanni

1996: The death of car designer Dante Giacosa

(Picture credits: conservatory gate by Baku; via Wikimedia Commons)

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Gian Francesco Malipiero – composer and musicologist

Musician revived interest in Monteverdi and composed music in the same spirit

Malipiero was born into an 
aristocratic Venetian family

A composer and editor whose work helped to rekindle interest in pre 19th century Italian music, Gian Francesco Malipiero, was born on this day in 1882 in Venice.

Malipiero’s own output, which included operas and orchestral works, has been assessed by experts as fusing modern techniques with the stylistic qualities of early Italian music.

The composer was born into an aristocratic Venetian family and was the grandson of the opera composer Francesco Malipiero. He studied music at the Vienna conservatory and then returned to Venice to carry on his studies.

He used to copy out the music of Claudio Monteverdi and Girolamo Frescobaldi at the Biblioteca Marciana in Venice, which inspired his love of music from that period.

He moved to Bologna to continue his studies and after graduating, returned to Venice and became an assistant to the blind composer Antonio Smareglia, which he later said taught him a great deal.

In 1913 he travelled to Paris where he was influenced by the music he heard there, from composers such as Ravel and Debussy. He attended the premiere of an opera by Stravinsky, La Sacre du Printemps, and described this experience as like awakening from a ‘long and dangerous lethargy.’ This was also when he first met the composer Alfredo Casello and the poet and playwright Gabriele D’Annunzio.

Malipiero found support from the
influential Gabriele D'Annunzio

For a while Malipiero was on good terms with Benito Mussolini, but he fell out of favour when the dictator did not like him writing the music for a Pirandello libretto. Although he dedicated his next opera to Mussolini, this did not help him regain the support of the Fascists.

Malipiero was appointed professor of composition at the Parma Conservatory in 1921 and subsequently became director at the Istituto Musicale Pollini in Padua.

In 1923 he joined with Casello and D’Annunzio in creating the Corporazione delle Nuove Musiche.

In the same year, he went to live permanently in the small hill town of Asolo in the Veneto, where he worked on editing a complete edition of Monteverdi’s work, making an invaluable contribution to the recovery and promotion of the composer’s music. He also collaborated with the Istituto Antonio Vivaldi in the publication of the complete instrumental works of the Venetian composer.

Malipiero was a prolific composer of operas, orchestral music, chamber music and music for the piano and the voice and said he found Asolo the ideal location for composing his own music. His work has been judged to reflect the spirit of 17th and 18th century Venetian music.

Malipiero died in Asolo in 1973 at the age of 91.

Malipiero used to study the music of Claudio
Monteverdi at the Biblioteca Marciana in Venice

Travel tip:

The Biblioteca Marciana in Venice, where Malipiero used to study the music of Monteverdi, is also known as the Sansovino Library after the architect Jacopo Sansovino, who designed it. It is opposite the Basilica in St Marks Square and is named to commemorate the patron saint of Venice. It is one of the earliest surviving public libraries and repositories of manuscripts in Italy and holds one of the world’s most important collections of classical texts. The library was founded in 1468 when a Cardinal and scholar donated his entire collection of Greek and Latin manuscripts to the Republic of Venice. The library is open to the public from Monday to Saturday but is closed on Sundays and Italian Bank Holidays.

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The Piazza Giuseppe Garibaldi is the main square
in the beautiful Veneto town of Asolo

Travel tip:

The beautiful hill town of Asolo in the Veneto, where Malipiero settled in later life, is known as ‘the pearl of the province of Treviso’ and ‘the city of a hundred horizons’ because of its beautiful views over the countryside and the mountains. The poet Robert Browning spent time in Asolo after he became a widower. He published Asolando, a volume of poetry written in the town, in 1889. The main road leading into the town is now named Via Browning in his honour. Asolo is also where the Queen of Cyprus, Caterina Cornaro, spent her last years. One of the main sights is the Castle of Caterina Cornaro, which now houses the Eleonora Duse Theatre.

Let Booking.com suggest places to stay in Asolo

More reading:

How Monteverdi put the opera genre on the musical map

Why Girolamo Frescobaldi is seen as one of the 'fathers' of Italian music

The complicated genius of Gabriele D'Annunzio

Also on this day:

1848: The Five Days of Milan

1925: The birth of musician Alessandro Alessandroni

1944: The last eruption of Mount Vesuvius

1945: The birth of pop singer Bobby Solo

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Alessandro Striggio - composer and diplomat

Medici musician who invented the madrigal comedy

The score of Striggio's best known
work was missing for 281 years

The Renaissance composer Alessandro Striggio, famous as the inventor of the madrigal comedy, once thought to be the forerunner of opera, died on this day in 1592 in Mantua (Mantova), the town of his birth.

