Showing posts with label Niccolò Machiavelli. Show all posts
Showing posts with label Niccolò Machiavelli. Show all posts

3 April 2020

Mario Castelnuovo-Tedesco – composer

Versatile musician wrote for stringed instruments and for films


Mario Castelnuovo-Tedesco began composing music for the piano when he was a boy, growing up in Siena
Mario Castelnuovo-Tedesco began composing music for the
piano when he was a boy, growing up in Siena
One of the most admired composers of the 20th century, Mario Castelnuovo-Tedesco, was born on this day in 1895 in Florence.

He composed more than 100 pieces of music for the guitar, many of them written for the Spanish guitarist Andrés Segovia.

Because of anti-semitism in Europe, Mario emigrated to the United States in 1939 where he went to work for Metro-Goldwyn-Mayer, composing music for about 200 films.

Mario was descended from a family of bankers that had lived in Siena since the Jews were expelled from Spain in the 16th century.

He was introduced to the piano by his mother and was composing music by the time he was nine years old. His mother recognised his musical talent and encouraged him to study the piano and composition under well-regarded musicians.

Mario came to the attention of the composer and pianist Alfredo Casella, who included some of his work in his repertoire and promoted him throughout Europe as an up-and-coming young composer.

Castelnuovo-Tedesco recognised the potential of the guitar after meeting Segovia in 1932
Castelnuovo-Tedesco recognised the potential
of the guitar after meeting Segovia in 1932
In 1926, Mario’s first opera, La mandragola, was premiered. Based on a play by Niccolò Machiavelli, it was the first of his many works inspired by great literature.

Another source of inspiration for his music was his Jewish heritage. His violin concerto No 2, written in 1931 at the request of violinist Jascha Heifetz, showed his pride in his origins in the face of increasing anti-semitism in Europe.

Mario first met Segovia at the 1932 festival of the International Society of Contemporary Music in Venice, which prompted him to start writing for the guitar.

He went on to write about 100 compositions for the guitar, some dedicated to Segovia. He also composed concertos specifically for the cellist Gregor Piatigorsky.

By the 1930s, Mario was not only one of Italy’s leading contemporary composers, but also a sought-after pianist and an insightful critic.

But even before the Italian Racial Laws were introduced in 1938, Mario was banned from the radio and had performances of his works cancelled.

Listen to Castelnuovo-Tedesco's Opus 129 for guitar, played by the Tuscan guitarist Martina Barlotta





Conductor Arturo Toscanini and Heifetz both supported him in his bid to emigrate to the US and Mario left Italy with his wife and two sons on a ship from Trieste in July 1939 before the Second World War started.

Arturo Toscanini, who supported Castelnuovo- Tedesco in his bid to reach the United States
Arturo Toscanini, who supported Castelnuovo-
Tedesco in his bid to reach the United States
He made his American debut performing his second piano concerto with the New York Philharmonic.

Mario went to Los Angeles to work as a composer of film music for Metro-Goldwyn-Mayer. He was also asked by Rita Hayworth to write the music for her 1948 film The Loves of Carmen released by Columbia pictures.

He taught many other film composers, including John Williams, Henry Mancini, Jerry Goldsmith, Nelson Riddle and Andre Previn.

Mario became a US citizen in 1946 but frequently visited Italy after the war.

In 1958 he won the Concorso Campari with his opera The Merchant of Venice, which was first performed in 1961 at the Maggio Musicale Fiorentino under the baton of Gianandrea Gavazzeni.

Mario Castelnuovo-Tedesco died in 1968 at the age of 72 in Beverly Hills. He is buried at Westwood Village Memorial Park cemetery.

A collection of his manuscripts was donated to the Library of Congress in Washington by his family in 2000. The Mario Castelnuovo-Tedesco Collection is now accessible online.

A tree-lined avenue within Florence's Parco delle Cascine. which was once a hunting estate owned by the Medici
A tree-lined avenue within Florence's Parco delle Cascine.
which was once a hunting estate owned by the Medici
Travel tip:

Florence, where Mario Castelnuovo-Tedesco was born, has named a road after the composer. Fittingly it joins up with Via Arturo Toscanini, who was one of his close friends. The road is near Parco delle Cascine, a park on the north bank of the River Arno.  The origins of the park can be traced to 1563, when it was developed as a farming and hunting estate for the Medici family. It became a public park in the early 19th century.

The Piazza Unità d'Italia in the centre of Trieste, which was
Castlenuovo-Tedesco's starting point on his voyage to America
Travel tip:

Mario Castelnuovo-Tedesco left Italy in 1939 on board the SS Saturnia, which set sail from Trieste, a seaport that is the capital city of the Friuli-Venezia-Giulia region. Trieste lies in the northernmost part of the high Adriatic near the border with Slovenia and 30 kilometres north of Croatia. Over the centuries it has been ruled by the Romans, Venetians, French, Austrians, Germans and Yugoslavians. It officially became part of the Italian republic in 1954. Today, Trieste is a lively and cosmopolitan city and a major centre for trade and ship building. In 2012, Lonely Planet called Trieste ‘the world’s most underrated travel destination’. It is a fascinating place to visit because of the Venetian, Slovenian, Austrian and Hungarian influences in the architecture, culture and cuisine.

Also on this day:

1639: The birth of composer Alessandro Stradella

1881: The birth of politician Alcide De Gasperi

1899: The birth of supercentenarian Maria Redaelli

(Picture credits: Parco delle Cascine by Sailko; Piazza Unità by Diego Delso)


Home


25 November 2019

Rosanna Schiaffino – actress

Dramatic life of Italian sex goddess


Rosanna Schiaffino became a movie goddess in the mould of Sophia Loren and Gina Lollobrigida
Rosanna Schiaffino became a movie goddess in
the mould of Sophia Loren and Gina Lollobrigida
Film star Rosanna Schiaffino, who for more than 20 years, between the 1950s and the 1970s, starred opposite the most famous actors of the period, was born on this day in 1939 in Genoa in Liguria.

