Vincenzo da Filicaja – poet

Patriotic writer was inspired by victory against the Turks

Da Filicaja earned comparisons
with the great poet Petrarch

Vincenzo da Filicaja, a writer and a politician whose poetry has been compared with that of the great Italian poet Petrarch, died on this day in 1707 in Florence.

Da Filicaja’s six celebrated odes inspired by a famous battle victory led to scholars placing him on a level with some of the greatest Italian poets.

He was also a respected politician and was named governor of Volterra and Pisa by Cosimo III, the Grand Duke of Tuscany, who later appointed him to serve in the Tuscan Senate.

Born into an aristocratic family in Florence in 1642, Da Filicaja was educated by Jesuits before going to Pisa University to study law. In Pisa, he was inspired by the historical associations he saw that were linked with the former glory of the republic of Pisa.

The banners and emblems of the Order of St Stephen, which had its seat in Pisa, had great significance for the young student, who knew that the navy of this military order, created by Cosimo I de’ Medici, formed the main defence of his country and its commerce against Turkish, Algerian and Tunisian corsairs.

After returning to Florence, Da Filicaja married Anna Capponi in 1673, the daughter of a senator and marquis, and he went to live in the Tuscan countryside, where his main interest was writing Italian and Latin poetry.

Da Filicaja earned comparisons
with the great poet Petrarch

He became a member of the Accademia della Crusca, a society for scholars of Italian linguistics and philology, which is now the oldest linguistic academy in the world.

Other scholars and writers he met there, such as the poet Francesco Redi, helped him to gain access to Medici court patronage.

Da Filicaja’s imagination was fired by the deliverance of Vienna from the Turks in 1683 and he composed six odes to celebrate the victory.  Redi showed Da Filicaja’s verses to his own royal patron and sent them to the foreign princes whose noble deeds were praised in them. The quality of Da Filicaja’s odes celebrating the victory of John III Sobieski in the Battle of Vienna is what made many scholars consider him to be on a level with some of the greatest Italian poets.

Christina, the ex Queen of Sweden, contacted Da Filicaja from her exile in Rome, offering to pay for the education of his two sons and to keep the generous gesture a secret. And in 1691, Da Filicaja became a member of the Academy of Arcadia, a literary academy founded in Rome.

Cosimo III made the poet the commissioner of official balloting and governor of Volterra, where Da Filicaja tried to improve public morality. He was also made governor of Pisa in 1700 and he became so popular that when he left office the inhabitants of both cities petitioned to have him brought back.

Cosimo III made him a Senator in Florence, where he spent the last years of his life. After he died, at the age of 64, he was buried in the family vault of the Church of San Pietro in Florence and a monument was erected in his memory in the Basilica di Santa Croce in the city by his only surviving son, Scipione Filicaja.

The Palazzo della Carovana, which was built
by Vasari for the Knights of St Stephen

Travel tip:

Pisa’s most popular tourist attraction by a long way is the Campo dei Miracoli, site of the famous Leaning Tower, which features a beautiful Romanesque cathedral and an equally impressive baptistry. For many visitors, the Campo dei Miracoli is all they come to see, yet there is much more to Pisa than the Leaning Tower. The University of Pisa remains one of the most prestigious in Italy, while the student population ensures a vibrant cafe and bar scene. There is also much to see in the way of Romanesque buildings, Gothic churches and Renaissance piazzas. Interesting churches include Santa Maria della Spina, which sits next to the Arno river, while Piazza dei Cavalieri is notable for the Palazzo della Carovana, built by Giorgio Vasari in 1564 as the headquarters for the Knights of St Stephen.

The magnificent facade of the Basilica di
Santa Croce, a Florence highlight

Travel tip:

The Basilica of Santa Croce, consecrated in 1442, is the main Franciscan church in Florence and the burial place among others of Michelangelo, Galileo, Machiavelli, the poet Ugo Foscolo, the philosopher Giovanni Gentile, the composer Gioachino Rossini and the nuclear physicist Enrico Fermi.  It houses works by some of the most illustrious names in the history of art, including Canova, Cimabue, Donatello, Giotto and Vasari. The construction of the current church, to replace an older building on what was once marshland outside the city wall, began in 1294, paid for by some of the city's wealthiest families. It is the largest Franciscan church in the world.  The floorplan is an Egyptian or Tau cross - a symbol of St Francis - 115 metres in length with a nave and two aisles separated by lines of octagonal columns, with 16 chapels. It stands proudly over the Piazza Santa Croce, one of the most famous and beautiful squares in the city.

Also on this day:

1501: The birth of doctor and mathematician Girolamo Cardano

1934: The birth of Princess Maria-Pia of Bourbon-Parma

1954: The birth of footballer Marco Tardelli

1955: The birth of businessman Ricardo Illy

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Trilussa - poet and journalist

Writer used humour and irony in social commentary

Trilussa became known as 
"the people's poet"

The Roman poet who went under the name Trilussa was born on this day in 1871.

The writer, best known for his works in Romanesco dialect, was actually christened Carlo Alberto Camillo Mariano Salustri. His pseudonym was an anagram of his last name.

He was inspired to take up poetry by his admiration for Giuseppe Gioachino Belli, who satirised life in 19th century Rome in his sonnets, which were also written in Roman dialect. 

