Nino Castelnuovo - actor

Starred in sumptuous French musical and TV adaptation of literary classic

Nino Castelnuovo worked with some of Italy's
 most famous 'golden age' directors

The actor Nino Castelnuovo, best known for playing opposite a young Catherine Deneuve in a Palme d’Or-winning French musical and as the star of a celebrated TV adaptation of Alessandro Manzoni’s classic novel I promessi sposi (The Betrothed), died on this day in 2021 at the age of 84.

Castelnuovo’s talent came to the fore during a golden age of Italian cinema, working with leading directors such as Luchino Visconti, Vittorio De Sica, Pietro Germi, Luigi Comencini and Pier Paolo Pasolini, and starring opposite such luminaries as Alberto Sordi, Monica Vitti and Claudia Cardinale.

Yet it was the visually beautiful, deeply sentimental French musical, Le parapluies de Cherbourg - The Umbrellas of Cherbourg - that catapulted him to fame in 1964, five years after his screen debut.

Directed by Jacques Demy, the musical, in which the dialogue is entirely sung (although by voice dubbers rather than the actors appearing on screen), Castelnuovo played the handsome Guy, a mechanic, who is in love with Deneuve’s character, Geneviève, who works in her mother’s umbrella shop.

Their romance is interrupted when Guy is called up to serve in the Algerian War. Geneviève gives birth to their child while Guy is away but they lose touch. When they meet again, six years later, they are both married to other people, their lives having taken very different courses. An affecting tale, The Umbrellas of Cherbourg won the Palme d’Or at Cannes and was nominated for five Academy Awards.

Catherine Deneuve and Nino Castelnuovo arrive at a
promotional event for The Umbrellas of Cherbourg

Born in the lakeside town of Lecco, in Lombardy, Castelnuovo was christened as Francesco. His mother, Emilia Paola, a maid, was married to Camillo Castelnuovo, who worked in a button factory. 

Nino worked at different times as a mechanic and a painter. An enthusiastic cinema-goer, he idolised Fred Astaire, which prompted him to take lessons in gymnastics and dancing.  After moving to Milan at the age of 19, he studied drama at the Piccolo Teatro, presided over by the director Giorgio Strehler.

His first screen appearance came via a bit part in a film titled The Virtuous Bigamist in 1956, but his first credited role was in the 1959 thriller Un maledetto imbroglio, directed by Germi, based on Carlo Emilio Gadda’s crime novel, which was titled in English as That Awful Mess on Via Merulana. The film was shown in America as The Facts of Murder.

The following year he starred with Alain Delon in Visconti’s acclaimed drama Rocco and His Brothers and alongside the actor-director Pasolini in The Hunchback of Rome. 

The Umbrellas of Cherbourg won him gushing reviews, yet where Deneuve’s career took off internationally after the film’s release, Castelnuovo fared less well.  He was never short of parts, going on to make more than 50 films, yet Italian cinema audiences in particular were slow to warm to him.

Castelnuovo with Claudia Cardinale in a scene from
his first credited movie, Un maledetto imbroglio

In the event, it was the small screen that provided him with his second, career-defining part, as Renzo, the principal male character in a television adaptation of Manzoni’s epic I promessi sposi, first published in three volumes in 1827.

The revised, definitive version published in 1842 has become the most widely-read novel in the Italian language, studied by virtually every Italian secondary school student and regarded by Italian scholars as a literary masterpiece on a par with Dante’s Divine Comedy.

By coincidence, Manzoni places Renzo and Lucia, the couple at the centre of the novel’s storyline, in a village just outside Lecco, where their story begins.  The novel is notable for its description of 17th century Milan during a major outbreak of plague. Rai’s adaptation won much praise from critics and Castelnuovo enjoyed a surge of popularity that won him an audience with Pope Paul VI, among other things.

Thereafter, Castelnuovo became a familiar face in TV dramas both in Italy and in other European countries, although he continued to make films and was keen to work in theatre, too. He performed in several stage productions of the works of Carlo Goldoni, the 18th century Venetian playwright, and returned to the cinema in 1996 when director Anthony Minghella cast him as an archaeologist in the Oscar-winning The English Patient.

Despite suffering problems with his eyesight due to glaucoma, Castelnuovo continued working, mainly on television, into his late 70s.  He suffered two personal tragedies, losing both his brothers. In 1976, Pierantonio died after being beaten up by a group of revellers at a festival, while Clemente was killed in a car accident in 1994.

Nino himself died in hospital in Rome after a long period of ill health. He was survived by his wife, the actress Maria Cristina Di Nicola, and a son, Lorenzo, from a previous relationship.

Piazza XX Settembre in the Lombardy town of
Lecco, looking towards the Basilica di San Nicolò

Travel tip:

Lecco, where Nino Castelnuovo was born, lies at the end of the south eastern branch of Lago di Como, which is known as Lago di Lecco. The town is surrounded by mountains including Monte Resegone, which has cable-car access to the Piani d’Erna lookout point, and Monte Barro, a regional park area that contains the remains of a fifth-century settlement and the Costa Perla birdwatching station. In the centre of Lecco, the Basilica di San Nicolò, with its neo-Gothic bell tower, is a notable attraction, while the town makes much of it being the childhood home of Alessandro Manzoni, who chose it as the home of his betrothed lovers, Renzo and Lucia, in I promessi sposi. The historic fishermen’s quarter of Pescarenico, which features in the book, has a number of restaurants that make it well worth a visit.