Although there is no accurate record of his age, it is thought he was born in 1536 or 1537, which would have put him in his mid-50s at the time of his death. 

Striggio spent much of his career in the employment of the Medici family in Florence, for whom he also served as a diplomat, undertaking visits to Munich, Vienna and London among other places on their behalf. 

He produced his best work while working for the Medici, composing madrigals, dramatic music, and intermedi - musical interludes - to be played between acts in theatrical performances.

Striggio’s best known composition is his Il cicalamento delle donne al bucato e la caccia (The gossip of the women at the laundry),  an innovative piece that combined music and words to tell a story, without acting. This was an example of what became known as the madrigal comedy, comprising a series of 15 humorous madrigals that together tell a story in words and music.

Perhaps his greatest achievements, though, were his choral works, including his motet Ecce beatam lucem, a feat of polyphony that included 40 independent voices, and his still more impressive Mass, Missa sopra Ecco sì beato giorno, which also featured 40 different voice parts and a final movement for 60 voices, which is thought to be the only piece of 60-part counterpoint in the history of Western Music.

Cosimo I de' Medici sent Striggio on
a diplomatic mission to Vienna

Although Striggio was born into an aristocratic family in Mantua, there is only sparse knowledge of his early life there. He possibly moved to Florence in his late teens or early 20s. He started work for Cosimo I de' Medici, Duke of Florence, on 1 March 1559 as a musician, eventually to replace Francesco Corteccia as the principal musician to the Medici court.

In the 1560s, he visited Venice and produced two books of madrigals influenced by the musical styles he encountered there.

Music was central to the Medici’s use of Striggio in a diplomatic role. Cosimo I craved the title of Archduke or Grand Duke, which within the hierarchy of the Holy Roman Empire was a rank below Emperor but a notch above Duke and equivalent to a King.

He ordered Striggio to travel to Vienna in the winter of 1566-67, sending his principal musician on a perilous journey through the Brenner Pass in order to meet Emperor Maximilian II and present Cosimo’s case for the Medici to be granted a royal title.

Striggio’s grand opus, Missa sopra Ecco sì beato giorno, was to be part of the presentation, underlining Cosimo’s commitment to the Catholic faith. Striggio was also charged with convincing Maximilian II that the Medici could support him both financially and militarily.

Unfortunately, Striggio reached Vienna only to find he needed to journey a further 140km (87 miles) north to Brno, where Maximilian had removed himself for the winter months. He presented the Emperor with a copy of the Mass, although he had too few musicians or singers with him in Brno for the piece to be performed.

The English composer Thomas Tallis is
said to have been inspired by Striggio

Instead, as Striggio continued his travels, it was performed in full before the courts of Munich and Paris, to great acclaim, before Vienna.  The Medici were granted the right to be headed by a Grand Duke two years later but it took almost 10 years for it to be given approval by the Emperor, although Cosimo I went by the title from 1569 until his death in 1574.

Striggio went on to visit England, having much respect for the work of musicians in the royal court there. He is said to have met Queen Elizabeth I and the composer Thomas Tallis, who had served in the courts of four monarchs - Henry VIII, Edward VI and Mary I, as well as Elizabeth I - and is considered one of England’s greatest composers, particularly of choral music. His own 40-voice motet, Spem in alium, is thought to have been inspired by his meeting with Striggio.

Striggio returned to Florence, where he became friends with Vincenzo Galilei, the lutenist and composer whose son was the astronomer and scientist, Galileo Galilei.

During the 1580s, Striggio began an association with the Este court in Ferrara, which at the time was at the forefront of musical composition in Italy. In 1586, he moved back to his home city, Mantua, although he would continue to compose music for the Medici at least until 1589.

Although the idea of Striggio’s madrigal comedy being the forerunner of opera is no longer widely held, the composer has a connection with the roots of opera in that his son, also called Alessandro, wrote the libretto of Claudio Monteverdi's L'Orfeo, one of the earliest works to fit the conventional definition of an opera.

As a footnote, the score of Striggio’s Missa sopra Ecco sì beato giorno was declared lost in 1726 but was rediscovered in 2007 by a musicologist from the University of California, Berkeley in the Bibliothèque nationale de France in Paris, where it had resided for most of the intervening years, unnoticed because it had reportedly been recorded in an inventory of manuscripts as being a four-part Mass by a composer called Strusco.

The Ducal Palace is one of many highlights of
the atmospheric city of Striggio's home city

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  In nearby Piazze delle Erbe is the Chiesa di San Lorenzo, another masterpiece of Renaissance architecture. Its elegant facade and interior are adorned with beautiful artwork and sculptures.  In the same square, the Torre dell’Orologio Astronomico - the Astronomical Clock Tower - displays lunar cycles as well as the time. Installed in 1473, the clock has failed twice but was restored in 1989.

