Giovanni Battista Viotti – violinist and composer

Brilliant musician wrote the melody for the Marseillaise

Giovanni Battista Viotti spent much of his
career in Paris and London

Violinist Giovanni Battista Viotti, who was to become court musician to Marie-Antoinette and composed 29 violin concertos, was born on this day in 1755 in Fontanetto Po in the region of Piedmont.

Among Viotti’s many compositions for the violin, string quartets and the piano, his violin concerto No. 22 in A Minor became particularly well known. 

He is also credited with having composed the original music of La Marseillaise, the national anthem of France, 11 years before it was officially published by another composer.

Viotti’s musical talent was spotted early and he was taken into the household of Principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education.

This prepared him to become a pupil of the virtuoso violinist and composer Gaetano Pugnani, while still a teenager, funded by the prince.

Viotti served at the Savoy court in Turin from 1773 to 1780, before travelling with Pugnani in Germany, Poland and Russia.

He went to France alone, where he made his debut as a violinist in 1782 in Paris.  He was an instant sensation and became court musician to Marie-Antoinette at Versailles.

Viotti established himself in France as a teacher and an opera impresario. He founded a new opera house, the Theatre de Monsieur, under the patronage of Louis-Stanislas-Xavier, comte de Provence, the King’s brother, whose title at court was ‘Monsieur’. Viotti put on the operas written by his friend, Luigi Cherubini, who he had introduced into French society.

Luigi Cherubini was a friend of Viotti, who
introduced him to French society

In 1792, after royal connections had become a dangerous liability because of the French revolution, Viotti went to London, where he put on Italian operas and played his own compositions for the violin in concerts.

He became a big success as a solo violinist, manager of Italian opera and an orchestra leader and director.  He was invited to perform in the houses of London’s elite, including the Prince of Wales.

When Britain went to war with France, Viotti came under suspicion of having Jacobin sympathies and was ordered to leave the country. He moved to Germany for three years, but returned to London to resume his wine business in 1801 and continued to perform and to compose music.

When his wine business failed, he went back to Paris, where he was director of the Italian opera from 1819 to 1822.  He then returned to London, where he died in 1824 at the age of 68.

Viotti is considered to be the founding father of the 19th century French violin school. Some of the people he taught had an influence on future virtuoso violinists, including Niccolò Paganini.

Viotti had owned a violin made by Antonio Stradivari and had commissioned at least one replica, which was bought by the Royal Academy of Music in 2005. The instrument is meant to be heard as well as seen and is played sparingly at occasional events.

His violin concertos are said to have been an influence on Ludwig van Beethoven.

Recent research has suggested that one of his compositions has a very strong resemblance to the music for the French hymn, La Marseillaise, which was published 11 years later.

Viotti is remembered every year at the Viotti International Music Competition and the Viotti Festival held near his birthplace in the province of Vercelli.

The Oratory of San Sebastian, built in the 11th century,
is a feature of the small town of Fontanetto Po

Travel tip:

Fontanetto Po, where Giovanni Battista Viotti was born, is in the province of Vercelli in the region of Piedmont, about 40 kilometres (25 miles) northeast of Turin and about 20 kilometres (12 miles) southwest of Vercelli. One of the main sights is the Oratory of Saint Sebastian, which was built in the 11th century and refurbished in the 15th century and still has some mid 15th century frescoes inside.

Piazza Cavour in the Piedmont town of Vercelli, where
Viotti is a celebrated figure

Travel tip:

Vercelli is a city in Piedmont situated between Milan and Turin. It is one of the oldest towns in northern Italy, founded in around 600 BC. Vercelli had the world’s first university funded by public money, which was established in 1228 and was the seventh university in Italy, but it closed in 1372. The city has an amphitheatre from the Roman period and seven towers. The main local dish is called panissa and is made from risotto rice and beans, with pork and red wine.

Also on this day:

1590: The birth of Cosimo II de' Medici, patron of Galileo

1893: The birth of World War One fighter pilot Silvio Scaroni

1993: The death of Olympic skiing champion Zeno Colò

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Mario Castelnuovo-Tedesco – composer

Versatile musician wrote for stringed instruments and for films

Mario Castelnuovo-Tedesco began composing music for the
piano when he was a boy, growing up in Siena

One of the most admired composers of the 20th century, Mario Castelnuovo-Tedesco, was born on this day in 1895 in Florence.

He composed more than 100 pieces of music for the guitar, many of them written for the Spanish guitarist Andrés Segovia.

Because of anti-semitism in Europe, Mario emigrated to the United States in 1939 where he went to work for Metro-Goldwyn-Mayer, composing music for about 200 films.

Mario was descended from a family of bankers that had lived in Siena since the Jews were expelled from Spain in the 16th century.

He was introduced to the piano by his mother and was composing music by the time he was nine years old. His mother recognised his musical talent and encouraged him to study the piano and composition under well-regarded musicians.

Mario came to the attention of the composer and pianist Alfredo Casella, who included some of his work in his repertoire and promoted him throughout Europe as an up-and-coming young composer.

Castelnuovo-Tedesco recognised the potential
of the guitar after meeting Segovia in 1932

In 1926, Mario’s first opera, La mandragola, was premiered. Based on a play by Niccolò Machiavelli, it was the first of his many works inspired by great literature.

