9 November 2018

Giuseppe Panini - entrepreneur

News vendor who started football sticker craze


The Mexico 1970 World Cup album can sell for thousands of pounds at auction
The Mexico 1970 World Cup album can sell for
thousands of pounds at auction
Giuseppe Panini, the entrepreneur and businessman who created an international craze for collecting football stickers, was born on this day in 1921 in the village of Pozza in Emilia-Romagna, not far from Modena.

Since the stickers’ first appearance in Italy in the 1960s and the first World Cup sticker album in 1970 took the concept into an international marketplace, Panini has grown into a publishing company that in 2017 generated sales in excess of €536 million ($643 million US) in more than 120 countries, employing more than 1000 people worldwide.

Panini, who died in 1996, grew immensely wealthy as a result, selling the business in 1989 for a sum said to be around £96 million, the equivalent of £232 million (€266 million; $303 million US) today, after which he spent the remaining years of his life building on an already established reputation for philanthropy.

He came from humble working-class origins and left school at the age of 11. His father, Antonio, worked at the military academy in the city of Modena, about 16km (10 miles) away from their village. Life changed for the family, however, when in 1945 they acquired the license to operate the popular newsstand near the cathedral in the centre of the city.

Giuseppe Panini anticipated what a success  football stickers would become
Giuseppe Panini anticipated what a success
football stickers would become
Despite his lack of formal education, Panini had sound business sense. He and his brother Benito ran the newsstand and did well, investing some of the profits in a newspaper distribution agency.

While working at the newsstand, they noticed that the picture cards that some publishers gave away with their papers and magazines were always popular.  When they came across a large number of cards depicting flowers and plants that had been left over from a series given away with a popular magazine, they bought them all and hit upon the idea of selling them as a stand-alone product, in packets of two at 10 lire per packet.

Incredibly, they sold three million packets and in 1961 Giuseppe decided there was a demand it would be foolish not to try to meet. He rented a small workshop in Via Castelmaraldo in Modena and the Panini brothers began printing their own cards, not of plants and flowers but of footballers. They were the same size as the miniature pictures of saints that were popular at the time.

The first ones were just plain cards - self-adhesive stickers would follow later - but they were hugely popular, nonetheless. In the first year alone, the number of packets sold reached a staggering 15 million, almost doubling the following year and in 1964 Panini acquired the publishing plant in Viale Emilio Po, which is still the company’s headquarters today.

Giuseppe Panini turned the family business into a worldwide success
Giuseppe Panini turned the family
business into a worldwide success
The first Panini football album was published the same year and in the late 1960s came the development that was to turn the business into an international concern, when the brothers formed a partnership with FIFA to produce stickers and an album for the 1970 FIFA World Cup in Mexico.

It was a successful venture but because of the European trading laws, the market that turned out to be among the biggest of them all - in the United Kingdom - was not cracked until 1978, when the sticker album for the World Cup in Argentina hit the newsstands.

In typical Italian fashion, Giuseppe Panini made sure he looked after his family, employing not only Benito but his other brothers, Franco and Umberto, and his sisters Veronica, Maria and Norma. His mother, Olga, and his wife, also called Maria, were also involved.

He was also determined to put money into the local community in Modena.

In 1966, he bought the local volleyball team Modena Volley, which for a while was one of the biggest volleyball clubs in the world. In 1973 he founded the Italian Volleyball League - won 12 times by his own club - of which he was president for eight years.

Modena's Palazzo dello Sport is also known as PalaPanini
Modena's Palazzo dello Sport is also known as PalaPanini
He sponsored cultural projects and from 1985 to 1992 was president of the Modena Chamber of Commerce. He founded a school for business managers and a linguistic high school. He even opened a restaurant in Modena to showcase local products such as tortelloni and Lambrusco wine.

Shortly before his death he donated his photographic collections to the city. The local authority subsequently dedicated the city’s Palazzo dello Sport athletic facility to him as well as two museums to show off his collection - the Fotomuseo Giuseppe Panini and the Museo della Figurina.

Ironically, the sale of the company in 1989 - to the British-based publisher Robert Maxwell - almost brought about its demise. A period of poor management saw Panini miss out to rivals Merlin on the lucrative contract to publish sticker albums on behalf of the new English Premier League and after Maxwell died in 1991, leaving behind a mountain of debt, the company survived only after an investment consortium bought it out of administration.

The company was returned to profitability and the albums for recent World Cups have been among the most successful.  Past albums, meanwhile, remain highly collectible - none more so than the first one.

Indeed, such is the rarity of completed 1970 World Cup albums today that one sold at auction in 2017 for £10,450 (€12,012; $13,653 US).