Born in a house in Via del Babuino, near the Spanish Steps, Carlo was the son of a waiter originally from Albano Laziale in the Castelli Romani area around Lago Albano south of Rome. His mother, Carlotta, was a seamstress born in Bologna.

His early years were marred by tragedy. He lost both a sister and his father before he had reached four years old.  After living for a short time in Via Ripetta, close to the Tiber river, his family were offered accommodation in a palazzo in Piazza di Pietra, a square midway between the Pantheon and the Trevi Fountain.

The palazzo was owned by Carlo’s Godfather, the Marquis Ermenegildo del Cinque, who had been introduced to the family by Professor Filippo Chiappini, a disciple of Belli who for a while was Trilussa’s tutor.  

Carlo was never a committed student. Twice he was required to repeat a year at high school and left formal education entirely at the age of 15, against the advice of both his mother and Professor Chiappini.

The monument to Trilussa in the
square of the same name in Rome

Nonetheless, his flair for humorous, satirical poetry would serve him well. In 1887, a dialect magazine entitled Rugantino published some of his verses, which were well received by readers.

The following year, he brought together a collection of poems published in Rugantino as a book, called Stelle de Roma: Versi romaneschi (Stars of Rome: Romanesco verses), a series of about 30 madrigals written in appreciation of the most beautiful young women in the city. It sold well.

Soon, Trilussa became a well known name. His work appeared in popular newspapers such as il Mesaggero and il Resto del Carlino.

In 1891, he began a collaboration with Don Chisciotte della Mancia, a newspaper with national circulation, for whom in addition to his poetry he wrote articles commenting on national government as well as life in Rome, ultimately becoming a member of the editorial board. 

His second volume of collected verses, Quaranta sonetti romaneschi (Forty Roman Sonnets), which marked the start of a long-running relationship with the publishers, Voghera, included poems he had written for Don Chisciotte della Mancia.

Trilussa was a man of striking
appearance who dressed elegantly

Even as his fame grew and more collections of poetry were published, bringing him a good income, he rejected the idea that he should move in more intellectual circles, much preferring to spend his time chatting to locals in neighbourhood bars.  He was aware that the division between the rich and poor in Rome was huge and would mock the style in which the rich lived and treated the “working” class. This led to him becoming known as the people’s poet.

He developed a talent for drawing as well as verse. Some of his published work was accompanied by his own illustrations.

Trilussa managed to avoid running into trouble with the Fascist regime, who generally looked suspiciously at writers and artists, by declaring himself to be not anti-Fascist but non-Fascist. Although he satirised politics even in the turbulent 1920s and ‘30s, his relationship with Mussolini’s government remained relatively uneventful.

A tall man, he always dressed elegantly and lived in an apartment furnished according to his supposedly eclectic tastes, where he entertained fellow artists and writers. He was said to have led a rather hedonistic lifestyle, interspersed with periods of financial difficulty. When he died in December 1950, he had little money.

He never married, yet had a long relationship with Giselda Lombardi - better known as the silent movie actress Leda Gys - who he described as the love of his life. It was Trilussa who launched her career by introducing her to friends in the film business, only for her to meet and marry a producer.

In declining health, he was made a senator for life by President Luigi Einuadi in 1950 but died less than three weeks later. His body is buried at the Verano Cemetery in Rome.

A square in Trastevere, formerly called Piazza Ponte Sisto, was renamed Piazza Trilussa after his death. The beautiful square, surrounded by bars and restaurants, was in an area in which the poet spent much of his time. Nowadays, it is a popular spot with young Romans.

The square features a quirky monument, featuring a bust in bronze leaning over a marble fragment of a Roman ruin, created by the sculptor Lorenzo Ferri in 1954.

The Spanish steps is one of
Rome's best known sights

Travel tip:

Trilussa was born in a house not far from the Spanish Steps - known to Romans as the Scalinata di Trinità dei Monti, leading to the piazza and church of the same name at the top of the steps. At the bottom is the Piazza di Spagna, which gets its name from the Spanish Embassy to the Holy See which has been there since the 17th century. The square was popular with English aristocrats on the Grand Tour who stayed there while in Rome. In 1820, the English poet John Keats spent the last few months of his life in a small room overlooking the Spanish Steps and died there of consumption in February 1821, aged just 25. The house is now a museum and library dedicated to the Romantic poets.

The Basilica of Santa Maria in Trastevere is
one of the oldest churches in Rome

Travel tip:

Although formerly a working class neighbourhood, the Trastevere district, which sits alongside the Tiber, is regarded as one of Rome's most charming areas for tourists to visit. Full of winding, cobbled streets and well preserved mediaeval houses, it is fashionable with Rome's young professional class as a place to live, with an abundance of restaurants and bars and a lively student music scene.  It is also home to one of the oldest churches in Rome in the Basilica di Santa Maria in Trastevere, the floor plan and wall structure of which date back to 340AD.