Schiaffino worked for some of Italian cinema’s greatest directors, but in the 1980s turned her back on the cinema world to marry the playboy and steel industry heir, Giorgio Falck, entering a relationship that descended into acrimony after she was diagnosed with breast cancer.

Born into a wealthy family, Schiaffino was encouraged in her acting ambitions by her mother, who paid for her to go to a drama school.  She entered beauty contests and won the title of Miss Liguria when she was just 14.

She also took some modelling jobs and her photograph appeared in many magazines. She was spotted by the film producer Franco Cristaldi, who paired her with Marcello Mastroianni in Un ettaro di cielo (Piece of the Sky) in 1959.

Schiaffino made her name in her second film for Cristaldi, La Sfida (The Challenge), directed by Francesco Rosi, in which she gave a powerful, but sensitive performance as a Neapolitan girl, inspired by the real life character of Pupetta Maresca, a former beauty queen who became a famous Camorra figure after killing the murderer of her husband in revenge.  The film won acclaim at the 1958 Venice film festival.

She  won an award for her performance as Lucrezia in the film La Mandragola (The Mandrake), an adaptation of a play by Niccolò Machiavelli.

Schiaffino and Marcello Mastroianni in a  scene from A Piece of the Sky
Schiaffino and Marcello Mastroianni in a
scene from A Piece of the Sky
Schiaffino was often referred to as ‘the Italian Hedy Lamarr’ but she was more of a sex goddess in the style of Sophia Loren and Gina Lollobrigida.

In 1966 she married the film producer Alfredo Bini, with whom she had a daughter, Antonella. They would divorce in 1976.

After making more than 40 films, working with directors including Pier Paolo Pasolini, Roberto Rossellini and Jean-Luc Godard, Rosanna gave up acting to enjoy a new life mixing with the jet set, her activities often featuring in gossip magazines all over the world.

During the summer of 1980 in Portofino, she met Giorgio Falck, who was newly divorced, and they had a well publicised affair. They had a son, Guido, in 1981 and were married in 1982.

In 1991 she was diagnosed with breast cancer and the marriage then went into decline. They divorced after unpleasant disputes over the custody of their son and the allocation of money.

She died of the illness in 2009, aged 69, in Milan.

The maritime city of Genoa is the capital of Liguria and the sixth largest city in Italy
The maritime city of Genoa is the capital of Liguria and
the sixth largest city in Italy
Travel tip:

Genoa, where Rosanna Schiaffino was born, is the capital city of the region of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.

The picturesque fishing village of Portofino has become a draw for artists and celebrities
The picturesque fishing village of Portofino has become
a draw for artists and celebrities
Travel tip:

The region of Liguria in northwest Italy is also known as the Italian Riviera. It runs along a section of the Mediterranean coastline between France and Tuscany and is dotted with pretty seaside villages, with houses painted in different pastel colours.  The fishing village of Portofino, about an hour’s drive southeast along the coast from Genoa, has become famous for its picturesque harbour and for its associations with artists and celebrities. A novel published in 1922 is credited with making Portofino famous. The Enchanted April by Elizabeth von Arnim was inspired by the author’s stay in Portofino and was made into a film in 1991 with a cast including Joan Plowright, Miranda Richardson and Alfred Molina. The film was nominated for three Oscars.

Also on this day:

1343: Amalfi is destroyed by a tsunami

1881: The birth of Pope John XXIII

1950: The birth of writer and entertainer Giorgio Faletti

1955: The birth of choreographer and dancer Bruno Tonioli



Home


29 March 2019

Castruccio Castracani - condottiero

Castruccio Castracani was a career soldier who ruled Lucca for 12 years
Castruccio Castracani was a career
soldier who ruled Lucca for 12 years

Mercenary soldier who ruled Lucca 


Castruccio Castracani, a condottiero who ruled his home city of Lucca from 1316 to 1328, was born on this day in 1281.

His relatively short life - he died at the age of 47 - was taken up with a series of battles, some fought on behalf of others, but latterly for his own ends in the conflict between the Guelphs and the Ghibellines that dominated medieval Italy as part of the power struggle between the Papacy and the Holy Roman Empire.

Castruccio's story inspired a biography by Niccolò Machiavelli and later a novel by Mary Shelley.

Born Castruccio Castracani degli Antelminelli, he was from a Ghibelline family and therefore a supporter of the Holy Roman Emperor in opposition to the Guelphs. He was exiled from Lucca at an early age with his parents and others by the Guelphs, then in the ascendancy.

Orphaned at 19, he lived initially in Pisa before moving to England, where he lived for some years and displayed a skill in the use of weapons that earned him victory in some tournaments and won the favour of King Edward I.

A scene from the important Battle of Montecatini in 1315, in which Castruccio masterminded a Ghibelline victory
A scene from the important Battle of Montecatini in 1315,
in which Castruccio masterminded a Ghibelline victory
However, after committing a murder, even though it was for reasons of honour, he was forced to leave England and went to France.

There he served as a condottiero - a kind of mercenary military leader - under Philip of France in Flanders. As commander of the cavalry, he distinguished himself in the clash of Arras and in the defence of Thérouanne in the Flanders War.

After a few years he returned to Italy, where he stayed in Verona and Venice. Later, he fought for the Visconti in Lombardy, and in 1313 under the Ghibelline chief, Uguccione della Faggiuola, Lord of Pisa.

When the German king Henry VII entered Italy to be crowned Holy Roman Emperor, Castruccio supported him alongside Uguccione and in 1314 led the Ghibelline forces back to Lucca, over which Uguccione was given power.

He fought as commander of a part of the Ghibelline army at the Battle of Montecatini in 1315, in which, with the help of the emperor's soldiers, he was the main architect of the victory over the Florentine Guelph League.

