Giuseppe Gioachino Belli – poet

Sonnet writer satirised life in 19th century Rome

Giuseppe Gioachino Belli's poems often poked
 fun at the Roman Catholic church

The poet Giuseppe Gioachino Belli was born on this day in 1791 in Rome and was christened Giuseppe Francesco Antonio Maria Gioachino Raimondi Belli.

He was to become famous for his satirical sonnets written in Romanesco, the dialect of Rome.

After taking a job in Civitavecchia, a coastal town about 70km (44 miles) northwest of Rome, Belli’s father moved the family to live there, but after he died - of either cholera or typhus - his wife returned to Rome with her children and took cheap lodgings in Via del Corso.

Living in poor circumstances, Belli began writing sonnets in Italian at the suggestion of his friend, the poet Francesco Spada.

In 1816, Belli married a woman of means, Maria Conti, and went to live with her in Palazzo Poli, the palace that forms the backdrop to the Trevi Fountain. This gave him the freedom to develop his literary talents. They had a son, Ciro, in 1824.

The palace was Belli’s home for 21 years, from 1816 to 1837, but he was able to travel to other places in Italy where he came into contact with new ideas. It was during a stay in Milan that he first encountered dialect poetry and satire. The sonnets of Carlo Porta provided him with a model for the poems in Roman dialect that eventually were to make him famous.

The plaque marking the birthplace of Giuseppe Gioachino
Belli, in Via dei Redentoristi in central Rome

His sonnets were often satirical and anti-clerical. For example, he dubbed the Cardinals ‘dog-robbers’ and referred to Pope Gregory XV as ‘someone who kept Rome as his personal inn.’

However, during the democratic rebellion that led to the declaration of a short-lived Roman Republic of 1849, he defended the rights of the Pope.

Belli produced more than 2,200 sonnets that document the life of common people in 19th century Rome. He kept them hidden, apart from occasionally giving recitals to friends. Just before his death he asked his friend, Monsignor Vincenzo Tizzani, to burn them but fortunately his friend handed them over to Belli’s son, Ciro, who published a selection of them in 1866, editing them to prevent them from causing offence at the time.

The first complete edition of Belli’s work was not published till 1952, nearly a century after his death.

Belli satirised the way ordinary
 working class Romans lives

Belli’s sonnets expressed with humour what he observed of the Roman lower classes, satirising the way people lived and the clerical world that oppressed them.

Ironically, the poet later worked as an artistic and political censor for the papal government and prevented the work of Shakespeare, Verdi and Rossini from being circulated, among others.

After his wife’s death in 1837, Belli’s economic situation had worsened again and as he grew older, he lost a lot of his vitality and became increasingly critical of the world around him, describing himself as ‘a dead poet’.

He died in Rome after a stroke in 1863 at the age of 72.

His nephew, the painter Guglielmo Janni, wrote his biography in ten volumes, which was published posthumously.

The monument to Belli off Viale Trastevere

Travel tip:

A plaque next to the door marks Giuseppe Gioachino Belli’s birthplace at number 13 Via dei Redentoristi, a back street near the Basilica of Sant’Andrea delle Valle, which is in Corso Vittorio Emanuele II, a short distance from the Pantheon in central Rome.  There is a monument to the poet in Piazza Giuseppe Gioachino Belli, which is off Viale Trastevere in Rome, overlooking the Tiber near the Basilica of San Crisogno. It was placed there in 1913 and paid for by the public of Rome.

The Palazzo Poli is the palace immediately behind
the Trevi Fountain in the centre of Rome

Travel tip:

The Palazzo Poli, where Belli lived for more than 20 years, dates back to 1573, when the Anguillara family commissioned the architect Martino Longhi to transform a former palace of Baldovino Del Monte, brother of Pope Julius III. In time it was acquired by Lucrezia Colonna and was renamed in 1712 after her husband, Giuseppe Conti, the Duke of Poli. When plans were drawn up for the Trevi Fountain, the central section was demolished and replaced with the monumental facade designed by Luigi Vanvitelli as the backdrop for fountain, which was designed by Nicola Salvi and completed by Giuseppe Pannini in 1762.