Also on this day:

1685: The birth of composer Domenico Scarlatti

1797: The birth of soprano Giuditta Pasta

1906: The birth of boxer Primo Carnera

1954: Trieste became part of the Italian Republic

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Gabriele Rossetti - poet and revolutionary

Academic fled to England after exile from Naples

Gabriele Rossetti became a revolutionary
after moving to Naples as a student

The poet and academic Gabriele Rossetti, who was a key figure in a revolutionary secret society in 19th century Italy known as the Carbonari, was born on this day in 1783 in the city of Vasto in Abruzzo.

A Dante scholar known for his detailed and sometimes controversial interpretations of The Divine Comedy and other works, Rossetti’s own poetry was of a patriotic nature and regularly contained commentaries on contemporary politics, often in support of the growing number of popular uprisings in the early 19th century.

He became a member of the Carbonari, an informal collective of secret revolutionary societies across Italy that was active between 1800 and 1831, promoting the creation of a liberal, unified Italy. He came into contact with them after moving to Naples to study at the city's prestigious university.

Similar to masonic lodges in that they had used secret signals so that fellow members could recognise them and even a coded language, the Carbonari were founded in Naples, where their membership included military officers, nobility and priests as well as ordinary citizens. 

A librettist at the city’s Teatro San Carlo and later curator at the Capodimonte Museum, Rossetti’s standing in Naples society made him an important figure within the group, which was the driving force behind the 1820 uprising in the city which, with the help of a mutiny among the army, forced King Ferdinand I to agree to a constitution.

The Piazza Gabriele Rossetti in his home city of
Vasto, with the monument to him in the centre

It was a short-lived affair, however. After a congress to discuss a response to the uprising, Ferdinand sought help from Austria - his in-laws included the Habsburg empress Maria Theresa - and returned to Naples with an army of 50,000 that easily crushed the force of 8,000 Neapolitans pitted against him, promptly dismissing the newly-appointed parliament and tearing up the constitution.

This so outraged Rossetti that he published a poem that amounted to a tirade against Ferdinand’s tyranny. Immediately branding him a traitor, the King issued a warrant for Rossetti's arrest and announced a death sentence. Fortunately, Rossetti managed to escape, fleeing first to Malta, where he remained in hiding for three years before an admiral of the British Royal Navy helped him travel to London.

He settled in England, supporting himself by giving Italian lessons and publishing two volumes of commentary on Dante’s La divina commedia (The Divine Comedy). 

The commentary claimed that The Divine Comedy was written in the code language of a humanistic secret society that was opposed to political and ecclesiastical tyranny. Rossetti’s interpretation is now regarded as unrealistic but at the time it helped him attain the position of professor of Italian at King’s College, London, a post he held until his eyesight began to fail in 1847.

In 1826 he had married Frances Mary Lavinia Polidori, daughter of another Italian exile in England, Gaetano Polidori. Their four children - Maria Francesca, Dante Gabriel, William Michael and Christina Georgina - all grew up to be distinguished writers or artists in their own right. 

Rossetti died in London in April 1854 at the age of 71 and was buried in Highgate Cemetery. The main square in Vasto was named after him, with a monument to him at its centre.

The 15th century Castello Caldoresco presides 
over the centre of the city of Vasto

Travel tip:

Vasto is not a well known destination among overseas tourists but with an elevated position overlooking the Adriatic in the south of Abruzzo it is a small city well worth a visit, offering beautiful panoramic views of the coastline in addition to a charming medieval centre, with narrow alleyways and the impressive Castello Caldoresco. Built in the early 15th century, the square castle is built around an inner courtyard with cylindrical towers in three of the four corners. The Piazza Gabriele Rossetti is behind the castle.  In addition to the attractions of the city, it is just a 15-20 minute walk down the hill to golden, sandy beach at Marina di Vasto, which while thronged by Italian families in July and August is relatively quiet outside the main Italian holiday season.

The Reggia di Capodimonte in Naples, home of
one of Italy's most important art collections

Travel tip:

The Museo di Capodimonte, where Rossetti was curator before he was forced to flee the city, is an art museum located in the Reggia di Capodimonte, a grand Bourbon royal palace a few kilometres from the centre of Naples. Housing the most important collection of Neapolitan painting and decorative art, as well as works from other Italian schools of painting and ancient Roman sculptures, it is one of the biggest museums in Italy.  The palace dates back to 1783, when it was built by King Charles VII of Naples and Sicily. Adjoining an area of woodland now known as the Real Bosco di Capodimonte, it was originally intended to be a hunting lodge but evolved as a replacement for the Reggia di Portici as the seat of Charles’s court. The King’s fabulous Farnese art collection, which he had inherited from his mother, Elisabetta Farnese, became the basis for the museum’s collection.

Also on this day:

1740: The death of Cardinal Pietro Ottoboni, patron of music and art

1907: The birth of entrepreneur Domenico Agusta

1915: The birth of jam maker Karl Zuegg

1940: The birth of racing driver Mario Andretti

1942: The birth of footballer and coach Dino Zoff

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The death of Giosuè Carducci – poet

National poet’s work inspired the fight for a united Italy

Carducci's funeral procession drew
huge crowds on to the streets of Bologna

The poet Giosuè Carducci, who was the first Italian to win the Nobel prize in Literature, died on this day in 1907 in Bologna.

Aged 71, he passed away at his home, Casa Carducci, near Porta Maggiore, a kilometre and a half from the centre of the Emilia-Romagna city. He had been in ill health for some time and was not well enough to travel to Stockholm to receive his prize, awarded in 1906, which was instead presented to him at his home.