A drawing of Castruccio, kept at the  Biblioteca Statale in Lucca
A drawing of Castruccio, kept at the
Biblioteca Statale in Lucca
A rivalry developed between the two leaders, however, which at one point saw Castruccio imprisoned by Uguccione, pending execution. However, following a popular uprising in Lucca and Pisa, Uguccione had to flee, Castruccio was freed and in 1316 acclaimed Captain General of the city of Lucca.

In 1320 the emperor Frederick III appointed Castruccio imperial vicar of Lucca, Versilia, and Lunigiana. When the emperor Louis IV entered Italy to be crowned in Rome, Castruccio became one of his most active advisors.

In 1325 he defeated the Florentines at Altopascio, and was appointed by the emperor Duke of Lucca, Pistoia, Volterra and Luni. Two years later he captured Pisa, of which he was also made imperial vicar. He was by now one of the most powerful men in Italy.

Louis appointed him Count of Latran, Duke of Lucca, in 1324 with rights of succession for his heirs, and a senator of Rome.

But, subsequently, his relations with Louis became less friendly and he was afterwards excommunicated by Pope John XXII in the interests of the Guelphs.

The title page from Mary Shelley's novel, published in 1923
The title page from Mary Shelley's
novel, published in 1923
Castruccio died in Lucca on September 3, 1328, stricken with a sudden malarial fever as he prepared to take up arms against Florence. His left his empire disorganized and easy prey for the Florentines, who soon recaptured most of his holdings.

The story of Castruccio is said to have inspired Machiavelli, who published his biography, entitled La vita di Castruccio Castracani da Lucca, in 1520.

Three centuries later, the English writer Mary Shelley published a novel, in 1823, called Valperga: The Life and Adventures of Castruccio, Prince of Lucca, in which the condottiere’s armies threaten the fictional fortress of Valperga, governed by Countess Euthanasia, the woman he loves, who faces a dilemma over whether to choose him or political liberty.

It was taken at the time to be a love story but was later recognised as a sophisticated commentary on the right of autonomously governed communities to political liberty in the face of imperialistic encroachment.

More than four kilometres of walls, upon which work began in 1513, surround the city of Lucca
More than four kilometres of walls, upon which work
began in 1513, surround the city of Lucca
Travel tip:

Lucca is situated in western Tuscany, just 30km (19 miles) inland from Viareggio on the coast and barely 20km (12 miles) from Pisa, with its international airport.  It is often overlooked by travellers to the area in favour of Pisa’s Leaning Tower and the art treasures of Florence, 80km (50 miles) to the east, yet has much to recommend within its majestic walls, where visitors can stroll along narrow cobbled streets into a number of beautiful squares, with lots of cafes and restaurants for those content to soak up the ambiance, but also a wealth of churches, museums and galleries for those seeking a fix of history and culture.   The Renaissance walls, still intact, are an attraction in their own right, providing a complete 4.2km (2.6 miles) circuit of the city popular with walkers and cyclists.


The Rocca Ariostesca at Castelnuovo di Garfagnana in Tuscany, about 50km (31 miles) north of Lucca
The Rocca Ariostesca at Castelnuovo di Garfagnana in
Tuscany, about 50km (31 miles) north of Lucca 
Travel tip:

Today, there remain many historical relics, especially fortifications and castles, that are linked with Castruccio Castracani. These include the Rocca Ariostesca at Castelnuovo di Garfagnana in the Lunigiana area, which Castruccio had substantially enlarged in the early 14th century, the fortress at Serravalle Pistoiese, the fortress of Sarzanello, near Sarzana, the Tower and Arch of Castruccio Castracani at Montopoli in Val d’Arno and the Rocca Arrighina, named after his son Arrigo, in Pietrasanta. The Augusta Fortress he built in Lucca in 1322, which had 29 towers and four access gates, with one side attached to the city walls, was demolished in 1370 on the orders of the Council of Elders. The Palazzo degli Anziani was built in its place.

More reading:

Federico da Montefeltro - the art-loving condottiero

Giovanni dalle Bande Nere, last of the great condottieri

How the Battle of Meloria sparked the decline of Pisa

Also on this day:

1825: The birth of the blessed Francesco Faà di Bruno, advocate for poor

1888: The birth of aviation pioneer Enea Bossi

1939: The birth of actor Terence Hill, star of hit TV show Don Matteo

(Picture credit: Rocca Ariostesca by Sailko; via Wikimedia Commons)


Home

3 November 2018

Monica Vitti - actress

Star of Antonioni classics also excelled in comedy roles


Monica Vitti made her name playing enigmatic characters in Antonioni films
Monica Vitti made her name playing
enigmatic characters in Antonioni films
The actress Monica Vitti, who became famous as the star of several films directed by Michelangelo Antonioni during the early 1960s, was born on this day in 1931 in Rome.

Antonioni, with whom she had a romantic relationship that lasted a decade, cast her as his female lead in L'avventura (1960), La notte (1961), and L'eclisse (1962), three enigmatically moody films once described as a "trilogy on modernity and its discontents".

She also starred for him in his first colour film, Il deserto rosso (1964), which continued in a similar vein.  Her performance earned her a second of four Golden Grail awards. Vitti was also honoured with five David di Donatello awards as Best Actress from the Italian Film Academy.

After splitting with Antonioni, Vitti excelled in comedy, working with directors such as Mario Monicelli, Dino Risi, Alberto Sordi and Ettore Scola.

Her performances in movies such as Monicelli’s The Girl With the Pistol (1968) and I Know That You Know That I Know (1982) saw her spoken of as one of the great actors of the Commedia all’Italiana genre alongside Sordi himself, Ugo Tognazzi, Vittorio Gassman and Nino Manfredi.

Monica Vitti made her screen debut in 1954 after honing her skills in the theatre
Monica Vitti made her screen debut in
1954 after honing her skills in the theatre
Although born in Rome - her real name was Maria Luisa Ceciarelli - Vitti spent eight of her childhood years in Messina in Sicily and returned to Rome after her brothers had left to seek their fortune in America.