More reading:

The brilliant lyric poetry of Giacomo Leopardi

How Vittorio Alfieri's poetry inspired the oppressed

Ugo Foscolo - poet and revolutionary

Also on this day:

1303: The kidnapping of Pope Boniface VIII

1893: The founding of Italy's oldest surviving football club


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Isabella Leonarda – composer

Devout nun wrote an abundance of Baroque music

Isabella Leonarda - a portrait from 

Isabella Leonarda, a nun who was one of the most productive women composers of her time, was born on this day in 1620 in Novara.

Leonarda’s published work spans a period of 60 years and she has been credited with more than 200 compositions.

She did not start composing regularly until she was in her fifties, but noted in the dedication to one of her works that she wrote music only during time allocated for rest, so as not to neglect her administrative duties within the convent.

Leonarda was the daughter of Count Gianantonio Leonardi and his wife Apollonia. The Leonardi were important people in Novara, many of them church and civic officials.

Leonarda entered the Collegio di Sant’Orsola, a convent in Novara, when she was 16 and rose to a high position within the convent.

Listen to an example of Leonarda's music:

Her published compositions began to appear in 1640 but it was the work she produced later in her life that she is remembered for today and she became one of the most prolific convent composers of the Baroque era.

The title page of a musical
score by Leonarda 

It is believed she taught the other nuns to perform music, which would have given her the opportunity to have her own compositions performed.

Leonarda wrote in nearly every genre of sacred music and is one of only two Italian women who wrote instrumental music at this time.

Her predominant genre was the solo motet, but her most notable achievements are considered to be her sonatas. Sonata 12 is her only solo sonata and is one of her best known compositions.

All her compositions carried a double dedication, one to the Virgin Mary and one to a highly-placed living person, perhaps in the hope they would give financial support to the convent. In one of her dedications she stated that she wrote music not to gain credit in the world, but so that all would know she was devoted to the Virgin Mary.

Leonarda died in Novara in 1704 at the age of 83.

The Piazza Gramsci in the heart of Novara

Travel tip:

Novara, where Leonarda was born and died, is to the west of Milan in the Piedmont region of Italy. It is the second biggest city in the region after Turin. Founded by the Romans, it was later ruled by the Visconti and Sforza families. In the 18th century it was ruled by the House of Savoy. In the 1849 Battle of Novara, the Sardinian army was defeated by the Austrian army, who occupied the city. This led to the abdication of Charles Albert of Sardinia and is seen as the beginning of the Italian unification movement.

The cupola and the bell tower of the
Basilica of San Gaudenzio in Novara

Travel tip:

The most imposing building in Novara is the Basilica of San Gaudenzio, which has a 121-metre high cupola, but the centre of religious life in the city is the Duomo, which was built where the temple of Jupiter stood in Roman times. Facing the Duomo is the oldest remaining building in Novara, the Battistero. The pretty courtyard of the Broletto, is the historic meeting place of the city council and right at the centre of the city is the Piazza delle Erbe. Outside the city is the Novara Pyramid, which is also called the Ossuary of Bicocca. It was built to hold the ashes of fallen soldiers after the 19th century Battle of Novara.

More reading:

The Puccini contemporary who chose sacred music over opera

The music of Barbara Strozzi

The first Battle of Novara

Also on this day:

1610: The birth of Francesco I d'Este, Duke of Modena

1925: The birth of author Andrea Camilleri, creator of Inspector Montalbano


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Giacomo Zabarella – philosopher

Scholar devoted his life to explaining Aristotle’s ideas

Giacomo Zaberella: a portrait by an unknown
artist kept at the Bodleian Libraries in Oxford

The leading representative of Renaissance Aristotelianism, Giacomo Zabarella, was born on this day in 1533 in Padua in the Veneto.

His ability to translate ancient Greek enabled him to understand the original texts written by Aristotle and he spent most of his life presenting what he considered to be the true meaning of the philosopher’s ideas.

He had been born into a noble Paduan family who arranged for him to receive a humanist education.