Bellagio is one of many pretty towns dotted
around the shores of Lago di Como

Travel tip:

Lago di Como - Lake Como - the third largest lake in Italy after Garda and Maggiore, has been a popular retreat for aristocrats and the wealthy since Roman times, and remains a popular tourist destination. Its many lakeside villas include the Villa Carlotta, overlooking the lake at Tremezzo, built in the late 18th century as a holiday home for the Clerici family, successful silk merchants, the Villa Olmo in Como, built for the marquis Innocenzo Odescalchi, and  Villa d'Este, in Cernobbio, now a luxury hotel and, between 1816 and 1817, home to Caroline of Brunswick, estranged wife of the Prince of Wales and later Queen Consort of King George IV of the United Kingdom.  Numerous pretty towns along the shores of the lake, which covers an area of 146 sq km (56 sq miles), include Bellagio, Menaggio and Varenna. 

Also on this day:

1610: The birth of Francesco I d’Este, Duke of Modena

1620: The birth of composer Isabella Leonarda

1825: The birth of painter Giovanni Fattori

1925: The birth of novelist and screenwriter Andrea Camilleri

Home

Rosanna Schiaffino – actress

Dramatic life of Italian sex goddess

Rosanna Schiaffino became a movie goddess in
the mould of Sophia Loren and Gina Lollobrigida

Film star Rosanna Schiaffino, who for more than 20 years, between the 1950s and the 1970s, starred opposite the most famous actors of the period, was born on this day in 1939 in Genoa in Liguria.

Schiaffino worked for some of Italian cinema’s greatest directors, but in the 1980s turned her back on the cinema world to marry the playboy and steel industry heir, Giorgio Falck, entering a relationship that descended into acrimony after she was diagnosed with breast cancer.

Born into a wealthy family, Schiaffino was encouraged in her acting ambitions by her mother, who paid for her to go to a drama school.  She entered beauty contests and won the title of Miss Liguria when she was just 14.

She also took some modelling jobs and her photograph appeared in many magazines. She was spotted by the film producer Franco Cristaldi, who paired her with Marcello Mastroianni in Un ettaro di cielo (Piece of the Sky) in 1959.

Schiaffino made her name in her second film for Cristaldi, La Sfida (The Challenge), directed by Francesco Rosi, in which she gave a powerful, but sensitive performance as a Neapolitan girl, inspired by the real life character of Pupetta Maresca, a former beauty queen who became a famous Camorra figure after killing the murderer of her husband in revenge.  The film won acclaim at the 1958 Venice film festival.

She  won an award for her performance as Lucrezia in the film La Mandragola (The Mandrake), an adaptation of a play by Niccolò Machiavelli.

Schiaffino and Marcello Mastroianni in a
scene from A Piece of the Sky

Schiaffino was often referred to as ‘the Italian Hedy Lamarr’ but she was more of a sex goddess in the style of Sophia Loren and Gina Lollobrigida.

In 1966 she married the film producer Alfredo Bini, with whom she had a daughter, Antonella. They would divorce in 1976.

After making more than 40 films, working with directors including Pier Paolo Pasolini, Roberto Rossellini and Jean-Luc Godard, Rosanna gave up acting to enjoy a new life mixing with the jet set, her activities often featuring in gossip magazines all over the world.

During the summer of 1980 in Portofino, she met Giorgio Falck, who was newly divorced, and they had a well publicised affair. They had a son, Guido, in 1981 and were married in 1982.

In 1991 she was diagnosed with breast cancer and the marriage then went into decline. They divorced after unpleasant disputes over the custody of their son and the allocation of money.

She died of the illness in 2009, aged 69, in Milan.

The maritime city of Genoa is the capital of Liguria and
the sixth largest city in Italy

Travel tip:

Genoa, where Rosanna Schiaffino was born, is the capital city of the region of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.

The picturesque fishing village of Portofino has become
a draw for artists and celebrities

Travel tip:

The region of Liguria in northwest Italy is also known as the Italian Riviera. It runs along a section of the Mediterranean coastline between France and Tuscany and is dotted with pretty seaside villages, with houses painted in different pastel colours.  The fishing village of Portofino, about an hour’s drive southeast along the coast from Genoa, has become famous for its picturesque harbour and for its associations with artists and celebrities. A novel published in 1922 is credited with making Portofino famous. The Enchanted April by Elizabeth von Arnim was inspired by the author’s stay in Portofino and was made into a film in 1991 with a cast including Joan Plowright, Miranda Richardson and Alfred Molina. The film was nominated for three Oscars.

Also on this day:

1343: Amalfi is destroyed by a tsunami

1881: The birth of Pope John XXIII

1950: The birth of writer and entertainer Giorgio Faletti

1955: The birth of choreographer and dancer Bruno Tonioli



Home

Pier Paolo Pasolini - writer and film director

Controversial figure who met violent death

Pier Paolo Pasolini courted controversy in his films,
his private life and his politics

The novelist, writer and film director Pier Paolo Pasolini was born on this day in 1922 in Bologna.

Pasolini's best-known work included his portrayal of Jesus Christ in The Gospel According to St. Matthew (1964), his bawdy adaptations of such literary classics as Boccaccio’s Decameron (1971) and Chaucer’s The Canterbury Tales (1972), and and his brutal satire on Fascism entitled Salò, or the 120 Days of Sodom (1975). 

He also wrote novels and poetry, made documentaries, directed for the theatre and was an outspoken columnist for the Milan newspaper Corriere della Sera, expressing political views that would regularly spark heated debate.

A former member of the Communist Party and openly homosexual, Pasolini died in violent circumstances in Ostia, near Rome, in November 1975, supposedly murdered by a young man he had picked up at the city’s Termini railway station, although there was some mystery around the incident and speculation over motives continues to this day.

The son of an army lieutenant, Pasolini lived in various northern Italian towns in his childhood, determined by his father’s postings. Family life was somewhat turbulent. His father spent time in prison over gambling debts but was also the man who detained Anteo Zamboni, a teenager suspected of attempting to assassinate Mussolini in 1926.

