Piero della Francesca - Renaissance painter

Mathematician famous for exploring perspective

Della Francesca's assumed self-
portrait in his Ressurrection

Piero della Francesca, recognised as one of the greatest painters of the early Renaissance, died on this day in 1492 in what was then Borgo Santo Sepolcro, near Arezzo.

He was thought to have been around 77 years old – his exact birth date is not known – and it has been popularly theorised that he was blind in the later years of his life, although evidence to support the claim is sketchy.

Della Francesca’s work was characterised by his exploration of perspective and geometric form, which was hardly surprising since in his own time he was as famous among his peers as a mathematician and geometer as well as an artist.

He came to be recognized in the 20th century as having made a major contribution to the Renaissance.

His fresco cycle The History – or Legend – of the True Cross in the Basilica of San Francesco in Arezzo, painted between 1452 and 1466, and his diptych – two-panelled – portraits of Federico da Montefeltro and Battista Sforza - the Duke and Duchess of Urbino, dated at between 1465 and 1472, which can be seen in the Uffizi Gallery in Florence, are among his best-known works.

Detail from Della Francesca's stunning History of the True
Cross fresco cycle in the Basilica of San Francesco in Arezzo

He had been born in Borgo Santo Sepolcro – now known as Sansepolcro – in around 1415, into a fairly prosperous family. His father, Benedetto dei Franceschi, is thought to have been a wool and leather merchant, while his mother was the daughter of another wool merchant.  They saw to it that Piero had a good education. At that time, he was known as Piero di Benedetto dei Franceschi.

He may have learned his trade from one of several Sienese artists working in the town as he was growing up.  It is known that he was an associate in Florence of Domenico Veneziano, with whom he worked in 1439 on frescoes in the church of Sant’Egidio for the hospital of Santa Maria Nuova. He also knew Fra' Angelico, who introduced him to other leading masters of the time, including Masaccio and Brunelleschi.

In 1442 he returned to Santo Sepolcro, where he was commissioned for an altarpiece in the church of the Misericordia, which showed the influence of Masaccio and also Donatello and highlighted the deliberation with which he worked. The altarpiece was not completed until 1462.

Della Francesca's diptych of the Dukes of Urbino

In 1449 he executed several frescoes in the Castello Estense and the church of Sant'Andrea of Ferrara and, during a period in Rimini, working for the condottiero Sigismondo Pandolfo Malatesta, he painted the fresco of St. Sigismund and Sigismondo Pandolfo Malatesta in the Tempio Malatestiano, as well as Sigismondo's portrait.

In 1452 Della Francesca was called to Arezzo to replace Bicci di Lorenzo in painting the frescoes of the Basilica of San Francesco. The History of the True Cross cycle is generally considered not only to be among his masterworks but of Renaissance painting in general.

Experts say that “the simplicity and clarity of structure, controlled use of perspective, and aura of serenity (in The History of the True Cross) are all typical of Piero’s art at its best.”

Painted at the same time as the Arezzo cycle are a fine depiction of Mary Magdalene in Arezzo cathedral, the Resurrection in the Palazzo Comunale at Sansepolcro, which features a self-portrait of the artist, and his Madonna del parto in the chapel of the cemetery at Monterchi.

The Flagellation of Christ aroused controversy

In 1454 he signed a contract for the multi-panelled polyptych of Saint Augustine in the church of Sant'Agostino in Sansepolcro. The central panel was lost and the four wing panels, with representations of Saints, are in different places around the world.

However, The Baptism of Christ, which was executed around 1460 for the high altar of the church of the Priory of San Giovanni Battista at Sansepolcro, is in The National Gallery in London.

During his time working in Urbino, in the service of Count Federico III da Montefeltro, in addition to his famous diptych, Della Francesca also painted The Flagellation of Christ, which became one of the most famous and controversial pictures of the early Renaissance, with Christ pictured in the background as three unidentified figures dominate the foreground.

Della Francesca was much less active in his declining years, with little evidence that he painted much at all, yet 16^th century artist and historian Giorgio Vasari's contention that he was blind in his 60s does not tally with his completion in his final decade of a geometrical treatise dedicated to Guidobaldo da Montefeltro, son and heir of Duke Federico, written in his own handwriting, and another on perspective in painting.

He passed away in his own house in Santo Sepolcro on the same day that Christopher Columbus made landfall in The Bahamas, believing he had reached Asia.

The Duomo in Sansepolcro

Travel tip:

Sansepolcro is a town of 16,000 inhabitants situated about 38km (24 miles) northeast of Arezzo in the east of Tuscany, close to the borders with Umbria and Marche. The historic centre is entirely surrounded with fortified walls, built in the early part of the 16^th century. The centre of the town is the Piazza Torre di Berta, named after the 13^th-century tower of the same name, off which can be found the impressive Palazzi Pichi and Giovagnoli and the 14^th-century cathedral, dedicated to St John the Evangelist.  As well as being the place in which Piero della Francesca was born and died, it is also the home of Buitoni pasta.

Arezzo's sharply sloping Piazza Grande

Travel tip:

Arezzo is one of the wealthiest cities in Tuscany. Situated at the confluence of four valleys - Tiberina, Casentino, Valdarno and Valdichiana – its medieval centre suffered massive damage during the Second World War but still has enough monuments, churches and museums to be a worthwhile stopover on tourist itineraries. In addition to the Basilica di San Francesco and the Piero della Francesca cycle, sights to take in include central square Piazza Grande, with its sloping pavement in red brick, the Medici Fortress, the Cathedral of San Donato and a Roman amphitheatre.