After entering the University of Padua he was taught by Francesco Robortello in the humanities, Bernardino Tomitano in logic, Marcantonio Genua in physics and metaphysics and Pietro Catena in mathematics. All were followers of Aristotle.

Zabarella obtained a Doctorate in Philosophy from the university in 1553 and was offered the Chair of Logic in 1564. He was promoted to the first extraordinary chair of natural philosophy in 1577.

Zabarella became well known for his writings on logic and methodology and spent his entire teaching career at the University of Padua.

The title page of Zabarella's book,
Opera Logica, published in 1577

As an orthodox Aristotelian, he sought to defend the scientific status of theoretical natural philosophy against the pressures emanating from the practical disciplines such as the art of medicine and anatomy.

His knowledge of Greek enabled him to consult Greek commentators on Aristotle’s work as well as medieval writers.

Zabarella’s first published work was Opera Logica in 1577 and his commentary on Aristotle’s Posterior Analytics appeared in 1582.

He died in Padua at the age of 56 in 1589. His great work in natural philosophy, De rebus naturalibus, was published posthumously in 1590. It contained 30 treatises of Aristotelian natural philosophy and an introduction that he had written only weeks before his death. His two sons edited his incomplete commentaries on Aristotle’s texts and published them a few years later.

Zabarella’s works were reprinted in Germany early in the 17th century, where his brand of philosophy had a big following, especially among Protestant Aristolelians.

Palazzo del Bò is the main building of Padua University

Travel tip:

The University of Padua was established in 1222 and is one of the oldest in the world, second in Italy only to the University of Bologna. The main university building, Palazzo del Bò in Via VIII Febbraio in the centre of Padua, used to house the medical faculty. You can take a guided tour to see the pulpit used by Galileo when he taught at the university between 1592 and 1610.

The Caffè Pedrocchi is just a few yards along Via VIII
Febbraio from Palazzo del Bò 

Travel tip:

Via VIII Febbraio commemorates the date and location of the struggle between Austrian soldiers and students and citizens of Padua, when both the University and the Caffè Pedrocchi became battlegrounds. The Padua rebellion was one of a series of revolts in Italy during 1848. The Austrians were seen as arrogant and aggressive and the ideas of Mazzini and Cavour about a united Italy were becoming popular with progressive thinkers. Students and professors at Padua University had been meeting at the University and in Caffè Pedrocchi to discuss their discontent. You can still see a hole in the wall of the White Room inside Caffè Pedrocchi made by a bullet fired by an Austro-Hungarian soldier at the students. The café has been a meeting place for students, intellectuals and writers for nearly 200 years. Founded by coffee maker Antonio Pedrocchi in 1831, it quickly became a centre for the Risorgimento movement and was popular with students because it was near Palazzo del Bò, the main university building.

More reading:

The philosopher who wrote the 'Manifesto of the Renaissance'

Why a renowned Aristotelian philosopher refused to look through Galileo's telescope

The philosopher with a Utopian dream to banish poverty

Also on this day:

1568: The birth of philosopher Tommaso Campanella

1970: The birth of Paralympian Francesca Porcellato


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Giacinto Facchetti - footballer

The original - and best - attacking full back

Giacinto Facchetti in the famous blue and black
striped shirt of the all-conquering Inter-Milan

The footballer Giacinto Facchetti, who captained Italy at two World Cups and won four Serie A titles plus two European Cups for Inter Milan, died on this day in 2006 in Milan.

He had been suffering from pancreatic cancer. When his funeral took place at the Basilica di Sant’Ambrogio in Milan, more than 12,000 fans joined the mourners marking his life. His remains were then taken back to his home town of Treviglio in the province of Bergamo.

Apart from being regarded as the model professional and a pillar of moral decency, Facchetti was seen as a player ahead of his time, the first attacking full back who was a master in both disciplines of his game.

Under the coaching of Internazionale’s great Argentine-born coach, Helenio Herrera, he became integral to the defensive system known as catenaccio, of which Herrera was one of the highest profile advocates.