The house where Pasolini was born in Bologna - now an
office of the Guardia di Finanzia, is marked with a plaque

Pasolini graduated from the University of Bologna and began to pursue an interest in writing poetry that he had nurtured since the age of seven, inspired by the beauty of Casarsa della Delizia, a town in Friuli and the home of his mother’s family. He published his first volume of poetry in 1942.

He attributed his mostly Marxist politics to his experience of the oppressed peasant communities around Casarsa. His 19-year-old brother Guido, a member of the anti-Fascist Partito d’Azione, was accidentally killed in by partisans in an ambush.

After 1945, Pasolini worked as a secondary school teacher in nearby Valvasone but his activities as a Communist Party member made him a controversial figure and he was eventually forced out of his job by the local Christian Democrats, whom he accused of manufacturing a scandal that saw him charged with the "corruption of minors and (committing) obscene acts in public places".

In January 1950, Pasolini moved to Rome with his mother Susanna to start a new life. He was later acquitted of both charges. They moved to the run-down suburb of Rebibbia, next to a prison, which provided the inspiration for his first novels, which dealt with the violent lives of poor proletarian immigrants living in often horrendous sanitary and social conditions, and his debut movie, Accattone (1961).

Pasolini taking part in a radio broadcast
in Rome in 1975

Prior to that he had worked variously as a teacher in Ciampino and a writer for Italian state radio before making the acquaintance of the director Federico Fellini, who employed him to help with the Roman dialect in both Le notti di Cabiria and La Dolce Vita.

Pasolini was prepared to tackle controversial subjects. Mamma Roma (1962), featuring Anna Magnani, which told the story of a prostitute and her son, was considered an affront to morality and widely criticised.

The Gospel According to St Matthew (1964), which won awards at both the Venice Film Festival and BAFTA, also attracted criticism, portraying Christ as a revolutionary ‘Red Messiah’, but Pasolini vowed to direct it from the "believer's point of view" and the Catholic Church has since described it as “the best film ever made about Jesus Christ.”

He attracted criticism for different reasons with his sex-laden Decameron (1971), The Canterbury Tales (1972), and Il fiore delle mille e una notte (literally The Flower of 1001 Nights, released in English as Arabian Nights, 1974), his Trilogy of Life, which celebrated the human body while commenting on contemporary sexual and religious mores and hypocrisies. They were hugely popular, Decameron and The Canterbury Tales winning awards at the Berlin Film Festival, although Pasolini later regretted his association with them, because the many softcore imitations of the films made him uncomfortable about their success.

His final work, Salò or the 120 Days of Sodom (1975), exceeded what most viewers could accept at the time in its explicit scenes of intensely sadistic violence. A satire on Fascism - Salò being the name of the Fascist ‘republic’ Mussolini set up in northern Italy in a desperate attempt to cling to power - it is based on the novel 120 Days of Sodom by Marquis de Sade, and is considered Pasolini's most controversial film.

Willem Dafoe starred as Pasolini in the 2014
film about his life directed by Abel Ferrara

Despite evidence that more than one person was involved, only Giuseppe (Pino) Pelosi, the young man he supposedly picked up, was convicted of his murder. Pelosi was caught after police stopped him as he sped from the scene in Pasolini’s Alfa Romeo.

The autopsy indicated that the director had been run over by the car on the beach as Ostia, having first been severely beaten with blunt instruments. Pelosi confessed his guilt, claiming he attacked the director after refusing to be subjected to a particularly violent sexual act.

The verdict of the 1976 court hearing was that Pelosi “and unknown others” were guilty of the crime, although the “unknown others” did not appear in the wording when that verdict went to appeal.

Speculation about alternative motives began almost immediately and intensified when, 29 years later, Pelosi retracted his confession. He said he had made it under the threat of violence to his family and claimed that the crime had been committed by three people regularly seen at the Tiburtina branch of the neo-fascist party Movimento Sociale Italiano (Italian Social Movement).

The conspiracy theorists discussed extortion following the theft of a number of reels of film from Salò as one explanation, while others suspected a political motive.

Franca Rame, who married the playwright
Dario Fo and became a political activist

In his columns in the Corriere della Sera, long before the Tangentopoli enquiry led to the collapse of Italy’s then deeply-corrupt political establishment, Pasolini said that the leadership of the ruling Christian Democratic party should stand trial, not only for corruption and links with the Mafia, but for association with neo-fascist terrorism, such as the bombing of trains and a demonstration in Milan.

Also, at the time of his death, Pasolini was working on a novel, Petrolio, that was clearly based on the mysterious death of Enrico Mattei, the former president of the state oil company ENI, which suggested that the scandal went to the heart of power via the involvement of the illegal masonic lodge Propaganda Due.

Attacks on left-wing activists were relatively common in the 1970s. For example, Franca Rame, the actress wife of the playwright Dario Fo and a prominent member of the Italian Communist Party, was kidnapped and raped by a group of neo-Fascists in 1973.

However, though the Pasolini case was reopened in 2005, no new conclusions were reached.

In 2014 the director Abel Ferrara made a biopic about Pasolini, with Willem Dafoe in the lead role, which was selected to compete for the Golden Lion at the 71st Venice International Film Festival.

The ruins of the Roman city of Ostia Antica are better
preserved than Pompei yet are much less well known

Travel tip:

The seaside resort of Ostia, where Pasolini’s life ended so tragically, lies 30km (19 miles) to the southwest of Rome, situated just across the Tiber river from Fiumicino, home of Rome’s largest international airport. It  adjoins the remains of the ancient Roman city of Ostia Antica, a much-better preserved site than volcano-ravaged Pompei occupying around 10,000 square metres, radiating from a mile-long main street.  There are many houses and apartment blocks, plus warehouses and public buildings, and an impressive amphitheatre.. Many Romans spend their summer holidays in the modern town, swelling a population of about 85,000.

