Showing posts with label Cosimo de' Medici. Show all posts
Showing posts with label Cosimo de' Medici. Show all posts

17 November 2017

Bronzino – master of Mannerism

Florentine became Medici court painter


Bronzino's portrait of Eleonora of Toledo, wife  of Cosimo I de' Medici, with her son, Giovanni
Bronzino's portrait of Eleonora of Toledo, wife
of Cosimo I de' Medici, with her son, Giovanni
The Mannerist painter Agnolo di Cosimo – better known as Il Bronzino or simply Bronzino – was born on this day in 1503, just outside Florence.

Bronzino is now recognised as the outstanding artist of what has become known as the second wave of Mannerism in the mid-16th century.  His style bears strong influences of Jacopo Pontormo, who was an important figure in the first wave and of  whom Bronzino was a pupil as a young man in Florence.

The Mannerist movement began in around 1520, probably in Florence but possibly in Rome. In the evolution of art it followed the High Renaissance period.

Typical of Mannerist painters is their use of elongated forms and a style influenced by the attention to detail allied to restrained realism that was characteristic of the Renaissance masters Raphael, Michelangelo and Leonardo da Vinci.

Bronzino became best known for his portraits, which were detailed and stylishly sophisticated, in which the subjects were superbly realistic but also tended to wear stoical, rather haughty expressions.

He also paid particular attention to fabric and clothing, his works often notable for his recreation of textures. He often used strong colours - sometimes cold blues, at other times warm reds – and created effects that were almost like theatrical lighting.

Cosimo I de' Medici in armour, as portrayed by Bronzino in 1545
Cosimo I de' Medici in armour, as portrayed by
Bronzino in 1545
He painted many religious works, in which the influence of Michelangelo could be seen in his use of dramatic body shapes, but his greatest contribution to the Mannerist period was his portraiture, particularly during his time in the Medici court, where his ability to give his subjects an air of elegant nobility made him very popular.

Born in Monticelli, then a small town just outside Florence but now essentially a neighbourhood of the Tuscan city, Bronzino became apprenticed to Pontorno in 1515, their relationship developing almost as that of father and son. Indeed, when plague swept the city in 1522, Pontorno took his pupil with him to stay in the relative seclusion of the Certosa di Galuzzo, a monastery.

When they returned, Pontorno’s trust in Bronzino – who is thought to have acquired his nickname mainly on account of a dark complexion, possibly due to a pigment disorder – was such that he enlisted his help in creating what is seen as his own masterpiece, the Deposition from the Cross, an altarpiece in the church of Santa Felicità in Florence, not far from the Ponte Vecchio, where they also worked together on a sidewall fresco, Annunciation.

Indeed, Bronzino became so adept as following his master’s methods that there has at times been fierce debate between experts over whether certain paintings were the work of Pontorno or his pupil.

Bronzino's Portrait of a Young Man, painted in around 1540, is seen as one of his finest works
Bronzino's Portrait of a Young Man, painted in
around 1540, is seen as one of his finest works
Bronzino left the city for a second time in 1530 when it came under siege from the armies of Spain and the Holy Roman Empire, who were seeking to overthrow the Florentine republic established in 1527 and restore the Medici family to power.

When he rejoined Pontorno in Florence some years later, he had revealed his talent for portraiture while in the employ of the Duke of Urbino and it was not long before he was appointed by the Medici court as official portraitist, a role he would keep until he died in 1572, at the age of 69.

Bronzino’s figures influenced portraiture in Europe for almost a century. His best-known works include portraits of the Grand Duke of Tuscany, Cosimo I de' Medici, and his wife, Eleonora, and other members of their court such as Bartolomeo Panciatichi and his wife Lucrezia.  He also painted idealized portraits of the poets Dante and Petrarch.

By the time of his death he had developed a relationship similar to that he had enjoyed with Pontorno with his own pupil, the late Mannerist painter Alessandro Allori.

The church of Santa Felicità in Florence
Travel tip:

The church of Santa Felicità is described as the oldest religious building in Florence, apart from the Basilica of San Lorenzo.  Although the current structure was built in 1739, it is thought that the first church on the site was probably built in the late fourth century.  As well as Pontorno’s painting, assisted by Bronzino, the church is famous for the fact that the Vasari Corridor, the enclosed passage built by the Medici to link the Palazzo Vecchio in Piazza della Signoria with the Medici’s family residence, the Palazzo Pitti, passes through the façade.