She acted in amateur productions as a teenager before securing a place at the National Academy of Dramatic Arts in Rome, where she graduated in 1953. She toured Germany with an Italian acting troupe and made her first stage appearance in Rome in a production of Niccolò Machiavelli's La Mandragola.

Her first small film role came 1954 but her performance of note was in Mario Amendola's Le dritte (1958). By then, she had joined Michelangelo Antonioni's company at the Teatro Nuovo di Milano, which is where her association with the director began.

Vitti’s acting brilliance came to the fore in Antonioni’s films, in which her characters were inevitably complex, tormented, mysterious sometimes neurotic young women, who she was able to portray with incredible empathy.

Yet, after Monicelli suggested to her that she could turn her talent to comedy, she quickly proved her versatility with a string of successes.

Monica Vitti now lives in Rome with her husband, director Roberto Russo
Monica Vitti now lives in Rome with her
husband, director Roberto Russo
A woman of natural beauty, Vitti was much-photographed and her private life subject to close scrutiny.  Politically left-wing, she was part of the guard of honour at the funeral of the Communist leader Enrico Berlinguer in 1984.

Her last movie was Secret Scandal (1990), which she also wrote and directed, and for a few years thereafter she worked in television. At the Venice Film Festival in 1995 she received the Golden Lion for Lifetime Achievement.

In 2000, Vitti took part in the celebrations for the 80th birthday of Alberto Sordi and was a guest, along with many personalities from the entertainment world, at the Jubilee celebrations at the Basilica of San Pietro in the Vatican in December of the same year.

However, after 2002 she was not seen again in public and rumours began to circulate about her health. After some time her husband, the former director Roberto Russo, confirmed that she was alive and living in Rome but was suffering from Alzheimer’s Disease.

The cathedral at Messina had to be rebuilt twice in the 20th century because of earthquake and war damage
The cathedral at Messina had to be rebuilt twice in the 20th
century because of earthquake and war damage
Travel tip:

Messina is a city in the northeast of Sicily, separated from mainland Italy by the Strait of Messina. It is the third largest city on the island and is home to a large Greek-speaking community. The 12th century cathedral in Messina has a bell tower which houses one of the largest astronomical clocks in the world, built in 1933.  Originally built by the Normans, the cathedral, which still contains the remains of King Conrad, ruler of Germany and Sicily in the 13th century, had to be almost entirely rebuilt following a catastrophic earthquake in 1908, and again in 1943, after a fire triggered by Allied bombings.

The auditorium of the Teatro Nuovo di Milano, where Monica Vitti appeared in the 1950s
The auditorium of the Teatro Nuovo di Milano, where
Monica Vitti appeared in the 1950s
Travel tip:

The Teatro Nuovo theatre in Milan, located on the Piazza San Babila in the lower level of the Palazzo del Toro, was designed by architect Emilio Lancia and was the project of the impresario Remigio Paone. It was inaugurated on in December 1938 with a performance of Eduardo De Filippo's comedy Ditegli sempre di sì. Piazza San Babila is characterized by the presence of a fountain built in 1997 by the architect Luigi Caccia Dominioni in conjunction with the Ente Fiera Milano.

More reading:

Michelangelo Antonioni - the 'last great' of post-War Italian cinema

Why Mario Monicelli is called the 'father of Commedia all'Italiana'

The comic genius of Alberto Sordi

Also on this day:

1560: The birth of painter Annibale Carracci

1801: The birth of opera composer Vincenzo Bellini

1918: Armistice ends First World War in Italy


Home

12 September 2018

Lorenzo II de’ Medici – Duke of Urbino

Short rule of the grandson of Lorenzo Il Magnifico


Lorenzo II de' Medici ruled Florence from 1513 to 1519 but died aged only 26
Lorenzo II de' Medici ruled Florence from
1513 to 1519 but died aged only 26
Lorenzo di Piero de’ Medici, Duke of Urbino, was born on this day in 1492 in Florence.  The grandson of Lorenzo the Magnificent, Lorenzo II ruled Florence from 1513 to 1519.

Niccolò Machiavelli addressed his work, The Prince, to Lorenzo II, advising him to accomplish the unification of Italy under Florentine rule by arming the whole nation and expelling its foreign invaders.

When Lorenzo was two years old, his father, who became known as Piero the Unfortunate, was driven out of Florence by Republicans with the help of the French.

The Papal-led Holy League, aided by the Spanish, finally defeated the rebels in 1512 and the Medici family was restored to Florence.

Lorenzo II’s uncle, Giuliano, ruled Florence for a year and then made way for his nephew. Another uncle, Pope Leo X, made Lorenzo the Duke of Urbino after expelling the legitimate ruler of the duchy, Francesco Maria della Rovere.

Niccolo Machiavelli's The Prince was written for Lorenzo
Niccolo Machiavelli's The
Prince
was written for Lorenzo
When Francesco Maria returned to Urbino he was welcomed by his subjects. Lorenzo II regained possession of the duchy only after a protracted war in which he was wounded. In 1519 Lorenzo II died at the age of just 26 and the duchy reverted to the della Rovere family.

He was succeeded as ruler of Florence by his cousin, Giulio de’ Medici.

By Lorenzo II’s marriage with Madeleine de la Tour d’Auvergne, he had one daughter, Caterina de’ Medici, who was born three weeks before he died.

She married Henry, Duc d’Orleans in 1533, who went on to become King Henry II of France, making her the Queen Consort of France.

Lorenzo II’s illegitimate son, Alessandro, became the first Duke of Florence.

Michelangelo designed his sculpture Pensieroso as a monument  for Lorenzo II's tomb at the Basilica of San Lorenzo
Michelangelo designed his sculpture Pensieroso as a monument
 for Lorenzo II's tomb at the Basilica of San Lorenzo
Travel tip:

Lorenzo II was buried in the Medici Chapel in the Basilica of San Lorenzo in Florence. His tomb is adorned by Michelangelo’s sculpture, Pensieroso, which was meant to represent him. The Basilica is in the centre of the market district and is one of the biggest churches in the city. Designed by Brunelleschi and Michelangelo, it replaced an older structure dating back to the fourth century.