The Ferrari headquarters at Maranello
The Ferrari headquarters at Maranello
Travel tip:

The village of Pozzo is a short distance from Maranello, famous as the headquarters of Ferrari, which has an extraordinary museum in which visitors can explore the history of the world’s most famous sports cars. Pozzo itself, which has a population of a little under 2,500, is home to the Villa Rangoni-Machiavelli - also known as the Villa Bice - which houses sculptures belonging to the Severi contemporary art collection.

Modena's 11th century cathedral
Modena's 11th century cathedral
Travel tip:

The historic city of Modena has a magnificent main square, Piazza Grande, where visitors can find the 11th century Duomo (cathedral) dedicated to San Geminiano, which is now a Unesco world heritage site. The city’s opera house was renamed Teatro Communale Luciano Pavarotti in 2007 after the great tenor, who was born in the city, as was the soprano Mirella Freni. Modena is also famous for its balsamic vinegar, Aceto Balsamico di Modena.

More reading:

How Giacinto Facchetti led Italy to the 1970 World Cup final

Vittorio Pozzo - Italy's double World Cup winner

Enzo Ferrari - the man behind the legend

Also on this day:

1383: The birth of professional soldier Niccolò III d'Este

1877: The birth of Enrico De Nicolo, Italy's first president

1974: The birth of footballer Alessandro del Piero


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8 November 2018

Paolo Taviani - film director

Half of a successful partnership with brother Vittorio


Paolo Taviani has been active in Italian cinema for more than 60 years
Paolo Taviani has been active in Italian
cinema for more than 60 years 
The film director Paolo Taviani, the younger of the two Taviani brothers, whose work together won great acclaim and brought them considerable success in the 1970s and 80s in particular, was born on this day in 1931 in San Miniato, Tuscany.

With his brother Vittorio, who was two years his senior and died in April of this year, he wrote and directed more than 20 films.

Among their triumphs were Padre Padrone (1977), which won the Palme d’Or and the International Federation of Film Critics (FIPRESCI) prize at the Cannes Film Festival, La notte di San Lorenzo (The Night of the Shooting Stars, 1982), which won the Grand Prix du Jury at Cannes, and Caesar Must Die (2012), which won the Golden Bear at the Berlin International Film Festival.

The brothers famously would work in partnership, directing alternate scenes, one seldom criticising the other, if ever. The actor Marcello Mastroianni, who starred in their 1974 drama AllonsanfĂ n, is said to have addressed the brothers as “Paolovittorio.”

They were both born and raised in San Miniato by liberal, anti-Fascist parents who introduced them to art and culture. Their father Ermanno, a lawyer, would take them to watch opera as a reward for getting good grades at school.

Paolo Taviani (right) with his brother Vittorio. They  worked as a partnership until the latter's death in 2018
Paolo Taviani (right) with his brother Vittorio. They
worked as a partnership until the latter's death in 2018
After the Second World War, in which San Miniato suffered badly at the hands of the occupying Germans, they both attended university in Pisa, where Paolo studied liberal arts and Vittorio read law.

While there, they saw Roberto Rossellini’s neorealist picture Paisan, about the Allied liberation of Italy. Its portrayal of what they described as their “own tragedy” had such a profound effect on them that they vowed to be making their own films within a decade.

Indeed, their first work, a short documentary film made in 1954 entitled San Miniato, July 1944, produced with the help of one of neorealism’s most famous scriptwriters, Cesare Zavattini, was the true story of a massacre carried out by the Nazis inside the town’s cathedral in revenge for the death of a German soldier.

They worked with the Dutch director Joris Ivens on another documentary, L'Italia non è un paese povero (Italy is Not a Poor Country), before teaming up with Valentino Orsini on two feature films, Un uomo da bruciare (A Man for Burning, 1962) and I fuorilegge del matrimonio (Outlaws of Love, 1963).

Padre Padrone (1977) was one of the brothers' most successful films
Padre Padrone (1977) was one of the
brothers' most successful films
Their first film in their own right was I sovversivi (The Subversives, 1967), a story of four members of the Italian Communist Party which anticipated the unrest of 1968. They hired Gian Maria Volontè, who had starred in Un uomo da bruciare, for the lead role in Sotto il segno dello scorpione (Under the Sign of Scorpio, 1969), which had the critics comparing their work with Bertolt Brecht, Pier Paolo Pasolini and Jean-Luc Godard.

They won praise for their literary adaptations, including in San Michele aveva un gallo (St Michael Had a Rooster, 1972), adapted from Tolstoy’s Divine and Human, and also Kaos (1984) and Tu ridi (You Laugh, 1998), both based on stories by Luigi Pirandello. 

After Padre Padrone, their career reached another big moment with La notte di San Lorenzo, a wartime drama based in part on their own early lives and drawing on their own documentary, set in 1944 in a Tuscan village poised to be snatched away from the Germans by approaching US troops.