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Palazzo Vecchio was at
one time Cosimo I's home

Travel tip:

Florence’s imposing Palazzo Vecchio, formerly Palazzo della Signoria, a cubical building of four storeys made of solid rusticated stonework, crowned with projecting crenellated battlements and a clock tower rising to 94m (308ft), became home of Duke Cosimo I de' Medici moved his official seat from the Medici palazzo in via Larga in May 1540. When Cosimo later removed to Palazzo Pitti, he officially renamed his former palace the Palazzo Vecchio, the "Old Palace", although the adjacent town square, the Piazza della Signoria, still bears the original name. Cosimo commissioned the painter and architect Giorgio Vasari to build an above-ground walkway, the Vasari corridor, from the Palazzo Vecchio, through the Uffizi, over the Ponte Vecchio to the Palazzo Pitti. Cosimo I also moved the seat of government to the Uffizi, which translated literally, simply means ‘offices’. Today, of course, the Uffizi, is known the world over for its collection of art treasures.

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More reading:

Gonzaga court violinist Salomone Rossi, the leading Jewish musician of the Renaissance

Cosimo II de' Medici, patron of Galileo

Claudio Monteverdi, the Baroque composer who wrote the first real opera

Also on this day

1792: The birth of composer Gioachino Rossini

(Picture credit: Palazzo Vecchio by Geobia via Wikimedia Commons)

(Paintings: Portrait of Cosimo I de' Medici, Bronzino, Art Gallery of New South Wales)

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Chiara Iezzi - singer and actress

One half of popular duo Paola e Chiara

Chiara Iezzi has enjoyed success both
as a singer and in tv and film roles

The actress and singer Chiara Iezzi, who with sister Paola forms half of the top-selling Paola e Chiara pop duo, was born on this day in 1973 in Milan.

The sisters performed together for seven years between 1996 and 2013, selling more than five million records, before breaking up, Chiara deciding to focus increasingly on acting and enjoying some success in the United States.

The duo were reunited in 2023, when they took part in the Sanremo Music Festival for the sixth time, having made their debut at the celebrated Italian song contest 26 years earlier.

Interested in music, acting and fashion since she was in her teens, Chiara graduated in fashion design, simultaneously taking acting lessons, but it was music that initially provided her with a career.

After seeing her perform in jazz and funk groups, in 1994 the record producer and television presenter Claudio Cecchetto hired her together with Paola to join singer Max Pezzali as backing vocalists in a group called 883, who were popular in Milan in the 1990s.

Paola (left) and Chiara with the trophy they won
at the Sanremo Music Festival in 1997

Two years later, the sisters began to perform as Paola e Chiara, signing a recording contract with Sony Music Italia. Aged 21 and 22 respectively, they made their debut at the 1996 edition of Sanremo Giovani - a special contest for young artists, held separately from the main event - making the final with their song, In viaggio.

The following year, they entered Sanremo proper, performing the song Amici come prima, with which they won the New Proposals category.

The song featured on their debut studio album for Sony, Ciriamo Bambine, which would be the first of eight studio albums. They also released three collections of hits and 35 singles, the most successful of which was Vamos a bailar (Esta vida nueva), sung in Spanish and released in 2000.

Performing Vamos a bailar, which featured on their album Television, they won two song contests, Festivalbar and Un disco per l'estate. The single contributed substantially to their more than five million records sold.

Alongside her career with Paola, Chiara released a number of singles and EPs as a solo performer before turning her attention increasingly to acting, her ambitions not at all harmed by being invited in 2010 to collaborate on the soundtrack of the film Maledimiele, directed by Marco Pozzi, for which she sang the main theme, L'altra parte di me. 

Chiara Iezzi starred in the Disney Channel 
television series Alex & Co in 2015

It prompted her to resume her study of acting, for which she spent increasing amounts of time in America, attending seminars in New York and Los Angeles. After the break-up of the Paola e Chiara partnership, she announced her intention to limit her singing career to projects connected to the film industry.

She had a number of successes in acting, notably playing the role of Victoria Williams in the 2015 TV series Alex & Co, produced by Disney Channel.

In 2016, she landed a role in the film Il ragazzo della Giudecca (The Boy from the Giudecca), directed by Alfonso Bergamo and starring Giancarlo Giannini and Franco Nero, and in 2017 was picked for Louis Nero's film The Broken Key alongside Rutger Hauer, William Baldwin, Geraldine Chaplin and Michael Madsen.