The Renaissance Ducal Palace at Urbino is listed as a Unesco World Heritage site
The Renaissance Ducal Palace at Urbino is listed as a
Unesco World Heritage site
Travel tip:

Urbino, which Lorenzo II ruled over briefly, is inland from the Adriatic resort of Pesaro, in the Marche region. A majestic city on a steep hill, it was once a centre of learning and culture, known not just in Italy but also, in its glory days, throughout Europe. The Ducal Palace, a Renaissance building made famous by Castiglione’s The Book of the Courtier, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

More reading:

Giovanni dalle Bande Nere - 16th century condottiero who served Pope Leo X

How Piero the Unfortunate acquired his name

Niccolò Machiavelli - the man whose name became part of the language of power

Also on this day:

1937: The birth of tragic actress Daniela Rocca

1943: The Nazis free Mussolini in daring mountain raid



Home



17 May 2018

Federico II Gonzaga – Duke of Mantua

Ruler received a valuable education at the papal court


Federico Gonzaga, aged about 10, painted by Francesco Francia
Federico Gonzaga, aged about 10, painted
by Francesco Francia
Federico Gonzaga, who became the ruler of Mantua and Montferrat, was born on this day in 1500 in Mantua.

He spent his childhood living as a political hostage, first at the court of Pope Julius II in Rome and then at the court of Francis I of France.

It wasn’t perhaps an ideal start in life, but historians believe the political, social and cultural education he received in the company of popes, cardinals, and kings helped shape him as a future ruler.

Federico was the son of Francesco II Gonzaga and Isabella d’Este. His godfather was Cesare Borgia, Machiavelli’s model for the ideal Renaissance Prince.

His father, Francesco, was captured by the Venetians during battle and held hostage for several months. While he was absent, his wife, Isabella, ruled Mantua.

Francesco managed to secure his own release only by agreeing to send his son, Federico, to be a hostage at the papal court.

After the death of Pope Julius II in 1513, Federico was sent to the court of the new King of France, Francis I, where he became a favourite, as he had interests in common with the King.

Titian's 1525 portrait of Federico as an adult can be seen at the Prado museum in Madrid
Titian's 1525 portrait of Federico as an adult
can be seen at the Prado museum in Madrid
After the death of his father in 1519, Federico returned to rule Mantua and established Isabella Boschetti as his mistress there.

He was later created Duke of Mantua by the Emperor Charles V and did not intervene when the Imperial Troops passed through his territory in 1527 on their way to lay siege to Rome.

He married Margaret of Montferrat in 1531 and when the last male heir to Montferrat died, Federico became Marquess of Montferrat, a title his descendants held until the 18th century.

He commissioned Palazzo Te to be built as a summer palace just outside Mantua.

Federico had long suffered from syphilis and died of the disease in 1540.

His son, Francesco, briefly held the title of Duke of Mantua before dying while still a teenager. His second son, Guglielmo, became Duke of Mantua and Marquess of Montferrat and carried on the line.

The Palazzo Ducale was the seat of the Gonzaga family
The Palazzo Ducale was the seat of the Gonzaga family
Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico III Gonzaga and his family, who ruled Mantua for 34 years in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The Palazzo Te was designed for Federico as a summer residence just outside the walls of Mantua
The Palazzo Te was designed for Federico as a summer
residence just outside the walls of Mantua
Travel tip:

Palazzo Te, designed for Federico as a summer residence, is a fine example of the Mannerist school of architecture and is the masterpiece of the architect Giulio Romano. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

Also on this day:

1510: The death of Renaissance artist Sandro Botticelli

1963: The birth of motorcycle world champion Luca Cadalora

Home




14 May 2018

Battle of Agnadello

The day Venice lost most of its territory


The French painter Pierre-Jules Jollivet's depiction of the Battle of Agnadello
The French painter Pierre-Jules Jollivet's
depiction of the Battle of Agnadello
Venetian forces were defeated by troops fighting on behalf of France, Spain and the Pope on this day in 1509 at Agnadello in Lombardy.

As a result, the Republic of Venice was forced to withdraw from much of its territory on the mainland of Italy. The writer Niccolò Machiavelli later wrote in his book, The Prince, that in one day the Venetians had ‘lost what it had taken them 800 years of exertion to conquer.’

Louis XII of France, the Emperor Maximilian, Ferdinand II of Aragon and Pope Julius II had formed the League of Cambrai with the aim of dismantling the mainland empire of Venice as they all had their own claims to areas held by the Venetians.

The French army left Milan on April 15 and invaded Venetian territory. Venice had organised a mercenary army near Bergamo commanded by the Orsini cousins, Bartolomeo d’Alviano and Niccolò di Pitigliano, who had been ordered to avoid direct confrontation with the advancing French but just to engage them in light skirmishes.

By May 9 Louis had crossed the Adda river at Cassano d’Adda and the Orsini cousins decided to move south towards the River Po in search of better positions.

On May 14, as the Venetian army was making its move, the section commanded by Alviano was attacked by a French detachment commanded by Charles II d’Amboise, who had massed his troops around the village of Agnadello.

Bartlomeo d'Alviano's troops suffered  a heavy defeat, losing 4,000 men
Bartlomeo d'Alviano's troops suffered
a heavy defeat, losing 4,000 men
Pitigliano was several miles ahead when the French began their attack and, in reply to Alviano’s request for help, sent a note suggesting that a pitched battle should be avoided and continued his move south.

Louis reached Agnadello with the rest of the French army who surrounded Alviano on three sides and proceeded to attack his troops. Alviano was wounded and captured and more than 4,000 of his men were killed.

When news of the battle reached the rest of the Venetian army, many soldiers deserted. Pitigliano retreated to Treviso and Louis then occupied the rest of Lombardy.

Venice rapidly withdrew from Bergamo, Brescia, Crema and Cremona, all of which were taken by the French. Their possessions in the Romagna were taken over by the Pope and Verona, Vicenza and Padua were allowed to surrender to representatives of the Emperor Maximilian.