Some of their later work was less well received by they scored another major success with Caesar Must Die, an unorthodox adaptation of Julius Caesar shot inside Rebibbia prison in Rome and performed by hardened lifers, many of them former mafia and Camorra hitmen. The film won the Golden Bear at Berlin in 2012 and was selected as the Italian entry for Best Foreign Language Film at the 85th Academy Awards, although it did not make the final.

Their last work as a partnership, Una questione privata (Rainbow: A Private Affair, 2017), won an Italian Golden Globes as Best Actor for Luca Marinelli.

Still active in Italian cinema, Paolo Taviani presented a lifetime achievement award to his fellow director Martin Scorsese - at 75 some 11 years his junior - at the Rome Film Festival last month.

Crowds at San Miniato's white truffle  festival, guarded by the Tower of Federico
Crowds at San Miniato's white truffle
festival, guarded by the Tower of Federico 
Travel tip:

San Miniato, where Taviani was born, is a charming town perched on a hill halfway between Florence and Pisa. Both cities fought to control it for two centuries. With a picturesque medieval centre built around the Fortress of Federico II and views over the Arno valley, it attracts visitors all year round but one of its busiest times is November, when the annual white truffle festival fills the streets with parades, concerts and artisan vendors. The Diocesan Museum, next to the cathedral, contains works by Filippo Lippi, Jacopo Chimenti, Neri di Bicci, Fra Bartolomeo, Frederico Cardi (known as Cigoli) and Verrocchio.  The church of San Domenico has terracotta works by Luca della Robbia, a fresco attributed to Masolino da Panicale and a burial monument sculpted by Donatello.

The Scuola Normale Superiore in Pisa
The Scuola Normale Superiore in Pisa
Travel tip:

Pisa, once a major maritime power, is now a university city renowned for its art and architectural treasures and with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries. The Scuola Normale Superiore is one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

Roberto Rossellini - the father of neorealism

Marcello Mastroianni - the star who immortalised the Trevi Fountain

How actress Laura Betti became Pier Paolo Pasolini's muse

Also on this day:

1830: The death of Francis I of the Two Sicilies

1936: The birth of acress Virna Lisi

1982: The birth of golfer Francesco Molinari


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7 November 2018

Gaspare Tagliacozzi - surgeon

Professor invented rhinoplasty procedure


Gaspare Tagliacozzi perfected a way of forming a new nose using skin from the arm
Gaspare Tagliacozzi perfected a way of
forming a new nose using skin from the arm
Pioneering plastic surgeon Gaspare Tagliacozzi died on this day in 1599 in Bologna.

During his career, Tagliacozzi had developed what became known as ‘the Italian method’ for nasal reconstruction.

He improved on the procedure that had been carried out by the 15th century Sicilian surgeons, Gustavo Branca, and his son, Antonio.

Tagliacozzi wrote a book, De Curtorum Chirugia per Insitionem - On the Surgery of Mutilation by Grafting - which described in great detail the procedures carried out in the past to repair noses amputated during battle.

Surgeons who came after him credit him with single-handedly revolutionising the procedure and inventing what is today referred to as a rhinoplasty procedure.

Tagliacozzi was born in Bologna in 1545. He studied medicine, natural sciences and anatomy at the University of Bologna, gaining a degree in philosophy and medicine by the age of 24.

After he was appointed professor of surgery and professor of anatomy at the University he taught at the Archiginnasio, famous for its anatomical theatre, where he procured the bodies of executed prisoners to use in dissections.

An illustration of a patient with arm strapped in place across the nose
An illustration of a patient with arm
strapped in place across the nose
The operation for nasal reconstruction had been developed in Italy as early as the 15th century because of injuries sustained in battle, or when duelling using rapiers.

Tagliacozzi improved the reconstructive surgery method by taking skin from the arm using specially designed instruments to make the correct shape.

The flap of skin from the arm was attached to the nose and the patient’s arm was bandaged in the raised position for about 20 days, or until the skin of the arm had attached itself to the nose. The pedicle was then severed from the arm and after 14 days the attached skin was shaped so that it resembled a nose.

In his book explaining the procedure he writes: ‘We restore, rebuild and make whole those parts which nature hath given, but which fortune has taken away. Not so much that it may delight the eye, but that it might buoy up the spirit, and help the mind of the afflicted.’

Tagliacozzi died in Bologna on 7 November 1599 and was buried in the church of San Giovanni Battista de’ Celestini, as he had stipulated in his will. A solemn mass attended by doctors and colleagues was held in his honour later that month in the same church.

However, his body was later exhumed on the orders of the Catholic Church and reburied on unconsecrated ground, the church hierarchy having deemed that his surgery interfered with the handiwork of God.

After Tagliacozzi’s death, ‘the Italian method’ was not used again until the 19th century when a German plastic surgeon performed the procedure again.