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Leonello d’Este - Marquis of Ferrara

Ruler who spent money on the arts and education

Pisanello's 1441 portrait of Leonello d'Este,
which is housed at the Accademia Carrara

Leonello d’Este, who is remembered as a dedicated patron of the arts, literature and culture, died on this day in 1450 in Ferrara.

Leonello was Marquis of Ferrara and Duke of Modena and Reggio Emilia from 1441 to 1450.

An illegitimate son of Niccolo III d’Este, Leonello was favoured by his father as his successor ahead of his legitimate children.

As he was well educated and popular with the common people, he was considered by his father to be the most suitable heir.

During his rule over Ferrara, Leonello transformed the city and reformed the University of Ferrara, actions which influenced the political and artistic achievements of his successors.

Leonello was tutored by Guarino Veronese, who instructed him on the traits of a desirable ruler and how to govern. Veronese was later appointed as a professor at the University of Ferrara.

Because of his strong academic background, Leonello made economic, political and cultural changes to Ferrara as soon as he took over. He was responsible for the building of the first hospital in Ferrara.

Pisanello's coin The Singing Lion, which commemorated
the life of Leonello d'Este

Artists such as Pisanello, Bellini, Mantegna and Della Francesca worked for him in Ferrara and he also encouraged musicians and writers.

He commissioned Pisanello to design a series of coins and medals bearing his image, including one that was known as The Little Lion of Ferrara and another called The Singing Lion, playing on his name. The reverse side of The Singing Lion depicted a lion with angels, to reflect the qualities of Leonello and his court.

Under Leonello’s rule, the University of Ferrara became a fully operational university with enough professors to teach the major subjects of canon law, logic, philosophy and medicine and he contributed financially to keep it running.

Leonello died suddenly of unknown causes on 1 October 1450. He was succeeded by his brother, Borso d’Este.

The magnificent Castello Estense
 in the heart of Ferrara

Travel tip:

Ferrara is a city in Emilia-Romagna, about 50 kilometres to the north east of Bologna. It was ruled by the Este family between 1240 and 1598. Building work on the magnificent Este Castle in the centre of the city began in 1385 and it was added to and improved by successive rulers of Ferrara until the end of the Este line.

The Faculty of Liberal Arts
at the University of Ferrara

Travel tip:

The University of Ferrara was established in 1391 by Alberto V d’Este, but 1442 – one year into the reign of Leonello d’Este – is considered its true founding date because it grew in size and became fully operational then. By the end of Leonello’s reign in 1450 it had 12 law professors and 13 arts professors and had brought prestige to Ferrara just as he had hoped. Today the University has about 16,000 students and a teaching staff of 600.

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Giulio d’Este of Ferrara

Plots and prison ruin life of handsome son of Duke

Giulio d'Este, as he was said to have looked on his
release from prison at the age of 81

Giulio d’Este, who spent more than half of his life in prison for taking part in a failed conspiracy against his half-brother, the Duke of Ferrara, was born on this day in 1478 in Ferrara.

He was the illegitimate son of Ercole I d’Este, an earlier Duke of Ferrara, born as a result of an affair the Duke had with Isabella Arduin, a lady in waiting to his wife.

Giulio was often in conflict with his half-brothers, Alfonso and Ippolito, which led to him eventually playing his part in a plot to assassinate them.

He had grown up in the court of Ferrara and later lived in a palace on the Via degli Angeli in Ferrara.

The first major conflict between Giulio and Ippolito arose over a musician, Don Rainaldo of Sassuolo. Rainaldo was in the service of Giulio, but Ippolito, who had by then become a Cardinal, wanted him for his chapel and so in 1504 he abducted Rainaldo and held him in the Fortress of Gesso.

When Giulio discovered where he was being held, he went with a group of armed men and recovered the musician. In a sign of defiance, Giulio replaced him with the warden of the fortress.

Ferdinand Kingsley - son of the great British actor Ben
Kingsley - played Giulio in the 2011 TV series Borgia

Ippolito complained about his actions to his brother, Alfonso, who had by then succeeded their father as Duke of Ferrara, and Giulio was exiled to Brescello – more than 100km (62 miles) away – as a result.

Lucrezia Borgia, Alfonso’s wife, and Isabella d’Este, his sister, eventually managed to persuade Alfonso to pardon Giulio.

The following year, Giulio and Ippolito discovered that they were both admirers of the same lady at the court, Angela Borgia, the cousin of Lucrezia, the Duchess.

But Angela favoured Giulio and told Ippolito, who despite being a Cardinal was a ladies’ man, that ‘Giulio’s eyes were worth more than Ippolito’s whole person.

Ippolito ordered his servants to kill Giulio and tear out his eyes and when they discovered Giulio on his own, returning to Ferrara from a trip, they surrounded him, beat him brutally and stabbed his eyes.

Although he was not killed he was badly scarred, lost the eyesight in one eye and was left with blurred vision in the other.

Giulio's palace in the Via degli Angeli is now
the headquarters of the Prefecture of Ferrara

Alfonso then organised a formal truce between Giulio and Ippolito, but Giulio bore a grudge against his half-brother for the loss of his eyesight and his good looks. He was also angry with Alfonso for not punishing Ippolito.