Another source of inspiration for his music was his Jewish heritage. His violin concerto No 2, written in 1931 at the request of violinist Jascha Heifetz, showed his pride in his origins in the face of increasing anti-semitism in Europe.

Mario first met Segovia at the 1932 festival of the International Society of Contemporary Music in Venice, which prompted him to start writing for the guitar.

He went on to write about 100 compositions for the guitar, some dedicated to Segovia. He also composed concertos specifically for the cellist Gregor Piatigorsky.

By the 1930s, Mario was not only one of Italy’s leading contemporary composers, but also a sought-after pianist and an insightful critic.

But even before the Italian Racial Laws were introduced in 1938, Mario was banned from the radio and had performances of his works cancelled.

Listen to Castelnuovo-Tedesco's Opus 129 for guitar, played by the Tuscan guitarist Martina Barlotta

Conductor Arturo Toscanini and Heifetz both supported him in his bid to emigrate to the US and Mario left Italy with his wife and two sons on a ship from Trieste in July 1939 before the Second World War started.

Arturo Toscanini, who supported Castelnuovo-
Tedesco in his bid to reach the United States

He made his American debut performing his second piano concerto with the New York Philharmonic.

Mario went to Los Angeles to work as a composer of film music for Metro-Goldwyn-Mayer. He was also asked by Rita Hayworth to write the music for her 1948 film The Loves of Carmen released by Columbia pictures.

He taught many other film composers, including John Williams, Henry Mancini, Jerry Goldsmith, Nelson Riddle and Andre Previn.

Mario became a US citizen in 1946 but frequently visited Italy after the war.

In 1958 he won the Concorso Campari with his opera The Merchant of Venice, which was first performed in 1961 at the Maggio Musicale Fiorentino under the baton of Gianandrea Gavazzeni.

Mario Castelnuovo-Tedesco died in 1968 at the age of 72 in Beverly Hills. He is buried at Westwood Village Memorial Park cemetery.

A collection of his manuscripts was donated to the Library of Congress in Washington by his family in 2000. The Mario Castelnuovo-Tedesco Collection is now accessible online.

A tree-lined avenue within Florence's Parco delle Cascine.
which was once a hunting estate owned by the Medici

Travel tip:

Florence, where Mario Castelnuovo-Tedesco was born, has named a road after the composer. Fittingly it joins up with Via Arturo Toscanini, who was one of his close friends. The road is near Parco delle Cascine, a park on the north bank of the River Arno.  The origins of the park can be traced to 1563, when it was developed as a farming and hunting estate for the Medici family. It became a public park in the early 19th century.

The Piazza Unità d'Italia in the centre of Trieste, which was
Castlenuovo-Tedesco's starting point on his voyage to America

Travel tip:

Mario Castelnuovo-Tedesco left Italy in 1939 on board the SS Saturnia, which set sail from Trieste, a seaport that is the capital city of the Friuli-Venezia-Giulia region. Trieste lies in the northernmost part of the high Adriatic near the border with Slovenia and 30 kilometres north of Croatia. Over the centuries it has been ruled by the Romans, Venetians, French, Austrians, Germans and Yugoslavians. It officially became part of the Italian republic in 1954. Today, Trieste is a lively and cosmopolitan city and a major centre for trade and ship building. In 2012, Lonely Planet called Trieste ‘the world’s most underrated travel destination’. It is a fascinating place to visit because of the Venetian, Slovenian, Austrian and Hungarian influences in the architecture, culture and cuisine.

Also on this day:

1639: The birth of composer Alessandro Stradella

1881: The birth of politician Alcide De Gasperi

1899: The birth of supercentenarian Maria Redaelli

(Picture credits: Parco delle Cascine by Sailko; Piazza Unità by Diego Delso)


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Attilio Ariosti – composer

Musical friar was once a rival of Handel

Anthoni Schoonjans's portrait of Ariosti
hangs in Charlottenburg Palace in Berlin

Baroque composer Attilio Malachia Ariosti, who in later life became a rival of Handel in London musical circles, was born on this day in 1666 in Bologna.

He became a Servite Friar, known as Frate Ottavio, when he was 22, but he quickly obtained permission to leave the order and become a composer at the court of the Duke of Mantua and Monferrato.

During his life, Ariosti composed more than 30 operas and oratorios as well as many cantatas and instrumental works.

Ariosti became a Deacon in 1692 and then obtained the post of organist at the Church of Santa Maria dei Servi in Bologna.

His first opera, Tirsi, was performed in Venice in 1697 and that same year he was invited to travel to Berlin by Sophia Charlotte of Hanover, the Queen of Prussia. She was a great-granddaughter of James I of England and the daughter of the Electress Sophia of Hanover, a committed patron of the arts with a keen interest in music.

The Electress Sophia had been heir presumptive to the throne of the Kingdom of Great Britain and was waiting for the death of her first cousin once removed, Queen Anne, before travelling to Britain to claim her title.

Ariosti shared the directorship of the Royal Academy
of Music in London with his rival Handel (above)

But she died herself less than two month before she would have succeeded to the British throne and her eldest son, George Louis, Elector of Hanover, became King on the death of Queen Anne, ascending to the throne as George I on 1 August 1714.

While enjoying the hospitality of Queen Sophia Charlotte, Ariosti wrote the music for a number of stage works performed for the court in Berlin. He was court composer there for six years and a portrait of him by Anthoni Schoonjans still hangs in the Charlottenburg Palace.