Tagliacozzi also wrote a book about reconstructive surgery procedures for lips and ears.

The statue of Tagliacozzi in the anatomical theatre of the Archiginnasio
The statue of Tagliacozzi in the
anatomical theatre of the Archiginnasio
Travel tip:

The world’s first university was established in Bologna in 1088 and attracted popes and kings as well as students of the calibre of Dante, Copernicus and Boccaccio. You can visit the university’s former anatomy theatre, where Tagliacozzi worked, in the oldest university building, the Archiginnasio, which is open to the public Monday to Saturday from 9 am to 1 pm, admission free. There is a wooden statue of Tagliacozzi holding a nose in his right hand, set in a niche in the wall of the anatomy theatre.

The church of San Giovanni Battista de' Celestina in the centre of Bologna
The church of San Giovanni Battista de'
Celestina in the centre of Bologna


Travel tip:

The church of San Giovanni Battista de’ Celestini in Bologna is a Renaissance-style Roman Catholic church located on Via D'Azeglio, where the Celestine order had built a monastery and church in the 14th century. In 1482, the church had become the home of the parish.It was rebuilt in 1535 on the site of a 13th century building in Piazza de’ Celestini.

More reading:

The 17th century anatomist whose work still benefits astronauts today

How Gabriele Falloppio made key discoveries about human reproduction

Italy's 18th century cataract surgeon

Also on this day:

The feast day of Ercolano, patron saint of Perugia

1512: Niccolò Machiavelli dismissed from office

1944: The birth of football legend Luigi Riva


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6 November 2018

Giovanni Buitoni - entrepreneur

Turned family business into multinational company


Giovanni Buitoni took over the running of the family business when he was just 18
Giovanni Buitoni took over the running of
the family business when he was just 18 
Giovanni Buitoni, the entrepreneur who turned Buitoni pasta and Perugina chocolates into the international brands they are today, was born on this day in 1891 in Perugia.

The Buitoni family had been making pasta since 1827, when Giovanni’s great grandmother, Giulia, opened a small shop in the Tuscan town of Sansepolcro, in order to support the family after her husband, Giovan Battista Buitoni, had become ill.  She had her own recipe for pasta that used only high quality durum wheat.

Giulia had pawned her wedding jewellery in order to set up the shop but the business did so well that in 1856 two of the couple’s nine children, Giuseppe and Giovanni, opened a factory in CittĂ  di Castello, just over the border in northern Umbria, to manufacture pasta using a hard durum wheat they sourced in Puglia.

Giovanni’s sons, Antonio and Francesco, continued the company’s expansion, founding manufacturing plants in other towns, including Perugia.

It was in Perugia in 1907 that Francesco, noting the increasing popularity of chocolate, joined with several partners in launching the Perugina confectionary company.

Baci chocolates have been one of the most famous lines made by the Perugina chocolate company
Baci chocolates have been one of the most famous
lines made by the Perugina chocolate company
Giovanni junior’s destiny was probably always to have a role in the family business, although it came rather sooner than he expected.  After studying law he had gone to Germany in 1909 to learn the language and to observe the way German industries operated, their practises being somewhat advanced compared with Italy’s.

He curtailed his trip on receiving news that his father’s Perugina chocolate company was on the brink of bankruptcy. Already bursting with ideas for improving business, he persuaded his father to let him take over general management of the company at just 18 years old and succeeded in turning it into a profit-making concern.

Within only a short time, Perugina had expanded from a small basement operation to large factory with hundreds of workers. He installed modern machinery in the plant and introducing new products, among them the famous Baci -‘kisses' - chocolates still produced today, each containing a love note, which were the idea of Luisa Spagnoli, one of his father’s partners - and Giovanni's clandestine lover at the time - who went on to become famous in the fashion industry.

The Buitoni name has been visible in Italian shops since 1827, when the first Buitoni store opened in Sansepolcro
The Buitoni name has been visible in Italian shops since
1827, when the first Buitoni store opened in Sansepolcro
Giovanni even managed to combine running the company with a brief stint in the Italian Army in the First World War and later completing his doctor of law degree at the University of Perugia.

Always an innovator, he increased sales of Buitoni pasta products even in the Great Depression of 1930s by putting picture cards inside each packet for customers to collect. Customers who collected complete sets of the cards were eligible to take part in a radio contest and win prizes, including a FIAT automobile.

Giovanni Buitoni was by now an individual of some stature in Perugia, whose citizens he served as Podesta - mayor - from 1930 to 1935. In 1936, he married the opera singer, Letizia Cairone.

Letizia Cairone married Buitoni in 1936
Letizia Cairone married
Buitoni in 1936
Buitoni’s expansion into production outside Italy came almost through a twist of fate.

