Ivanoe Bonomi – statesman

Liberal socialist was a major figure in transition to peace in 1945

Ivanoe Bonomi was prime minister
of Italy on two occasions

The anti-Fascist politician Ivanoe Bonomi, who served as prime minister of Italy both before and after the dictator Benito Mussolini was in power, died on this day in 1951.

He was 77 but still involved with Italian political life as the first president of the Senate in the new republic, an office he had held since 1948.

Bonomi had briefly been head of a coalition government in 1921, during which time he was a member of one of Italy’s socialist parties, but his major influence as an Italian statesman came during Italy’s transition to peace after the Second World War.

Having stepped away from politics in 1922 following Mussolini’s March on Rome, he resurfaced almost two decades later when he became a leading figure in an anti-Fascist movement in 1942.  He founded a clandestine anti-Fascist newspaper and became a member of an elite committee who would meet in the Seminario Romano, which was owned by the Vatican and therefore considered neutral territory.

Bonomi was one of a number of political figures who urged the King, Victor Emmanuel III, to abandon Italy’s alliance with Germany and remove Mussolini from office.  After Mussolini was arrested in 1943, and by then a member of the Liberal Party, Bonomi became part of the new government led by Marshal Pietro Badoglio, chairing the National Liberation Committee.

He was appointed prime minister for a second time, in succession to Badoglio, in 1944, because he was seen as a moderate and had the approval of the Allies.

King Victor Emmanuel III

His premiership lasted one year, ending when he tended his resignation in June 1945 after the liberation of northern Italy from the Germans, two months after Mussolini, who had been freed from house arrest in the Gran Sasso raid, was executed by Italian partisans.

Bonomi remained a key figure on the path to peace, however, as one of three Italian negotiators at the talks that led to the 1947 Paris Peace Treaty.  

Born in Mantua in 1873, Bonomi obtained degrees in natural sciences and law and after a short period in teaching he turned to journalism, writing for the socialist newspaper Avanti and other left-leaning publications.

He joined the Italian Socialist Party and was elected to the Chamber of Deputies in 1909, representing Mantua, yet he was expelled from the party in 1912, partly because he was an advocate of reform and moderation, but mainly because of his support for the Italian invasion of Libya, which he hoped would create new economic opportunities for Italians and stem the migration to North America and other European nations.

Bonomi then joined the Italian Reformist Socialist Party, and supported Italy's participation in the First World War on the side of the Triple Entente.  He volunteered for the army.

He entered government as minister of public works from 1916 until 1917 under the Liberal prime minister Paolo Boselli and was minister of war in the government led by the Radical Party's Francesco Nitti and the Liberal Giovanni Giolitti from 1920 until 1921, helping to negotiate a treaty with Yugoslavia via the Treaty of Rapallo.

Bonomi's moderate views made him an
acceptable post-War prime minister

After becoming treasury minister under Giolitti, he became prime minister of Italy for the first time – the first socialist to hold the post – in a coalition government, although the grouping collapsed after seven months and he was replaced Luigi Facta, another Liberal and the last prime minister before the Fascist insurgency seized power.

Unable to prevent the rise of Fascism and amid an atmosphere in which opponents of Mussolini were subjected to intimidation and sometimes violent attacks, Bonomi chose to withdraw from public life and concentrate on historical studies.

He attracted criticism for appearing to be a weak figure at the time but risked his own safety by joining forces with other opponents of Fascism during the war, narrowly escaping arrest when a Fascist military unit raided the Seminario Romano, in violation of Germany’s purported respect for the sovereignty of the Holy See.  Bonomi was among 110 anti-Fascists who were inside the seminary. Most escaped, although 18 were captured.

The Palazzo della Ragione in Piazza delle Erbe in Mantua

Travel tip:

Mantua has been made effectively safe ever from being spoilt by progress by the three artificial lakes created almost 1,000 years ago that form a giant defensive moat around the Lombardy city. It means that little has changed about Mantua in centuries, its dimensions and its population remaining almost constant. Italians refer to it as La Bella Addormentata – the Sleeping Beauty. It’s architecture is the legacy of the Gonzaga family, who ruled the city for 400 years and built the Palazzo Ducale – Ducal Palace – which is not so much a palace as a small town, comprising a castle, a basilica, several courtyards, galleries and gardens. At the centre of the town, life revolves around Piazza delle Erbe, an old marketplace with arched porticoes, fashion shops and lively bars, and Piazza Sordello, with grand palaces and a white marble Baroque cathedral.