Another of his half-brothers, Ferrante, aspired to replace Alfonso as Duke and Giulio and other men hostile to Alfonso helped him organise a plot to eliminate Alfonso and Ippolito.

The conspirators waited at night in the street with poisoned daggers but failed to encounter Alfonso. Ippolito’s spies gathered evidence about the plot for him but, before he could relay it to Alfonso, Lucrezia and Isabella urged Giulio to flee to Mantua to be protected by Francesco Gonzaga.

The conspirators were tried in Giulio’s absence and along with his half-brother, Ferrante, and three other men, Giulio was found guilty and condemned to death.

Alfonso threatened to take his army to recover Giulio and eventually Francesco had to hand him over. The other conspirators were executed, but the sentences for Giulio and Ferrante were reduced to life imprisonment.

Ferrante died in prison at the age of 63 after 34 years of incarceration, but Giulio was freed by Alfonso II d’Este - his great nephew - at the age of 81 after he had spent 53 years in prison.

Giulio caused a stir when he was first seen out in the streets of Ferrara again because despite his years in prison he was said to have retained his charm and erect posture and he was still dressed in the fashion of 50 years before.

The Este Castle dominates the centre of Ferrara

Travel tip:

Ferrara is a city in Emilia-Romagna, about 50 km (31 miles) to the north-east of Bologna. It was ruled by the Este family between 1240 and 1598. Building work on the magnificent Este Castle in the centre of the city began in 1385 and it was added to and improved by successive rulers of Ferrara until the end of the Este line.

Travel tip:

Giulio d’Este’s palace in Via degli Angeli is now the headquarters of the Prefecture of Ferrara. It was designed by Renaissance architect Biagio Rossetti and was given to Giulio by his natural father, Ercole I, Duke of Ferrara. After Giulio’s imprisonment, it was taken over by his arch enemy and half brother, Ippolito. The palace became the property of the Province of Ferrara in 1932.

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Alberto Marvelli - Rimini's Good Samaritan

Heroic deeds helped victims of bombing raids

Alberto Marvelli devoted his life to
serving his community

Alberto Marvelli, who came to be seen as a modern day Good Samaritan after risking his life repeatedly to help the victims of devastating air raids in the Second World War, was born on this day in 1918 in Ferrara.

He died in 1946 at the age of only 28 when he was struck by a truck while riding his bicycle but in his short life identified himself to many as a true hero.

He was beatified by Pope John Paul II in 2004.

Marvelli's acts of heroism occurred mainly in Rimini, his adopted home town, which suffered heavy bombing from the Allies due to its proximity to the Gothic or Green Line, a wide belt of German defensive fortifications that ran across the whole peninsula from La Spezia to the Adriatic coast.

As well as giving aid and comfort to the wounded and dying and to those whose homes and possessions had been destroyed, Marvelli also rescued many Rimini citizens from trains destined for concentration camps.

Alberto was the second of six children born to Luigi Marvelli and Maria Mayr. Growing up, he was set a powerful example by his mother, who always kept open house for the poor and regularly gave away food intended for her own family.

In June 1930 the Marvellis moved to Rimini on the Adriatic coast and Alberto, having already embraced the strong values instilled in him by his devoutly Catholic parents, began to attend the Salesian Oratory and Catholic Action group.

Alberto Marvelli was a prominent member of the group
Catholic Action, becoming president at the age of 18

He had a wide social circle - his friends included Federico Fellini, who would go on to become famous as a film director - and enjoyed sport, in particular cycling. Yet he also maintained a strict observance of the rituals of his faith, which included Mass every morning, Holy Communion, and 30 minutes each of meditation and spiritual reading every day.

He was held in such high esteem that he was elected president of Catholic Action for the whole of Italy at the age of just 18.

Marvelli attended Bologna University and graduated in engineering in 1941.  He moved to Turin, where he began working for Fiat, but left after only a few weeks to do military service in Trieste.  In the event, he returned to Rimini after only a few months after he was exempted on account of three of his brothers being already in service

By then he was effectively head of the family following the unexpected death of his father and took a teaching job at a local high school, devoting his spare time to helping the sick and poor on behalf of Catholic Action.

When the bombing of Rimini began in earnest in 1944, ahead of the Battle of Rimini in which the Allies achieved a decisive victory, the Marvelli family moved inland to the village of Vergiano.

German soldiers in Rimini in 1944 before being driven
out by the Allies at the Battle of Rimini

With each report of new air raids, however, Alberto would insist on taking his bicycle and riding the 8km into Rimini to lend assistance to the clear-up operations, giving no thought to his own safety, often arriving with bombs still dropping.

He bought food, clothing, mattresses and blankets with his own money or money he had collected, using his bicycle to distribute it to those in need. Many times, it is said, he would return to Vergiano having given away his bicycle and even the shoes on his feet.

During the German occupation, he made repeated journeys from Vergiano to the nearby village of Santarcangelo, sneaking past security at the railway station and breaking open the doors of carriages into which Jews and others had been herded for deportation to the concentration camps, saving many lives in the process, at grave risk of his own.

He helped many refugees reach the safety of San Marino by arranging transportation to the nearby republic, which remained neutral during the conflict.  When he was beatified in 2004, San Marino issued some stamps commemorating his life.