The possibility that she and her sister might reform their partnership arose in 2022. Chiara appeared at a DJ set hosted by her sister, for whom deejaying had become the focus of her career, and they surprised the audience by performing a number of their songs together. The clip of their performance was downloaded so many times it became a viral hit, after which they agreed to make an appearance as guests at a concert in Bibione, on the Adriatic coast of the Veneto, which was part of a Max Pezzali tour, and alongside Jovanotti at Fermo, further down the Adriatic in Marche. 

They were so well received by the audiences that talk of a Paola e Chiara revival soon gathered pace. In December of the same year it was announced that they would participate in the 2023 edition of the Sanremo Festival, their first appearance there for 15 years.

Their song, Furore, finished only 17th, yet was a hit nonetheless, prompting them to embark on a first tour in 12 years and to release their first album since 2015, a reworked collection of their best work entitled Per Sempre (Forever).

The duo returned to Sanremo in 2024 as guests, reprising Furore on the third evening and performing alongside veteran entrants Ricchi e Poveri on the fourth evening, as well as presenting some of the accompanying broadcasts as national TV channel Rai dedicated hours of airtime to the festival and peripheral activities.

Bibione's wide expanse of golden, sandy beach
makes it an attraction for thousands of tourists

Travel tip:

Bibione, where Paola e Chiara reunited alongside former professional partner Max Pezzali at a 2022 concert, is a seaside resort in the Veneto region of northern Italy, about 50km (31 miles) from Venice as the crow flies, although about twice that distance by road. It is a popular destination for tourists from Germany, Austria, Czech Republic, and Slovakia, as well as Italy, who enjoy its golden sand beach, pine wood, and water park. The area used to be uninhabited marshland until land reclamation work began in the early part of the 20th century and it was not until the 1950s that the first holiday accommodation was built. Nowadays, in the summer months, Bibione can offer up to 100,000 beds for tourists, yet in the winter is largely deserted, with many shops and beach facilities closed.

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Fermo sits atop the Sabulo hill, the cathedral of
Santa Maria Assunta in Cielo at its highest point

Travel tip:

Fermo, where Paola e Chaira performed at a Jovanotti concert in 2022, is a charming and lively town in the Marche region, with a population of about 37,000. It is located on a hill, the Sabulo, some 319m (1,050ft) above sea level, about 7km (4.34 miles) inland from the Adriatic resort of Porto San Giorgio. A former Roman colony, it was owned by a succession of prince-bishops and powerful families, including the Visconti and Sforza, before becoming part of the Papal States in 1550, all of whom contributed to its impressive monuments, buildings and fortifications. The Roman cisterns, the 13th century cathedral of Santa Maria Assunta in Cielo, the Palazzo dei Priori, built between the 13th and 16th centuries, the Pinacoteca Civica and the Teatro dell’Aquila are among its noteworthy attractions. The town hosts diverse cultural events, from an August palio (horse race) and festival of mediaeval games, the Cavalcata dell’Assunta, to an annual film festival.  The town is also famed for its culinary specialities, which include a type of lasagna with meat sauce, olives, and cheese, called vincisgrassi, a fish soup with tomatoes, saffron, and vinegar known as brodetto, and frustingo, a cake made with dried fruits, nuts, honey, and chocolate.

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More reading:

The history of the Sanremo Music Festival

The singer whose Sanremo disqualification produced his biggest hit

The tenor who became known as ‘the King of Sanremo’

Also on this day:

1950: The birth of fashion designer Franco Moschino

1935: The birth of opera singer Mirella Freni

1964: Italy appeals for help to save Pisa’s leaning tower

1978: The birth of dancer Simone Di Pasquale

(Picture credits: Bibione beach by Tiesse; Fermo skyline by Daniele Pieroni; via Wikimedia Commons)

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Vasco Rossi - singer-songwriter

Controversial rock star still performing

Vasco Rossi has been one of Italy's
biggest stars for almost 40 years

Vasco Rossi, a singer-songwriter in the rock genre who has sold more than 40 million records since releasing his first single in 1977, was born on this day in 1952 in Zocca, a village in a mountainous region of Emilia-Romagna.

Rossi, who has attracted criticism for his lifestyle and for the sometimes controversial content of his songs, enjoys a huge following among fans of Italian rock music.  An open-air concert he performed in Modena in 2017 sold 225,173 tickets, a record for tickets sold by any artist anywhere in the world.

Describing himself as a provocautore - a writer who provokes - he has written more than 250 songs, nine of which have been number one in the Italian singles charts, and made more than 30 albums, including five that were the best-selling album for the year of their release.

The enormous public enthusiasm for his work has not always been shared by the critics. Although his albums have won him many awards within his own sector of the music industry, when he appeared at the Sanremo Music Festival in 1982, the judging panel placed him bottom, reportedly in protest at the lyrics and his on-stage behaviour, which they thought was disrespectful to the competition. 

