Gio Ponti - architect and designer

Visionary who shaped more than 100 buildings

The 1956 Pirelli Tower in Milan is one of
Ponti's most famous buildings

Giovanni ‘Gio’ Ponti, one of the most influential architects and designers of the 20th century, was born on this day in 1891 in Milan.

During a career that spanned six decades, Ponti completed more than 100 architectural projects in Italy and abroad and also designed hundreds of pieces of furniture, decorative objects and household items.

As an architect, he made a significant impact on the appearance of his home city. The Pirelli Tower, which for 35 years was Italy’s tallest skyscraper, is the building for which Ponti is most famous, but it is only one of 46 in Milan.

He also designed the Montecatini buildings, the Torre Littoria (now known as the Torre Branca) in Parco Sempione, the San Luca Evangelista church in Via Andrea Maria Ampère, and Monument to the Fallen in Piazza Sant’Ambrogio.

Ponti’s work was by no means confined to Milan, however.  Elsewhere in Italy, he designed the Mathematics Institute at the University of Rome, the Carmelo Monastery in Sanremo, the Villa Donegani in Bordighera, the Gran Madre di Dio Concattedrale in Taranto and the Hotel Parco dei Principi in Sorrento.

Ponti designed 46 buildings in his home city alone
and many more around the world

Outside Italy, he worked on projects in 12 countries. Notable Ponti buildings around the world include the Denver Art Museum in the United States, the Ministries Building in Islamabad, Pakistan, and the the Villa Planchart in Caracas, Venezuela.

Ponti also worked for 120 different companies as a designer, creating designs for furniture and household objects that included the Superleggera chair for the furniture maker Cassina, which combined strength with ‘super light weight’.  Made from ash wood, it weighed only 1.7kg (3.75lb).

After a classical schooling in Milan, Ponti enrolled in at the Faculty of Architecture at the Politecnico di Milano but his studies were interrupted by the First World War, in which he served with some distinction. Reaching the rank of captain, he received the Bronze Medal and the Italian Military Cross. He also painted watercolours of his companions in arms, and while based in the Veneto was able to observe the architecture of Palladio.

Once he finally did graduate, he married his girlfriend, Giulia Vimercati, with whom he had four children - Lisa, Giovanna, Giulio and Letizia.

Ponti's North Building at the Denver Art Museum
in Colorado had a castle-like appearance

Ponti began his architectural career in partnership with Mino Fiocchi and Emilio Lancia, at which time he was influenced by the Milanese neoclassical Novecento Italiano movement.  The first building he designed in his own right was the house in Via Giovanni Randaccio in the Sempione district of central Milan, where he also lived.

He co-founded in 1928 the magazine Domus, of which as editor he would oversee some 560 issues, in all of which he wrote at least one article.  As an academic, he delivered lectures in 24 countries.

The 1930s were years of intense activity for Ponti.  During this time, he shifted towards Modernism with the Borletti funeral chapel and houses in Via de Togni, via Letizia and via del Caravaggio that were designed for the Milanese bourgeoisie, the Torre Littoria and the Rasini Building. He designed the San Michele hotel on Capri and a building for the Faculty of Arts at the University of Pavia.

In the 1950s he was involved in projects as diverse as urban planning in Milan, as the city began a period of intense redevelopment of areas bombed during the Second World War, and designing the interiors of ocean liners.

The Concattedrale Gran Madre di Dio in Taranto in the
south of Italy, built in 1970

After a period working in Brazil and Venezuela, he began his acknowledged masterpiece, the Pirelli Tower in Milan, in 1956, working with another great Italian architect, Pier Luigi Nervi.  Rising to a height of 127m (417ft), it was among the first skyscrapers to abandon the customary block form, Ponti designing a futuristic slender shape with tapered sides drawing to a point at each end, which viewed from above would resemble the outline of a ship. It was hailed as a symbol of corporate success and an optimistic catalyst for economic prosperity.