Once the war was over, the interim authorities entrusted Marvelli with the allocation of housing. Within a few months, he was appointed to Rimini's town council as an alderman and was put in charge of civil engineering as the city began to rebuild.

He also opened a soup kitchen for the poor and, as co-founder of Italian Workers' Catholic Action, formed a cooperative for construction workers.

Marvelli had not expressed a strong interest in politics previously but he became convinced he could make a difference and joined the Christian Democrats.

San Marino commemorated Marvelli with a set of stamps

He planned to stand in local elections and appeared to have considerable support and respect, even from the Communists, whose ideology he openly criticized. He was seen by all sides as an honest candidate dedicated to the well-being of the community.

Sadly, Marvelli never had the chance to serve.  Cycling to a party meeting on a poorly lit road on the evening of October 5, 1946, the day before polling, he was run over by an army truck and died a few hours later without regaining consciousness.

Voting was under way as news of his death spread throughout the city. Many citizens still voted for him, to express their faith in him and respect for him, and he was posthumously elected. Afterwards, his mother agreed to serve in his place.

He was buried in the Church of Sant' Agostino in Rimini.  The Catholic Church has honoured him by marking October 5 as a feast day in his name.

A square at the end of Viale Tripoli has been renamed Piazza Alberto Marvelli in his honour, while the Alberto Marvelli Foundation set up in his name helps fund projects dedicated to the community including the Alberto Marvelli Institute, a comprehensive school in Rimini.

The Grand Hotel on the seafront at Rimini

Travel tip:

Rimini's history as a tourist resort began in the mid-19th century with the construction of the Kursaal, a seafront bathing establishment that doubled as a prestigious venue for social events.  It became the symbol of Rimini's Belle Époque, the period of European history before the First World War, which also saw the town's first major hotel, the Grand Hotel, built near the beach.  Its major development as a resort came after the Second World War and the city now has a population close to 150,000.

Rimini hotels by Booking.com  

Travel tip:

Ferrara, the city of Marvelli's birth, is notable for being a combination of Medieval and Renaissance architecture, its history bound up with that of the d'Este family, whose castle has dominated the centre of the city since the late 14th century.  The most significant legacy of the city's thriving status in the Middle Ages is the Cattedrale di San Giorgio, built in the 1100s, which has a facade that blends Romanesque style in the lower section with Gothic in the upper.

More reading:

Agostina Livia Pietrantoni - nurse whose death brought Rome to a standstill

Saint Giustina - the girl from Padua slain for preaching Christianity

Pope John Paul II - first non-Italian to hold office for 455 years

Also on this day:

1858: The death of Benedetta Cambiagio Frassinello - Nun who battled for educational rights for girls


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Ferruccio Lamborghini - car maker

Tractor manufacturer inspired by Enzo Ferrari's 'insult'

Ferruccio Lamborghini was dismissed
by Enzo Ferrari as a mere tractor maker

Fans on one side of a great rivalry in Italy's performance car market were in mourning on this day in 1993 following the death at the age of 76 of Ferruccio Lamborghini.

Lamborghini, who made his fortune from building tractors to service Italy's post-war agricultural recovery, set up as a car maker in 1963 in direct competition with Enzo Ferrari, who had been selling sports cars with increasing success since 1947.

It is said there was no love lost between the two, not least because they first met when Lamborghini turned up at Ferrari's factory in Maranello, a few kilometres from Modena, to complain to Enzo in person that Ferrari were using inferior parts.

Lamborghini had become a collector of fast cars and owned a Mercedes-Benz 300SL, a Jaguar E-Type and two Maserati 3500 GTs among others.  He acquired his first Ferrari, a two-seater 250GT with bodywork designed by Pinin Farina, in 1958, and went on to own several more.

He was generally unimpressed, complaining that they were noisy and rough and essentially re-purposed track cars, with too little luxury refinement.  After encountering a series of mechanical problems, notably with the clutches, all of which required the cars to be returned to the factory, he accused Ferrari of fitting poor quality parts.

Lamborghini's raging bull logo

Yet Enzo is alleged to have dismissed his complaints, telling Ferruccio that he was not prepared to be lectured about high performance cars by a tractor manufacturer.  Insulted, Lamborghini decided he would hit back.

His first step was to prove his point about inferior parts by fitting one of his troublesome 250GTs with a clutch used in his tractors, delightedly making it known that the problem was solved and never returned.

Then, happy in the knowledge that the tractor business, as well as the heating and air conditioning business he had set up as a second income stream, would continue to make profits without requiring too much attention from him, he devoted himself to producing cars of his own.

Working on the basis that a car in the grand tourer category should have attributes that were lacking in Ferrari's offerings, namely high performance without compromising ride quality, and luxury interior appointments, he took only four months to produce his first car, unveiling the Lamborghini 350 GTV at the Turin Motor Show in October 1963.

Ferruccio sold the 350 GTV at a loss at first to remain competitive on price with the Ferraris but soon his factory at Sant'Agata Bolognese - just 40km (25 miles) from Maranello - was increasing production and expanding its workforce.

The Lamborghini Miura was hailed for its aerodynamic
and beautiful design features

Over the next few years, models such as the 400 GT, the Miura - the first to use the mid-engined, rear-wheel drive design that is now standard - the Urraco and the Espada established Lamborghini as Ferrari's main rival in what became known as the supercar market.