The Santuario of Santa Maria delle Grazie  is a 17th century church in Crema
The Santuario of Santa Maria delle Grazie
is a 17th century church in Crema
Travel tip:

Agnadello, where the battle took place, is a village in the province of Cremona in Lombardy. It is close to the historic town of Crema, where there are many beautiful old buildings and churches to see. In Via delle Grazie is the 17th century church of Santa Maria delle Grazie, which was built to house an ancient painting of the Madonna and a short distance away in Via XX Settembre is the beautiful baroque church of Santa Trinita. The Duomo was completed in 1341 on the site of an earlier church and although changes were made over the years, it has been restored back to its original Gothic design and still contains some 14th century frescoes.

The Borromeo Castle at Cassano d'Adda
The Borromeo Castle at Cassano d'Adda
Travel tip:

Cassano d’Adda, where Louis XII crossed into Venetian territory before the battle, lies between Milan and Bergamo. Due to its strategic position at a crossing of the River Adda it has been the site of many historic battles over the centuries. The most important sight in the town is the Borromeo Castle which was built in about 1000 AD but was expanded and redesigned in the 15th century by Bartolomeo Gadio, who also worked on Milan’s Cathedral and Sforza Castle.

Also on this day:

1916: The birth of architect and designer Marco Zanuso

1934: The birth of '60s football star Aurelio Milani

Home




10 July 2017

The death of Hadrian

Legacy of emperor famous for wall across Britain


A bust of Hadrian from the Farnese Collection in Naples
A bust of Hadrian from the Farnese
Collection in Naples
The Roman emperor Hadrian, famous for ordering the construction of a wall to keep barbarians from entering Roman Britain, died on this day in 138 AD.

Aged about 62, he is thought to have been suffering from heart failure and passed away at his villa at Baiae – now Baia – on the northern shore of the Bay of Naples.

Hadrian was regarded as the third of the five so-called "Good Emperors", a term coined by the political philosopher Niccolò Machiavelli, who noted that while most emperors to succeed to the throne by birth were “bad” in his view, there was a run of five - Nerva, Trajan, Hadrian, Antoninus Pius and Marcus Aurelius – who all succeeded by adoption, who enjoyed the reputation as benevolent dictators. They governed by earning the good will of their subjects.

It is accepted that Hadrian came from a family with its roots in Hispania. His birthplace is thought to have been the city of Italica Hispania – on the site of what is now Seville.

His predecessor, Trajan, a maternal cousin of Hadrian's father, did not designate an heir officially and it is thought that his wife, Plotina, signed the papers of succession, claiming that Trajan had named Hadrian emperor immediately before his death.

Hadrian’s rule was just and largely peaceful. Immediately on his succession he withdrew from Trajan's conquests in Mesopotamia, Assyria and Armenia. Paradoxically, he spent a lot of time with his soldiers, usually dressed in military attire and ordered rigorous military training.

Although much of Hadrian's Wall has been dismantled over the years, some sections remain
Although much of Hadrian's Wall has been dismantled
over the years, some sections remain.
During his reign, Hadrian travelled to almost every corner of the empire but was a particular admirer of Greece. He wanted Athens to be the cultural capital of the empire and constructed many opulent temples in the city.

In 138, shortly before his death, Hadrian adopted Antoninus Pius and named him as his heir on the condition that he in turn adopt Marcus Aurelius and Lucius Verus as his own heirs.

Hadrian’s building projects are perhaps his most enduring legacy. He established cities throughout the Balkan Peninsula, Egypt, Asia Minor, and Greece.  The city of Antinopolis in Egypt was founded in memory of Hadrian’s gay lover, a young Greek man called Antinous, who drowned in the River Nile.

In Rome he rebuilt the Pantheon, which had been destroyed in a fire, and Trajan’s Forum as well as funding the construction of other buildings, baths, and villas. He commissioned the construction of Hadrian’s Wall in 122 AD following a major rebellion against Roman occupation that lasted two years.

The ruins of the imperial complex at Baia, where Hadrian was probably living at the time of his death
The ruins of the imperial complex at Baia, where Hadrian
was probably living at the time of his death
The wall was originally three metres (10 feet) wide and 6m (20 ft) high, stretching 120km (73 miles) from east to west, from Wallsend in Newcastle to Bowness-on-Solway, just west of Carlisle. Linking 14 forts, it formed a barrier between the northern limits of Britannia and the barbarian lands of Scotland. The Roman legions stationed in Britain took six years to build it and it became the most famous Roman defensive fortification in the world.

Hadrian’s foreign policy was “peace through strength” and the wall, alongside which was a ditch 6m wide and 3m deep, symbolised the might of the Roman Empire.

After his death, Hadrian was buried first at Puteoli, near Baiae, on an estate that had once belonged to Cicero. Not long afterwards, his remains were transferred to Rome and buried in the Gardens of Domitia. On completion of the Tomb of Hadrian by his successor Antoninus Pius, his body was cremated, and his ashes were placed there together with those of his wife Vibia Sabina and his first adopted son, Lucius Aelius, who also died in 138.

A submerged Roman statue at Baia
A submerged Roman statue at Baia 
Travel tip:

For many years, Baiae – now Baia – was something of a party capital for the rich and powerful Roman elite. It was famous for its healing medicinal hot springs and the emperors Nero, Cicero, and Caesar had holiday villas there.  Sacked by the Saracens in the eighth century it fell into disrepair and the abandoned remains were gradually submerged as water rose through the volcanic vents that were the source of its springs. Today, those ancient remains can be visited in one of the world’s few underwater archeological parks. Visitors can view the crumbled structures and statuary of the city through glass-bottomed boats and scuba divers can actually swim among the ruins.