The Seminario Romano provided shelter for anti-Fascists

Travel tip:

The creation of a seminary in Rome for the education of priests was promoted by Pope Pius IV and Cardinal Carlo Borromeo, his nephew. The Seminario Romano, in Piazza di San Giovanni in Laterano, was housed in several buildings until 1607, when it was moved to a palace belonging to the Gabrielli family. In 1824 Pope Leo XII assigned the building to the reconstituted Jesuit Order and it is now a residence for Jesuit priests and brothers studying for advanced academic degrees.

More reading:

How Mussolini had his own son-in-law executed

The Fascist thugs who murdered socialist politician Giacomo Matteotti

Alcide de Gasperi - the prime minister who rebuilt Italy

Also on this day:

1949: The birth of politician Massimo d'Alema, Italy's first communist prime minister

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Canaletto - Venetian painter

Brilliant artist known for beautiful views of Venice

Giovanni Antonio Canal - Canaletto

The Venetian artist Giovanni Antonio Canal – better known as Canaletto – died on this day in 1768 in the apartment in Venice in which he had lived for most of his life.

He was 70 years old and according to art historian William George Constable he had been suffering from a fever caused by a bladder infection.

His death certificate dated April 20 indicated that he died la notte scorsa all’ore 7 circa – ‘last night at about seven o'clock’. He was buried in the nearby church of San Lio in the Castello district, not far from the Rialto bridge.

Canaletto was famous largely for the views he painted of his native city, although he also spent time in Rome and the best part of 10 years working in London.

His work was popular with English visitors to Venice, in particular. In the days before photographs, paintings were the only souvenirs that tourists could take home to remind them of the city’s beauty.

Unlike his contemporary, and sometime pupil, Francesco Guardi, whose paintings were a romanticised vision of the city, Canaletto did not feel the need to embellish what he saw.  His works, therefore, were notable for their accuracy.

A Canaletto painting of St Mark's Square looking towards
the clock tower on the northern side

His paintings would begin with a drawing made on the spot, which he would reproduce on canvas in his studio. Canaletto was known to use the camera obscura – a darkened box with a pinhole in which the view is caught and reflected by lenses and mirrors onto a sheet of drawing paper, enabling the artist to trace the outlines of the reflected image as an aid to perspective.

In the studio, he would cut lines into the canvas so that he could accurately reproduce the shape and size of the buildings he had sketched, returning to the scene to add detail and colour by painting ‘from nature’ – in the open air.

Famous for his sweeping scenes of wide canals and water pageants, and for capturing the grandeur of the Doge's Palace and St Mark’s, Canaletto did not confine himself only to the most popular views. He appreciated the beauty created by sunlight illuminating the stone of the buildings and the terracotta roofs, creating different shades of colour depending on the time of day.

Yet he also recognised a different side to his city, as depicted in one of his early paintings, The Stonemasons’ Yard, in which the figures are peasant workers engaged in hard physical work, the buildings scruffy and dilapidated, the sky grey and overcast.

Canaletto's early work The Stonemasons' Yard contrasted
with the 'picture postcard' views for which he became famous

Born in 1697, Giovanni was the son of a painter, Bernard Canal, who made a living making scenery for the theatre. He began as an apprentice in his father’s workshop and became known as Canaletto – literally ‘little Canal’.

He went to Rome to study and was very impressed with the work of Giovanni Paolo Pannini, who painted the daily life of people in his own city, and returned in 1719 eager to become of the Pannini of his own city.  The first painting known to have been signed by Canaletto was dated 1723.

He owed much of his commercial success to the wealthy English merchant, Joseph Smith, later to be the British Consul in Venice, who bought many of Canaletto’s paintings to hang in his own houses, or to sell on to other wealthy Englishmen. He effectively became Canaletto’s agent, often arriving with commissions to paint particular views.

In 1746 Canaletto moved to London, partly to be nearer to his most profitable market, but also because the Austrian War of Succession led to a fall in the number of English visitors to Venice.  For the next 10 years, he produced views of London, including Westminster Abbey, Northumberland House and the new Westminster Bridge, although his clients were less excited with pictures of scenes with which they were familiar than the ones that brought back memories of their travels.