In opposition to Ferrari's famous prancing horse on the company badge, Lamborghini's symbol was a raging bull, inspired by his interest in bullfighting.  The Miura, in fact, was named after Don Eduardo Miura, a breeder of bulls from Seville, the Urraco after a bull breed, and the Espada after the Spanish word for sword.

Ferruccio's involvement with making cars ended in 1974 after a series of events beyond his control plunged all of his companies one by one into financial difficulties.  He retired to a 740-acre estate on the shores of Lake Trasimeno, near the town of Castiglione del Lago in Umbria, and began to produce wine.

It represented a return to his roots in farming, having been born into a family of grape producers in 1916 in Cento, a town in the province of Ferrara in Emilia-Romagna, only a few kilometres from Sant'Agata Bolognese.

His interest in his youth had been in agricultural vehicles.  He acquired skills as a mechanic while serving in the Italian Royal Air Force in the Second World War, opened a garage after the war and competed in the 1948 Mille Miglia motor race in a modified Fiat, which he crashed into the side of a restaurant in Fiano, near Turin, ending his participation after 700 miles (1,100km).

The Lamborghini Museum in Sant'Agata Bolognese

The accident put him off racing and encouraged him to devote his energy to using spare parts from military vehicles to turn into tractors before eventually building new tractors from components made for the purpose.

Lamborghini died in hospital in Perugia on February 20, 1993, after suffering a heart attack. He is buried at the Monumental Cemetery of the Certosa di Bologna monastery.

His cars live on, now produced under the ownership of Volkswagen.  In fact, recent years have seen the marque achieve record sales.

The Lamborghini name is also preserved in Ferruccio's son Tonino's range of clothing and accessories, while his daughter, Patrizia, runs the Lamborghini winery on the Umbrian estate.

In 1995, Tonino opened a museum in honour of his father's legacy, the Centro Studi e Ricerche Ferruccio Lamborghini in Dosso (Ferrara), which was moved to Sant'Agata Bolognese in 2014 with the new name Ferruccio Lamborghini Museum.

Travel tip:

Cento is an agricultural town in Emilia-Romagna that was once part of the dowry of Lucrezia Borgia, daughter of Pope Alexander VI, who seized it from the Bishop of Bologna.  Things to see include the Rocca (castle), built by the Bishop in 1378, and the 18th century Palazzo del Monte di Pietà, in which is housed a civic gallery exhibiting paintings by the famed local artist, Giovan Francesco Barbieri, better known as Il Guercino, whose works can also be found in the Basilica Collegiata San Biagio. Apart from Lamborghini and Il Guercino, other notable people born in Cento include the grandfather of former British prime minister Benjamin D'Israeli and Jessica Rossi, who won a gold medal for shooting at the London 2012 Olympics.

Book your stay in Cento with Booking.com

Lamborghini's estate offers beautiful views of the lake

Travel tip:

Castiglione del Lago is a charming small town sitting on a promontory in the south-west corner of Lake Trasimeno. The old centre, which is ringed with medieval walls, is not only full of character but has an outstanding view of the lake and some fine buildings, including the Renaissance style Palazzo della Corgna, which has a museum and gallery and serves as the town hall, which is connected by a covered corridor with the Rocca del Leone, a pentagonal castle completed in 1247.  The lake shore nearby has some pleasant beaches and reputedly very good restaurants.

Hotels in Castiglione del Lago by Booking.com

More reading:

Flaminio Bertoni - a sculptor who designed works of art on four wheels

Why Battista 'Pinin' Farina was so important to Ferrari

How a motor scooter changed the life of helicopter designer Corradino D'Ascanio

Also on this day:

1339: Visconti v Visconti in the Battle of Parabiago

1549: The birth of  Francesco Maria II della Rovere, the last Duke of Urbino

1778: The death of ground-breaking academic Laura Bassi

1816: Rossini's opera The Barber of Seville premieres in Rome

(Picture credits: Ferrucio Lamborghni by kys96811; logo by vllmtt; Miura by Andrew Bossi; museum by Leonard J DeFrancisci; Lake Trasimeno by Schwarzer Kater; all via Wikimedia Commons)

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The Bonfire of the Vanities

Preacher Savonarola's war on Renaissance 'excesses'

The statue of Girolamo Savonarola in
Piazza Savonarola in Florence

The most famous 'bonfire of the vanities' encouraged by the outspoken Dominican priest Girolamo Savonarola took place in Florence on this day in 1497.

Savonarola campaigned against what he considered to be the artistic and social excesses of the Renaissance, preaching with fanatical passion against any material possession that might tempt the owner towards sin.

He became notorious for organising large communal bonfires in the tradition of San Bernardino of Siena, urging Florentines to come forward with items of luxury or vanity or even simply entertainment that might draw them away from their faith.

Savonarola arrived in Florence from his home town of Ferrara in 1482, entering the convent of St Mark. With Lorenzo de' Medici at the height of his power, Savonarola became disturbed by what he perceived as the moral collapse of the Catholic church.

For a number of years he confined himself to speaking about repentance to congregations of believers in the parishes around Florence but on returning to the city in 1490 he began to campaign with more vigour about what he saw as the need for a return to piety.

He issued dire warnings about what would happen to Florence and its citizens if they did not renounce their sins, prophesising that a powerful leader would arrive from the north to punish Italy and reform the church.