In the 1960s he built the Milan churches of San Francesco and of San Carlo Borromeo, before turning his attention away from Latin America to the East he built his ministerial buildings in lslamabad and a villa for the businessman Daniel Koo in Hong Kong.

Even as he approached the age of 80, Ponti was still making his mark. He designed his Cathedral in Taranto when he was 79 and had turned 80 when he produced his iconic design for the seven-storey castle-like North Building of the the Denver Art Museum in Colorado.

Ponti died in 1979 at the age of 87 in his eighth-floor apartment in the Via Giuseppe Dezza, where he and his family had lived since 1957 and which reflected all of the ideas with regard to layout, walls, furniture and objects that he had developed during the 1950s.

The Castello Aragonese in Taranto stands guard
over the entrance to the port's harbour

Travel tip:

The city of Taranto, where Ponti’s modern cathedral is considered one of his major works, sits on the inside of the heel of southern Italy. A major naval base, it has a spectacular setting between a sweeping bay and the Mare Piccolo, an inland sea. One of the biggest cities in pre-Roman Europe, contemporary Taranto is a city of two distinct parts – a somewhat crumbling centro storico on a small island protecting the lagoon, and new city of wide avenues laid out in a formal grid. In the 1930s Mussolini had a quarter of the ancient centre demolished to build apartment blocks, and it was badly bombed in the Second World War. The old city - the Città Vecchia - contains a castle built by Ferdinand of Aragon in 1492, behind which are the ruins of an ancient sixth century BC Doric temple. The city’s original cathedral, which dates from 1070, has been remodelled with a Baroque façade.

The beautiful green space of the Parco Sempione in
Milan, looking towards the Arch of Peace

Travel tip:

Parco Sempione is a large park in Milan, with an overall area of 38.6 hectares (95 acres), located in the historic centre of the city. The adjacent to the gardens of the Sforza Castle and to the Arch of Peace, two of the main landmarks of Milan. A third prominent monument of Parco Sempione is the Palazzo dell'Arte, built in 1933 and designed by Giovanni Muzio. Also in the park are the Arena Civica, the public aquarium, and the Torre Branca tower, which used to be known as the Torre Littoria, a 108.6m (356ft) metal structure with a viewing platform at the top.

More reading:

From football stadiums to churches: The work of Pier Luigi Nervi

How Marco Zanuso put Italy at the forefront of contemporary style

The brilliance of Renzo Piano, designer of the Pompidou Centre and the Shard

Also on this day:

1626: The consecration of St Peter's Basilica in Rome

1630: The birth of Holy Roman Empress Eleonora Gonzaga

1804: The birth of soldier and former Italian PM Alfonso Ferrero La Marmora


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Vittorio Cecchi Gori - entrepreneur

Ex-president of Fiorentina who produced two of Italy’s greatest films

Former Fiorentina owner and film
producer Vittorio Cecchi Gori

Vittorio Cecchi Gori, whose chequered career in business saw him produce more than 300 films and own Fiorentina’s football club but also saw him jailed for fraudulent bankruptcy, was born on this day in 1942 in Florence.

The son of Mario Cecchi Gori, whose production company he inherited, he provided the financial muscle behind two of Italy’s greatest films of recent years, Il Postino (1994), which was nominated for an Academy Award for Best Picture, and Roberto Benigni’s Life is Beautiful (1997), which won an Oscar for Best Foreign Language film.

He was also involved with the 1992 Oscar winner Mediterraneo, directed by Gabriele Salvatores, which also won in the Best Foreign Language film category.

Vittorio’s legacy from his father also included Fiorentina football club, of which he was president from 1993 to 2002.

Cecchi Gori with his late father Mario

With Cecchi Gori’s backing, while his involvement with the movie business was generating such huge profits, Fiorentina enjoyed great times.  He invested heavily in new players and persuaded the club’s icon, the Argentine forward Gabriel Batistuta, to stay after the viola were relegated in 1993.