In 1939, Giovanni and his wife were invited by the Hershey Chocolate Company, who were holding a 30th anniversary celebration at their headquarters in Pennsylvania, to visit the United States.

They also attended the 1939 World’s Fair to New York City to promote their own products. With his typical entrepreneurial vision, having noted how much visitors were being asked to pay for food, Giovanni opened a pop-up spaghetti cafĂ© on the site, selling plates of pasta dressed in simple sauces at 25 cents each.  He and Letizia cooked about 15,000 portions over the course of the event.

They found the American lifestyle to their liking and stayed on for a while afterwards. Unfortunately, before they could return to Italy the Second World War broke out, and once Italy had declared war on the side of the Germans, Giovanni and Letizia were unable to travel or access their money.

With no option but to stay and fend for themselves, Letizia followed the lead of Giovanni’s great grandmother and pawned her jewellery, enabling Giovanni to find a small premises in which to open a pasta factory in New Jersey.

Thanks in part to his vision in promoting the Buitoni name at the World’s Fair, the brand began to sell.  Within 15 years, the Buitoni Foods Corporation had a much bigger factory in South Hackensack, New Jersey and later another one in Brooklyn. A spaghetti restaurant in Times Square, New York City, followed, along with a Perugina shop on Fifth Avenue.

Carlo De Benedetti sold the Buitoni business to
Nestlé for $1.4 billion in 1987
Giovanni returned to Italy in 1953 to found the International Buitoni Organization to coordinate all the industrial activities of the family-controlled multinational, but he continued to spend long periods in the United States.

A gifted amateur basso profundo, he was able to realise one of his dreams during his stay in the United States, to sing opera at Carnegie Hall in New York. He invited family, friends and employees to make an audience and, with the help of professional singers Licia Albanese, a soprano, and the baritone Anselmo Colzani, sang arias from Don Giovanni, Rigoletto and Ernani.

Giovanni Buitoni retired from the operational management of the Buitoni group in 1966. He and Letizia had no children and his nephew, Marco Buitoni, succeeded him as president and chief operating officer. Giovanni died in Rome in January 1979.

The business was sold in 1985 to the industrialist Carlo De Benedetti, who owned Olivetti and the newspaper La Repubblica among other things. He in turn sold it for $1.4 billion to its current owner, Nestlé.

The Fontana Maggiore in Perugia's Piazza IV Novembre
The Fontana Maggiore in Perugia's Piazza IV Novembre
Travel tip:

Perugia, the capital of the Umbria region, is an ancient city that sits on a high hilltop midway between Rome and Florence. In Etruscan times it was one of the most powerful cities of the period.  It is also a university town with a long history, the University of Perugia having been founded in 1308.  The presence of the University for Foreigners and a number of smaller colleges gives Perugia a student population of more than 40,000.  The centre of the city, Piazza IV Novembre, has a medieval fountain, the Fontana Maggiore, which was sculpted by Nicolo and Giovanni Pisano.


A view across the rooftops of Sansepolcro
A view across the rooftops of Sansepolcro
Travel tip:

Sansepolcro is a town of 16,000 inhabitants situated about 38km (24 miles) northeast of Arezzo in the east of Tuscany, close to the borders with Umbria and Marche. The historic centre is entirely surrounded with fortified walls, built in the early part of the 16th century. The centre of the town is the Piazza Torre di Berta, named after the 13th-century tower of the same name, off which can be found the impressive Palazzi Pichi and Giovagnoli and the 14th-century cathedral, dedicated to St John the Evangelist.  The city is famous as the place in which the brilliant early Renaissance painter Piero della Francesca was born and died.

More reading:

Michele Ferrero, the man who invented Nutella

Mario Pavesi, the biscuit-maker who gave Italy the Autogrill

Anselmo Colzani and his 16 seasons at The Met

Also on this day:

1835: The birth of pioneer criminologist Cesare Lombroso

2007: The death of author and journalist Enzo Biagi

Vino Novello - Italy's 'nouveau' - goes on sale


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5 November 2018

Filippo Taglioni - dancer and choreographer

Father of star ballerina was pioneer of Romantic ballet


Filippo Taglioni's portrait, the original of which is at Teatro alla Scala in Milan
Filippo Taglioni's portrait, the original of
which is at Teatro alla Scala in Milan
The dancer and choreographer Filippo Taglioni, who choreographed the original version of the ballet classic La Sylphide for his ballerina daughter Marie Taglioni, was born on this day in 1777 in Milan.

La Sylphide was one of the earliest works to represent a new ballet genre, which became known as Romantic ballet, that gained popularity in the 19th century as an alternative to traditional classical ballet.  Romantic ballet was different in that the characters were recognisable as real people rather than the gods and goddesses and strange creatures from Roman and Greek mythology that populated classical ballet.