Paintings by Botticelli were considered
indecent under's Savonarola's moral code

Savonarola's condemnation of what he considered the vice and corruption infecting the Catholic bishops and cardinals, and his attacks on the wealthy for ignoring the plight of the poor and sick, struck a chord with the common people and he became an increasingly powerful figure.

When Emperor Charles VIII of France invaded Italy from the north in 1494, many people saw this as confirmation of Savonarola’s prediction.  They rose up against the Medici family, the major sponsors of Renaissance art and literature, and drove them from the city, after which Savonarola became the effective leader of a new Florentine republic.

Savonarola began to host his bonfires in 1495, at around the time that used to be taken up with Carnival celebrations, which he cancelled.

At first, it was items of vanity such as mirrors, cosmetics, jewellery and fine clothes that were thrown on to the flames, along with playing cards, musical instruments and such pagan fripperies as books of magic and astrology. Savonarola employed street urchins to knock on doors, demanding luxurious and suspect items were handed over.

But the scope of what was deemed to be sinful grew. Soon, he was demanding that books he saw as immoral, such as works by Boccaccio, were burned, as well as paintings and sculptures, manuscripts and tapestries. Priceless works by Dante and the Roman poets Ovid and Propertius were said to have been consigned to the flames.

A painting by an unknown Florentine artist depicts the bonfire
built in Piazza della Signoria in which Savonarola was burned

At the same time, Savonarola spread fear among the people with ever more horrific visions of what fate would befall them if they did not live according to his strict moral code. Higher church officials viewed all this with increasing unease and for Pope Alexander VI, it seems, the huge bonfire of 1497 - in which the Florentine artist Sandro Botticelli is said to have burned several of his own paintings - was the last straw.

Already in defiance of a ban on his preaching imposed when he failed to support Pope Alexander's military response to the French invasion, Savonarola was excommunicated in May 1497. The following year, having confessed that his visions and prophecies were invented, he was condemned as a heretic and, with two other friars, hung from a cross in Florence's Piazza della Signoria, to be consumed by a bonfire built beneath him.

A statue of Savonarola, completed in 1875 by the sculptor Enrico Pazzi, from Ravenna, can be found in Piazza Savonarola, about 2km north-east of Florence's centre,

Travel tip:

Florence's Piazza della Signoria has been the focal point of the city since the 14th century. Overlooked by the imposing Palazzo Vecchio, it was the scene of the triumphant return of the Medici family in 1530, three and a half decades after they had been driven from the city by the supporters of the fanatical Savonarola. The controversial priest's bonfires of the vanities were built in the middle of the square, where his own body was burned at the stake in 1498 after he was denounced as a heretic. A marble circle inscription on the piazza shows the spot where he was burned.

Florence hotels from Hotels.com

The Piazza della Signoria is Florence's main square

Travel tip:

The Piazza della Signoria contains several important sculptures and statues, including a copy of Michelangelo's David - the original is in the Galleria dell'Accademia - outside the Palazzo Vecchio, which is said to be a symbol of defiance against the tyranny of the Medici.  The family apparently installed or appropriated their own symbols of power in the shape of Bandinelli's Hercules and Cacus, just to the right of the David, and the Nettuno by Ammannati, which celebrates the Medici's maritime ambitions.  Giambologna's equestrian statue of Duke Cosimo I is a tribute to the man who brought all of Tuscany under Medici military rule.  Under the Loggia dei Lanzi, to the right of Palazzo Vecchio, the statue of Perseo holding Medusa's head, by Benvenuto Cellini, is a stark reminder of what happened to those who crossed the Medici. Giambologna's Rape of the Sabines can also be found in the Loggia dei Lanzi.

Hotels in Florence from Expedia

More reading:

The execution of Girolamo Savonarola

Sandro Botticelli - Renaissance master forgotten until the 19th century

How scheming Pope Alexander VI married off his children to secure power

Also on this day:

1622: The birth of Vittoria della Rovere, Grand Duchess of Tuscany

1909: The birth of Amedeo Guillet, the army office who led the last cavalry charge against the British

1941: The birth in San Marino of pop singer Little Tony

(Picture credits: Savonarola statue by liviathana; Piazza della Signoria by Zolli; via Wikimedia Commons)

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Bruno Tonioli - dance show judge

Dancer and choreographer is star of Strictly Come Dancing

Strictly Come Dancing judge Bruno Tonioli

Dancer, choreographer and television dance show judge Bruno Tonioli was born on this day in 1955 in Ferrara in north-east Italy.

Tonioli is one of the judging panel of Strictly Come Dancing on British TV and on its US equivalent Dancing With the Stars, which requires him to divide his time between London and New York when seasons overlap.

He began his showbusiness career in the 1980s as a member of the Paris-based dance company La Grande Eugène before moving into the music industry as a choreographer.

Among the artists he has worked with are Tina Turner, Sting, Elton John, the Rolling Stones, Freddie Mercury, Sinitta, Boy George, Dead or Alive, and Duran Duran.

Tonioli has also worked on numerous films and television shows including Little Voice, The Gathering Storm, Dancin' thru the Dark and Enigma.

He also has a number of acting credits, including the role of Peppino, manservant to Michael Gambon's Oscar Wilde in the BBC production Oscar.  Tonioli appeared as himself in the movie version of the BBC comedy Absolutely Fabulous.