His funeral at the Basilica di San Petronio in Piazza Maggiore followed a procession through the streets that attracted a huge crowd.

Carducci had been one of the most influential literary figures of his age and was professor of Italian literature at Bologna University, where he lectured for more than 40 years.

The Italian people revered Carducci as their national poet and he was made a senator for life by the King of Italy in 1890.

Carducci was born in 1835 in the hamlet of Val di Castello, part of Pietrasanta, in the province of Lucca in Tuscany and he spent his childhood in the wild Maremma area of the region.

After studying at the University of Pisa, Carducci was at the centre of a group of young men determined to overthrow the prevailing Romanticism in literature and return to classical models.

Carducci's poetry became an inspiration
to patriots fighting for a united Italy

Carducci was attracted to Greek and Roman authors and also studied the works of Italian classical writers such as Dante, Torquato Tasso and Vittorio Alfieri.

The poets Giuseppe Parini, Vincenzo Monti and Ugo Foscolo were influences on him, as is evident from his first book of poems, Rime, produced in 1857.

In 1863, Carducci showed both his great power as a poet and the strength of his republican, anticlerical feelings in his Inno a Satana - Hymn to Satan - and, in 1867, in his Giambi ed epode - Iambics and Epodes - inspired by the politics of the time.

The best of Carducci’s poetry came in 1887 with Rime nuove - New Rhymes - and Odi Barbare - Barbarian Odes - which evoke the landscape of the Maremma and his childhood memories, the loss of his only son, and also recall the glory of Roman history.

Carducci’s enthusiasm for the classical led him to adapt Latin prosody to Italian verse and to imitate Horace and Virgil. His poetry was to inspire many Italians fighting for independence and for a united Italy.

The poet became the first Italian to receive the Nobel Prize for Literature in 1906. According to the Swedish Academy this was awarded ‘not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style and lyrical force, which characterise his poetic masterpieces’.

Carducci also wrote prose prolifically in the form of literary criticism. biographies, speeches and essays and he translated works by Goethe and Heine into Italian.

After his funeral on 19 February he was laid to rest at the Certosa di Bologna, the city’s monumental cemetery.

Pietrasanta's Cattedrale
di San Martino

Travel tip:

Pietrasanta, the town where Carducci was born, is on the coast of northern Tuscany, to the north of Viareggio. It had Roman origins and part of a Roman wall still exists. The medieval town was built in 1255 upon the pre-existing Rocca di Sala fortress of the Lombards and the Duomo (Cathedral of San Martino) dates back to the 13th century. Pietrasanta grew in importance in the 15th century due to its marble, the beauty of which was first recognised by the sculptor, Michelangelo.

Find accommodation in Pietrasanta with Booking.com

Leonardo Bistolfi's monument to Giosuè Carducci
in the garden of the Casa Carducci in Bologna

Travel tip:

The Museum of the Risorgimento in Bologna is now housed on the ground floor of the house where Carducci died in Piazza Carducci in the centre of the city. The museum has exhibits and documents that chronicle the history of the Risorgimento from the Napoleonic invasions of Italy to the end of the First World War. The museum was first inaugurated in 1893 and moved to Casa Carducci, the last home of the poet, in 1990.  In the garden, there is an imposing monument to Carducci by the sculptor Leonardo Bistolfi.

Stay in Bologna with Booking.com

More reading:

How the revolutionary Ugo Foscolo expressed Italian sentiment in verse

Why Dante Alighieri remains in exile from his native Florence

The nobleman whose poetry inspired the oppressed

Also on this day:

1740: The birth of type designer Giambattista Bodoni

1918: The birth of designer Achille Castiglioni

1935: The birth of vocalist Edda Dell’Orso

1970: The birth of footballer Angelo Peruzzi

1979: The birth of motorcycle world champion Valentino Rossi

(Picture credits: Pietrasanta cathedral by Stephencdickson; Bologna monument by Nicola Quirico; via Wikimedia Commons)

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Attilio Bertolucci - poet

Pastoral scenes and family life inspired writer from Parma

Attilio Bertolucci was an important
figure in 20th century Italian poetry 

Writer and poet Attilio Bertolucci was born on this day in 1911 in San Lazzaro, a hamlet in the countryside near Parma in Emilia-Romagna.

Bertolucci wrote about his own family life and became renowned for the musicality of his language while describing humble places and human feelings. He became an important figure in 20th century Italian poetry and was the father of film directors Bernardo and Giuseppe Bertolucci.

Attilio Bertolucci was born into a middle-class, agricultural family. He began writing poems at the age of seven and published his first collection of poems, Sirio, when he was 18.

He went to study law at the University of Parma when he was 19, but soon gave it up in favour of literary studies. He also went to the University of Bologna to study art history. He went on to teach art history at the Maria Luigia boarding school in Parma.

He became a book reviewer and theatre and film critic for the Parma newspaper, La Gazzetta, and developed anti-fascist feelings along with other intellectuals at the time. He worked as foreign editor for the poetry publisher, Guanda, and introduced a range of modern poetry from overseas to Italy.