Joseph Smith eventually sold much of his personal collection to George III, which is why the Royal Collection at Windsor Castle contains a substantial number of Canaletto originals. George III paid £20,000 for the lot, which seems very little given the amounts that have changed hands for Canaletto paintings in more recent years.

The record price paid at auction for a Canaletto – indeed the record paid for any work by one of the so-called Old Masters – is £18.6 million, which an anonymous bidder paid for View of the Grand Canal from Palazzo Balbi to the Rialto at Sotheby's in London in July 2005, eclipsing the record set the previous day when The Bucintoro at the Molo, Venice, on Ascension Day was sold by the same auction house for £11.4 million.

Canaletto's house, marked with the plaque above the brown
doors, was in an obscure backstreet near the Rialto

Travel tip:

For much of his life, Canaletto lived in a modest apartment at the end of Calle de la Malvasia, close to a small courtyard-square called Corte Perini in Castello. The building is marked with a plaque. It is easy enough to find – simply leave St Mark’s Square via Marzaria dell’Orologio, passing under the famous clock on the north side of the square, proceed to the church of San Zulian and look for a small alleyway off to the right called Piscina San Zulian, leading to a bridge, Ponte de la Malvasia, which crosses into Calle de la Malvasia. The church of San Lio is in Salizada San Lio, accessible from Corte Perini via a covered walkway.

The Ca' Rezzonico museum holds a number of Canalettos

Travel tip:

Although many Canaletto paintings are in museums and private collections around the world, particularly in England and the United States, a small number are on display in Venice at Ca’ Rezzonico, a palace on the Grand Canal in the Dorsoduro sestiere, which is now a museum dedicated to 18th century Venice.

Check out Venice hotels on TripAdvisor

More reading:

How Venetian old master Titian set new standards

Where the work of Tintoretto remains on show in Venice

How Guardi evoked the last days of the Venetian Republic

Also on this day:

1937: The birth of TV chef and restaurateur Antonio Carluccio



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Ilario Bandini - racing car maker

Farmer's son who created beautiful and successful cars

Ilario Bandini, the car maker, pictured in 1988

Ilario Bandini, a businessman and racing driver who went on to construct some of Italy’s most beautiful racing cars, was born on this day in 1911 in Villa Rovere in Emilia-Romagna.

His cars won races in Europe and America and his designs earned the respect of the great Italian performance car maker Enzo Ferrari.

Bandini was from a farming family but was fascinated with cars and motorcycles and began to work part-time as a mechanic while he was still at school, eventually becoming an apprentice in a workshop in nearby Forlì.

At the age of 25 he took the bold decision to move to Eritrea, then an Italian colony, in northern Africa, where he repaired trucks and in time set up a transport business, which was very successful.

The venture made him enough money to open a garage in Forlì. when he returned to Italy in 1939, running a repair workshop alongside a car rental and chauffeured limousine business.

Bandini at the wheel of his first car, the Bandini 1100

At around the same time, he began to compete in motorcycle races, soon graduating from two wheels to four. In 1940, he took part in the Mille Miglia, the 1,000-mile road race from Brescia, near Lake Garda, to Rome and back, driving a Fiat Balilla.

Bandini built his first car almost by accident.  In his possession during the Second World War was a Fiat 1100, which he cut apart and hid to avoid it being requisitioned by the German army.  He began to reassemble it after the war but made adaptations as he did so and equipped the chassis with an entirely different body, made in aluminium by the Turin coach builder Rocco Motto.

He felt entitled to call the car the Bandini 1100, which thus became the first car – “La Prima” – to carry the Bandini name. The small, two-seat car was notable for its elegant, curved lines.  Driving it himself, he finished second in the Predappio to Rocca delle Camminate, a road race held just outside Forlì.

The Bandini badge Ilario placed on the car featured a bantam rooster crowing, the symbol of the town of Forlì.

The 1100 Siluro, which brought Bandini his first race victory

More cars followed. His 1100 Siluro, so-called because of its torpedo-like bodywork, gave him his first win in the Giro dell’Umbria, encouraging him to produce purpose-built racing cars to compete in races such as the Mille Miglia in Italy and the SCCA series in America. They were soon a force to be reckoned in Europe and the United States.

The model that established his reputation was the Bandini 750 Sport Siluro, a tiny sports car that he produced between 1950 and 1956. The car used a modified inline four cylinder Crosley engine, produced by Powel Crosley Jnr, an industrialist from Cincinnati, Ohio, who owned the Cincinnati Reds baseball team.