Renowned for his flamboyantly wild gestures and amusingly extravagant comments, Tonioli has been a member of the Strictly Come Dancing team since the show's launch in 2004 and is now into his 14th series alongside fellow ever-presents Len Goodman and Craig Revel-Horwood.  He was hired to judge on Dancing With the Stars when that show launched in 2005.

Bruno Tonioli is renowned for his wild gestures

The son of a bus driver, Werther Tonioli, and a seamstress mother, Fulvia, Tonioli was 12 before the family could afford their own apartment in Ferrara. Until then they had lived with his father's parents.

He knew from an early age that he was gay, although he said in a newspaper interview in 2005 that the subject of his sexuality was never discussed at home.  He believes his parents, who were strict Catholics, would not have wanted to contemplate the possibility at the time, although not out of shame but for fear of how others might judge him.

He said he was bullied and threatened at school but fought back by growing his hair long, smoking expensive cigarettes, wearing the latest in cool clothes and becoming friends with the best-looking girls among his peer group, after which he became popular and acceptable.

Tonioli's love of the theatre began when he the film version of the musical Cabaret, starring Liza Minnelli, came to Ferrara in 1972.  He saw it eight times and realised he wanted dance to be his career. Others boys of his age wanted to play football but he was much more interested in theatre and the arts.

His parents were keen for him to find a steady job, perhaps in a bank.  Instead, he left for Rome to enrol at ballet school, leaving Italy for Paris at the age of 18.  Both his parents are now dead but he says he was reconciled with them long before they passed away.

From Paris he moved to London, joining another dance company and finding work in television and the West End as a choreographer.  The English capital has been his home almost ever since.

The Palazzo dei Diamanti in Ferrara

Travel tip:

Apart from the impressively well preserved Castello Estense right at the heart of the city, Ferrara - situated midway between Bologna and Venice in Emilia-Romagna - has many notable architectural gems, including many palaces from the 14th and 15th centuries.  Among them is the striking Palazzo dei Diamanti, so-called because the stone blocks of its facade are cut into the shape of diamonds. The palace holds the National Picture Gallery, which houses many works from the  masters of the 16th-century School of Ferrara, including Lorenzo Costa, Dosso Dossi, Girolamo da Carpi and Benvenuto Tisi.

Travel tip:

Rome's prestigious ballet school of the Teatro dell'Opera di Roma was established in 1928 and is one of the oldest and most respected vocational schools in Italy. It can be found in Via Ozieri in a charming cottage set in a secluded and quiet street in the San Giovanni neighbourhood to the south-east of the city, near the ruins of the Felice Aqueduct. Director Luchino Visconti in 1951 chose it as the location for shooting some scenes of his film Beautiful, starring the Roman actress Anna Magnani.


Books: Bruno: My Story, by Bruno Tonioli (Headline)

More reading:

Antonio Carluccio - chef and restaurateur who settled in London

How Luca Zingaretti found fame as TV detective Montalbano

Pierina Legnani - Italian dancer who conquered St Petersburg

Also on this day:

1881: The Birth of Angelo Roncalli, the Bergamo farmer's son who became Pope John XXIII

(Picture credits: Bruno Tonioli pictures from YouTube; Palazzo dei Diamante by Sansa55 via Wikimedia Commons)

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Niccolò III d’Este – Marquis of Ferrara

Soldier who built up the importance of Ferrara

Niccolò III d'Este, Marquis of Ferrara

The military leader - condottiero in Italian - Niccolò III d’Este was born on this day in 1383 in Ferrara.

He was the son of Alberto d’Este, Marquis of Ferrara, and became ruler of the city when he was just ten years old on the death of his father, under the protection of Venice, Florence and Bologna.

A relative, Azzo d’Este, who was working for Gian Galeazzo Visconti, Duke of Milan, tried to attack Ferrara, but Venice, Florence and Bologna helped Niccolò see off the challenge to his rule.

In 1403 Niccolò joined the league formed against the Duke of Milan and was appointed Captain General of the Papal Army by Pope Boniface IX.

At the age of 13, Niccolò was married for the first time, to Gigliola da Carrara, the daughter of Francesco II da Carrara, Lord of Padua.

Although his first marriage was childless, he fathered an illegitimate son, Ugo, in 1405.  After the death of his wife, he was married for a second time to Parisina Malatesta, the daughter of Andrea Malatesta, and they had three children.

In 1425, Niccolò had Parisina and Ugo executed on charges of adultery, accusing them of having an affair.  At the same time he issued a decree that all women within his domains found to be guilty of adultery were to be put to death, although he had to rescind this order once it was determined that this action would depopulate Ferrara.

Filippo Maria Visconti, Duke of Milan

He married his third wife, Ricciarda of Saluzzo in 1429. She bore him two children. In total he had five legitimate children and at least 11 illegitimate children.

Niccolò steadily established his reputation as an able military leader with a number of successful campaigns but it was Ferrara's role in brokering a peace between Milan and Venice in 1432 that particularly boosted the city's prestige.

As a result, Ferrara was chosen to be the seat of a council in 1438.

Niccolò died in Milan on Boxing Day in 1441 after the Christmas feast and it was widely suspected he had been poisoned. He had been invited to Milan apparently in friendship by Filippo Maria Visconti, the Duke of Milan, whose father, Gian Galeazzo, Niccolò had previously been in league against.