With Claudio Ranieri as coach, they won the Coppa Italia in 1996, their first trophy in 20 years, following it up by winning the Super Cup later the same year and another Coppa Italia in 2001. In the 1999-2000 season they had played in the Champions League for the first time.

Yet the impetuous entrepreneur was to run into serious financial difficulties in subsequent years and went from revered to reviled in Florence after his own business collapse became Fiorentina’s collapse also.

His problems began in 1995, when he mounted an ambitious challenge against Italy’s television duopoly, held by the public broadcaster RAI and Silvio Berlusconi’s Fininvest.

Cecchi Gori with the Fiorentina star Gabriel Batistuta

Cecchi Gori bought up some small TV companies used their infrastructure to create a new channel, La7, and formulating an ambitious plan to acquire the rights to televise Serie A, the top division of the Italian Football League. He failed to secure them, however, ratings hit an all-time low and the new channel was sold for a huge loss.

An expensive divorce did not help, plunging him into huge personal debt, and in 2001 it was revealed that Fiorentina had debts equating to $50 million.  Their fortunes on the field were in decline also and things came to a head at the end of the 2001-02 season, when they were relegated from Serie A and promptly entered judicially-controlled administration, a form of bankruptcy.  Because of this, they were refused a place in Serie B for the following season and had to start again in Serie C, the third division, after effectively winding up the historic club and starting a new one.

At the same time, Cecchi Gori’s business empire was collapsing.   Prized assets such as his luxurious apartment in the Palazzo Borghese in Rome, the Multisala Adriano, his Rome cinema complex, and his film library were sold to raise funds, but to no avail.

Police investigations into his affairs dogged him for years.  In 2006 he was found guilty of illegally redirecting millions of dollars from Fiorentina into other businesses and in 2013 received a six-year jail term in connection with the bankruptcy of his production company, Safin Cinematografica.

Until his business problems, Cecchi Gori served as a member of the Italian Senate between 1994 and 2001, having been elected as a member of the centre-right Partito Popolare Italiano.

Florence's Stadio Artemio Franchi

Travel tip:

In a city best known for its magnificent Renaissance architecture, the Stadio Artemio Franchi, the home stadium of Fiorentina, is notable as a classic of early 20th century design. Opened in 1931, it was designed by the renowned architect and structural engineer Pier Luigi Nervi and constructed entirely of reinforced concrete with a 70m (230 ft) tower that bears the stadium's flagstaff. Originally called Stadio Giovanni Berta, after a local Fascist, it was changed to Stadio Comunale before taking the name of Franchi, then Italian Football Federation president, in 1991.

The narrow rear facade of the Palazzo
Borghese overlooks the Tiber

Travel tip:

The Palazzo Borghese, where Cecchi Gori had an apartment valued at almost €10 million, is a palace in Rome that was originally the home of the powerful Borghese family, who settled in Rome in the 16th century and also owned the Villa Borghese and surrounding gardens. The palace was nicknamed il Cembalo - the harpsichord - due to its unusual trapezoid shape, with its narrowest rear facade facing the Tiber river. The front facade - the keyboard of the harpsichord - opening on to the Fontanella di Borghese. The first floor has housed the Spanish Embassy since 1947.

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Pier Luigi Nervi - architect

Striking designs from football stadiums to churches

The architect Pier Luigi Nervi

The brilliant structural engineer and architect Pier Luigi Nervi was born on this day in 1891 in Sondrio, an Alpine town in northern Lombardy at the heart of the Valtellina.

Nervi made his mark with a number of strikingly original designs at home and abroad and was noted both for his innovative use of reinforced concrete and his multi-dimensional designs, which enabled him to create structures that were both strong and elegant.

His major works in Italy include the Palazzo del Lavoro in Turin, the bell tower of the Chiesa del Sacro Cuore in Florence and the Papal Audience Hall at the Vatican City, as well as a number of important sports facilities.