When Ariosti was returning to his religious order, he stopped off in Vienna along the way, where he became a protégé of the Holy Roman Emperor Joseph I, who made the composer his General Agent in Italy.

Ariosti later went on to enjoy success in Paris and London. While in London he shared the directorship of the Royal Academy of Music with George Frideric Handel and Giovanni Bononcini. He was a great success when he played his favourite instrument, the viola d’amore, in a performance of Handel’s Amadigi di Gaula.

The viola d’amore is an alto instrument of the old viol family with special strings under the fingerboard and it has a delicate, mysterious sound. It was developed around the middle of the 17th century and was particularly popular in England.

Ariosti was a versatile musician and could
also sing and write drama

Ariosti became a virtuoso on this instrument and in 1724 he published A Collection of Cantatas and Lessons for the Viola d’Amour, which he sold by subscription. This publication is thought to have been the most successful sale of music by subscription during the 18th century.

Ariosti could also sing, write drama and play the violoncello and the harpsichord. But his preferred instrument was always the viola d’amore, for which he wrote 21 solo sonatas. These are usually known as the Stockholm Sonatas because the sole surviving sources for most of them are in the Statens Musikbibliotek in Stockholm in Sweden.

Experts say the Sonatas display Ariosti’s penchant for surprising harmonies, his inventive use of silence and his wit.

Ariosti’s last opera, Teuzzone, was performed in London in 1727.

There was a time when Ariosti was in competition with Handel to be the most successful composer, but his popularity did not last as long as the German’s and he eventually disappeared from the musical scene. It is not known with any certainty whether he was still in London when he died in around 1729.

A view of the Mantegna frescoes in the Camera degli
Sposi in the Palazzo Ducale in Mantua

Travel tip:

Ariosti served as court composer to Ferdinando Carlo Gonzaga, Duke of Mantua and Monferrato.  A lover of music, Ferdinando Carlo was the last Gonzaga to rule the Duchy. Mantua is an atmospheric old city, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, where Ariosti would have lived. The Palazzo in Piazza Sordello has a famous room, the Camera degli Sposi, which is decorated with frescoes by Andrea Mantegna.  Musical performances took place in the Galleria degli Specchi, which has the dimensions to accommodate a stage and orchestra and has space for a small audience.

The portico and facade of the Basilica di Santa Maria
dei Servi on Strada Maggiore in Bologna

Travel tip:

The Basilica di Santa Maria dei Servi, where Ariosti was once the organist, is in Strada Maggiore, one of the most important streets in Bologna. The church was founded in 1346 for the Servite Community of the Blessed Virgin Mary and was designed by Andrea da Faenza, a head friar who was also an architect. It is considered a fine example of Italian Gothic architecture.

Also on this day:

1702: The birth of painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1777: The birth of dancer and choreographer Filippo Taglioni

1898: The birth of Francesco Chiarello, survivor of two world wars



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Salvatore Di Vittorio – composer and conductor

Musician has promoted his native Palermo throughout the world

Salvatore Di Vittorio is the musical director and
 conductor of the Chamber Orchestra of New York

Salvatore Di Vittorio, founding music director and conductor of the Chamber Orchestra of New York, was born on this day in 1967 in Palermo in Sicily.

Also a composer, Di Vittorio has written music in the style of the early 20th century Italian composer, Ottorino Respighi, who, in turn, based his compositions on the music he admired from the 16th and 17th centuries.

Di Vittorio has been recognised by music critics as respectful of the ancient Italian musical tradition and also as an emerging, leading interpreter of the music of Ottorino Respighi.

He began studying music when he was a child with his father, Giuseppe, who introduced him to the operas of Giuseppe Verdi and Giacomo Puccini. He went on to study composition at the Manhattan School of Music and Philosophy at Columbia University.

He has since worked with orchestras all over the world and composed music for them to perform and has also taught music in New York.

In 2007, Di Vittorio was invited by Elsa and Gloria Pizzoli, Respighi’s great nieces, to edit and complete several of the composer’s early works, including his first Violin Concerto, composed in 1903.

Di Vittorio has been honoured by his
home city of Palermo

Di Vittorio premiered and then recorded his completed versions of Respighi’s music, along with his own Overtura Respighiana. The recordings were released in 2011.

He has also edited Respighi’s 1908 orchestration of Claudio Monteverdi’s Lamento di Arianna, from the 1608 opera, Arianna.

In November 2012, the critics acclaimed his neo-classical compositions after the world premiere of Di Vittorio’s Sinfoni No 3 Templi di Siciliana with the Orchestra Sinfonica Siciliana at the Teatro Politeama Garibaldi in Palermo.

He completed Respighi’s orchestration of the 1913 Tre Linche - Three Art Songs - in time for the 100th anniversary of the compositions in 2013.

In 2019, Di Vittorio completed the first printed edition of Respighi’s second violin concerto, ‘all’Antica.

Di Vittorio has been awarded the Medal of Palermo from Mayor Leoluca Orlando, in recognition of his contribution to promoting the city of Palermo around the world.

Ottorino Respighi was the inspiration
for Di Vittorio's music

In 2016, Di Vittorio became the first Italian-born composer to be invited to donate an autograph manuscript of his work to the Morgan Library and Museum’s world-renowned music archive. He composed La Villa d’Este a Tivoli in 2015 for the Morgan on the occasion of its exhibition, City of the Soul: Rome and the Romantics.