The work, which premiered at the Salle Le Peletier of the Paris OpĂ©ra in 1832, cemented Marie Taglioni’s status as a star, the prima ballerina of the Romantic movement, although the version performed today - the only version to have survived - was choreographed by the Danish ballet master August Bournonville in 1836.

Filippo was part of an Italian dancing dynasty of the 18th and 19th centuries. His father and mother, Carlo Taglioni and Maria Petracchi, were both dancers. Carlo, who was born in Turin, worked in Venice, Rome, Siena and Udine.

Taglioni's daughter, Marie, pictured in a performance of La Sylphide
Taglioni's daughter, Marie, pictured in a
performance of La Sylphide
As well as Marie, Filippo had a son, Paul Taglioni, who was a successful choreographer and the father of another dancer, Marie Taglioni the younger. Filippo’s brother, Salvatore Taglioni, was father of Luisa Taglioni, who was a ballerina of the Paris OpĂ©ra, and Fernando Taglioni, who became a respected composer.

Trained for the most part by the Neapolitan dancer Carlo Blasis and Jean-François Coulon, Filippo made his debut at 17 in Pisa, playing female roles, and after appearing in other Italian cities joined the Paris OpĂ©ra at the age of 22, before moving to Stockholm to be principal dancer and ballet master for the Royal Swedish Ballet.

It was while he was living in Stockholm that he married the dancer Sophie Karsten, daughter of a famous Swedish opera singer Christoffer Christian Karsten and a Polish actress, Sophie Stebnowska.

Their two children were born early in the marriage and after living for a number of years in Vienna and Germany they moved to Paris to escape the the Napoleonic wars.  Filippo danced and choreographed in different parts of Europe before accepting a permanent position in Vienna.

Filippo Taglioni made his daughter, Marie, practise six hours a day for six months
Filippo Taglioni made his daughter, Marie,
practise six hours a day for six months
Filippo had left his daughter, Marie, to study ballet in Paris but in time summoned her to join him in Vienna, where he began training her himself, making her practice six hours a day for six months until she mastered her jumps and pointe work. When he judged her to be ready he took her back to Paris.

Marie soon became popular and Filippo was able to negotiate a six-year contract for the two of them. He unveiled La Sylphide to huge acclaim and its success established Marie as the pre-eminent prima ballerina of the Romantic period, as well as making him its most renowned choreographer.

The two toured Europe and Russia and were well rewarded, although Filippo lost a good deal of his daughter’s fortune in through unwise and speculative investments.

His legacy, though, was to have changed the nature of ballet. Although the Romantic movement began to decline at the start of the 20th century, it produced works of lasting popularity such as Delibes’s CoppĂ©lia (1870) and Tchaikovsky's Swan Lake (1876) and The Nutcracker (1892).

Filippo Taglioni died in Como in 1871, at the age of 93.

The Teatro Verdi in Pisa was opened in November 1867
The Teatro Verdi in Pisa was opened in November 1867
Travel tip:

The principal venue for ballet and opera in Pisa is the Teatro Verdi in Via Palestro, built in the mid-19th century in the style of classic theatre architecture to designs by the Venetian architect Andrea Scala, who won a competition organised by the architect and politician Ranieri Simonelli, a prominent Pisan citizen of the day. Completed in 1867, it was inaugurated on November 12 of that year with a performance of Gioachino Rossini’s opera William Tell. It began to stage ballet as well as opera in the latter part of the 19th century.  Taglioni is likely to have performed at the Regia Teatro Nuovo, which the Teatro Verdi replaced.

The beautiful Villa Olmo on Lake Como
The beautiful Villa Olmo on Lake Como
Travel tip:

Como, where Taglioni died, is a city at the southern end of Lake Como. It has become a popular tourist destination because it is close to the lake and has many attractive churches, gardens, museums, theatres, parks and palaces to visit. The Villa Olmo, built in neoclassical style there in 1797 by an aristocratic family, has hosted Napoleon, Ugo Foscolo, Prince Metternich, Archduke Franz Ferdinand I and Giuseppe Garibaldi, to name but a few of the eminent people who have stayed there.

More reading:

Fanny Cerrito - the Neapolitan ballerina who wowed Europe

Pierina Legnani - the Italian who conquered St Petersburg

How Strictly Come Dancing judge Bruno Tonioli dealt with playground bullies

Also on this day:

1702: The birth of Venetian painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1898: The birth of Francesco Chiarello, soldier who survived two World Wars


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4 November 2018

Guido Reni – painter

Bolognese artist who idealised Raphael


Guido Reni: a self-portrait executed in about 1603, currently in the Palazzo Barberini in Rome
Guido Reni: a self-portrait executed in about
1603, currently in the Palazzo Barberini in Rome
The leading Baroque painter, Guido Reni, was born on this day in 1575 in Bologna, then part of the Papal States.