The 750 Siluro was versatile enough to contest all kinds of events, from hill climbs to road races, airbase circuits and endurance events.

In America, the Siluro won the SCCA class championships in 1955 and 1957 and claimed many other victories in different categories on both sides of the Atlantic.

The Bandini badge, featuring the
crowing bantam, symbol of Forlì

Known to his friends as Lili and sometimes referred to as the “great Drake of Forlì”, Bandini never moved into mass production cars.  There were 17 different models but all of his vehicles were one-offs, in effect, which is why only 73 Bandinis were ever built.  His final car, the Berlinetta 1000 Turbo 16V, was finished shortly before his death in 1992 at the age of 80.

Extraordinarily, Ilario was still getting behind the wheel to compete himself even into his 70s. He drove his 1300 16Vi in the Predappio hill climb in 1985, at the age of 73.

Members of Bandini’s extended family have preserved the memory of his achievements in a museum established in his last workshop in Forlì., which has many documents relating to his career and 10 Bandini cars, considered to be representative of the development of the marque. There are thought to be 46 surviving Bandinis, owned mainly by Japanese and American enthusiasts.

Travel tip:

Villa Rovere was a hamlet at the time of Ilario Bandini’s birth. Situated some 13km (8 miles) west of Forlì, it is now part of the city’s metropolitan area, almost a satellite community.  Forlì itself is a wealthy city with thriving clothing and footwear industries and a number of notable buildings, including the Basilica of San Mercuriale in the central Piazza Saffi, the Pinacoteca Comunale art gallery and the Rocca di Rivaldino, once the fortress stronghold of the redoubtable Caterina Sforza.  Local restaurants are notable for Romagnolo cuisine.

Hotels in Forlì from Hotels.com

The Bandini Collection is housed in a museum in Rovere

Travel tip:

Ilario Bandini’s achievements were recognised in 2002 – 10 years after his death – when in a special ceremony in Forlì, a square just in front of the city’s railway station was renamed Piazzale Ilario Bandini in his honour.  The museum – the Collezione dell’Automobile Brandini – can be found in Via del Braldo in Rovere, although note that viewings are by appointment. 

More readiing:

Vittorio Jano - a great among motor racing engine designers

How little Battista Farina became giant of the automobile industry

Why Gianni Agnelli was more powerful than politicians

Also on this day:

1480: The birth of notorious beauty Lucrezia Borgia

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Graziella Sciutti - operatic soprano

Vivacious performer who became a successful director

Graziella Sciutti became an opera star in the 1950s

The operatic soprano Graziella Sciutti, a singer known for a vivacious stage presence and engaging personality who excelled in the work of Mozart, Puccini and Verdi, was born on this day in 1927 in Turin.

The daughter of an organist and pianist, she grew up in a bilingual household, speaking both Italian and her mother’s native tongue, French. Her early childhood was spent in Geneva in Switzerland before the family moved to Rome, so that she could attend the Accademia di Santa Cecilia, which is one of the world’s oldest and most prestigious musical institutions.

Sciutti wanted to play the piano like her father but it became clear she had a notable voice and she caught the eye as a soloist when she was still a student.

She was asked at the last moment to appear in a performance of Bach’s St Matthew Passion, conducted by Herbert von Karajan, the up-and-coming Austrian who would become one of the greatest conductors in the world.  It was a daunting prospect, forced on her at short notice after another singer became ill, but she rose to the challenge and won accolades as a result. 

It led her to be spotted by Gabriel Dussurget, founder and leading light of the Festival at Aix-en-Provence Festival, who had enough confidence in his new discovery to cast her in 1951 in the one-woman opera, Menotti's The Telephone, a role regarded as a test for a young, immature singer.

Sciutti's vivacious character made her
a popular performer in Italy and beyond

Her ambition at that stage was to be a concert singer and she was unsure at first whether she could master the dramatics of opera, yet she was to return to Aix many times. It was there, in fact, that she began to acquire her association with the heroines of Mozart, singing Susanna in Le Nozze di Figaro (The Marriage of Figaro), Despina in Così Fan Tutte and Zerlina in Don Giovanni with distinction.  

In 1954, she made her debut at the Glyndebourne Festival in England, playing Rosina in Rossini's Il Barbiere di Siviglia (The Barber of Seville). In subsequent years she enchanted audiences as Nannetta in Verdi's Falstaff and again visited the Mozart roles of Susanna and Despina.