Despite his success, Rossi has at times struggled with alcohol and drug addictions and depression yet has used the darker periods in his life as the inspiration for songs.  Following his arrest and brief imprisonment for cocaine possession in the 1980s, he produced an album entitled Bollicine - Little Bubbles - that featured lyrics about drug use, attracting more opprobrium but at the same time helping secure his status as a rock icon.

Rossi in the 1970s, at
the start of his career

Rossi’s father, Carlo, was a truck driver, his mother, Novella, a housewife. It was Novella, herself an enthusiastic music fan, who had an inkling about his singing ability, enrolling him for singing lessons as a small child. He soon developed a love for music, joining his first band at the age of 14.  After the family had moved to Bologna, he studied accountancy at high school before enrolling for a degree course in Business and Economics at the University of Bologna, which he eventually abandoned.

Instead of equipping himself for a career in finance or business, he worked as a DJ, setting up the Punta Club, a party venue, before teaming up with some friends to open Punta Radio, one of Italy’s first private radio stations.  His own early recordings tended to get their first airing on Punta Radio.

His first EP was released in 1977, including the songs Jenny è pazza and Silvia, followed by his debut album the following year, and has brought out a new album almost every year since, an extraordinary output.  It took a few years to achieve peak popularity, while the shock of his father’s death in 1979 from a stroke at the age of just 56 almost persuaded him to quit. But by the late 1980s his albums were selling in huge numbers and he had to move from traditional concert venues into stadiums such as the Stadio Giuseppe Meazza - better known as San Siro - in Milan, territory usually reserved for international superstars such as U2 and Madonna.

An aerial shot of the crowd of more than 225,000
fans who saw Rossi's 2017 concert in Modena

Between 2001 and 2014, five of his albums - Stupido hotel (2001), Tracks (2002), Buoni o cattivi (2004), Vivere o niente (2011) and Sono innocente (2014) - outsold all other albums in Italy in the year of their release.  Yet he remains largely unknown outside Europe, a phenomenon he has claimed is down to overseas markets, specifically the British and American markets, being rigged.

He announced in 2011 that he was retiring from touring, yet was back on stage only two years later. In his career he has performed in more than 800 concerts, watched by more than 10 million fans. He has more dates planned this year.

Rossi has three children Davide and Lorenzo - both born in 1986 - and Luca, born in 1991, all by different partners. He married Luca’s mother, Laura Schmidt, in a low-key ceremony in Zocca in 2012.

Zocca occupies a hillside location around 45km
(28 miles) southeast of Modena in Emilia-Romagna

Travel tip:

Vasco Rossi’s home village of Zocca in Emilia-Romagna can be found around 45km (28 miles) southeast of Modena and a similar distance southwest of Bologna. It sits on the eastern side of the mountain that divides the Panaro River Valley from the Reno and Samoggia Valleys. It enjoys a strategically favourable position, which was reflected in mediaeval history by the  establishment of a number of castles in the area and more recently by its importance in World War Two as a stronghold of the Italian resistance movement.  Zocca has a pleasant centre characterised by elegant shops and a number of interesting churches, including the neo-Romanesque chiesa del Sacro Cuore di Gesù and the Santuario della Verucchia, which has its origins in the 12th century.  A music festival in Zocca was established by Rossi’s friend, Massimo Riva, and rock fans visit the area in large numbers in the summer months, attracted by a tour organised by the Visit Modena tourist office. A chestnut festival takes place every October.

The magnificent Baroque architecture of the Ducal
Palace is one of the main attractions of Modena

Travel tip:

Modena, where Vasco Rossi set a world record for ticket sales for his 2017 concert at the Enzo Ferrari Park motor racing venue, is a city on the south side of the Po Valley in the Emilia-Romagna region It is known for its car industry, as Ferrari, De Tomaso, Lamborghini, Pagani and Maserati have all been located there. The city is also well known for producing balsamic vinegar, while operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena.  One of the main sights in Modena is the huge, baroque Ducal Palace, which was begun by Francesco I on the site of a former castle in 1635. His architect, Luigi Bartolomeo Avanzini, created a home for him that few European princes could match at the time. The palace is now home to the Italian national military academy. In the Galleria Estense, on the upper floor of the Palazzo dei Musei in Modena, the one-metre high bust of Francesco I d’Este, Duke of Modena, by Gian Lorenzo Bernini, still seems to be commanding the city.