He was to become a dominant figure in the Bolognese school of painting, which emerged under the influence of the Carracci, a family of painters in Bologna. He was held in high regard because of the classical idealism of his portrayals of mythological and religious subjects.

Although his father, Daniele, wanted him to follow in his footsteps as a musician, Guido Reni passionately wanted to become an artist and was apprenticed to the Flemish painter Denis Calvaert when he was 10 years old. He focused on studying the works of Raphael, who, for the rest of his life, remained his ideal.

Reni went on to enter the academy led by Ludovico Carracci, the Accademia degli Incamminati - The academy of the newly-embarked - in Bologna. He was received into the guild of painters in the city in 1599 when he was nearly 24.

After this he divided his time between his studios in Bologna and Rome.

One of his most famous works, Crucifixion of St Peter, which is now in the Vatican Museum in Rome, was painted for Cardinal Aldobrandini in 1605.

Reni's dramatic depiction of the Crucifixion of St Peter (1605)
Reni's dramatic depiction of the
Crucifixion of St Peter (1605)
Early in his career, Reni executed important commissions for Pope Paul V, painting frescoes in churches in Rome, including the Basilica of Santa Maria Maggiore. One of his most celebrated works from this period is the Aurora fresco, painted between 1613 and 1614 for the large central hall of the Casino dell’Aurora, located in the grounds of the Palazzo Pallavicini-Rospigliosi.

Reni travelled to Naples in 1622 to paint frescoes on the ceiling of the chapel of San Gennaro in the Cathedral.

In 1630, the Barberini family commissioned from Reni a painting of the Archangel Michael for the Church of Santa Maria della Concezione dei Cappuccini. There was a rumour that Reni had represented Satan, crushed under St Michael’s foot, with the facial features of Cardinal Giovanni Battista Pamphili, in revenge for a slight he had experienced from him.

Reni’s unique style was to paint religious and mythological subjects in light, soft colours, posing the figures gracefully, as in Atalanta and Hippomenes, executed in 1625.

Ancient Greek sculptures and the frescoes of Raphael were the main inspiration for his type of art.

He became one of the most famous painters of his day in Europe and was the model for other Italian Baroque artists who came later.

Reni died, aged 66, in 1642 in Bologna. He was buried in the Rosary Chapel of the Basilica of San Domenico. The painter Elisabetta Sirani, whose father had been Reni’s pupil, and who was considered by many to have been the artistic reincarnation of Reni, was later interred in the same tomb.

Reni painted frescoes in the Naples Duomo, also known as the Cattedrale di San Gernnaro
Reni painted frescoes in the Naples Duomo, also known
as the Cattedrale di San Gernnaro
Travel tip:

The Duomo in Naples, in Via Duomo, off Via Tribunali, was built over the ruins of two earlier Christian churches for Charles I of Anjou at the end of the 13th century. One of the main attractions inside is the Royal Chapel of the Treasure of San Gennaro, which contains Reni’s frescoes, along with many other precious works of art. The Duomo is also sometimes referred to as Cattedrale di San Gennaro. It is open to the public from 8.30am to 1.30pm and 2.30 to 8pm, Monday to Saturday, and 8.30am to 1.30pm and 4.30 to 7.30pm on Sundays.

The Basilica of San Domenico in Bologna, where Reni is buried, contains several important works of art
The Basilica of San Domenico in Bologna, where Reni is
buried, contains several important works of art
Travel tip:

Guido Reni is buried in the Rosary Chapel of the 13th century Basilica of San Domenico in Piazza San Domenico in Bologna. The church is close to the Archiginnasio, once the main building of the University of Bologna. Behind the red-brick façade of the church, which was added as recently as 1910, lies a treasure house of art including works by Pisano, Michelangelo, Iacopo da Bologna and Guido Reni himself. In the Rosary Chapel, the most important work is the Mystery of the Rosary, a group of paintings worked on by Lodovico Carracci, Bartolomeo Cesi, Denis Calvaert, Lavinia Fontana, Guido Reni and Domenichino. The artist Elisabetta Sirani was later interred in the same tomb as Guido Reni.

More reading:

Elisabetta Sirani - talented young painter whose sudden death shocked Bologna

How Annibale Carracci made his mark in Rome

Domenichino - the Bolognese master who rivalled Raphaal

Also on this day:

1333: Florence devastated by catastrophic floods

1737: The inauguration of Teatro San Carlo in Naples

1964: The birth of crime writer Sandrone Dazieri


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3 November 2018

Monica Vitti - actress

Star of Antonioni classics also excelled in comedy roles


Monica Vitti made her name playing enigmatic characters in Antonioni films
Monica Vitti made her name playing
enigmatic characters in Antonioni films
The actress Monica Vitti, who became famous as the star of several films directed by Michelangelo Antonioni during the early 1960s, was born on this day in 1931 in Rome.