When he was 20, his work, Fuochi di Novembre, earned him the praise of the Italian poet Eugenio Montale, which enhanced his reputation.

Bertolucci with Bernardo (left), the elder of his two
sons, during the shooting of his 1976 epic, Novecento 

Bertolucci married Ninetta Giovanardi in 1938 but they continued to live in his parental home near Parma. They had their first son, Bernardo, in 1941 and their younger son, Giuseppe, in 1947.

In 1951 he published La capanna Indiana, which won the Viareggio Prize for Literature. In the same year the family moved to Rome. Among the readers who admired his work was the film director Pier Paolo Pasolini, who became a close friend.

In Rome, Bertolucci worked for the publisher, Garzanti, for Italian radio, and for the daily newspaper, La Repubblica.

From the 1960s onwards the Bertolucci family alternated between their apartment in Rome, their 17th century house in the Apennine village of Casarola, which they visited  in the spring and summer, and their home by the sea in the Ligurian village of Tellaro, where they lived during the autumn. In nearby Lerici, Bertolucci became president of the committee for the Lerici Prize and biennial literary conference.

The cover of Bertolucci's
first published poetry

He published Viaggio d’inverno in 1971, which is considered one of his finest works. It was seen as marking a change to a more complex style from that of his earlier works, where he used humble language to describe pastoral situations.

From 1975, he directed the prestigious literary review magazine Nuovi Argomenti, along with Enzo Siciliano and Alberto Moravia. In 1984 he won another Viareggio Prize for the narrative poem Camera da letto.

His last work was La lucertola di Casarola, a collection of works from his youth, which he published in 1997.

Attilio Bertolucci died in Rome in 2000 at the age of 88. Selections of his poetry have been translated into English by the poets and translators, Charles Tomlinson and Allen Prowle.

Parma is famous for Prosciutto di Parma and
Parmigiano-Reggiano cheese

Travel tip:

Parma is an historic city in the Emilia-Romagna region, famous for its ham (Prosciutto di Parma) and cheese (Parmigiano-Reggiano), the true ‘parmesan’. The city was given as a duchy to Pier Luigi Farnese, the illegitimate son of Pope Paul III, and his descendants ruled Parma till 1731. The composer, Verdi, was born near Parma at Bussetto and the city has a prestigious opera house, the Teatro Regia. Parma is divided into two parts by a stream. Attilio Bertolucci once wrote about it: ’As a capital city it had to have a river. As a little capital it received a stream, which is often dry.’ This refers to the time when Parma was capital of the independent Duchy of Parma.

Boats fill the tiny quayside at the fishing village
of Tellaro in Liguria, where Bertolucci had a home

Travel tip:

Tellaro, where the Bertolucci family had a seaside home, is a small fishing village on the east coast of the Gulf of La Spezia in Liguria and a frazione of the comune of Lerici. Tellaro has been rated as one of the most beautiful villages of Italy by the guide, I Borghi più belli d’Italia. The Romantic poet Percy Bysshe Shelley and his writer wife, Mary Shelley, lived there in the rented Casa Magni in the early 1820s and drew inspiration from their beautiful surroundings for their writing until Shelley’s death at sea in 1822.

Also on this day:

1626: The consecration of St Peter’s Basilica in Rome

1630: The birth of Eleonora Gonzaga, Holy Roman Empress

1804: The birth of Alfonso Ferrero La Marmora, military leader and statesman

1891: The birth of architect and designer Gio Ponti

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Pietro Aretino – writer

Satirist was both admired and feared by the nobility

Pietro Aretino, captured by his friend, the
Venetian painter Titian in around 1545

Poet, playwright and prose writer Pietro Aretino was born on this day in 1492 in Arezzo in Tuscany.

Aretino became famous for his satirical attacks on important figures in society and grew wealthy from the gifts he received from noblemen who feared being exposed by his powerful pen.

Although he was the son of an Arezzo shoemaker, he pretended to be the natural son of a nobleman and took his name from Arretium, the Roman name for Arezzo.

He moved to Perugia while still very young and lived the life of a painter, but in 1517 when he was in his early twenties, Aretino moved on to Rome, where he secured the patronage of the rich banker, Agostino Chigi.

When Pope Leo X's pet elephant, Hanno, died, Aretino wrote a satirical pamphlet, The Last Will and Testament of the Elephant Hanno, cleverly mocking the leading political and religious figures in Rome at the time. This established his fame as a satirist. He then wrote a series of viciously satirical lampoons supporting the candidacy of Giulio de’ Medici for the papacy. Giulio duly became Pope Clement VII in 1523.

Despite being supported by the Pope and his patron, Chigi, Aretino was finally forced to leave Rome because of writing a collection of ‘lewd sonnets’, sonetti lussuriosi, in 1524.

The painter Titian became a good friend
and supporter of Aretino

By 1527 Aretino had settled in Venice where he was admired but also feared by those in power and he received enough money to be able to live in a grand - albeit dissolute - style.

He became a close friend of the painter Titian and sold paintings on Titian’s behalf to Francis I, the King of France.

Titian’s portrait of Aretino, painted in around 1545, shows him wearing a gold chain that he had received as a gift from the King of France.

It is claimed Francis I of France and Charles V of Spain both paid him a pension at the same time, each hoping he would damage the reputation of the other.