In June 2019, Di Vittorio recorded a second album of his music, which included several world premiere recordings and his new, fourth symphony.

He has said he is fascinated by storytelling in music and is known for his lyrical, symphonic poems, which are often inspired by classical antiquity and show connections to the Italian Renaissance and Baroque periods.

Di Vittorio lives with his family in both Palermo and New York.

Mount Etna, still an active volcano, is a dominant
presence in the east of the island of Sicily

Travel tip:

Sicily is the largest island in the Mediterranean, just off the toe of Italy’s boot. The ancient ruins, diverse architecture and wonderful cuisine enjoyed by visitors are all testament to the island’s colourful history. Watching over the island is Mount Etna, a volcano that is still active. The capital city, Palermo, where Salvatore di Vittorio was born, has a wealth of beautiful architecture, plenty of shops and markets and is home to the largest opera house in Italy, the Teatro Massimo.

The Teatro Politeama Garibaldi in Palermo staged the world
premiere of Di Vittorio's Sinfoni No 3 Templi di Siciliana

Travel Tip:

The Teatro Politeama Garibaldi, where Salvatore Di Vittorio conducted the Orchestra Sinfonica Siciliana playing his Sinfoni No 3 Templi di Siciliana on the occasion of its world premiere, is in Piazza Ruggero Settimo in the historic centre of Palermo. It is the second most important theatre in the city, after the Teatro Massimo. The theatre was inaugurated as the Teatro Municipale Politeama in 1874, but after the death of Giuseppe Garibaldi in 1882, it was decided to name the theatre after him. The theatre was finally completed in 1891 and opened by King Umberto I and Queen Margherita, who were treated to a performance of Giuseppe Verdi’s Otello, featuring the tenor Francesco Tamagno., who had sung Otello in the first performance of the opera in 1887.

Also on this day:

1885: The birth of tenor Giovanni Martinelli

1965: The birth of actress Valeria Golino

1968: Soave is awarded DOC status


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Francesco Pistocchi – singer and composer

Child prodigy who wrote many operas and also taught

A 19th century bust of Pistocchi on display at
the Biblioteca della Musica in Bologna.

Francesco Pistocchi, a singer who became known to audiences as Pistocchino, died on this day in 1726 in Bologna.

Pistocchi left the world many operas, oratorios and cantatas he had composed, which are now highly regarded for their melodic elegance and colourful harmony.

Born Francesco Antonio Mamiliano Pistocchi in Palermo in 1659, Pistocchi became a child prodigy because of his beautiful soprano voice. He began performing as a singer in public at the age of three and the first music he composed, Capricci puerili, was published when he was just eight years old.

Believed to have become a castrato, Pistocchi made regular appearances as a singer in Bologna’s cappella musicale at the Basilica of San Petronio, where his father was a violinist, from 1670 onwards.

He later had a brilliant opera career as a contralto, touring in Italy and Germany and serving at the court in Parma in the 1680s.

His opera, Il leandro, was premiered at Teatro alle Zattere in Venice in 1679.

The famous castrato Farinelli's teacher was
a former pupil of Pistocchi 

In 1696 Pistocchi became Court Kapellmeister for the Duke of Ansbach in Germany. His operas, Il Narciso and Le pazzie d’amore e dell’interesse, were presented in Ansbach in the late 1690s and another of his works, I rivali generosi, was premiered in Reggio Emilia in 1710.

After Pistocchi returned to live in Italy in 1702 he was named virtuoso di camera e di cappella to Prince Ferdinand of Tuscany.

Towards the end of his life, Pistocchi taught singing in Bologna. Among his notable pupils were Antonio Bernacchi, a castrato, and Annibale Pio Fabri, a tenor. Bernacchi later taught the famous castrato, Farinelli. Through his students, and their further pupils, much of Pistocchi’s skill and knowledge was passed on to the famous singers of the 18th century.

He was elected president of the Accademia Filarmonica twice, in 1708 and 1710, but after his voice began to deteriorate, Pistocchi closed his singing school. He was ordained a priest in 1715 in the Oratorian Order founded by San Filippo Neri in Bologna.

Pistocchi died in Bologna in 1726.

A recording of Pistocchi’s Oratorio, Il Martirio di San Adriano, was released by Pan Classics in 2013.

The Basilica di San Petronio, with its unfinished facade, is
the largest brick-built Gothic church in the world

Travel tip:

The Basilica di San Petronio, where Pistocchi sang in the cappella musicale in the 1670s, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest brick-built Gothic church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The facade was designed by Domenico da Varignana and started in 1538 by Giacomo Ranuzzi but was never finished. The main doorway was decorated by Jacopo della Quercia of Siena with scenes from the Old Testament on the pillars, eighteen prophets on the archivolt, scenes from the New Testament on the architrave, and a Madonna and Child, Saint Ambrose and Saint Petronius on the tympanum.

The Oratory of San Filippo Neri
was reconstructed after the war

Travel tip:
The Oratory of San Filippo Neri in Bologna, where Pistocchi took religious orders, is a late baroque building in Via Manzoni. It was constructed from the sacristry of the adjacent church, which is now known as the Chiesa dei Filippini Madonna di Galliera e Filippo Neri. The Oratory was suppressed in 1866 and the building was for a time used as a barracks. It was badly damaged by Allied bombing during the Second World War but was faithfully reconstructed using old photographs in 1997.