Sciutti undertook the role of Carolina in Cimarosa's Il Matrimonio Segreto (The Secret Marriage) in the inaugural performances of the Piccola Scala, the small theatre in Milan that adjoined the famous Teatro allaScala, in 1955.  At one stage she was nicknamed ‘the Callas of the Piccola Scala’.

Some critics felt her voice to be too thin for her to be seen as one of the great sopranos but she had the technique to project to all corners of the theatre and, for all her early doubts, she had the acting skills to make up for any shortcomings in her voice. Pretty and petite in comparison with many singers, the innocence, perkiness and coquetry demanded of many of her roles seemed to come naturally.

Her debut at the Royal Opera House at Covent Garden followed in 1956. In 1961 she appeared on stage in America for the first time at the San Francisco Opera, going on to make her debut at the Metropolitan Opera in New York soon afterwards.

Sciutti excelled in the arias of Mozart, Bellini and others

At the Vienna State Opera she sang many of her best roles, including Nannetta in a staging of Falstaff conducted by Leonard Bernstein and directed by Luchino Visconti.

Sciutti was a regular at the Salzburg Festival for 20 years, her Mozart interpretations always in demand. Her final appearance there came in 1972 as Norina in Donizetti's Don Pasquale, conducted by Riccardo Muti.

Her voice proved enduring enough to appear at Glyndebourne even at the age of 50 as Elle in Poulenc's La Voix Humaine. This was a production she also directed, paving the way for a new career.

She directed Figaro and L'Elisir d'Amore for Canadian Opera and in 1983 her production of Puccini’s La Bohème at the Juilliard School won praise.  A year later she directed at the Met for the first time. Her 1995 staging of La Bohème at the New York City Opera won her an Emmy Award after it was broadcast on live television.

Always eager to pass on her knowledge to opera students and would-be performers, she taught at both the Royal College of Music in London and the Lyric Centre in Chicago.

She married an American singer, Robert Wahoske, in 1955, but they divorced in 1960.  She died in Geneva in 2001, a few days before what would have been her 74^th birthday, and was survived by her daughter, Susanna.

The historic headquarters of the Accademia
was in central Rome, near Piazza di Spagna

Travel tip:

Rome’s Accademia Nazionale di Santa Cecilia is one of the oldest musical institutions in the world, founded by a papal bull (public decree) issued by Pope Sixtus V in 1585. Saint Cecilia is the patron saint of music. Its historical headquarters was in Via Vittoria, not far from Piazza di Spagna, but since 2003 it has been headquartered in Viale Pietro de Coubertin at the Renzo Piano-designed Parco della Musica in Rome. It has had a permanent symphony orchestra and choir since 1895. Alumni include Beniamino Gigli, Sergei Rachmaninoff, Ennio Morricone and Cecilia Bartoli.

An audience at the Piccola Scala in 1978

Travel tip:

The Piccola Scala, next to Teatro alla Scala, the opera house in Milan considered to be one of the world’s great opera venues, was opened in 1955 as a theatre dedicated to ancient works that were suited to a fairly intimate setting.  It had room for no more than 600 people. As well as Cimarosa's Matrimonio Segreto, early productions included works by Handel and Monteverdi. Later it staged operas by contemporary composers, including Nino Rota, who was better known for his film music but actually wrote the score for 11 operas.  Sadly, the theatre closed in 1985 after the capacity was reduced to 350 because of new regulations, too small to make it economically viable.

More reading:

How mezzo-soprano Cecilia Bartoli has helped revive lesser-known composers

Giacomo Puccini - musical genius who assumed Verdi's mantle as Italy's greatest

Maestro Muti shows no signs of slowing down

Also on this day:

1598: The birth of astronomer Giovanni Riccioli

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Adelaide del Vasto – Countess of Sicily

Prudent ruler who looked after Sicily for her young sons

Adelaide (right) in a painting
that depicts her renouncing
by Baldwin of Jerusalem

Adelaide del Vasto, who served as regent of Sicily during the 12th century, died on this day in 1118 in Sicily.

One historian described her as ‘a prudent woman’ and a Greek and Arab document listed Adelaide – known in Italian as Adelasia - as ‘a great female ruler and protector of the Christian faith’.