But Facchetti also knew exactly when to turn defence into attack and to exploit his speed and athleticism going forward. Inter were known as a defensive team but they were also one of the best at punishing opponents with rapid breakaway attacks. In more than 600 appearances for Inter, Facchetti scored 75 goals, the most by any defender in the history of football in Italy.

The Italy team that won the 1968 European Championships
with Facchetti, the captain, at the back, on the far right

Some commentators believe he was the inspiration for West Germany's Frans Beckenbauer, who watched Facchetti's spectacular incursions from left back, his thundering right-footed shots, and asked himself why he, as a libero or sweeper, should not also make forward runs. He did, and came to be seen as one of the greatest all-round players the game has seen.

Facchetti’s prowess as a goalscorer was no accident. When Herrera spotted him playing for the youth team at his local club CS Trevigliese, he was a centre forward, but Herrera knew instantly he was the kind of player he wanted at full back.

Born in 1942, Facchetti had been a bright student. He once had ambitions to become a doctor but the chance to play professional football won the day. He made his Serie A debut for Inter against Roma in May 1961, at the age of 19.

Apart from Trevigliese, Facchetti played for no other club than Inter. With the so-called ‘Grande Inter’ team of the 1960s and early ‘70s, he won the scudetto in 1963, 1965, 1966 and 1971, the European Cup in 1964 and 1965, and two Intercontinental Cups in 1964 and 1965.

Facchetti remained with Inter after his playing
career ended, as a coach and then club president

In an era where the European Cup - unlike today’s Champions League - was a straight knock-out, Herrera’s Inter were the perfect team, sitting deep and soaking up pressure, then pouncing on the break, utilising the creative brilliance of Sandro Mazzola, Mario Corso and Luis Suárez up front. Only Jock Stein’s Celtic - the so-called Lions of Lisbon - denied Inter a European Cup hat-trick when they reached the final again in 1966.

Selected for the national team for the first time in May 1963, Facchetti went on to win 94 caps, a total surpassed only by Dino Zoff, Paolo Maldini, Fabio Cannavaro and Gianluigi Buffon.

He captained the azzurri 70 times, leading them at the World Cup finals 1970 and 1974, having played at his first World Cup in England in 1966, when Italy suffered the humiliation of being beaten by North Korea.

But Italy bounced back to win the European Championships in 1968 and then took part in two of the finest World Cup matches of all time in Mexico in 1970, first defeating West Germany 4-3 after extra time in the semi-finals in front of 102,000 fans in a baking hot Azteca Stadium, with Facchetti leading by unstinting example, followed by the final in which the Brazil of Pele, Rivelino, Jairzinho and Carlos Alberto put on one of the greatest exhibitions of exhilarating attacking football ever seen to win 4-1.

Facchetti saw out his career at Inter, first on the technical staff and latterly as nominal president, effectively protecting the actual owner and besieged ex-president, Massimo Moratti.

The Basilica of San Martino in Treviglio
was originally built in 1008

Travel tip:

Treviglio, where Facchetti was born, is situated about 20km (12 miles) south of Bergamo and about 40km (25 miles) east of Milan. Known as the town of courtyards, its main sights are the Palazzo Municipale, which dates back to 1300, and the Basilica of San Martino, originally built in 1008 and remade in the in Lombard-Gothic style in 1482, with a Baroque facade added in 1740. The bell tower dates to the early 11th century.  The historical Bar Milano, in Piazza Manara, was founded in 1896 and still retains the original furniture of the century and a counter in Art Nouveau style.

The Basilica di Sant'Ambrogio in Milan, where 12,000
Inter fans turned out for Facchetti's funeral

Travel tip:

The Basilica of Sant’Ambrogio is in south west Milan in Piazza Sant’Ambrogio. It was originally built by Aurelius Ambrosius, who was a lawyer who became Bishop of Milan by popular demand, on the site of an earlier Christian burial ground. It was named after him after his remains were placed there, before being rebuilt in the 11th century and further modified in the 15th century.