More reading:

How Farinelli became music's first superstar

Senesino, the castrato who worked with Handel

Why a teacher of the finest 18th century singers died in poverty

Also on this day:

1804: The birth of Venetian revolutionary Daniele Manin

1909: The first Giro d'Italia leaves Milan

1938: The birth of former prime minister Giuliano Amato





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Ferdinando Carulli - classical guitarist and composer

Neapolitan wrote first guide to playing the instrument

Ferdinando Carulli was born in Naples but spent much of
his life in Paris, where he taught and composed guitar music

The composer Ferdinando Carulli, who published the first complete method for playing the classical guitar as well as writing more than 400 works for the instrument, was born on this day in 1770 in Naples.

Carulli was also influential in changing the design of the guitar, which had a smaller body and produced a less resonant sound when he started out, to something much more like the classical guitars of today.

The son of an intellectual advisor to the Naples Jurisdiction, Carulli first trained as a cellist and received instruction in musical theory from a local priest.

He became interested in the guitar in his 20s and became so enthusiastic about the instrument he decided to devote himself to it entirely.  The guitar was little played and there were no guitar teachers in Naples in the late 18th century, so Carulli had to devise his own method of playing.

In time, he began to give concerts in Naples, playing some pieces of his own composition. These were popular, attracting large audiences who enjoyed the different sound that the guitar produced.

Carulli did much to make
the guitar widely popular

This encouraged Carulli to venture further afield and he engaged on a tour of Europe. He met his future wife, Marie-Josephine Boyer, in France. They married in around 1801 and had a son, Gustavo.  Carulli moved with his family to Milan, where he began to publish some of his works, but it was not long before they decided to settle in Paris, which was then seen as the capital of the music world.

Carulli became both a successful musician and teacher in Paris, attracting other guitarists from across Europe to join him in the French capital, helping him fulfil his ambition of making guitar music fashionable and popular, even in such a challenging environment. Members of the Parisian nobility would come to him for lessons. Filippo Gragnani, another Italian guitarist, with whom he collaborated on some pieces, devoted a number of duets to Carulli.

It was in Paris that Carulli wrote his method of classical guitar, entitled Harmony Applied to the Guitar. The book was hugely popular and many editions were published. His most influential work, Method, Op. 27, published in 1810, is still used widely today in training students of the classical guitar.

The guitar Carulli would have first played would have had
five pairs of strings, similar to this one

Later in life, Carulli worked with the instrument makers Antonio de Torres Jurado and Pierre René Lacôte in introducing significant changes for improving the sound of the guitar.

By the early 19th century, the guitar had evolved from a shallow lute-like instrument with five pairs of strings to something more closely resembling the guitars of today, with a long neck and circular sound hole in the middle, and with a deeper body providing greater resonance of sound. Early guitars produced a sound more like that of a violin.

Carulli died in Paris in February 1841, eight days after his 71st birthday.

The Conservatorio di Musica San Pietro a Majella in Naples
was established during Napoleonic rule of the city

Travel tip:

The famous Conservatorio di Musica San Pietro a Majella in Naples evolved from four institutions set up in the 16th century with the prime purpose of providing a refuge for orphan children.  The name ‘conservatorio’ relates to this original purpose, which was to conserve the lives of the children.  The oldest was the orphanage of Santa Maria di Loreto, situated in the poor fisherman’s district of the city. These institutions aimed to provide tuition in various skills, including music.  In time they acquired such a good reputation for providing a musical education that they began to be seen as music colleges primarily, and Naples eventually became one of the most important centres for musical training in Europe, nicknamed the “conservatory of Europe". Under the rule of Joachim Murat, the French cavalry leader Napoleon installed as King of Naples for a short period in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.

Look for a hotel in Naples with Booking.com

The Teatro di San Carlo in Naples
adjoins the Royal Palace

Travel tip:

The most famous musical venue in Naples is the Teatro di San Carlo opera house in Via San Carlo, directly adjoining the Royal Palace. It is the oldest continuously active venue for public opera in the world, having opened in 1737, decades before both the Milan's Teatro alla Scala (La Scala) and Venice's Teatro La Fenice.  It is less known that there is smaller theater inside the Royal Palace, often used by the Neapolitan ballet company. Among the resident composers and musical directors in the 19th century, as the venue’s prestige grew, were Gioachino Rossini and Gaetano Donizetti.  One name readily associated with San Carlo is the great tenor, Enrico Caruso, although the Naples-born star in fact did not appear there after 1901, having taken umbrage at being booed by a section of the crowd during a performance of Donizetti’s L’elisir d’amore.


More reading:

Antonio Janigro - the cellist who found accidental fame in Yugoslavia

How Luigi Boccherini popularised cello music in the 18th century

How Domenico Sarro's opera was given historic status as the first to be played at Teatro San Carlo

Also on this day:

1621: Alessandro Ludovisi becomes Pope Gregory XV

1891: The birth of politician Pietro Nenni

1953: The birth of boxing world champion Vito Antuofermo

1953: The birth of tragic missionary Ezechiele Ramin

(Picture credits: Conservatorio by Armando Mancini; Teatro di San Carlo by Radomil)

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Giulio Caccini - composer

16th century singer who helped create opera genre

Giulio Caccini was at the forefront
of a new musical movement

The singer and composer Giulio Caccini, who was a key figure in the advance of Baroque style in music and wrote musical dramas that would now be recognised as opera, was born on this day in 1551.

