Francesco Cilea – opera composer

Calabrian remembered for beautiful aria Lamento di Federico 

Francesco Cilea

Composer Francesco Cilea was born on this day in 1866 in Palmi near Reggio di Calabria.

He is particularly admired for two of his operas, L’Arlesiana and Adriana Lecouvreur.

Cilea loved music from an early age. It is said that when he was just four years old he heard music from Vincenzo Bellini’s opera, Norma, and was moved by it.

When he became old enough, he was sent to study music in Naples and at the end of his course of study there he submitted an opera he had written, Gina, as part of his final examination. When this was performed for the first time it attracted the attention of a music publisher who arranged for it to be performed again.

Cilea was then commissioned to produce a three-act opera, meant to be along the lines of Pietro Mascagni's Cavalleria rusticana, by the same publisher.

The resulting work, La Tilda, was performed in several Italian theatres, but the orchestral score has been lost, which has prevented it from enjoying a modern revival.

In 1897, Cilea’s third opera, L’Arlesiana was premiered at the Teatro Lirico in Milan.

In the cast was the young Enrico Caruso, who performed, to great acclaim, the famous Lamento di Federico. This beautiful aria - often known by its opening line, È la solita storia del pastore, has kept the name of the opera alive until present day and it has been performed and recorded by many famous tenors over the years, including Luciano Pavarotti.

Enjoy Pavarotti singing Lamento di Federico

In 1902, Cilea’s opera, Adriana Lecouvreur was received enthusiastically at the Teatro Lirico in Milan, again starring Enrico Caruso. Around the same time, Cilea accompanied Caruso on the piano when he made one of his early recordings for the gramophone.

Cilea’s last opera, Gloria, was premiered at La Scala in Milan in 1907 under the baton of Arturo Toscanini, but it was a failure and was withdrawn after only two performances.

After this Cilea turned his attention to teaching and became director of the Conservatorio Vincenzo Bellini in Palermo, although he continued to compose chamber and orchestral music.

The Cilea Mausoleum in Palmi

He supported the career of the Italian soprano, Magda Olivero, whose performances, in the title role of Adriana Lecouvreur, he particularly admired.

Cilea spent the last years of his life living in Varazze, near Savona in Liguria, and he died there in 1950.

Travel tip:

Palmi, where Francesco Cilea was born, is a small commune in the province of Reggio di Calabria in southern Iraly. A seaside resort, Palmi has been referred to as ‘the terrace on the strait of Messina.’ A mausoleum decorated with scenes from the myth of Orpheus, was built there in memory of Cilea.

The Teatro Cilea in Reggio di Calabria

Travel tip:

Reggio di Calabria, often referred to as Reggio Calabria, or simply Reggio, is the biggest city in the region of Calabria in southern Italy. The theatre in the city was renamed Teatro Comunale Francesco Cilea in the composer’s memory.

More reading:

The genius of Puccini

The dominance of Giuseppe Verdi

Lasting appeal of Enrico Caruso


(Photo of Cilea Mausoleum by Palminellafede CC BY-SA 3.0)
(Photo of Teatro Cilea by Franc rc CC BY-SA 3.0)

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Enrico Caruso – opera singer

 Tenor's voice still regarded as greatest of all time 

Enrico Caruso sang in a choir while working
as an apprentice to a mechanical engineer

Operatic tenor Enrico Caruso was born on this day in 1873 in Naples.

Believed by many opera experts to be the greatest tenor of all time, Caruso had a brilliant 25-year singing career, appearing at many of the major opera houses in Europe and America.

He made more than 200 recordings of his beautiful voice, some made as early as 1902.

Caruso was born in Via San Giovanello agli Ottocalli in Naples and baptised the next day in the nearby church of San Giovanni e Paolo.

At the age of 11 he was apprenticed to a mechanical engineer and also worked alongside his father in a factory.

At the same time he was singing in his church choir and was told his voice showed enough promise for him to consider becoming a professional singer.