Hotels in Ostia Antica by Booking.com

The church of Santa Croce and San Rocco, where the
funeral for Pier Paolo Pasolina took place in 1975

Travel tip:

Casarsa della Delizia is a town in the Friuli-Venezia Giulia region, about 40km (25 miles) west of Udine and about 18km (11 miles) from Pordenone. It is today an important agricultural centre, particularly for wine production, and an important rail hub. Until the end of the Cold War saw numbers reduced, it hosted a large number of Italian military personnel. Pasolini’s funeral took place in the parish church of Santa Croce and San Rocco, before his body was buried in the municipal emetery. The church of Santa Croce and San Rocci contains a cycle of 16th century frescoes by Pomponio Amalteo or by Pordenone.

Look for hotels in and around Casarsa della Delizia with Tripadvisor

More reading:

What made Francesco Rosi one of Italy's most influential film-makers

Why the death of Enrico Mattei remains an unsolved mystery

Laura Betti, the actress and singer who became Pasolini's companion

Also on this day:

1696: The birth of painter Giovanni Battista Tiepolo

1827: The death of scientist Alessandro Volta

1834: The birth of 19th century opera star Marietta Piccolomini

Selected books:

Stories from the City of God: Sketches and Chronicles of Rome 1950-1966, by Pier Paolo Pasolini

A Violent Life (novel), by Pier Paolo Pasolini

(Picture credits: plaque by Renaud Camus; Ostia Antica street by Camelia.boban; church by Intoinside)

Home

Angela Luce – actress

Film star and singer was born in Spaccanapoli

The actress Angela Luce has worked with
some of Italy's leading directors

Neapolitan actress and singer Angela Luce was born Angela Savino on this day in 1937 in Naples.

She has worked for the theatre, cinema and television, is well-known for singing Neapolitan songs, and has written poetry and song lyrics.

At 14 years old, Angela took her first steps toward stardom when she took part in the annual music festival held at Piedigrotta in the Chiaia district of Naples, singing the Neapolitan song, Zi Carmeli.

Her cinema career began in 1956, when she was only 19, when she appeared in Ricordati di Napoli, directed by Pino Mercanti. Since then she has appeared in more than 80 films and has worked for directors including Luchino Visconti, Pier Paolo Pasolini, Mario Amendola, Luigi Zampa and Pupi Avati.

Angela won a David Donatello award for L’amore molesto directed by Mario Martone and was also nominated for the Palma d’Oro at Cannes.

She has acted opposite such illustrious names as Marcello Mastroianni, Vittorio Gassman, Alberto Sordi, Vittorio de Sica and Totò.

Angela Luce (right) in a scene from Franco Rossi's
1960 film Morte di un amico

Her voice has been recorded in the historic archives of Neapolitan songs and she has won prizes for her singing. She wrote the lyric for the song Voglia, which, set to the music of Angelo Fiore, was awarded the Premio Unicef in 1984.

Angela has been quoted as saying she was ‘discovered’ by the Neapolitan dramatist Eduardo De Filippo. She has interpreted many significant roles from his plays in the theatre and appeared with him on Italian television in his play, Il contratto.

During a newspaper interview given last year on her 80th birthday, Angela said the occasion was a good opportunity to ‘thank God for giving her strength and health and a loud, clear voice’, so that she was able to sing without a microphone and, in church, without an orchestra.

The colourful street known as Spaccanapoli is close
to where Angela Luce was born

Travel tip:

Angela was born in Via Mezzocannone in the part of Naples known as Spaccanapoli, a lively area, rich with churches, historic buildings and bars. Close to her home is the main building of the Università degli Studi di Napoli Federico II, known as Gesu Vecchio, which was built in the 16th century as a Jesuit College and became home to the University in the 18th century.

The church of Santa Maria di Piedigrotta
is in the fashionable Chiaia district of Naples

Travel tip:

Angela made her first appearance as a singer at the annual song-writing competition the Festival of Piedigrotta, held near the Church of Santa Maria di Piedigrotta in the Chiaia neighbourhood on the seafront of Naples. The competition was held to judge songs written in Neapolitan dialect and over the years inspired such classics as O sole mio, Funiculi, Funicula, Torna a Surriento and Santa Lucia.


More reading:

What made Vittorio de Sica a maestro of Italian cinema

How Vittorio Gassman was once called 'the Olivier of Italian actors'

Eduardo De Filippo and the 'essence' of Naples

Also on this day:

1596: The birth of violin maker Nicolò Amati

1911: The birth of film music composer Nino Rota

1947: The birth of controversial Lega Nord politician Mario Borghezio


Home

Carlo Emilio Gadda - writer and novelist

Author who drew comparisons with Levi and Joyce

Carlo Emilio Gadda was an engineer
before he became a full-time writer

The essayist and novelist Carlo Emilio Gadda, whose work has been compared with the writings of Primo Levi, James Joyce and Marcel Proust, was born on this day in 1893 in Milan.

His novels and short stories were considered outstanding for his original and innovative style, moving away from the rather staid language of Italian literature in the early 20th century, adding elements of dialect, technical jargon and wordplay.

It has been said that Gadda opted for his experimental style because he thought that only through the use of a fragmentary, incoherent language could he adequately portray what he considered a disintegrated world.

Born into an upper middle-class family living on Via Manzoni in the centre of Milan, Gadda lost his father when he was only a child, after which his mother had to bring up the family on limited means, although she refused to compromise with her lifestyle. His father’s business ineptitude and his mother’s obsession with keeping up appearances would figure strongly in his 1963 novel, La cognizione del dolore, published in English as Acquainted with Grief.