Aretino wrote six volumes of letters that were published from 1537 onwards which reveal his cynicism and justify the name he gave to himself, ‘flagello dei principe’ - scourge of princes.

He was particularly vicious in his attack on Romans, not forgetting that they had forced him to move to Venice. In his Ragionamenti - Discussions - written between 1534 and 1536, Roman prostitutes reveal to each other the moral failings of many of the important men in the city and in his Dialogues, he examines the carnality and corruption among Romans at the time.

Aretino’s dramas present well observed pictures of lower-class life, free from the conventions that burdened other contemporary dramas. The best known is Cortigiana - The Courtesan - published in 1534, a lively and amusing insight into the life of the lower classes in Rome.

Aretino captured in another portrait
by Titian, painted in 1512

Aretino also wrote a tragedy, Orazia, published in 1546, which has been judged to be the best Italian tragedy written in the 16th century.

Pietro Aretino died in 1556 in Venice aged 64. It was claimed at the time that he either suffocated because he could not stop laughing, or fell backwards and hit his head while laughing.

He was buried in the Church of San Luca, which lies between St Mark’s Square and the Rialto bridge in Venice.

In 2007, the composer Michael Nyman set some of Aretino’s Sonetti lussoriosi to music under the title 8 Lust Songs. Aretino’s texts again caused controversy when the songs were performed in London in 2008 as the printed programmes containing extracts had to be withdrawn after there were allegations of obscenity.

The interior of the 13th century Basilica di San Francesco
in Piazza San Francesco in the heart of Arezzo

Travel tip:

Arezzo, where Pietro Aretino was born and acquired his surname, is an interesting old town in eastern Tuscany, which was used as the location for the 1997 film Life Is Beautiful. One of the scenes in the film took place in front of the Badia delle Sante Flora e Lucilla, a medieval abbey. Right in the centre of the town, the 13th century Basilica di San Francesco in Piazza San Francesco is the most famous sight in Arezzo and attracts many visitors as it contains Piero della Francesco’s cycle of frescoes, The Legend of the True Cross, painted between 1452 and 1466 and considered to be his finest work.

The church of San Luca in Venice, which can be found
between Piazza San Marco and the Rialto bridge

Travel tip:

Pietro Aretino was buried in the Church of San Luca close to Salizzada San Luca in the St Mark’s sestiere of Venice. On his tombstone was the epitaph: ‘Here lies Aretino, poet Tosco, that everyone spoke poorly about, except Christ, who apologised saying: ‘I do not know him.’’ This inscription was later removed, either by the Inquisition, or during restoration work on the floor of the church in the 18th century. It is claimed many journalists, writers and non-believers used to visit the church looking for Aretino’s tomb. On either side of the altar there used to be paintings from the 16th century, in which Aretino was portrayed as part of the crowd. It has been claimed that the paintings were removed by one of the priests in the 19th century to discourage the interest and they have still not been put back.

Also on this day:

1317: The death of Sant’Agnese of Montepulciano

1949: The birth of Massimo D’Alema, Italy’s first Communist prime minister

1951: The death of anti-Fascist politician Ivanoe Bonomi


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Robert Browning – English poet

Writer who called Italy his ‘university’

Robert Browning pictured in 1888, about
 a year before he died in Venice,  aged 77

Victorian poet and playwright Robert Browning died on this day in 1889 at his son’s home, Ca’ Rezzonico, a palazzo on the Grand Canal in Venice.

Browning was considered one of the most important Victorian poets, who had made contributions to social and political debate through his work, and he was given the honour of being buried in Poets’ Corner in Westminster Abbey.

The poet’s early career had begun promisingly with his work being well received by the critics, but his long poem, Sordello, produced in 1840, was judged to be wilfully obscure and it was to take many years for his reputation to recover.

In 1846 Browning secretly married the poet, Elizabeth Barrett, who was six years older than him and had been living the life of an invalid in her father’s house in London. A few days later they went to live in Italy, leaving their families behind in England forever.

Elizabeth’s poetry became increasingly popular and after the death of Wordsworth in 1850 she was considered as a serious contender to become the next Poet Laureate. However, the position eventually went to Alfred Tennyson.

The Brownings lived in Pisa at first but then moved to Florence, where they lived in an apartment in a 15th century house, Casa Guidi, in the Oltrarno district.

A younger Robert Browning in a portraint by
 Italian painter Michele Gordigiani in 1858

Their only child, Robert Wiedeman Barrett Browning, who they nicknamed Penini, or Pen, was born to them in 1849.

Browning became fascinated with the art and cultural environment of Italy and would in later life describe the country as his ‘University’.

While Elizabeth continued to write and achieved fame through her poetry, Browning’s own work was still being dismissed by other writers and critics.

While in Florence, Browning worked on the poems that would eventually comprise his two-volume Men and Women, for which he is now well known.

But in 1855 when they were first published they made little impact.

When Elizabeth’s health began to deteriorate, the Brownings moved to the Villa Alberti in Siena.

They moved to Rome in 1860, but when Elizabeth’s health became worse they returned to Florence. Elizabeth died in Browning’s arms in June 1861, aged 55. She was buried in a white marble tomb, designed by Frederic, Lord Leighton, in the protestant English Cemetery of Florence.