Also on this day:

1497: Preacher Girolamo Savonarola’s ‘bonfire of the vanities’

1622: The birth of Vittoria delle Rovere, Grand Duchess of Tuscany

1878: The death of Pope Pius IX

1909: The birth of cavalry officer Amedeo Guillet

1941: The birth of pop singer Little Tony

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Sanremo Music Festival - song contest

Historic annual event that inspired Eurovision 

Nilla Pizzi won the first two
editions of the Sanremo Festival

The first annual Sanremo Music Festival reached its conclusion on this day in 1951 with the song Grazie dei fiori - Thank You for the Flowers - announced as the winner, performed by the singer and actress Nilla Pizzi.

The festival is the world’s longest-running televised music contest, having been broadcast live by Italian state broadcaster Rai every year since 1955.  The Eurovision Song Contest, which was staged for the first time in 1956, was modelled on Sanremo.

Compared with the 2024 edition - the 74th - which is due to be staged from February 6 to February 10 and in which the public vote is crucial - the inaugural competition was very different. There were 20 songs to be judged by a committee of experts who determined the result, but only three participants - Pizzi, Achille Togliani and the Duo Fasano, which consisted of twin sisters Dina and Delfina Fasano.

All of the participants had to perform all of the songs over the course of the three nights with the judges having to decide on both the merits of the song and the quality of the three different renditions before settling on their winner. They were so impressed with Pizzi that the following year she not only was their choice to win the competition but took second and third places too.

The first contest had a different venue. From 1951 until 1977 its home was the beautiful Liberty-style Casinò di Sanremo, situated a street or two back from the resort’s waterfront. In 1977, however, the casino was closed for renovations and the festival was switched to the Teatro Ariston, the biggest theatre in the town with an audience capacity much larger than the casino. With the exception of one year, the Ariston has hosted the competition ever since.

The Casinò di Sanremo, a fine example of Stile
Liberty architecture, was the Festival's first home

Had history unfolded differently, the annual festival might have had not only a different venue but a different location entirely. The original Festival della Canzone Italiana - the Italian Song Festival, which remains the competition’s official name - took place in Viareggio on the Tuscan coast rather than the Ligurian resort with which it is synonymous. 

After successfully staging the competition in 1948 and 1949, however, the Viareggio organisers ran into financial difficulties and the planned 1950 edition was cancelled.

Help was at hand. In Sanremo, which in common with Viareggio and other resorts was looking for ways to revive economies left in tatters by World War Two, Piero Bussetti, administrator of the Casino di Sanremo, met with Giulio Razzi, the conductor of the Rai orchestra, to discuss relaunching the competition in Sanremo, to showcase previously unreleased songs.

It was through their initiative that the 1951 event, the last night of which was broadcast on the Rai radio station Rete Rossa, came to fruition.

Over the years the festival rules have been changed multiple times, allowing more participant singers, involving international artists and some high profile guests.  Different categories were added to the main competition, including a section for newcomers that has been the launching pad for many illustrious careers, with Eros Ramazzotti, Laura Pausini and Andrea Bocelli among the list of past winners.

A youthful Eros Ramazzotti,
best newcomer in 1984

Zucchero and Vasco Rossi are two other Italian stars who can thank Sanremo for launching their careers, while the roll call of big-name winners - in Italy, at least - includes Claudio Villa, Domenico Modugno, Adriano Celentano, Peppino Di Capri, Toto Cutugno, Gianni Morandi and, more recently, Il Volo.

Villa and Modugno each won the competition four times. Il Volo, winners in 2015 with Grande Amore, are competing again in 2024 among 27 artists bidding for the crown of champions.

At its most prestigious peak, guest performers at the festival have included Queen, Elton John, Tina Turner, Bon Jovi, Bruce Springsteen and Whitney Houston. 

As well as providing the inspiration for the Eurovision Song Contest, which was launched in 1956 with a similar format, the link between Sanremo and Eurovision has been maintained by the Italian tradition of picking the winner of Sanremo as nation’s entry for Eurovision.  Two of the three Italian successes at Eurovision - Gigliola Cinquetti in 1964 with Non ho l'età and the rock group Maneskin in 2021 with Zitti e buoni were Sanremo victors.

Sanremo was a holiday
destination for the wealthy

Travel tip:

The resort of Sanremo in Liguria, which can be found 146km (91 miles) southwest of Genoa as the Italian Riviera extends towards France, enjoyed particular prestige even before the Music Festival put it on the cultural map. The town expanded rapidly in the mid-18th century, when the phenomenon of tourism began to take hold among the wealthy. Several grand hotels were established and the Emperor Nicholas II of Russia was among the European royals who took holidays there. The Swedish chemist Alfred Nobel, who bequeathed money in his will to establish the prizes that take his name, was so taken with the elegance of the town after his holiday visits that he made it his permanent home. Known as the City of Flowers, it is characterised by its Stile Liberty architecture (the Italian variant of Art Nouveau), of which the Casinò di Sanremo in Corso degli Inglesi is a beautiful example.