Castel Sant'Angelo - the Mausoleaum of Hadrian - viewed from the Ponte Sant'Angelo at night
Castel Sant'Angelo - the Mausoleaum of Hadrian - viewed
from the Ponte Sant'Angelo at night
Travel tip:

The Mausoleum of Hadrian is better known as Castel Sant'Angelo, the towering cylindrical building in Parco Adriano, on the banks of the Tiber. Commissioned by the Hadrian as a mausoleum for himself and his family, the building was later used by the popes as a fortress and castle, and is now a museum. It was once the tallest building in Rome.  Hadrian also built the Pons Aelius – now Ponte Sant’Angelo – which provides a scenic approach to the mausoleum from the centre of Rome across the Tiber. Baroque statues of angels were later added, lining each side of the bridge.





6 March 2017

Francesco Guicciardini - writer and diplomat

Friend of Machiavelli among first to record history in context


A portrait by an unknown artist of Francesco Guicciardini
A portrait by an unknown artist
of Francesco Guicciardini
The historian and statesman Francesco Guicciardini, best known for writing Storia d'Italia, a book that came to be regarded as a classic history of Italy, was born on this day in 1483 in Florence.

Along with his contemporary Niccolò Machiavelli, Guicciardini is considered one of the major political writers of the Italian Renaissance.

Guicciardini was an adviser and confidant to three popes, the governor of several central Italian states, ambassador, administrator and military captain.  He had a long association with the Medici family, rulers of Florence.

Storia d'Italia - originally titled 'La Historia di Italia' - was notable for Guicciardini's skilful analysis of interrelating political movements in different states and his ability to set in context and with objectivity events in which sometimes he was a direct participant.

Born into a prominent Florentine family who were influential in politics and long-standing supporters of the Medici, Giucciardini was educated in the classics before being sent to study law at a number of universities, including Padua, Ferrara and Pisa.

The title page from Guicciardini's work in an early printed version
The title page from Guicciardini's
work in an early printed version
He was interested in pursuing a career in the priesthood but his father, Piero, considered the church to have become decadent, with too many of the clergy drawn to it because of the potential for wealth and power.

Consequently, after graduating in civil law, Guicciardini set up a successful legal practice, finding clients within the leading Florentine families and merchant organisations.

He earned his first political appointment, in the highly prestigious role of Florence's ambassador to Spain, at the age of just 28.

After the restoration of the Medici to power in Florence in 1512, following a period in exile, Cardinal Giovanni de' Medici was elevated to the papacy as Leo X.  Guicciardini returned to Florence and was appointed by Leo X as governor of Modena.

This began a period of service to the popes that lasted until 1534.

For a time he was a military strategist, although his reputation was damaged with the Sack of Rome by troops of the Holy Roman Emperor, Charles V, in 1527, when the papal forces of Pope Clement VII, ultimately under the command of Guicciardini, were unable to resist.

Soon afterwards, Guicciardini returned to Florence only to find that the Medici had been expelled and a new republic established. Because of his close ties to the Medici, Guicciardini was declared a rebel and had his property confiscated. He left Florence in 1529.

The statue of Guicciardini at the Uffizi Gallery
The statue of Guicciardini
at the Uffizi Gallery
The republic collapsed a year later and, under the command of Clement VII, Guicciardini was given the task of punishing the Florentine citizens for their resistance to the Medici.

His next assignment was the governorship of Bologna, the most important city in the northern Papal States. He resigned after the death of Clement VII in 1534 and returned to Florence, where he was hired to advise the new duke, Alessandro de' Medici.

Alessandro was assassinated in 1537, after which Guicciardini aligned himself with Cosimo I de' Medici, then only 17 and new to the political system. It was not long, however, before he retired to his villa in Arcetri, just outside Florence, where he spent his last years working on Storia d'Italia.  He died there in 1540.

Guicciardini had been friends with Machiavelli. Guicciardini was from a higher social background, but the two are said to have established a rapport because of mutual regard for each other's intellect.  They did not always agree but their discussion of political ideas influenced each other's work.

The Villa Rava in Arcetri, where Guicciardini retired
The Villa Ravà in Arcetri, where Guicciardini retired
Travel tip:

Arcetri, located in the hills south of the centre of Florence beyond the Arno river, was a village in the time of Guicciardini.  It is famous also as the place in which the astronomer and physicist Galileo Galilei was kept under house arrest by the Roman Inquisition and as the home of the Arcetri Observatory. Guicciardini is said to have lived in a house called Villa Ravà while he was writing his Storia d'Italia.



Palazzo Guicciardini is now an hotel
Palazzo Guicciardini is now an hotel
Travel tip:

The 15th-century Palazzo Guicciardini, the family's home in Via Santo Spirito in Florence, situated just across the street from a house once owned by Niccolò Machiavelli and a short walk from the Uffizi Gallery and the Ponte Vecchio, is now a beautifully appointed hotel, comprising just eight rooms, many of which feature frescoed walls and ceilings by the Mannerist painter Bernardo Poccetti, whose work can be found in several churches and palaces in the city, including the Basilica of Santa Maria Novella. There is a statue of Guicciardini in the Uffizi.

Hotels in Florence by Booking.com

More reading:

How the name of Machiavelli became associated with political cunning

The founding of the Medici dynasty

Leo X - the Medici Pope who supported the arts

Also on this day:

1853: The opera La Traviata is performed in public for the first time

(Picture credits: Villa Rava and Palazzo Guicciardini by Sailko via Wikimedia Commons)


Home

17 August 2016

Cesare Borgia – condottiero

Renaissance prince turned his back on the Church


Altobello Melone's portrait of Cesare Borgia
Altobello Melone's portrait of Cesare Borgia
Cesare Borgia, the son of Pope Alexander VI, became the first person in history to resign as a Cardinal on this day in 1498 in Rome.

Cesare was originally intended for the Church and had been made a Cardinal at the age of 18 after his father’s election to the Papacy. After the assassination of his brother, Giovanni, who was captain general of the Pope’s military forces, Cesare made an abrupt career change and was put in charge of the Papal States.

His fight to gain power was later the inspiration for Machiavelli’s book The Prince.