Now a widower, Browning returned to London with his 12-year-old son, Pen. Through years of hard work he gradually built up his reputation again and became part of the London literary scene.

A portrait of Robert Browning painted by
his son, Pen, in aroud 1882

In 1868, after five years of intensive writing, he published The Ring and the Book, his most ambitious project,and considered by some to be his greatest work. The poem was a commercial and critical success and brought him the recognition he had long been hoping for.

In his later years, Browning travelled frequently to Italy, finding peace and inspiration in the small hilltop town of Asolo in the Veneto. However, he never visited Florence again.

After one last visit to Asolo in the summer of 1889, Browning, accompanied by his sister, Sarianna, travelled to Venice to visit Pen and his wife at the end of October.

Pen, who had by then become a successful painter, had recently bought and renovated Ca’ Rezzonico.

Browning would spend the mornings at the Lido, the afternoons visiting his friend, Katharine Bronson, at her residence Ca’ Alvisi, and the evenings at Ca’ Rezzonico with his family.

In December, Browning became unwell and was diagnosed with bronchitis and a weak heart.

On December 12 he received the news that his last volume of poetry, Asolando, had sold out on the same day it was published. Browning knew there was an advertisement for a new edition of Mrs Browning’s poetry on the back of the book.  He told his son he was ‘more than satisfied’ and died a few hours later. He was 77 years old.

The elegant Ca' Rezzonico on the Grand Canal
in Venice, which Browning's son, Pen, owned

A private funeral service was held in the sala (dining room) of Ca’ Rezzonico.

At the end of the service, eight pompieri (firemen) in blue uniforms and brass helmets, carried Browning’s body downstairs and on to a municipal barge, which conveyed the poet to the chapel on San Michele, the ‘isle of the dead’.

Two days later, Browning’s manservant escorted the coffin back to London by train.

On 31 December 1889, Browning was conveyed to Westminster Abbey along a route lined by thousands of people for a service, followed by an interment in Poets Corner, where he now lies surrounded by the great names of literature.

Casa Guidi in Florence, which has now
been converted into a study centre

Travel tip:

A plaque marks Casa Guidi, the home of Elizabeth Barrett Browning and her husband Robert Browning in Piazza di San Felice in the Oltrarno district of Florence. The Brownings lived in the piano nobile apartment between 1847 and 1862. The New York Browning Society restored the apartment and then gave it to Eton College to be converted into a study centre. Casa Guidi is open to the public on Monday, Wednesday and Friday afternoons from 3-6pm between April and November.

The main square - Piazza Giuseppe Garibaldi - at Asolo in
the Veneto, which Browning made his home

Travel tip:

Robert Browning’s beloved Asolo is a hilltop town in the Veneto region of northern Italy. It is known as ‘the pearl of the province of Treviso’ and also as ‘the city of a hundred horizons’ because of its beautiful views over the countryside and the mountains. Browning published Asolando, a volume of poetry written in the town, in 1889 just before his death. The main road leading into the town is named Via Browning in his honour. One of the main sights is the Castle of Caterina Cornaro, which now houses the Eleonora Duse Theatre.

Also on this day:

1685: The birth of composer Lodovico Giustini

1901: Guglielmo Marconi receives the first transatlantic radio signal

1957: The birth of author Susanna Tamaro

1969: The Piazza Fontana bombing kills 17


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Gian Giorgio Trissino – dramatist and poet

Innovative playwright spotted the potential of Palladio

Vincenzo Catena's portrait of the
dramatist Gian Giorgio Trissino

Literary theorist, philologist, dramatist and poet Gian Giorgio Trissino was born on this day in 1478 in Vicenza.

As well as his contribution to Italian culture, Trissino is remembered for educating and helping Andrea di Pietro della Gondola, a young mason he discovered working on his villa in Cricoli, just outside Vicenza.

He took the young man on two visits to Rome that profoundly influenced his development into a great architect and he gave him the name Palladio, after the Greek goddess of wisdom, Pallas Athene.

Trissino had been born into a wealthy family and was able to travel widely, studying Greek in Milan and philosophy in Ferrara. He was part of Niccolò Machiavelli’s literary circle in Florence before he settled in Rome, where he associated with the humanist and poet, Pietro Bembo. He became a close friend of the dramatist, Giovanni Rucella, and served Popes Leo X and Clement VII.

Trissino’s most important dramatic work was the blank verse tragedy Sofonisba, published in 1524 and first performed in 1562.

Andrea Palladio was Gian
Giorgio Tressino's protégé

The play was based on a story about the Carthaginian wars by the Roman historian Livy. It employed the dramatic techniques of Sophocles and Euripides. It was the first time blank verse had been used extensively in Italian drama and many later European tragedies were modelled on it. The play was translated into French and performed in 1556 at the Château de Blois.

Trissino later wrote a verse comedy based on a work by the Roman playwright Plautus. He wrote the first Italian odes modelled on the verse of the Greek poet, Pindar, and the first Italian versions of the Horatian ode.

Trissino died in Rome in 1550. An edition of his collected works was published in Verona in 1729.