Gadda fought in the First World War as a volunteer with the Alpini and was captured at the Battle of Caporetto, in which the Italians suffered a catastrophic defeat. His younger brother Enrico, an aviator, was killed. A fervent nationalist at the time of Italy’s entry into the conflict, he was deeply humiliated by the months he had to spend as a German prisoner of war.

Gadda's most famous work is
available in English

During the 1920s he worked as an electrical engineer, often abroad. He spent several years in Argentina, although at home he was credited with the construction, as engineer, of the Vatican Power Station for Pope Pius XI.

He began writing in the 1930s after moving to Florence and joining a literary group around the Florentine review Solaria. He wrote a number of essays and short stories, from the beginning demonstrating a fascination with linguistic experimentation as well as a gift for psychological and sociological analysis. His first works were collected in I sogni e la folgore (1955; The Dreams and the Lightning).

Gadda became a full-time writer in 1940, although between 1950 and 1955 he worked for RAI, the Italian radio and television network. He lived in Rome, alone, in a cheap apartment in Via Blumenstihl.

At one time an admirer of Mussolini, he later satirised the dictator in Eros e Priapo (1945), in which he analysed the collective phenomena that favoured the rise of Italian Fascism, arguing that Fascism was essentially a bourgeois movement.  Refused publication initially for its allegedly obscene content, it was not until 2013 that the work was published in fully unexpurgated form.

Gadda's birthplace in Milan is marked with a plaque

Gadda’s best-known and most successful novel, Quer pasticciaccio brutto de via Merulana (1957; That Awful Mess on Via Merulana), is a story of a murder and burglary in Fascist Rome and of the subsequent investigation, which features characters from many levels of Roman life, written in a pastiche of literary Italian mixed with passages of Roman dialect, dotted with puns, technical jargon, foreign words, invented words and classical allusions.

At once a sociological, comic and political novel, as well as an extraordinary feat of wordplay, at the end of which nothing has been established or proven in relation to the crime, it was described as 'the great modern Italian novel' by Italo Calvino, Pier Paolo Pasolini and Alberto Moravia. 

Gadda died in Rome in 1973, at the age of 79.

The Stadio Olimpico is the home of Rome's two soccer clubs

Travel tip:

Via Bernardo Blumenstihl, where Gadda lived in Rome, may have been a modest address in the 1940s but today is in a quiet, upmarket residential area in which many of the apartment complexes have swimming pools and tennis courts and communal gardens.  Situated to the northwest of the city centre, it is not far from the Stadio Olimpico, home of the AS Roma and SS Lazio football clubs.

The Basilica of San Giovanni in Laterano in Rome

Travel tip:

Via Merulana is a street in Rome, to the southeast of the centre, linking the magnificent Basilica of San Giovanni in Laterano, with its imposing 18th century Baroque facade by Alessandro Galilei, and the Basilica Papale di Santa Maria Maggiore, famous for its Roman mosaics and gilded ceiling. The name derives from family that owned the land in medieval times.  It forms part of the Rione Monti, near the Oppian Hill.

More reading:

How Alberto Moravia likened Fascism to a childhood illness

Novelist whose books exposed political links with the Mafia

The Auschwitz survivor who became one of Italy's greatest writers

Also on this day:

1812: The birth of Maria Cristina of Savoy

1812: The birth of poet Aleardo Aleardi

1897: The death of soprano Giuseppina Strepponi


Home

Paolo Taviani - film director

Half of a successful partnership with brother Vittorio

Paolo Taviani has been active in Italian
cinema for more than 60 years 

The film director Paolo Taviani, the younger of the two Taviani brothers, whose work together won great acclaim and brought them considerable success in the 1970s and 80s in particular, was born on this day in 1931 in San Miniato, Tuscany.

With his brother Vittorio, who was two years his senior and died in April of this year, he wrote and directed more than 20 films.

Among their triumphs were Padre Padrone (1977), which won the Palme d’Or and the International Federation of Film Critics (FIPRESCI) prize at the Cannes Film Festival, La notte di San Lorenzo (The Night of the Shooting Stars, 1982), which won the Grand Prix du Jury at Cannes, and Caesar Must Die (2012), which won the Golden Bear at the Berlin International Film Festival.

The brothers famously would work in partnership, directing alternate scenes, one seldom criticising the other, if ever. The actor Marcello Mastroianni, who starred in their 1974 drama Allonsanfàn, is said to have addressed the brothers as “Paolovittorio.”

They were both born and raised in San Miniato by liberal, anti-Fascist parents who introduced them to art and culture. Their father Ermanno, a lawyer, would take them to watch opera as a reward for getting good grades at school.

Paolo Taviani (right) with his brother Vittorio. They
worked as a partnership until the latter's death in 2018

After the Second World War, in which San Miniato suffered badly at the hands of the occupying Germans, they both attended university in Pisa, where Paolo studied liberal arts and Vittorio read law.

While there, they saw Roberto Rossellini’s neorealist picture Paisan, about the Allied liberation of Italy. Its portrayal of what they described as their “own tragedy” had such a profound effect on them that they vowed to be making their own films within a decade.

Indeed, their first work, a short documentary film made in 1954 entitled San Miniato, July 1944, produced with the help of one of neorealism’s most famous scriptwriters, Cesare Zavattini, was the true story of a massacre carried out by the Nazis inside the town’s cathedral in revenge for the death of a German soldier.

They worked with the Dutch director Joris Ivens on another documentary, L'Italia non è un paese povero (Italy is Not a Poor Country), before teaming up with Valentino Orsini on two feature films, Un uomo da bruciare (A Man for Burning, 1962) and I fuorilegge del matrimonio (Outlaws of Love, 1963).