Born in Piedmont, Adelaide was from an important family with branches that ruled Liguria and Turin. She became the third wife of Roger I of Sicily in 1089. When he died in 1101 she became regent of Sicily for her young sons, Simon and Roger II, when she was about 26.

After rebellions broke out in parts of Calabria and Sicily, Adelaide dealt with them severely, but this did not tarnish her reputation as a good ruler.

Adelaide’s eldest son, Simon, was enthroned at about the age of nine but he died in 1105 leaving her as regent again until Roger II became old enough to take control of the kingdom in 1112. There is evidence that Adelaide continued to play a central role in the governing of Sicily as her signature can still be seen on documents drawn up after that date.

Baldwin, King of Jerusalem

During her regency Palermo officially became capital of the Kingdom of Sicily. Adelaide, and later Roger II, chose to rule with the help of local officials rather than bringing in foreign advisers. She also donated generously to local Greek monasteries to win favour with them.

When Baldwin, King of Jerusalem, was looking for a new wife, Adelaide was suggested to him by his advisers. Adelaide laid down terms that their son, if they had one, should inherit Jerusalem, but if there was no heir, the kingdom should pass to her son, Roger II.

Adelaide took a large amount of money, which Baldwin urgently needed, Muslim archers and about 1000 Sicilian soldiers with her to Jerusalem.

When no new heir was immediately forthcoming, the King was blamed for having contracted a bigamous marriage because his second wife was still alive and living in a convent after having been cast aside. The Pope, Paschal II, asked for the marriage between Adelaide and Baldwin to be annulled. By then Baldwin was ill and became convinced that renouncing his sin of bigamy would cure him, so he agreed. The annulment was performed and Adelaide sailed back to Sicily.

Adelaide died in 1118 and was buried in Patti in northern Sicily.

Roger II was outraged at the way his mother had been treated and never forgave the Kingdom of Jerusalem.

Thirty years later he refused to give assistance when Jerusalem needed it during the second Crusade, which resulted in a great victory for the Muslims. At the time he was accused of taking revenge against the whole population because of ‘the fault of a single individual’.

The Church of San Cataldo, with its Norman bell tower
and spherical red domes of Islamic influence

Travel tip:

Palermo, which became capital of Sicily during the time Adelaide was regent, is a vibrant city with a wealth of beautiful architecture to impress visitors. The buildings reflect the influence of both northern European and Arabic style. The Church of San Cataldo in Piazza Bellini is a good example of the fusion of Norman and Arabic architecture, having a bell tower typical of churches in northern France as well as three spherical, red domes on the roof, which are typical features of Islamic and Byzantine architecture.

The Cathedral of San Bartolomeo in Patti

Travel tip:

Patti, where Adelaide was buried, is a town in north-east Sicily, about 76 km (47 miles) from Messina, which is famous for the ruins of Tindari, an ancient town destroyed by an earthquake. The city was rebuilt after the Saracens had been driven out by Roger I and Roger II and today is popular for its large sandy beaches. Adelaide’s tomb can be seen in Patti’s Cathedral of San Bartolemeo, which originated in the 10th century and has a striking Romanesque façade.

More reading:

How the Sicilians threw out the French in 1282

Uprising that ended Bourbon rule

Why Sicilian composer Alessandro Scarlatti was ahead of his time

Also on this day:

1839: The birth of Antonio Starabba, Sicilian prime minister of Italy

(Picture credits: Church of San Cataldo by Σπάρτακος; cathedral of San Bartolomeo by Effems; via Wikimedia Commons)

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Filippo Brunelleschi – architect

Genius who designed the largest brick dome ever constructed

Brunelleschi's Dome dominates the Florence skyline

One of the founding fathers of the Renaissance, Filippo Brunelleschi, died on this day in 1446 in Florence.

He is remembered for developing a technique for linear perspective in art and for building the dome of Florence Cathedral.

However, his achievements also included sculpture, mathematics, engineering and ship design.

Brunelleschi was born in 1377 in Florence. According to his biographer, Antonio Manetti, and the historian Giorgio Vasari, his father was Brunellesco di Lippo, a notary. Filippo’s education would have equipped him to follow in his father’s footsteps but because he was artistically inclined he was enrolled in the silk merchants guild, which also included goldsmiths and metal workers, and he became a master goldsmith in 1398.

Luigi Pampaloni's 1838 statue of
Brunelleschi in Piazza Duomo

In 1401 he entered a competition to design a new set of bronze doors for the Baptistery in Florence. His entry and that of Lorenzo Ghiberti are the only two to have survived.