Until she died in 1888, he was encouraged by his mother. To earn money, he started to work as a street singer in Naples, progressing to singing Neapolitan songs as entertainment in cafes. Having decided to become an opera singer, Caruso took singing lessons, keeping up with them even during his compulsory military service.

He made his stage debut in 1895 at the Teatro Nuovo in Naples in Domenico Morelli’s L’amico Francesco, having been recommended by a musician who had heard him sing.

Listen to Enrico Caruso singing La Donne e Mobile from Verdi's Rigoletto

Caruso went on to perform at other theatres throughout Italy and was given a contract to sing at the prestigious Teatro alla Scala in Milan in 1900. On his debut on December 26 of that year, he sang Rodolfo from Puccini’s La Bohème, conducted by Arturo Toscanini.

The following year he appeared in Monte Carlo, Warsaw, Buenos Aires and before the Tsar of Russia in St Petersburg.

Caruso took part in a grand concert at La Scala organised by Toscanini in 1901 to mark the death of Giuseppe Verdi.

Caruso in his role as the Duke in Rigoletto, in which
 he made his debut at the Met in New York in 1903

A month later he was engaged to make his first group of recordings for a gramophone company using a hotel room in Milan. The recordings quickly became bestsellers and Caruso’s fame spread.

He travelled to New York in 1903 to take up a contract with the Metroplitan Opera, making his debut in Verdi's Rigoletto in November.

A few months later Caruso began his association with the Victor Talking Machine Company.

His 1904 recording of Vesti la giubba, the moving aria from Ruggero Leoncavallo's opera Pagliacci was the first recording ever to sell a million copies.

He made 863 appearances at the Met, attracting a substantial following from among New York’s Italian immigrants.

He continued to release recordings until close to his death in 1921. Caruso’s voice extended up to high D-flat in its prime and grew in power and weight as he became older. His singing can still be enjoyed by people today as his original recordings have been remastered and issued as CDs and digital downloads.

The singer’s health began to deteriorate in 1920 and he returned to Naples to recuperate. He was planning to go to a clinic in Rome in August 1921, and was staying overnight at the Albergo Vesuvio in Naples on the way, when his condition worsened and he died, aged 48.

The King of Italy, Victor Emmanuel III, opened the Royal Basilica of San Francesco di Paola, for his funeral, which was attended by thousands of people.

The distinctive Basilica of San Francesco di Paolo, overlooks
Piazza del Plebiscito in the centre of Naples

Travel tip:

The Basilica of San Francesco di Paola is on the west side of Piazza del Plebiscito, the main square in Naples . Originally the building had been planned as a tribute to Napoleon but after the Bourbons were restored to the throne of Naples, Ferdinand I made it into a church and dedicated it to San Francesco di Paola. It is similar in design to the Pantheon in Rome with a portico resting on columns and a high dome in the middle. Caruso’s body was taken through the streets of Naples in a horse-drawn hearse and he lay in state before his funeral so that people could pay their respects.

Find a hotel in Naples with Tripadvisor

Caruso on the balcony of the Grand Hotel
Excelsior Vittoria in Sorrento

Travel tip:

Caruso loved the resort of Sorrento and his stay at the Grand Hotel Excelsior Vittoria in July 1921 is recognised by a plaque at the entrance gate to the hotel, which is just off Piazza Tasso, the main square in Sorrento. The photograph of Caruso in front of the view from the Excelsior Vittoria’s terrace was one of the last images taken of the tenor. The hotel later furnished Suite Caruso with the piano and writing desk used by the opera singer during his visit. The suite inspired the song ‘Caruso’ to be written by Italian pop singer Lucio Dalla in the late 1980s while he was staying at the Excelsior Vittoria.