Padre Padrone (1977) was one of the
brothers' most successful films

Their first film in their own right was I sovversivi (The Subversives, 1967), a story of four members of the Italian Communist Party which anticipated the unrest of 1968. They hired Gian Maria Volontè, who had starred in Un uomo da bruciare, for the lead role in Sotto il segno dello scorpione (Under the Sign of Scorpio, 1969), which had the critics comparing their work with Bertolt Brecht, Pier Paolo Pasolini and Jean-Luc Godard.

They won praise for their literary adaptations, including in San Michele aveva un gallo (St Michael Had a Rooster, 1972), adapted from Tolstoy’s Divine and Human, and also Kaos (1984) and Tu ridi (You Laugh, 1998), both based on stories by Luigi Pirandello. 

After Padre Padrone, their career reached another big moment with La notte di San Lorenzo, a wartime drama based in part on their own early lives and drawing on their own documentary, set in 1944 in a Tuscan village poised to be snatched away from the Germans by approaching US troops.

Some of their later work was less well received by they scored another major success with Caesar Must Die, an unorthodox adaptation of Julius Caesar shot inside Rebibbia prison in Rome and performed by hardened lifers, many of them former mafia and Camorra hitmen. The film won the Golden Bear at Berlin in 2012 and was selected as the Italian entry for Best Foreign Language Film at the 85th Academy Awards, although it did not make the final.

Their last work as a partnership, Una questione privata (Rainbow: A Private Affair, 2017), won an Italian Golden Globes as Best Actor for Luca Marinelli.

Still active in Italian cinema, Paolo Taviani presented a lifetime achievement award to his fellow director Martin Scorsese - at 75 some 11 years his junior - at the Rome Film Festival last month.

Crowds at San Miniato's white truffle
festival, guarded by the Tower of Federico 

Travel tip:

San Miniato, where Taviani was born, is a charming town perched on a hill halfway between Florence and Pisa. Both cities fought to control it for two centuries. With a picturesque medieval centre built around the Fortress of Federico II and views over the Arno valley, it attracts visitors all year round but one of its busiest times is November, when the annual white truffle festival fills the streets with parades, concerts and artisan vendors. The Diocesan Museum, next to the cathedral, contains works by Filippo Lippi, Jacopo Chimenti, Neri di Bicci, Fra Bartolomeo, Frederico Cardi (known as Cigoli) and Verrocchio.  The church of San Domenico has terracotta works by Luca della Robbia, a fresco attributed to Masolino da Panicale and a burial monument sculpted by Donatello.

The Scuola Normale Superiore in Pisa

Travel tip:

Pisa, once a major maritime power, is now a university city renowned for its art and architectural treasures and with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries. The Scuola Normale Superiore is one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

Roberto Rossellini - the father of neorealism

Marcello Mastroianni - the star who immortalised the Trevi Fountain

How actress Laura Betti became Pier Paolo Pasolini's muse

Also on this day:

1830: The death of Francis I of the Two Sicilies

1936: The birth of acress Virna Lisi

1982: The birth of golfer Francesco Molinari


Home

Tiziana ‘Tosca’ Donati - singer

Versatile performer whose range spans musicals to sacred songs

The singer Tiziana Donati, known as Tosca, during
one of her stage performances

The singer Tiziana Donati, who performs under the stage name Tosca, was born on this day in 1967 in Rome.

Winner of the Sanremo Festival in 1996, Tosca has recorded 10 studio albums, released the same number of singles and has recorded duets with many other artists.

She has enjoyed a successful stage career, appearing in numerous theatrical productions, and has been invited to perform songs for several movies, including the title track for Franco Zeffirelli’s version of Jane Eyre in 1996. She also sang and spoke the part of Anastasia in the Italian dubbed version of the Disney cartoon of the same name.

At Christmas in 1999, she participated in concerts in churches in Italy where she performed Latin songs set to music by Vincenzo Zitello and Stefano Melone.

Following this she began a collaboration with the Vatican, taking part in several televised events to commemorate the Jubilee of 2000, and was chosen to sing the Mater Iubilaei, the Marian anthem of the Jubilee, in a ceremony led by Pope John Paul II.

Throughout 2000, she toured with Musica Caeli, a concert made up of never-before performed sacred chants, staged in some of the biggest churches and cathedrals around the world.

Tosca was spotted singing in a piano bar in Rome in the
1990s before winning the Sanremo Festival in 1996

Tiziana said her love of singing began as a child when she suffered from acute articular rheumatism, a debilitating health condition affecting the joints that prevented her taking part in normal activities.  She did, however, accompany her grandmother to church almost every day and soon set her heart on becoming a member of the choir.

She went along to choir practice and was accepted and drew a sense of pride and self-worth from being asked to stand on a chair and sing at family occasions. Singing and later acting gave her a sense of purpose.

In her teens, Donati joined a theatre company in Rome and began singing in a piano bar in the city, where she was spotted by Renzo Arbore, a musician and television presenter, who invited to sing on the show Il caso Sanremo, a unique programme in which winning songs from different years of the Sanremo Festival were placed on “trial” in a set made to resemble a courtroom.

The exposure propelled her into the public eye. She adopted Tosca as a stage name and released her first album in 1992.

Tiziana Donati pictured during a studio recording
session with fellow musician Chico Buarque

Her big break, though, was winning Sanremo itself in 1996 with Vorrei incontrarti fra cent'anni - I Want To Meet You In One Hundred Years - a song written by Rosalino Cellamare, who performed under the stage name Ron, and who also provided backing vocals and guitar.

After another appearance at Sanremo the following year, she released an album, entitled Incontri e passaggi of songs written for her by artists such as Lucio Dalla, Chico Buarque de Holanda, Grazia Di Michele, Ennio Morricone and Mariella Nava, which won her the Targa Tenco prize as the year’s outstanding performer.