More reading:

The record-breaking career of Paolo Maldini

Gianluigi Buffon's long-running success story

The brilliance of Luigi Riva

Also on this day:

The Feast Day of Saint Rosalia

1850: The birth of military leader Luigi Cadorna

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Pietro Locatelli – musician

Violinist astonished his listeners with his ability

Pietro Antonio Locatelli was playing with an orchestra
in Bergamo when he was only 14 years old

Virtuoso violinist and Baroque composer Pietro Antonio Locatelli was born on this day in 1695 in Bergamo.

He showed an astonishing talent for playing the violin while he was still a young boy and began playing with the orchestra at the Basilica di Santa Maria Maggiore in Bergamo when he was 14.

In 1711, when he was 16 years old, he left to go to Rome and although it is not known whether he studied with Arcangelo Corelli before the composer’s death in 1713, he will have absorbed a lot of his influence by studying with the other eminent musicians in the city.

In 1714 Locatelli wrote to his father, telling him that he was a member of the band of household musicians working for Prince Michelangelo I Caetani, a notable political figure and scholar. While in Rome he made his debut as a composer, producing his XII Concerto Grossi Op I in 1721.

The house on Prinsengracht in Amsterdam, where Locatelli
died in 1764, is marked with a commemorative plaque

After 1725 his name crops up in Mantua, Venice, Munich, Berlin and Frankfurt and in every city he received rapturous acclaim for his violin performances. Many of his violin concertos were written at this time.

He was known to be in Kassel in Germany in December 1728 where he was paid generously after his performance by Charles I Landgrave of Hesse-Kassel. Afterwards the resident organist wrote that Locatelli had ‘astonished his listeners with hugely difficult violin passages.’

The musician moved to live in Amsterdam in 1729 where he gave music lessons, performed privately and had his own music published professionally.

Locatelli died in 1764 in his house on the Prinsengracht in the city.

He is perhaps best remembered for his L’Arte del violino, a group of 12 violin concerti for a solo violin.

The beautiful Piazza Vecchia lies at the heart of Bergamo's
medieval city, the Città Alta

Travel tip:

Pietro Locatelli is remembered in his native city of Bergamo by an area named after him in Longuelo, a suburb of the city. Bergamo is in the Lombardy region of northern Italy and is a fascinating, historic city with two distinct centres. The Città Alta, upper town, is a beautiful walled city with buildings that date back to medieval times, while the elegant Città Bassa that grew up on the plain below has some buildings that date back to the 15th century as well as imposing architecture added in the 19th and 20th centuries.

The north portal of the Basilica of Santa Maria
Maggiore, next to the Colleoni Chapel

Travel tip:

The Basilica of Santa Maria Maggiore, where Locatelli played as a teenager, is in Piazza Duomo in the Città Alta, The basilica, which dates back to the 12th century, is considered to be one of the finest buildings in Lombardy and has a beautiful interior, with a richly decorated cupola and fine Flemish and Florentine tapestries and works of art. At the back of the church is an elaborate white marble monument designed by Vincenzo Vela, marking the tomb of the 18th century opera composer Gaetano Donizetti, who was born and also died in Bergamo.

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Marie Josephine of Savoy

Italian noblewoman who became titular Queen of France

Detail from a portrait of Marie Josephine by the
French royal portraitist Jean-Martial Frédou

Marie Josephine Louise of Savoy, who married the future King Louis XVIII of France, was born Maria Giuseppina Luigia on this day in 1753 at the Royal Palace in Turin.

She became a Princess of France and Countess of Provence after her marriage, but died before her husband actually became the King of France.

Marie Josephine was the third child of prince Victor Amadeus of Savoy and Infanta Maria Antonio Ferdinanda of Spain.

Her paternal grandfather, Charles Emmanuel III, was King of Sardinia and so her parents were the Duke and Duchess of Savoy.  Her brothers were to become the last three Kings of Sardinia, the future Charles Emmanuel IV, Victor Emmanuel I and Charles Felix.

At the age of 17, Marie Josephine was married by proxy to Prince Louis Stanislas, Count of Provence, the younger brother of the Dauphin, Louis Auguste, who was fated to become Louis XVI of France and to be executed by guillotine.