Vicenza's Piazza dei Signori

Travel tip:

Vicenza, where Gian Giorgio Trissoni was born, has become known as the city of his protégé, Andrea Palladio, and the buildings the great architect designed are all around the city. There is a statue of Palladio close to Piazza dei Signori, the main square. Palazzo del Valmarana and Loggia del Capitaniato are examples of his work that can be seen close to the centre.

Andrea Palladio worked as a stonemason on the Villa
Trissoni, which can be found at Cricoli, near Vicenza

Travel tip:

The Villa Trissoni is located at Cricoli, just outside the centre of Vicenza. Most of it was built in the 16th century and it is associated with Andrea Palladio, who worked on it as a mason. Since 1994 the villa has been part of a World Heritage Site designated to protect the Palladian buildings of Vicenza. Gian Giorgio Trissoni was personally responsible for organising the remodelling of the villa at Cricoli, which he had inherited from his father.

Read more:

Andrea Palladio - the world's famous architect

The poet who was Lucrezia Borgia's lover

Leo X - visionary Renaissance pope

More reading:

1593: The birth of painter Artemisia Gentileschi

1822: The death of the English poet Shelley

1918: American author Ernest Hemingway injured by Austrian mortar fire in the Veneto

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Giuseppe Parini – writer

Satirist avenged bad treatment though his poetry

The poet and satirist Giuseppe Parini was
 identified with the Age of Enlightenment

Poet and satirist Giuseppe Parini was born on this day in 1729 in Bosisio in Lombardy.

A writer associated with the Age of Enlightenment in Europe, he is remembered for his series of Horatian odes and for Il giorno - The Day - a satirical poem in four books about the selfishness and superficiality of the aristocracy in Milan.

The son of a silk trader, Parini was sent to Milan to study under the religious order, the Barnabites. In 1752 his first volume of verse introduced him to literary circles and the following year he joined the Milanese Accademia dei Trasformati - Academy of the Transformed - which was located at the Palazzo Imbonati in the Porta Nuova district.

He was ordained a priest in 1754 - a condition of a legacy made to him by a great aunt - and entered the household of Duke Gabrio Serbelloni at Tremezzo on Lake Como to be tutor to his eldest son.

Parini was unhappy there and felt he was badly treated, but he twice got his revenge on his employer through his writing. In 1757 he wrote his Dialogo sopra la nobilità, a discussion between the corpse of a nobleman and the corpse of a poet about the true nature of nobility. Later, in his masterpiece, the satirical poem, Il Giorno, he sent another powerful message.

The poem, which contained ironic instructions to a young nobleman about the best ways to spend his days, also marked an advance in Italian blank verse and established his literary reputation.

Mozart composed an operatic score for one of
Parini's plays, Asconio in Alba

As a result, Parini became editor of the Gazzetta di Milano and later, a humanities professor in the Palatine and Brera schools in Milan.

He met the young Wolfgang Amadeus Mozart in Milan, who composed an operatic score for Parini’s play, Ascanio in Alba. The opera was performed in 1771.

Parini held a Government post as a magistrate after the French took Milan in 1796 but then retired to continue writing.

Younger poets admired Parini for his morality and free thinking, in particular, Ugo Foscolo, who portrayed Parini as serious and dignified and criticised the rich town that he felt had forgotten him, in two of his poems.

Parini died in 1799 in Milan. His body was interred at the Mojazza Cemetery, not far from the Porta Garibaldi railway station.

Bosisio Parini sits on the shore of Lake Pusiano in the
Brianza, north of Milan

Travel tip:

Bosisio in the province of Lecco in Lombardy, where Parini was born, is now called Bosisio Parini in honour of the poet. A village of about 3,500 inhabitants, it is situated about 11 km (7 miles) southwest of Lecco on the shores of the Lake of Pusiano. The lakefront is named after the sports journalist Gianni Brera, who died in 1992.  Bosisio Parini is part of the area between Monza and Lake Como known as the Brianza, an area of outstanding natural beauty popular with Milan residents as a holiday or weekend destination.

The monument the poet Giuseppe Parini in Piazza Cordusio
in the heart of Milan's city centre

Travel tip:

In Piazza Cordusio in Milan there is a monument to Parini by the architect Luca Beltrami.  The piazza takes its name from the Cors Ducis (Ducal court) which was found in the square during Longobard times. Sometimes known as Piazzale Cordusio, it is well known for its turn-of-the-19th-century Neoclassical and Art Nouveau buildings, banks and post offices, such as the Palazzo delle Assicurazioni Generali, the Palazzo del Credito Italiano and the Palazzo delle Poste, as well as the former Borsa di Milano (former Milan Stock Exchange). The square hosts the Cordusio metro station and is the starting point of the elegant pedestrian Via Dante which leads to the imposing medieval Castello Sforzesco.

More reading:

Why Gaspara Stampa was the greatest female poet of the Renaissance

Carlo Goldoni, the Venetian playwright whose work still entrances audiences today

Giuseppe Gioachino Belli, the writer who satirised life in 19th century Rome

Also on this day:

1498: The execution of hellfire preacher Girolamo Savonarola 

1670: The death of Ferdinando II de' Medici, Grand Duke of Tuscany

1933: The birth of Sergio Gonella, the first Italian to referee a World Cup final


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