Since 2000, Donati has mixed concerts with stage shows and musicals and has recently worked as a section director at the Pasolini Workshop in Rome, a venture - named in honour of the film director Pier Paolo Pasolini - run in collaboration with the University of Rome and the Conservatory of Santa Cecilia to unearth and nurture new talent.

Still in demand today for high-profile roles, recently starring at the Teatro Argentina in Rome in the touring show Donne come noi - Women Like Us - based on a book of the same name about 100 Italian women who have changed their lives and those of others.

Last year, Tosca celebrated her life in music with a sell-out concert at the Auditorium Parco della Musica in Rome in which she was joined on stage by artists including Nicola Piovani, Danilo Rea and Joe Barbieri, all of whom had become friends at different points of her career.

The saxophonist Bobby Watson has
performed at Gregory's in Rome

Travel tip:

One of Rome’s traditional music venues is the jazz club Gregory’s, which can be found in Via Gregoriana, a short walk from Piazza di Spagna and the Scalinata di Trinità dei Monti. The club has a ‘hall of fame’ that includes the likes of Bobby Durham, Victor Lewis, Steve Grossman, Gregory Hutchinson, Bobby Watson and Scott Hamilton, all of whom have performed at the venue.  The club hosts live sets almost every night, starting at around 9.30pm. A sister venue, Gregory’s By The River, stages live music during the summer months on the edge of the Tiber at Castel Sant’Angelo.

The Teatro Argentina in Rome is one of the city's
oldest opera houses, inaugurated in 1732

Travel tip:

The Teatro Argentina, where Tosca recently performed in the show Donne come noi, is a traditional opera venue in the square Largo di Torre Argentina. Built over the Curia of Pompey - the meeting hall in which Julius Caesar was murdered in 44BC - it is one of the oldest theatres in the city, commissioned by the Sforza-Cesarini family and inaugurated in 1732. Rossini's The Barber of Seville was given its premiere there in February 1816. It has staged drama productions as well as opera and music. In the mid-20th centuries, works by Luigi Pirandello, Henrik Ibsen and Maxim Gorky were performed there for the first time.

More reading:

How Enrico Caruso inspired Lucio Dalla

Why Sanremo winner Adriano Celentano is Italy's biggest-selling recording artist of all time

The Barber of Seville premieres at Teatro Argentina

Also on this day:

1875: The birth of flautist Lorenzo De Lorenzo

1991: Anti-Mafia hero Libero Grassi is murdered in Palermo

Home

Tonino Delli Colli – cinematographer

Craftsman who shot Life is Beautiful and Italy's first colour film

Tonino Delli Colli worked with some of the leading
directors in Italian movie history

Antonio (Tonino) Delli Colli, the cinematographer who shot the first Italian film in colour, died on this day in 2005 in Rome.

The last film he made was Roberto Benigni’s Life is Beautiful, shot on location in Arezzo in Tuscany, for which he won his fourth David di Donatello Award for Best Cinematography.

Delli Colli was born in Rome and started work at the city’s Cinecittà studio in 1938, shortly after it opened, when he was just 16.

By the mid 1940s he was working as a cinematographer, or director of photography, who is the person in charge of the camera and light crews working on a film. He was responsible for making artistic and technical decisions related to the image and selected the camera, film stock, lenses and filters. Directors often conveyed to him what was wanted from a scene visually and then allowed him complete latitude to achieve that effect.

Delli Colli was credited as director of photography for the first time in 1943 on Finalmente Si (Finally Yes), directed by László Kish.

Totò a colori was the first Italian movie
to be filmed in colour

In 1952 Delli Colli shot the first Italian film to be made in colour, Totò a colori. He had been reluctant to do it but was given no choice by his bosses.

The cinematographer once recalled in an interview that he had to make do with lighting for black and white films as colour lamps didn’t exist at that time and that he felt sorry for Totò, the comic actor, who was being constantly showered with light.

The arrival of colour changed everything and Delli Colli had to study each new product carefully. He became infuriated with Kodak as whenever a new product came out he had to start again from scratch.

He went on to work with acclaimed directors such as Sergio Leone, Roman Polanski, Louis Malle, Jean-Jacques Annaud and Federico Fellini. Annaud's The Name of the Rose (1986), based on the book by Umberto Eco, is regarded as among Delli Colli's best work.

Delli Colli shot three of Leone's biggest triumphs -  The Good, the Bad and the Ugly, Once Upon a Time in the West and Once Upon a Time in America.

Delli Colli received a number
of awards for his achievements

He worked particularly well with Pier Paolo Pasolini, with whom he made 12 films and formed a close bond.  The two teamed up on Pasolini’s first film as a director, Accattone (1961), and remained together throughout the director’s career, culminating with Salò (1976), which he helped restore after Pasolini’s death.

In 2005, at the age of 81, Delli Colli was awarded the American Society of Cinematographers’ International Achievement award.

Later that same year he suffered a heart attack and died at his home in Rome on August 16.

Delli Colli was posthumously awarded the Lifetime Achievement Award at the 13th annual Camerimage Film Festival in Poland.

The Cinecittà complex in Rome, situated about
12km (8 miles) southeast of the city centre

Travel tip:

Cinecittà in Rome, the hub of the Italian film industry, is a large studio complex to the south of the city, built during the Fascist era under the personal direction of Benito Mussolini and his son, Vittorio. Delli Colli began working there just a few months after it opened for business. The studios were bombed by the Allies in the Second World War but were rebuilt and used again in the 1950s for large productions, such as Ben Hur. These days a range of productions, from television drama to music videos, are filmed there and it has its own dedicated Metro stop.