After the outbreak of the French Revolution, the Count and Countess of Provence stayed in France with the King and Marie Antoinette, but when their situation became too dangerous they successfully escaped to the Austrian Netherlands.

Marie Josephine as a child before her marriage
to Prince Louis Stanislas, the future Louis XVIII

Louis XVI and Marie Antoinette also tried to leave the country but were arrested in the small town of Varennes and were taken back to face charges of treason and ultimately to be executed.

In 1795, the only surviving son of Louis XVI and Marie Antoinette, who was regarded by the exiled French Court as Louis XVII, died in his prison. Marie Josephine’s husband was therefore proclaimed by loyalists as Louis XVIII and Marie Josephine then became regarded as titular Queen of France.

After years of moving from place to place, often separately, the couple were reunited in England and allowed to set up a French exile court in Hartwell House in Buckinghamshire, where Marie Josephine died in 1810.

She had a magnificent funeral attended by many French royalist sympathisers, whose names were recorded by spies and sent to Napoleon.

Members of the British Royal family followed her funeral cortege in a carriage and saw her laid to rest in the Lady Chapel of Westminster Abbey. But her body was removed a year later and taken to the Kingdom of Sardinia, where it was buried in Cagliari Cathedral.

The Palazzo Reale in Turin, by night

Travel tip:

The Royal Palace of Turin, the Palazzo Reale, where Maria Josephine was born, was built by Emmanuel Philibert, who was Duke of Savoy from 1528 to 1580.  He chose the location in Piazza Castello because it had an open and sunny position. In 1946 the building became the property of the state and in 1997 it became a Unesco World Heritage Site.

The Cattedrale di Santa Maria e
Santa Cecilia in Cagliari

Travel tip:

The Cathedral in Cagliari in Sardinia, which was the final resting place of Marie Josephine, is in the medieval quarter of the city called Castello. The Cattedrale di Santa Maria and Santa Cecilia was built in the 13th century. Marie Josephine’s brother, Charles Felix, had an imposing monument erected over her grave, where she is described as ‘wise, prudent, kindest’ and ‘Queen of the Gauls’.

More reading:

Charles Emmanuel IV - the King of Sardinia descended from Charles I of England

The first Victor Emmanuel

The reign of Victor Amadeus of Savoy

Also on this day:

1898: The birth of chocolatier Pietro Ferrero

1938: The birth of actor and stuntman Giuliano Gemma

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Vittorio Gassman - actor

Stage and screen star once dubbed ‘Italy’s Olivier’

Vittorio Gassman in the 1948 movie Riso amaro, which
provided him with his breakthrough as a screen actor

Vittorio Gassman, who is regarded as one of the finest actors in the history of Italian theatre and cinema, was born on this day in 1922 in Genoa.

Tall, dark and handsome in a way that made him a Hollywood producer’s dream, Gassman appeared in almost 150 movies but he was no mere matinée idol.

A highly respected stage actor, he possessed a mellifluous speaking voice, a magisterial presence and such range and versatility in his acting talent that the Hollywood columnist Sheilah Graham once called him ‘the Lawrence Olivier of Italy’.

He enjoyed a career that spanned five decades. Inevitably, he is best remembered for his screen roles, although by the time he made his movie debut in 1945, he had appeared in more than 40 productions of classic plays by Shakespeare, Aeschylus, Ibsen, Tennessee Williams, and others.

On screen, his major successes included his portrayal of the handsome scoundrel Walter opposite Silvana Mangano in Giuseppe De Santis's neorealist melodrama Riso amaro (Bitter Rice, 1948), and several Commedia all’Italiana classics, including Mario Monicelli’s I soliti ignoti (Big Deal On Madonna Street, 1958), La grande guerra (The Great War, 1959) and L'armata brancaleone (1965), and Dino Risi's Il sorpasso (1962).