Piero della Francesco's Flagellation
Travel tip:

The town of Urbino in Le Marche has long been associated with art, most famously as the birthplace of Raffaello Sanzio – better known by the anglicised name, Raphael.  Its Galleria Nazionale delle Marche houses many fine works, including Raphael’s La Muta, several paintings by Titian and Paolo Uccello and Piero della Francesco’s Flagellation, measuring 59cm by 82cm and once described as ‘the greatest small painting in the world’.

Also on this day: 







1 August 2016

Cosimo de' Medici

Banker who founded the Medici dynasty


This portrait of Cosimo by Jacopo da Contormo  can be viewed in the Uffizi Gallery in Florence
This portrait of Cosimo by Jacopo da Contormo
 can be viewed in the Uffizi Gallery in Florence
The first of the Medici rulers of Florence, Cosimo di Giovanni de' Medici, died on this day in 1464 in Careggi in Tuscany.

Cosimo had political influence and power because of the wealth he had acquired as a banker and he is also remembered as a patron of learning, the arts and architecture.

Cosimo, who is sometime referred to as Cosimo the Elder (il Vecchio) was born into a wealthy family in Florence in 1389. His father was a moneylender who then joined the bank of a relative before opening up his own bank in 1397.

The Medici Bank opened branches in Rome, Geneva, Venice and Naples and the Rome branch managed the papal finances in return for a commission.

The bank later opened branches in London, Pisa, Avignon, Bruges, Milan and Lubeck, which meant that bishoprics could pay their money into their nearest branch for the Pope to use.

In 1410, Baldassarre Cossa, who was on one side of a power struggle within the Catholic Church, borrowed money from the bank to buy himself into the office of Cardinal and in return put the Medici in charge of all the papal finances.   This gave the Medici family the power to threaten defaulting debtors with excommunication.

Cosimo and his younger brother Lorenzo took over the running of the bank from their father in 1420 and Cosimo established power over Florence using his wealth to control votes. He was described at the time as ‘king in all but name'.

The Villa Medici in Careggi near Florence, where Cosimo died in 1464
The Villa Medici in Careggi near Florence, where
Cosimo died in 1464
Eventually his enemies had him imprisoned him in the Palazzo Vecchio for the crime of ‘failing to conquer Lucca’ but he managed to have his sentence changed to exile. He went to live in Padua and then to Venice, taking his bank with him.

When the order of banishment was lifted he was able to return to Florence, where effectively he was to govern the city for the next 30 years.

Cosimo worked to create peace in northern Italy by establishing a balance of power between Florence, Venice and Milan, which allowed for the development of the Renaissance.

The architects Brunelleschi and Michelozzo carried out Cosimo’s building projects in Florence and artists such as Ghiberti, Donatello and Fra Angelico were commissioned to produce works of art for him.

Cosimo also organised a methodical search for ancient manuscripts in Europe and the East and the books and documents procured by him are now housed in the Laurentian Library (Biblioteca Medicea-Laurenziana), which was built in a cloister of the Basilica di San Lorenzo.

Cosimo had married Contessina de' Bardi, who was from another wealthy banking family, in about 1415 and the couple had two sons, Piero and Giovanni.

On his death on 1 August 1464 Cosimo was succeeded by Piero, who later became the father of Lorenzo the Magnificent.

The Government of Florence awarded Cosimo the title Pater Patriae, Father of the Country, which is carved on his tomb in the Church of San Lorenzo.

Travel tip:

Cosimo died in 1464 at the Villa Medici at Careggi, in the hills above Florence. The villa had been purchased in 1417 by Cosimo’s father as a working farm to make his family self sufficient. Cosimo employed the architect Michelozzo to remodel it around a central courtyard overlooked by loggias. Cosimo’s grandson, Lorenzo, later extended the terraced garden and the shaded woods.

The interior of the Basilica of San Lorenzo in Florence
The interior of the Basilica of
San Lorenzo in Florence
Travel tip:

The Basilica of San Lorenzo, where Cosimo is buried, is in the centre of the market district and is one of the biggest churches in Florence. It also claims to be the oldest in the city as it dates back to 393. Cosimo’s father offered to pay for a new building to replace the 11th century Romanesque structure there at the time and commissioned Brunelleschi to design it. Michelangelo later designed the Biblioteca Medicea-Laurenziana to house the Medici family’s collection of manuscripts.

More reading:


How Cosimo II maintained the family tradition

Grand designs of Cosimo I


(Photo of Villa Medici by Sailko CC BY-SA 3.0)
(Photo of San Lorenzo Basilica by Stefan Bauer CC BY-SA 2.5)

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