The father of the composer Francesca Caccini and the singer Settimia Caccini, he served for some years at the court of the Medici family in Florence, by whom he was also employed, as a somewhat unusual sideline, as a spy.

Caccini wrote the music for three operas and published two collections of songs and madrigals.  His songs for solo voice accompanied by one musical instrument gained him particular fame and he is remembered now for one particular song, a madrigal entitled Amarilli, mia bella, which is often sung by voice students.

Caccini is thought to have been born in Tivoli, just outside Rome, the son of a carpenter, Michelangelo Caccini, from Montopoli, near Pisa.  His younger brother, Giovanni, became a sculptor and architect in Florence.

He developed his voice as a boy soprano in the prestigious Cappella Giulia at St. Peter’s basilica in Rome, studying under maestro di cappella Giovanni Animuccia.  Subsequently, he was invited to Florence by Prince Francesco de’ Medici to perform at his wedding to Johanna of Austria.

The title page of Caccini's collection
Le Nuove Musiche, published in 1601

Caccini would for the most part remain in Florence for the rest of his life.  By the late 1570s, he was established as a tenor in the Medici court and accompany himself on the viol or the archlute. He took part in the elaborate musical, dramatic, visual spectacles known as intermedi that were the precursors of opera.

He became part of a movement of humanists, writers, musicians and scholars known as the Florentine Camerata, which was dedicated to restoring public appreciation of ancient Greek dramatic music. It was the Camerata who developed the new concept of monody—an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments.

Caccini became a teacher as well as a singer and composer, training dozens of musicians to sing in the new style, including the castrato Giovanni Gualberto Magli, who sang in the first production of Monteverdi's first opera Orfeo.

He also acquired a reputation as a man driven by jealousy, envy and greed. To advance his position within the Medici court, for example, he spied on behalf of Pietro de’ Medici on Pietro’s wife, Eleonora di Garzia da Toledo, and uncovered an affair, which led an enraged Pietro to murder his wife and have her lover killed.

In 1584, he married another singer, Lucia di Filippo Gagnolanti, with whom he had his two daughters, Francesca and Settimia.

Pietro de' Medici, the prince who employed
Caccini to spy on his unfaithful wife

Caccini helped create musical entertainments for the weddings of two Medicis in the late 1580s.  In the first, the marriage of Virginia de’ Medici and Cesare d’Este in 1586, and of Grand Duke Ferdinando I de’ Medici and Christine of Lorraine in 1589.

He continued to be employed by Ferdinando until he lost his job in 1593 after a fight with one of his students. His wife, Lucia, died in the same year.

Caccini was known for his intense rivalry with fellow composers Emilio de' Cavalieri and Jacopo Peri. There are suspicions that it was Caccini who arranged for a furious Cavalieri to be removed from his post as director of festivities for the wedding of Henry IV of France and Maria de' Medici in 1600, while in response to hearing that Peri was working on a opera production of Euridice, based on the Greek myth of Orpheus and Eurydice, he hurriedly wrote his own version of the same story and ordered the singers under his charge to have nothing to do with Peri's production.

By around 1603, Caccini had established a singing group consisting of his daughters Francesca and Settimia, his illegitimate son Pompeo, and his second wife, Margherita di Agostino Benevoli della Scala. The group became very famous and, in 1604, were invited to France by Maria de' Medici.  Francesca was offered a position at the French court but could not accept because of the Florentine court’s refusal to release her.

After his return to Florence, Caccini continued  to write music for court celebrations, especially weddings, while trying to find husbands for his daughters.

In the last years of his life, Caccini was in trouble again in 1615 for fighting with the son of a famed singer and was placed under house arrest. Thereafter his health began to decline and he died in December 1618. He is buried in the Basilica of Santissima Annunziata in Florence.

The Arch of Castruccio and the Tower of San Matteo, in the
background, are echoes of Montopoli Val d'Arno's history

Travel tip:

Montopoli Val D’Arno, where Caccini’s father was born, is a small town on the banks of the Arno river about 40km (25 miles) southwest of Florence and about 30km (19 miles) east of Pisa, roughly halfway between Florence and the mouth of the Arno at Marina di Pisa. It is a town largely of medieval origins, which was regular fought over by Lucca, Pisa and Florence because of its strategic position. The remains of a fortress, the best preserved of which are the Tower of San Matteo and the Arch of Castruccio are worth a visit.  The area is blessed with a beautiful landscape and an economy based culture based on agriculture, arts and crafts and other traditional industries of Tuscany.

Giovanni Caccini's facade of the church of Santissima Annunziata

Travel tip:

The Basilica della Santissima Annunziata, where Caccini is buried, is a Renaissance-style minor basilica in Florence, located on the square of the same name, just over a kilometre’s walk north of the Piazza della Signoria. Built between 1469 and 1481 on the site of a pre-existing church by Leon Battista Alberti, it was refurbished in Baroque-style in the 17th century. The facade of the church, of semi-circular arches mounted on columns, was added in 1601 by Giulio Caccini’s brother, Giovanni, imitating the Renaissance-style of Brunelleschi's facade of the Foundling Hospital.