The Stadio Artemio Franchi (formerly the Stadio Communale) in Florence - home of the Fiorentina football club - was one of his first important projects and he designed several stadia for the Rome Olympics in 1960, including the Stadio Flaminio and the Palazzo dello Sport EUR.

Around the world, the UNESCO headquarters in Paris, the George Washington Bridge Bus Station in New York, the Stock Exchange Tower in Montreal, St Mary's Cathedral in San Francisco and the Italian Embassy in Brasilia are among Nervi's legacy.

The son of a postmaster, Nervi graduated from the School of Civil Engineering in Bologna in 1913.

The Stadio Artemio Franchi in Florence

After serving in the Italian army's Corps of Engineering in the First World War, Nervi established his own firm in Rome in 1923. His first all-concrete building was the Augusteo Cinema-Theatre on the Vomero hill in Naples, built in 1927.

It was the stadium in Florence that established his reputation. Opened in 1931, it was built entirely of reinforced concrete and featured a 70-metre (230 feet) tower and a ground-breaking cantilevered roof over the main grandstand.

In 1932 Nervi and a cousin in Rome formed the contracting firm of Nervi and Bartoli and in 1935 they were commissioned to build aircraft hangars for the Italian air force after Nervi's designs won a national competition.

Between 1935 and 1941 he built eight hangars in Orbetello and Torre del Lago in Tuscany and Orvieto in Umbria and was said to be distraught when all eight were blown up by the retreating German army in 1944.

Having worked with a team of architects and engineers on the UNESCO building in Paris, Nervi returned to Italy to work alongside Gio Ponti in helping to create the country's first skyscraper office building, the distinctively tapered 32-storey Pirelli Tower in Milan, which stood at 127 metres (417 feet) and remained the tallest building in Italy from 1958 until 1995.

It was the first of four skyscapers Nervi helped designed around the world.  He was also involved with the 190-metre 48-storey Stock Exchange Building in Montreal and worked with the Australian architect Harry Seidler on the Australia Square Tower and the MLC Centre in Sydney.

The dome of Nervi's Cathedral of St Mary in San Francisco

Nervi's design for the George Washington Bridge Bus Station in Manhattan, famous for the butterfly-like wings of concrete that make up its roof, helped him acquire fame in America, where in 1964 he was awarded that country's highest architectural accolade, the Gold Medal of the American Institute of Architects.

His work in the United States also included the Cathedral of St Mary of the Assumption in San Francisco, notable for its distinctive multi-dimensional dome. Religious buildings to which he contributed in Italy include the concrete bell tower, reminiscent of a pithead or perhaps the framework for a helter-skelter, of the Sacro Cuore church in Florence, and the vast, 10,000-capacity Papal Audience Hall at the Vatican, with its undulating roof.

Nervi's sons, Antonio, a structural engineer, and Mario, an architect, followed him into the family business as he began to wind down his workload.  Alongside his work, he was a professor of engineering at Rome University from 1946 to 1961 and at Harvard from 1961 to 1962.

He died in Rome in 1979 aged 87.

A panorama of the Alpine town of Sondrio

Travel tip:

Sondrio is a small town of around 22,000 people, a base for skiing in the Alps during the winter but famous also for its terraced vineyards producing notable wines such as Sassella and Grumello.  Built on what was originally the site of a Roman military camp, Sondrio is one of the main towns in the Valtellina, a valley that was once an important pass between Italy and Germany.  At the heart of the town is the charming Piazza Garibaldi.

Travel tip:

Two examples of Nervi's work, the Stadio Flaminio and the Palazzetto dello Sport, can be found next to one another in the Flaminio district of Rome, around seven kilometres from the centre.  The Stadio Flaminio has traditionally been the home of the Italian rugby team and is currently undergoing refurbishment.

More reading:

How Marco Zanuso put Italy at the forefront of style

The man behind the Royal Palace in Caserta

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