Cesare was made Duke of Valentinois by King Louis XII of France and after Louis invaded Italy in 1499, Cesare accompanied him when he entered Milan.

He reinforced his alliance with France by marrying Charlotte d’Albret, the sister of John III of Navarre.

Pope Alexander encouraged Cesare to carve out a state of his own in northern Italy and deposed all his vicars in the Romagna and Marche regions.

Cesare was made condottiero - military leader - in command of the papal army and sent to capture Imola and Forli.

He returned to Rome in triumph and received the title Papal Gonfalonier from his father.

Niccolò Machiavelli
He subsequently took over Pesaro, Faenza and Rimini and laid siege to Piombino, later commanding French troops in the sieges of Naples and Capua, causing the collapse of Aragonese power in southern Italy.

Cesare was planning the conquest of Tuscany when he received news of his father’s death in 1503.

Machiavelli later wrote that had Cesare been able to win the support of Pope Julius II his success would have continued, but the new Pope went back on his promises.

Cesare was betrayed in Naples and imprisoned and his land was retaken by the Papacy.

He was transferred to Spain where his imprisonment continued in various castles. Eventually he escaped and tried to recapture his lands but he was ambushed by his enemies and received a fatal wound from a spear.

Cesare was originally buried inside the Church of Santa Maria in Viana in northern Spain but his bones were later expelled and buried under the street outside. He was dug up twice by historians and then reburied. After years of petitions being turned down because he had resigned as a Cardinal, he was finally moved back inside the church in 2007,  some 500 years after his death.

Travel tip:

Cesare Borgia was born in Rome and studied law at an educational institution, the Studium Urbis, which has now become the Sapienza University of Rome. It was founded in 1303 by Pope Boniface VIII as a centre for ecclesiastical studies and expanded in the 15th century to include schools of Law, Medicine, Philosophy and Theology.  It moved from being the papal university to the university of the city of Rome in 1870.  The main campus is situated just north of Termini Station.

Piazza Aurelio Saffi in Forlì.
Travel tip:

At the height of his power, Cesare Borgia controlled the Papal States, now part of the region of Emilia-Romagna in Italy. Faenza, Forlì and Rimini are among the historic cities he conquered. The area is one of the wealthiest in Italy, containing Romanesque and Renaissance cities.  It is a centre of production in the food and automobile industries, home to top-end car manufacturers such as Ferrari, Lamborghini and Maserati.

Home



11 August 2016

Pope Alexander VI

Scheming pontiff married off his children to secure power


Pope Alexander VI: a portrait by Cristofano  dell' Altissimo, property of the Uffizzi Gallery
Pope Alexander VI: a portrait by Cristofano
 dell' Altissimo, property of the Uffizzi Gallery
Rodrigo Borgia became one of the most controversial popes in history when he took the title of Alexander VI on this day in 1492 in Rome.

He is known to have fathered several illegitimate children with his mistresses and his reign became notorious for corruption and nepotism.

Born in Valencia in Spain, Borgia came to Italy to study law at the University of Bologna. He was ordained a Deacon and then made Cardinal-Deacon after the election of his uncle as Pope Callixtus III. He was then ordained to the priesthood and made Cardinal-Bishop of Albano.

By the time he had served five popes he had acquired considerable influence and wealth and it was rumoured that he was able to buy the largest number of votes to secure the papacy for himself.

He had made himself the first archbishop of Valencia and when he was elected as Pope Alexander VI, following the death of Innocent VIII, his son, Cesare Borgia, inherited the post.

Borgia had many mistresses, but during his long relationship with Vanozza dei Cattanei he had four children that he acknowledged as his own, Cesare, Giovanni, Lucrezia and Goffredo. He had several other children with different mothers.

Altobello Melone's portrait of Cesare Borgia, which  can be found in Bergamo's Accademia Carrara
Altobello Melone's portrait of Cesare Borgia, which
 can be found in Bergamo's Accademia Carrara
He made many military alliances to secure his position and married his children off to the offspring of important families to strengthen his power base.

Lucrezia is known to have had three marriages arranged by her father but rumours that she was involved in poisoning men who had become Borgia’s enemies have never been substantiated.

When France and Spain were at war, Borgia offered to help the French on condition that Sicily was given to his son, Cesare. Then he offered to help Spain in exchange for Siena, Pisa and Bologna.

Cesare brought the north of Italy under control, conquering the duchies of Romagna, Umbria and Emilia, earning the admiration of Niccolò Machiavelli, who used Cesare as a model for his classic work on politics, The Prince.

As a patron of the arts, Borgia had Castel Sant’Angelo strengthened and restored and embellished the Vatican palaces. He also commissioned Michelangelo to draw up plans for the rebuilding of St Peter’s Basilica.

Borgia fell ill with fever in 1503 and died five days later after confessing his sins. He was 72 years old.

After a short stay in the crypts of  St Peter’s, Borgia’s body was moved to the church of Santa Maria in Monserrato degli Spagnoli.

Castel Sant' Angelo in Rome, which Rodrigo Borgia strengthened and restored
Castel Sant' Angelo in Rome, which Rodrigo Borgia
strengthened and restored
Travel tip:

Castel Sant’Angelo in Rome was originally built as a mausoleum for the Emperor Hadrian and his family. It was later used by popes as both a fortress and a castle and is now a museum. Pope Alexander VI had bastions built at each corner of the base, added battlements and warehouses for arms and developed a papal apartment inside. The castle was featured by Puccini as the setting for the third act of his opera, Tosca, which ends with the heroine leaping to her death from the castle’s ramparts.

Travel tip:

The Church of Santa Maria in Monserrato degli Spagnoli, where Pope Alexander VI is buried, is the Spanish national church in Rome, dedicated to the Virgin of Montserrat. It is north of Palazzo Farnese in Via de Monserrato in the Campo dei Fiori area of Rome.

More reading:


Lucrezia Borgia - more sinned against than sinning?

How the Borgias inspired Machiavelli's political philosophy

Home