More reading:

Francesca Caccini and the oldest surviving opera composed by a woman

How Jacopo Peri gave the world its first opera

The Medici daughter who became the queen of France

Also on this day:

1881: The birth of Vincenzo Peruggia - the thief who stole the Mona Lisa

1957: The birth of footballer Antonio Cabrini



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Giovanni Antonio Giay – composer

Opera composer also wrote religious music for the Savoy family

Charles Emmanuel III of Savoy, who invited Giay
 to become maestro di cappella at the royal chapel

Opera and music composer Giovanni Antonio Giay was born on this day in 1690 in Turin.

A protégée of Charles Emmanuel III of Savoy, Giay sometimes spelt Giai or Giaj, wrote 15 operas, five symphonies and a large quantity of sacred music for the royal chapel of Turin Cathedral.

Giay’s father, Stefano Giuseppe Giay, who was a chemist, died when Giovanni Antonio was just five years old.

At the age of ten, Giovanni Antonio became the first member of his family to study music when he entered the Collegio degli Innocenti at Turin Cathedral to study under Francesco Fasoli.

Giay’s first opera, Il trionfo d’amore o sia La Fillide, was premiered at the original Teatro Carignano during the Carnival of 1715.

At the invitation of Charles Emmanuel III of Savoy, Giay became maestro di cappella at the royal chapel in Turin in 1732, succeeding Andrea Stefano Fiore.

Charles Emmanuel III liked art and music and reintroduced feasting and celebrations in Turin that had previously been abolished by his predecessors.

Giay's son, Francesco Saverio, took
over his father's role in Turin

The composer produced a great deal of religious music for the chapel but continued to write opera as well.

His intermezzo, Don Chisciotte in Venezia, which was written in about 1748, had lyrics by Giuseppe Baretti, a controversial poet and writer from Turin, who was later tried for murder in London.

The lyrics feature Miguel Cervantes’ characters Don Quixote and Dulcinea, with the action taking place during the carnival of Venice.

Giay remained in the post of maestro di cappella for 26 years until his death in 1764 in Turin.

He was succeeded as maestro by his son, Francesco Saverio Giay, who went on to hold the post for the next 34 years.

Turin Cathedral, where Giay studied and was later
appointed maestro di cappella

Travel tip:

Turin Cathedral, where Giay studied music and was maestro di cappella, was built between 1491 and 1498 in Piazza San Giovanni in Turin. The Chapel of the Holy Shroud, where the Turin Shroud is kept, was added in 1668. Some members of the House of Savoy are buried in the Duomo while others are buried in the Basilica di Superga on the outskirts of the city.

Teatro Carignano is believed to be
 more than 300 years old

Travel tip:

Teatro Carignano in Turin, where Giay’s first opera had its premiere, is one of the oldest and most important theatres in Italy and is believed to date back to 1711, although it has been rebuilt several times over the centuries. Today it is owned by the city of Turin and is used mainly to stage plays. The main entrance is in Piazza Carignano in the heart of ‘royal’ Turin.

Also on this day:

1611: The birth of Baroque artist Antonio Cifrondi

1956: The death of Corrado Alvaro, award-winning writer and journalist

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Domenico Bartolucci – composer

Talented musician served under six popes

Cardinal Domenico Bartolucci

Cardinal Domenico Bartolucci, director of the Sistine Chapel Choir for 40 years and a talented and prolific composer, was born on this day in 1917 in Borgo San Lorenzo in Tuscany.

Bartolucci was considered one of the most authoritative interpreters of the works of composer Giovanni Pierluigi da Palestrina and he led the Sistine Chapel Choir in performances all over the world.

His own compositions are said to fill more than 40 volumes and include masses, hymns, madrigals, orchestral music and an opera.

Bartolucci was born in Borgo San Lorenzo near Florence, the son of a brick factory worker who loved the music of Verdi and Donizetti. Bartolucci was recruited as a singer at the seminary in Florence at a young age. After the death of his music master, Bartolucci succeeded him as director of music for the Chapel of the Duomo of Florence and began to compose masses, motets and organ music.

Bartolucci went to Rome to deepen his knowledge of sacred music and served as deputy master of the choir at the Church of St John Lateran. In 1947 he was appointed Master of the Choir of St Mary Major, and in 1952 was appointed deputy master of the Sistine Chapel Choir.

Bartolucci was director of the Sistine Chapel Choir from
1956 until his retirement in 1996

Pope Pius XII gave him the position of permanent director of the Pontifical Sistine Chapel Choir in 1956. During his 40 years of leadership he strengthened the choir and took it to perform in countries all over the world.

Bartolucci had been a child prodigy and composed his first mass at the age of 12. His best known mass is the Misa Jubilei, written in the Holy Year of 1950. His biggest musical influences were Palestrina and the opera composer, Giuseppe Verdi. Bartolucci’s own three-act opera, Brunelleschi, dedicated to the history and construction of Filippo Brunelleschi’s colossal dome atop Florence’s cathedral, is yet to be performed.

Pope Benedict XVI created Bartolucci a cardinal in 2010 in recognition of his contribution to the church in the area of sacred ecclesiastical music. He became the fourth oldest member of the College of Cardinals and because he was over 80 was not eligible to vote in a papal conclave.