The Badia delle Sante Flora e Lucilla in Arezzo

Travel tip:

Life is Beautiful, for which Delli Colli won a David di Donatello Award in 1998, was shot in the centro storico of Arezzo, an interesting old town in eastern Tuscany. One of the scenes was filmed in front of the Badia delle Sante Flora e Lucilla, a medieval abbey. Right in the centre of the town, the 13th century Basilica di San Francesco is the most famous tourist attraction, as it contains Piero della Francesco’s cycle of frescoes, The Legend of the True Cross, painted between 1452 and 1466 and considered to be his finest work.

More reading:

The actress who stood by Pier Paolo Pasolini

The distinctive style of Sergio Leone

How Roberto Benigni became the first Italian male actor to win an Oscar

Also on this day:

1650: The birth of globe maker Vincenzo Coronelli

2006: The death of Umberto Baldini, who saved hundreds of artworks damaged in Florence floods


Home

Laura Betti - actress and jazz singer

Long-time companion of director Pier Paolo Pasolini

Laura Betti made her screen debut in Fellini's 1960 classic
about fame and decadence, La Dolce Vita

The actress and singer Laura Betti, who appeared in a number of important Italian films in the 1960s and 1970s, including Federico Fellini’s La Dolce Vita, Bernardo Bertolucci’s Novecento and Pier Paolo Pasolini’s Teorema, was born on this day in 1927 in Casalecchio di Reno, in Emilia-Romagna.

In addition to Teorema, which won her the coveted Volpi Cup for best actress at the 1968 Venice Film Festival, Betti appeared in six other Pasolini films as the two developed a special and unlikely relationship.

Betti, a vivacious blonde with striking good looks, had no shortage of suitors among the authors, artists, singers and aspiring actors that made up her circle in Rome in the 1950s, but Pasolini was homosexual and had no interest in her in a romantic sense.

Yet he became a regular guest at her apartment near the Palazzo Farnese and she wrote many years later that a kind of love developed between them. They met while he was an unknown poet and it was with her encouragement that he realised his aspiration to become a director.

Betti the jazz singer was a popular
performer in Rome nightclubs

Over time she effectively became his cook and housekeeper and after his death in 1975, the victim of a brutal murder that was never fully explained, she devoted much of her time to preserving his memory and championing his work.

She was the driving force behind the establishment of the Pasolini Foundation in Bologna, where he was born. She also set up an annual literary prize in his name.

The daughter of a barrister, she was born Laura Trombetti. Her first interest was in singing, particularly jazz, and she moved to Rome at a young age, acquiring a following on the cabaret circuit, for which her husky voice was ideal.  Both Pasolini and Alberto Moravia supplied material for her act.

Her interpretations of jazz tunes and songs by Bertolt Brecht brought comparisons with the sultry-voiced French singer Juliette Greco. She released a number of albums, which sold well.

Betti's first venture into theatre came with a 1955 production of Arthur Miller's Crucible staged by Luchino Visconti, although the night clubs continued to be her domain for much of the late 1950s until Fellini launched her film career with a cameo role in La Dolce Vita (1960), as one of the authentic Roman eccentrics in the beach villa orgy sequence.  It was the first of 76 movies in her career.

Her first Pasolini film was La Ricotta, a controversial 40-minute short that featured Orson Welles as an American director shooting a film about the Passion of Christ in Rome, with Betti a temperamental Madonna.

Laura Betti was for many years the companion of
enigmatic director Pier Paolo Pasolini (left)

In 1968, her first substantial Pasolini role, as the peasant maid in a bourgeois household in Teorema, won the best actress award at the 1968 Venice festival.

After returning to the stage to give an electrifying performance in Samuel Beckett's Not I for the Rome Municipal Theatre, her next Pasolini film role was in The Canterbury Tales (1972), shot in England, in which she was the Wife of Bath.

In the early 1970s, she also appeared in films by Marco Bellocchio, Mauro Bolognini, Miklos Jancso and the Taviani Brothers. She was also in Bernardo Bertolucci's Last Tango In Paris (1972), Novecento (1976) and La Luna (1979).

After Pasolini's murder, Betti was sceptical, like many, of the explanation for his death and the confession by Giuseppe Pelosi, a 17-year-old youth he had paid for sex, when the evidence suggested the involvement of more than one attacker.  She preferred the idea that, as a communist sympathiser, he had been the victim of a conspiracy of the political Right, perhaps because he knew damaging secrets about senior figures, a theory that gained credence when it emerged that the Italian secret services were involved in the investigation into his death.

She continued to appear in films for her whole life, although at the same time devoting much time to travelling in Italy, and around the world, to fight Pasolini's corner. In 2001, she made a 90-minute documentary, Pier Paolo Pasolini: The Reason For A Dream, emphasising what she considered to be his optimistic vision of the future.

Betti, who never married, struggled with her health in the early 2000s and died of a heart attack in 2004.

The Villa Marescalchi, outside Casalecchio di Reno

Travel tip:

Casalecchio di Reno, which takes its name from the Roman word for a small collection of houses, in this instance clustered around the Reno river, is nowadays effectively a suburb of Bologna. An important industrial area in the early part of the 20th century, it was heavily bombed by the Allies in the Second World War, its population growing rapidly as it was rebuilt after 1945. The Villa Marescalchi, just outside the town, once contained paintings by the noted Bolognese painter Cesare Baglioni, but these were destroyed in a bombing raid.

The Palazzo Farnese now houses the French Embassy

Travel tip:

The Palazzo Farnese is one of the most important High Renaissance palaces in Rome, which currently serves as the French Embassy in Italy. Designed in 1517 for the Farnese family, it was expanded when Alessandro Farnese became Pope Paul III in 1534. The palace was designed by Antonio da Sangallo the Younger and the development involved input from Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta, who were alls prominent in Rome in the 16th century.

Home