In the first few years of the 15th century, Brunelleschi and his friend, Donatello, visited Rome together to study the ancient ruins. It is believed they were the first to study the physical fabric of the ruins in any detail.

Brunelleschi’s first architectural commission was the Ospedale degli Innocenti, (Foundling Hospital) in Florence. It had a long loggia and impressive high arches. Later he used similar features in his designs for chapels in Florence.

In 1418 a competition was held for a design for the dome of the new cathedral in Florence, Santa Maria del Fiore. The original designs made provision for a dome when building began in 1296 but no one had been able to work out how to construct one on such a scale. Again the two main competitors were Ghiberti and Brunelleschi, with Brunelleschi winning and receiving the commission.

The dome was to take up most of the rest of Brunelleschi’s life and its success has been attributed to his technical and mathematical genius. Hence it became known as Brunelleschi’s Dome.

The loggia is a feature of the Ospedale degli Innocenti

He used more than four million bricks in the construction and invented a new hoisting machine for raising the masonry to the dome, inspired by Roman machines used in the first century AD.

Away from his architectural work, Brunelleschi was also granted the first modern patent for his invention of a river transport vessel. In 1427, he built an enormous ship named Il Badalone to transport marble to Florence from Pisa up the Arno river. Unfortunately, the ship sank on its maiden voyage,

After Brunelleschi’s death, at the age of around 69, his body was placed in the crypt of the cathedral in Florence. Inside the entrance is his epitaph: ‘Both the magnificent dome of this famous church and many other devices invented by Filippo the architect, bear witness to his superb skill. Therefore, in tribute to his exceptional talents a grateful country that will always remember him buries him here in the soil below.’

Brunelleschi's Dome illuminated at night

Travel tip:

Brunelleschi’s Dome was finally put in place in 1436 and the Cathedral of Santa Maria del Fiore was consecrated by Pope Eugene IV on 25 March that year. The dome remained the largest in the world until others were constructed using new materials that had been developed for building in modern times. But Brunelleschi’s Dome, the first in history to be built without a wooden frame, is still the largest brick dome ever constructed.  The sculptor Luigi Pampaloni created a statue of Brunelleschi in about 1838, placing it in Piazza del Duomo in a position from which Brunelleschi appears to be looking up at his work.

Hotels in Florence by Hotels.com

Travel tip:

The Ospedale degli Innocenti, literally Hospital of the Innocents, is a magnificent building that still stands in Florence. Brunelleschi was commissioned to design it in 1419 and it is now regarded as a notable example of early Italian Renaissance architecture. The loggia with its nine semi-circular arches faces on to Piazza Santissima Annunziata, a square that is not far from Galleria dell’Accademia, which houses Michelangelo’s sculpture of David.

More reading:

Gian Lorenzo Bernini - the Florentine who helped shape Rome

Why Carlo Maderno's facade of St Peter's attracted criticism

Antonio Palladio - the world's favourite architect

Also on this day: 

1452: The birth of Leonardo da Vinci

(Picture credits: Florence skyline by Rufus46; Ospedale degli Innocenti by Warburg; Dome at night by Petar Milosevic; all via Wikimedia Commons)

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Girolamo Riario - papal military leader

Assassinated after failed attempt to unseat Medici family

Girolamo Riario

Girolamo Riario, the 15th century governor of Imola and Forlì who was part of a major plot to displace the powerful Medici family as rulers of Florence, was assassinated on this day in 1488.

Riario, a nephew of Pope Sixtus IV who had appointed him Captain General of the Church, was unpopular with his subjects as a result of imposing high taxes, but his murder was thought to be an attempt by the noble Orsi family of Forlì to seize control of the city.

Two members of the family, Checco and Ludovico, led a group of assassins armed with swords into government palace, where Riario was set upon.  Despite the presence of guards, Riario was stabbed and slashed repeatedly.  Eventually, his dead body was left in a local piazza, surrounded by a crowd celebrating his demise, as the Orsi brothers and their gang looted the palace.

A decade earlier, Riario, who had been appointed Lord of Imola by Sixtus IV, joined with Francesco Salviati, whose family were the Papal bankers in Florence, and members of the Pazzi family in a plot to assassinate the ruler of Florence, Lorenzo de’ Medici, and his brother, Giuliano.