Sorrento hotels from Booking.com

More reading:

How a chance opportunity set Arturo Toscanini on the path to fame

Guiseppe Verdi: Italy mourns the loss of a national symbol

Franco Corelli - the 'prince of tenors'

Also on this day:

1682: The birth of anatomist Giovanni Battista Morgagni, 'father' of pathology

1707: The birth of playwright Carlo Goldoni

2003: The death of comic actor Alberto Sordi

Selected books:

Enrico Caruso: His Life and Death, by Dorothy Caruso


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Umberto Giordano - opera composer

Death of the musician remembered for Andrea Chenier

Umberto Giordano was a contemporary
of Mascagni and Puccini, among others

Composer Umberto Giordano died on this day in 1948 in Milan at the age of 81.

He is perhaps best remembered for his opera, Andrea Chenier, a dramatic work about liberty and love during the French revolution, which was based on the real life story of the romantic French poet, André Chenier.

The premiere of the opera was held at Teatro alla Scala in Milan in 1896. At the time, its success propelled Giordano into the front rank of up-and-coming Italian composers alongside Pietro Mascagni, to whom he is often compared, and Giacomo Puccini.

Another of Giordano’s works widely acclaimed by both the public and the critics, is the opera, Fedora.

This had its premiere in 1898 at the Teatro Lirico in Milan. A rising young tenor, Enrico Caruso, played the role of Fedora’s lover, Loris. The opera was a big success and is still performed today.

Some of Giordano’s later works are less well-known but they have achieved the respect of the critics and music experts and are occasionally revived by opera companies.

The Teatro Argentina in Rome, which staged the first
production of Giordano's debut opera, Mala vita

Giordano was born in Foggia in Puglia in August 1867. He studied under Paolo Serrao at the Conservatoire of Naples.

He wrote his first opera, Marina, for a competition organised by the music publishers Casa Sonzogno for the best one-act opera. It was placed sixth of 73 entries. The competition, which is seen as marking the beginning of verismo movement in Italian opera, was won by Mascagni's Cavalleria rusticana. 

There was much interest in Marina, nonetheless, and Sonzogno commissioned Giordano to develop the idea further. The result was Mala vita, a gritty verismo opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. 

The audience at the Teatro Argentina in Rome were somewhat scandalised when it played there in February 1892 but it was greeted with acclaim by audiences in Vienna, Prague and Berlin.


Giordano tried a more romantic topic with his next opera, Regina Diaz, but this was a failure and was cancelled after just two performances.

He moved to Milan and it was there he returned to verismo with Andrea Chenier and Fedora.

The theatre in Piazza Cesare Battisti in Foggia, the town where Giordano was born, has been renamed Teatro Giordano in his memory. There is also a large statue of the composer in Piazza Umberto Giordano in Foggia.

Teatro alla Scala opened in 1778, having been built to replace
the Teatro Regio Ducale, which had been destroyed in a fire 

Travel tip:

Opera lovers should visit Teatro alla Scala in Milan and go round the theatre’s museum to see the fantastic costumes and memorabilia from the history of opera on display. The museum in Largo Ghiringhelli, just off Piazza Scala, is open every day except the Italian Bank Holidays and certain days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.  The theatre opened in 1778 as the Nuovo Regio Ducale Teatro alla Scala, having been commissioned by the Empress Maria Theresa of the House of Hapsburg, of which the Duchy of Milan was at the time a part, as replacement for the Teatro Regio Ducale following a fire in 1776.  It was built on the site of the former church of Santa Maria alla Scala.

The statue of Umberto Giordano in
Piazza Umberto Giordano

Travel tip:

Foggia, where Umberto Giordano was born in 1867, is an important city in Puglia in the south of Italy. As well as the Teatro Giordano and Piazza Umberto Giordano, which honour the composer, Foggia has a Cathedral dating back to the 12th century well worth visiting. The city was once known as the ‘granary of Italy’, thanks to its proximity to a large plain, known as the Tavoliere delle Puglie, which enabled the growing of wheat and other grain plants on a large scale. There are many pasta factories, although productivity in the area is not limited to grains, being a significant producer of olives, grapes and cheeses too.  The old centre of the city is a network of narrow streets, at the heart of which is the part-Romanic, part-Baroque cathedral of Santa Maria de Fovea.

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