Antonioni, with whom she had a romantic relationship that lasted a decade, cast her as his female lead in L'avventura (1960), La notte (1961), and L'eclisse (1962), three enigmatically moody films once described as a "trilogy on modernity and its discontents".

She also starred for him in his first colour film, Il deserto rosso (1964), which continued in a similar vein.  Her performance earned her a second of four Golden Grail awards. Vitti was also honoured with five David di Donatello awards as Best Actress from the Italian Film Academy.

After splitting with Antonioni, Vitti excelled in comedy, working with directors such as Mario Monicelli, Dino Risi, Alberto Sordi and Ettore Scola.

Her performances in movies such as Monicelli’s The Girl With the Pistol (1968) and I Know That You Know That I Know (1982) saw her spoken of as one of the great actors of the Commedia all’Italiana genre alongside Sordi himself, Ugo Tognazzi, Vittorio Gassman and Nino Manfredi.

Monica Vitti made her screen debut in 1954 after honing her skills in the theatre
Monica Vitti made her screen debut in
1954 after honing her skills in the theatre
Although born in Rome - her real name was Maria Luisa Ceciarelli - Vitti spent eight of her childhood years in Messina in Sicily and returned to Rome after her brothers had left to seek their fortune in America.

She acted in amateur productions as a teenager before securing a place at the National Academy of Dramatic Arts in Rome, where she graduated in 1953. She toured Germany with an Italian acting troupe and made her first stage appearance in Rome in a production of Niccolò Machiavelli's La Mandragola.

Her first small film role came 1954 but her performance of note was in Mario Amendola's Le dritte (1958). By then, she had joined Michelangelo Antonioni's company at the Teatro Nuovo di Milano, which is where her association with the director began.

Vitti’s acting brilliance came to the fore in Antonioni’s films, in which her characters were inevitably complex, tormented, mysterious sometimes neurotic young women, who she was able to portray with incredible empathy.

Yet, after Monicelli suggested to her that she could turn her talent to comedy, she quickly proved her versatility with a string of successes.

Monica Vitti now lives in Rome with her husband, director Roberto Russo
Monica Vitti now lives in Rome with her
husband, director Roberto Russo
A woman of natural beauty, Vitti was much-photographed and her private life subject to close scrutiny.  Politically left-wing, she was part of the guard of honour at the funeral of the Communist leader Enrico Berlinguer in 1984.

Her last movie was Secret Scandal (1990), which she also wrote and directed, and for a few years thereafter she worked in television. At the Venice Film Festival in 1995 she received the Golden Lion for Lifetime Achievement.

In 2000, Vitti took part in the celebrations for the 80th birthday of Alberto Sordi and was a guest, along with many personalities from the entertainment world, at the Jubilee celebrations at the Basilica of San Pietro in the Vatican in December of the same year.

However, after 2002 she was not seen again in public and rumours began to circulate about her health. After some time her husband, the former director Roberto Russo, confirmed that she was alive and living in Rome but was suffering from Alzheimer’s Disease.

The cathedral at Messina had to be rebuilt twice in the 20th century because of earthquake and war damage
The cathedral at Messina had to be rebuilt twice in the 20th
century because of earthquake and war damage
Travel tip:

Messina is a city in the northeast of Sicily, separated from mainland Italy by the Strait of Messina. It is the third largest city on the island and is home to a large Greek-speaking community. The 12th century cathedral in Messina has a bell tower which houses one of the largest astronomical clocks in the world, built in 1933.  Originally built by the Normans, the cathedral, which still contains the remains of King Conrad, ruler of Germany and Sicily in the 13th century, had to be almost entirely rebuilt following a catastrophic earthquake in 1908, and again in 1943, after a fire triggered by Allied bombings.

The auditorium of the Teatro Nuovo di Milano, where Monica Vitti appeared in the 1950s
The auditorium of the Teatro Nuovo di Milano, where
Monica Vitti appeared in the 1950s
Travel tip:

The Teatro Nuovo theatre in Milan, located on the Piazza San Babila in the lower level of the Palazzo del Toro, was designed by architect Emilio Lancia and was the project of the impresario Remigio Paone. It was inaugurated on in December 1938 with a performance of Eduardo De Filippo's comedy Ditegli sempre di sì. Piazza San Babila is characterized by the presence of a fountain built in 1997 by the architect Luigi Caccia Dominioni in conjunction with the Ente Fiera Milano.

More reading:

Michelangelo Antonioni - the 'last great' of post-War Italian cinema

Why Mario Monicelli is called the 'father of Commedia all'Italiana'

The comic genius of Alberto Sordi

Also on this day:

1560: The birth of painter Annibale Carracci

1801: The birth of opera composer Vincenzo Bellini

1918: Armistice ends First World War in Italy


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