The Rocca di Ravaldino, a stronghold of Riario's power

The Pazzi were another important family in Florence and like many other families were resentful of Lorenzo’s despotic rule. Although Florence flourished, and his patronage of the arts was so important to the Renaissance, he maintained his power largely through bribery, threats and strategic marriages.

Riario’s involvement was essentially on behalf of his uncle, Sixtus IV, who saw Lorenzo – also known as Lorenzo the Magnificent – as a threat to the Papal States.

It was Lorenzo’s attempt to buy Imola – a small town but important as a stronghold on the border between the Tuscan empire and the Papal States – from its owners, the Sforza family of Milan, that led to Riario being installed as governer.  Lorenzo had offered the Duke of Milan, Galeazzo Maria Sforza, a sizeable sum for but Sixtus IV gazumped him, offering a deal by which Caterina Sforza, the Duke’s illegitimate daughter, would marry Riario, thus forming a strategic alliance.  The Pazzi family had financed the purchase.

The assignation attempt took place in Florence’s Duomo on April 26, 1478, during High Mass.  Giuliano was killed but Lorenzo escaped with only minor injuries. A simultaneous attempt to seize key government buildings in Florence was foiled and most of the key figures in the plot were captured and killed.  Riario, who would have been placed in charge of a new government in Florence had the plot succeeded, managed to get away. Salviati was not so lucky and was hung within an hour of his capture.

Pope Sixtus IV

Nonetheless, Riario continued to climb the ladders of power. In 1480, the pope made him Count of Forlì. He built the fortress of Rocca di Ravaldino, one of the strategically most important strongholds of the Romagna, and at the same time rebuilt much of Imola.

While his uncle remained pope, Riario and Caterina lived for the most part in Rome. As commander of the papal army, Riario wielded much power, although his wife had an increasingly strong influence over what he did. When Sixtus IV died, it was Caterina who ordered his troops to seize Castel Sant' Angelo to put pressure on the cardinals to elect a candidate who would work in accordance with the Riario interests. After 10 days of chaos in Rome, she had to be persuaded by Riario to withdraw in order for the conclave to begin.

However, the cardinals did not elect a new pope sympathetic to the Riarios, quite the contrary, going for Giovanni Battista Cybo, an old opponent, who became Pope Innocent VIII. He recognised Girolamo as Lord of Imola and Forlì and Captain-General of the papal forces but effectively allowed him no power.  It was his illegitimate son, Franceschetto, whom the Orsi family wanted to replace him.

After Girolamo’s death, Caterina was locked up, along with her children, but tricked her way out, promising to persuade the castellan, Tommaso Feo, to give up his defence of the Rocca di Ravaldino, which the Orsis had been unable to storm.

The Orsis had her children as hostages but Caterina reneged on their deal nonetheless.  From within the Rocca, she threatened dire consequences for the Orsi attackers if they dared touch the children and they fled, after which Girolamo’s son, Ottaviano, was made Lord of Forli with Caterina as his regent.

Imola's Rocca Sforzesca

Travel tip:

The city of Imola of today is part of the large metropolitan area of Bologna, in the Emilia-Romagna region. The castle, the Rocca Sforzesca, is well preserved, and is nowadays the home of an internationally respected piano academy and the Cinema d’Este, which shows films in July and August. The city is best known today for its motor racing circuit, which used to host the Grand Prix of San Marino on behalf of the nearby independent republic.

The Abbey of San Mercuriale in Forlì

Travel tip:

With a population of almost 120,000, Forlì is a prosperous agricultural and industrial city with a beautiful central square, Piazza Saffi, which is named after Aurelio Saffi, a radical republican who was a prominent figure in the Risorgimento. Its major attractions include the Abbey of San Mercuriale and the Rocca di Ravaldino, the strategic fortress built by Girolamo Riario and sometimes known as the Rocca di Caterina Sforza.

More reading:

How Caterina's son, Giovanni, became the last of the great condottieri

Cosimo - the Florentine banker who founded the Medici dynasty

Priest Girolamo Savonarola's war on Renaissance 'excesses'

Also on this day:

1920: The birth of Lamberto dalla Costa, Italy's first Olympic bobsleigh champion


(Picture credits: Rocca di Ravaldino by AC2BR3L; Rocca Sforzesca by Ruben alexander; Abbey of San Mercuriale by Perkele; all via Wikimedia Commons)


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