The Viareggio Carnival is famous for its huge
and often highly symbolic floats

Travel tip:

Viareggio, which might have remained home to the contest now synonymous with Sanremo had the organisers of the first editions of the Italian Song Festival not run into financial difficulty, is a popular seaside resort in Tuscany, about 26km (16 miles) from the city of Lucca and a similar distance north of the port city of Pisa. It has beautiful sandy beaches and, like Sanremo, some fine examples of Liberty-style architecture, which include the Grand Hotel Royal. It may not have a music festival to compare with Sanremo but it does have the Viareggio Carnival, which is the most famous in Italy after the Venice Carnival. Dating back to 1873, the carnival is famous for its enormous papier-mâché floats, which parade along the resort’s promenade. Often sending up well-known figures from politics and entertainment in giant caricatures mounted on the floats, the carnival has a more humorous side than its better-known counterpart, contributing to a lively atmosphere around the town. 

Also on this day:

1788: The death of exiled British royal Charles Edward Stuart

1857: The birth of architect Ernesto Basile

1888: The death of Saint Don Bosco

1925: The birth of fashion designer Mariuccia Mandelli

1933: The birth of Mafia boss Bernardo Provenzano

1942: The birth of actress Daniela Bianchi 

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Sylvano Bussotti - composer, writer and painter

The productive life of a Renaissance man with many strings to his bow

Sylvano Bussotti was described as a
modern Renaissance man

The multi-talented Sylvano Bussotti, a leading composer who was part of Italy’s avant-garde movement, was born on this day in 1931 in Florence.

Bussotti was also a painter, set and costume designer, opera director and writer. His operas and ballets were performed at the most prestigious theatres in Italy and abroad and he served as artistic director of Teatro La Fenice in Venice, the Puccini festival in Tuscany and the music section of the Venice Biennale.

Before he was five years old, Bussotti was learning to play the violin and he soon became a prodigy. He was also introduced to painting early in his life by his older brother and uncle.

At the Luigi Cherubini Conservatory in Florence, he studied harmony and counterpoint and learnt the piano, but he was unable to complete his studies and receive any official qualifications because of the start of World War II.

However, Bussotti continued to study composition on his own and, from 1958, he took private composition lessons with Max Deutsch in Paris.

Bussotti embarked on what has been described as an important editorial relationship with music publishers Casa Ricordi in 1956. His first composition to be performed in public, entitled Breve, was heard at a gallery in Dusseldorf in 1958.

The American mezzo-soprano Cathy  Berberian
with Bussotti at a performance in 1960

His compositions employed the use of graphic notation, which represented music through the realm of visual symbols instead of traditional music notation.

The composer received many awards and prizes for his music, both in Italy and abroad. In the 1960s he was invited to the United States to visit Buffalo and New York, by the Rockefeller Foundation.

His first opera, La passion selon Sade, was premiered in Palermo in 1965. Along with other composers of the time, Bussotti experimented with the interaction between sound, sign, and vision.

Bussotti also acted and sang himself and he directed films. He was a painter and graphic artist and his art works have been exhibited in many different countries. He wrote novels and poems and he was able to write most of the librettos for his own operas.

Later in life, Bussotti taught composition, analysis, and the history of musical theatre at academies in L’Aquila, Fiesole, and Stuttgart.

He served as the artistic director of La Fenice in Venice, directed the Puccini festival in Torre del Lago in Tuscany, and became director of opera at La Scala in Milan. He was head of the music section of the Venice Biennale from 1987 to 1991.

Bussotti was openly gay and his partner, the ballet dancer and choreographer Rocco Quaglia, collaborated with him on many of his projects.

The composer died at a nursing home in Milan after a long illness just before his 90th birthday. A five-day cultural event in Florence, which had been planned to celebrate Bussotti’s birthday, still went ahead in the city to celebrate his artistic achievements instead.

Bussotti has been sometimes described as a Renaissance man because of his many talents, which enabled him to combine different art forms creatively.

The Luigi Cherubini Conservatory is one
of the most important in Italy

Travel tip:

Sylvano Bussotti received his early musical education at the Luigi Cherubini Conservatory in Piazza delle Belle Arti in Florence, one of the most important music conservatories in Italy. The conservatory, which is not far from La Galleria dell’Accademia, is named after the 18th century composer, Luigi Cherubini, who was born in the city. The conservatory occupies part of a former nunnery, which was closed in the 18th century by the Grand Duke of Tuscany, Leopold II, who would go on to become Holy Roman Emperor.