With Silvana Mangano and Alberto Sordi (right), his co-stars
in the comedy classic La grande guerra (1959)

At this time, his popularity was rivalled only by Alberto Sordi, his co-star in La grande guerra, which shared the Golden Lion prize at Venice in 1959 with a Rossellini film.

Gassman’s portrayal of a blind military man in Risi’s 1974 film Profumo di donna received the Best Actor award at the Cannes Film Festival. Al Pacino played the same part and won an Oscar in the 1992 remake, Scent of a Woman.

His flirtation with Hollywood came after he met and fell in love with the American actress Shelley Winters while she was touring Europe.

When Winters returned to Hollywood because of contractual obligations, he followed her there and married her. With his natural charisma and fluency in English he landed a number of roles in Hollywood, including Charles Vidor’s Rhapsody opposite Elizabeth Taylor, and with Gloria Grahame in Maxwell Shane’s film noir The Glass Wall.

He was the only Italian star in the cast of King Vidor's epic War And Peace (1956), produced by Dino De Laurentiis in Rome and for which the Italian composer Nino Rota wrote the music score. Later, Gassman gave distinguished performances in the Robert Altman films A Wedding (1978) and Quintet (1979).

Gassman was the only Italian cast in the 1956 epic War and
Peace, in which he is pictured with Audrey Hepburn

Born to a German father and a Jewish Italian mother, Gassman had aspirations to be a lawyer. But his mother encouraged him to pursue his interest in acting and he remained devoted to his first love, theatre, throughout his career.

A student at the Accademia Nazionale d'Arte Drammatica in Rome, he made his stage debut in Milan in 1942 before moving back to Rome to work at the Teatro Eliseo.

Even after his film debut in 1946 was followed by his breakthrough role in Bitter Rice two years later, he devoted much energy to Luchino Visconti's theatre company in productions such as Tennessee Williams' Un tram che si chiama desiderio (A Streetcar Named Desire) and Come vi piace (As You Like It) by Shakespeare.

In 1952 he co-founded and co-directed the Teatro d'Arte Italiano, which produced the first complete version of Hamlet in Italy.  Later in his career, he created his own company, Teatro Popolare Itinerante, with which he toured Italy staging the works of 20th century authors and playwrights as well as the classics of Shakespeare, Dostoyevsky and the Greek tragicians. He also founded a theatre school in Florence.

For a while he was the star of a popular TV series, Il Mattatore, which was later turned into a movie.

Married three times - to actresses Nora Ricci, Shelley Winters and Diletta D'Andrea - he also had numerous affairs.  The father of two daughters and two sons - one of whom, Alessandro, became a film actor - Gassman died in June 2000, in Rome, following a heart attack.

The Piazza de Ferrari in the centre of Genoa

Travel tip:

Gassman’s home city of Genoa boasts Italy's largest sea port, its maritime power going back to the 12th and 13th centuries, when the Republic of Genoa ruled the Mediterranean. The old city is fascinating for its large maze of narrow caruggi (streets), opening out occasionally into grand squares such as Piazza de Ferrari, site of an iconic bronze fountain and Teatro Carlo Felice opera house. There is a Romanesque duomo, the Cathedral of San Lorenzo, recognisable for its black-and-white-striped facade and frescoed interior.

The Accademia Nazionale d'Arte Drammatic in Rome

Travel tip:

The Accademia Nazionale d'Arte Drammatica "Silvio d'Amico", the dramatic arts academy where Gassman trained as an actor, can be found in Via Bellini, between Villa Borghese and the Parioli district, in an elegant four-storey building. Founded in 1936 by the critic and theatrical theorist Silvio D'Amico, in addition to Gassman it has seen students such as Rossella Falk, Anna Magnani, Paolo Stoppa, Nino Manfredi, Gian Maria Volonté, Monica Vitti, Michele Placido, Nicoletta Braschi and Luca Zingaretti attend lectures and workshops there.

More reading:

Mario Monicelli - the father of Commedia all'Italiana

The genius of Alberto Sordi

How Silvano Mangano's acting talents overcame her critics

Also on this day:

1878: The birth of conductor Tullio Serafin

1886: The birth of vaudeville star Guido Deiro


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