Bartolucci died in 2013 at the age of 96. After his funeral mass at St Peter’s Basilica, Pope Francis described him as ‘an ‘illustrious composer and musician, who exercised his long ministry particularly through sacred music, which is born of faith and expresses faith.’

The unusual campanile at the church of
Pieve di San Lorenzo

Travel tip:

Borgo San Lorenzo, the birthplace of Bartolucci, is the largest of the towns and villages of the Mugello, the green, hilly area to the north and west of Florence. The Romanesque church of Pieve di San Lorenzo has a campanile that is circular in its lower stages and hexagonal above. Nearby are the Medici properties of Castello del Trebbio and the Villa di Cafaggiolo, both built for Cosimo il Vecchio in the 15th century.

Travel tip:

The Sistine Chapel, whose choir Bartolucci led for 40 years, is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Between 1508 and 1512, Michelangelo painted the ceiling at the request of Pope Julius II.  His amazing masterpiece is in bright colours, easily visible from the floor, and covers more than 400 square metres.

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Carlo Gesualdo – composer

Madrigal writer was also a murderer

Carlo Gesualdo devoted himself to music
from an early age

Carlo Gesualdo da Venosa, who composed highly experimental music for his time, was born on this day in 1566 in the principality of Venosa, then part of the Kingdom of Naples.

He was to become known both for his extraordinary music and for the brutal killing of his first wife and her aristocratic lover after he caught them together.

Gesualdo was the nephew of Carlo Borromeo, who later became Saint Charles Borromeo. His mother, Geronima Borromeo, was the niece of Pope Pius IV.

Although Gesualdo was sent to Rome to begin an ecclesiastical career, he became heir to the principality after his older brother died. He married his cousin, Donna Maria D’Avalos, and they had a son, Emanuele.

Gesualdo was devoted to music from an early age and mixed with musicians and composers, learning to play the lute, harpsichord and guitar.

Donna Maria began an affair with Fabrizio Carafa, Duke of Andria and Count of Ruova, and one night in 1590 Gesualdo caught them in flagrante at the Palazzo San Severo in Naples. He killed them both on the spot.

A delegation of officials from Naples inspected the room where they were killed and found the corpses were mutilated.

The Palazzo San Severo, where Gesualdo murdered his
wife and her aristocratic lover

Witnesses said he had returned to the room to make certain they were dead. But the court decided Gesualdo had not committed a crime.

After Gesualdo’s father died, he became Prince of Venosa and Count of Conza. He arranged to marry Leonora d’Este and travelled to the Este court at Ferrara.

At the time the court was a centre of musical activity and the madrigal was popular. Surrounded by some of the finest musicians in Italy, Gesualdo wrote his first book of madrigals, having worked with three renowned female singers.

Back at his castle in the town of  Gesualdo, in the province of Avellino, he established a group of resident singers and musicians to perform his music, both sacred and secular, which he later published with a printer in Naples.

Listen to one of Gesualdo's best-known madrigals

His relationship with his second wife was poor and she spent a lot of time away. His son by his second marriage died in 1600.

Gesualdo began to suffer from depression and it has been claimed he asked his servants to beat him regularly. He died alone at his castle three weeks after the death of his eldest son, Emanuele, in 1613.

The church of Gesu Nuovo in Naples, where Carlo
Gesualdo was buried after his death in 1613

He was buried in the chapel of Saint Ignatius, in the church of Gesu Nuovo in Naples. His tomb was destroyed in the earthquake of 1688 and covered over when the church was rebuilt. The composer now lies beneath the church, but his burial plaque is still visible.

It has been said the the guilt he felt over the murders he committed was expressed through his music, which was among the most experimental of the Renaissance. Similar music was not composed again until the 19th century.

Gesualdo’s most famous works are his six books of madrigals, but his music and life story has inspired other music, operas and books.  The Music Conservatory in Potenza is named the Conservatoria di Musica Carlo Gesualdo da Venosa in his honour.

The Aragonese Castle in Venosa, built in 1470, which
Gesualdo turned into a residence 

Travel tip:

Venosa, where Carlo Gesualdo was born, is in the province of Potenza in Basilicata. One of the main sights is the Aragonese Castle, built in 1470, which he turned into a residence. It now houses the National Museum of Venosa and a collection of Roman artefacts. The nearby Archaeological Area of Notarchirico covers the Palaeolithic period with eleven layers dating from 600,000 to 300,000 years ago. Remains of ancient wildlife, including extinct species of elephants, bisons and rhinoceroses, have been found, as well as a fragment of a femur from the Homo erectus species of ancient humans.

Hotels in Venosa from Booking.com

The town of Gesualdo in Campania, which is called 'the city
of the prince of musicians' in honour of Carlo Gesualdo

Travel tip:

Gesualdo, in the province of Avellino in Campania, is called ‘the city of the prince of musicians’ in honour of the composer, who wrote madrigals at the castle, which he transformed from a fortress into a palace able to accommodate writers, such as Torquato Tasso, and musicians.

More reading:

How Carlo Borromeo led moves to stop the spread of Protestantism

Luca Marenzio, the madrigal writer who influenced Monteverdi

Salomone Rossi, the leading Jewish composer of the Renaissance

Also on this day:

La Festa della Donna - International Women's Day

1949: The birth of evergreen singer-songwriter Antonello Venditti

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