Teatro La Fenice has risen from the 
ashes more than once in its history

Travel tip:

Teatro La Fenice in Venice, where Bussotti served as artistic director, has had a fascinating history. The theatre, in Campo San Fantin, which is not far from Piazza San Marco, was named La Fenice, the Phoenix, when it was originally built in the 1790s, to reflect the fact it was helping an opera company rise from the ashes after its previous theatre had burnt down. But in 1836, La Fenice itself was destroyed by fire, although it was quickly rebuilt. Then in 1996, when the theatre burnt down again, arson was suspected, leading to a long criminal investigation. La Fenice had to be rebuilt once more at a cost of more than 90 million euros and was not able to reopen for performances until 2003.

Also on this day:

1450: The death of Leonello d'Este, Marquis of Ferrara

1910: The birth of cycling champion Attilio Pavesi

1961: The birth of football coach Walter Mazzarri

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Francesco Manelli – Baroque composer

Theorbo player staged the world’s first public opera

Manelli worked in Tivoli, Rome and
Padua before settling in Venice

Musician and opera composer Francesco Manelli, who is remembered for the important contribution he made to bringing commercial opera to Venice, was born on this day in 1595 in Tivoli in Lazio.

Manelli (sometimes spelt Mannelli) was also a skilled player of the theorbo, which is a plucked string instrument belonging to the lute family that has a very long neck.

From the age of ten, Manelli used to sing in Tivoli's Duomo, the Basilica Cattedrale di San Lorenzo Martire, and he was taught music by the various maestri di cappella working there at that time.

Manelli moved to Rome with the intention of studying for a career in the church, but after meeting and marrying a singer, Maddalena, he decided to dedicate himself exclusively to music.

In 1627, Manelli went back to Tivoli where he himself became a maestro di cappella at the Duomo, a post he held for two years. Then he returned to Rome to take up the post of maestro di cappella at the church of Santa Maria della Consolazione.

After going to Padua, where his wife sang in the opera Ermiona, Manelli and his family settled in Venice in order to be close to his patron.

In 1637, Manelli and another composer and theorbo player, Benedetto Ferrari, put together a company of singers to present an opera in a public theatre, which was the first time this had happened. The singers performed Andromeda, an opera, with music written by Manelli and a libretto written by Ferrari, at Teatro San Cassiano during that year’s Carnevale. Manelli himself sang two of the bass parts.  

A 17th century painting of an English
woman playing the theorbo

The following year, the company performed another opera by Manelli, La maga fulminata, with Manelli’s wife, Maddalena, singing the role of Pallade.

In 1639, Manelli composed La Delia, with a libretto by Giulio Strozzi, which premiered at Teatro Santi Giovanni e Paolo in Venice. This was followed by his operas, Adone in 1640 and L’Alcate in 1642, which were both performed at the same theatre.

Between 1639 and 1642, Manelli and Ferrari directed a company of Venetian singers in Bologna, which included Manelli’s wife, Maddalena, and their son, Constantino. In addition to Manelli’s own compositions, the singers performed Il ritorno di Ulisse in patria by Claudio Monteverdi.

In 1645, Manelli and his family went into the service of Ranuccio II Farnese, the Duke of Parma. Manelli composed five operas for the court, which were performed in the ducal theatre of Parma and Piacenza.

Manelli died in Parma in 1667 and his wife, Maddalena, died there in 1680.

A wooden model of how the
theatre might have looked

Travel tip:

Teatro San Cassiano, which was located in the San Cassiano parish of Venice’s Santa Croce sestiere, was the world’s first ever public opera house thanks to Francesco Manelli and Benedetto Ferrari. This sparked a global opera boom and established Venice as its capital. There is now a project to reconstruct the Teatro San Cassiano of 1637 as faithfully as modern scholarship and traditional craftsmanship will allow to deliver a fully functioning dedicated Baroque opera house and a centre for research into Baroque opera.

Tivoli's attractions include the gardens and fabulous
fountains of the 16th century Villa d'Este

Travel tip:

Tivoli, where Francesco Manelli was born, is a town in Lazio, situated about 30km (19 miles) northeast of Rome. The city offers a wide view over the Roman Campagna, a low-lying area of countryside surrounding Rome. Tivoli is famous for being the site of Hadrian’s villa, a large villa complex built around AD 120 by the Roman Emperor Hadrian, and the Villa d’Este, a 16th century villa, famous for its terraced hillside Renaissance garden and its abundance of fountains. Both villas are UNESCO World Heritage sites.

Also on this day: 

1506: The death of painter Andrea Mantegna

1583: The birth of composer Girolamo Frescobaldi

1808: The death of writer Saverio Bettinelli 

1973: The birth of footballer Fabio Cannavaro

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