He was succeeded as Marquis of Ferrara by his illegitimate son, Leonello d’Este, who concentrated on sponsoring the arts and literature to the benefit of the city.

The entrance to Via Garibaldi from Piazza Municipio

Travel tip:

The d’Este family ruled the city of Ferrara in Emilia-Romagna between 1240 and 1598. You can still see the narrow, medieval streets to the west and south of the city centre, between the main thoroughfares of Via Ripa Grande and Via Garibaldi, which were the original core of the city in the middle ages.

Hotels in Ferrara by Hotels.com

Travel tip:

Building work on the magnificent, moated Este Castle (Castello Estense) began two years after Niccolò’s birth and it was added to and improved by successive rulers of Ferrara until the end of the Este line. The castle was purchased for 70,000 lire by the province of Ferrara in 1874 to be used as the headquarters of the Prefecture.

(Photo of Via Garibaldi by Geobia via Wikimedia Commons)

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Scipione Borghese - adventurer

Nobleman from Ferrara won Peking to Paris car race

Scipione Borghese (left) and journalist Luigi Barzini
pictured with Borghese's Itala car

The Italian adventurer Prince Scipione Borghese, who won a car race since described as the most incredible of all time, was born on this day in 1871 in Migliarino in Emilia-Romagna, not far from Ferrara.

Borghese was a nobleman, the eldest son of Paolo, ninth Prince of Sulmona.  He was described as an industrialist and politician but he was also a mountaineer and a keen participant in the revolution in transport that began when the first petrol-powered motor vehicles appeared in the late 19th century.

In 1907 the French newspaper, Le Matin, which was keen to promote the growing motor industry in France, challenged readers to prove their theory that the car would open up the world's horizons, enabling man to travel anywhere on the planet.

When it asked for volunteers to take part in a drive from Paris to Peking (Beijing) - a 5,000-mile journey - Borghese's taste for the daring was immediately excited.

Volunteers haul the Itala through a
steep mountain pass

Originally, more than 40 teams proposed to sign up.  In time, this dwindled to five vehicles and 11 men, consisting of drivers, mechanics and, in some cases, journalists who would file reports using the telegraph system as the event progressed.  Apart from Borghese, taking part were a Dutch Spyker driven by an unknown named Charles Goddard, a three-wheeler Cyclecar piloted by the father of the opera singer Lily Pons and two French De Dions.

Borghese, despite his family having lost much of their wealth through a series of misfortunes, commissioned a car powered by a seven-litre engine from the Itala company in Turin with sponsorship from tyre manufacturers Pirelli.  He would be accompanied on the journey by two more Italians - his mechanic and sometime chauffeur, Ettore Guizzardi, and Luigi Barzini, a journalist.

To avoid the monsoon rains, the proposed direction of the race was reversed to start in Peking in June 1907 with the cars driving westward to Paris. The conditions could hardly have been less car-friendly, the route taking in numerous mountain ranges and two major deserts where no provision had been made for recognisable roads.

Although the project was conceived as a demonstration of the potential of the automobile rather than a race, Borghese was determined to make it one and win it, planning assiduously to give his team the best chance.  He arranged for fuel and spare parts to be stored along the route and, before the race began, took a 300-mile ride on horseback to the mountain passes north of Peking carrying a bamboo pole cut to the width of his car to see if the Itala could squeeze through.

The route led through deserts, mountain passes and steppes to Outer Mongolia, on to Moscow and then across Russia, Poland, Germany and Belgium to Paris. There were often mountain tracks and paths rather than roads, no petrol stations and no one who had ever seen a motor car before.

The Itala was left upside down after
falling through a bridge but survived

Auguste Pons dropped out of the race after running out of fuel in the Gobi Desert and being rescued by nomadic Mongolians and Goddard failed to complete the trip but Borghese's journey was hardly plain sailing.

At one point the Itala rolled back down a narrow pass and Guizzardi only just managed to stop the car dropping into a ravine, taking him with it; at another, all three of the team were lucky to escape injury when a bridge collapsed under them.  At times, the car had to be hitched to mule trains or teams of men to cross treacherous mountain passes.

Amazingly, the car kept going and by the time they reached Moscow, Borghese and his crew were 17 days in front of their nearest pursuers, enough of a lead for Borghese even to make a detour to St Petersburg for a party.

The final leg to Paris was uneventful by comparison, although Borghese was stopped for speeding in Belgium.  When the Itala reached Paris on August 10, the lead had been extended to 20 days.

The Itala arrived at the finishing line in the French capital at 4.30pm to a huge ovation from crowds encouraged to attend by Le Matin's trumpeting of the success of their challenge. A dinner was given in Borghese's honour, attended by the Italian chargé d’affaires and prominent automobile industry figures.

Luigi Barzini, who worked as a war correspondent during the First World War and was editor at different times of both Corriere della Sera and Il Mattino, two prominent Italian newspapers, was followed into journalism by his son, also called Luigi, who was most famous for his 1964 book, The Italians, a probing analysis of the Italian national character that is credited with generating the fascination with Italian life and culture shared by many outside the country.

Ferrara has 9km of ancient walls, with walkways and cycle
paths along most of its length

Travel tip:

Migliarino, where Scipione Borghese was born, is a small town in the province in of Ferrara, a city famous for its castle, a wealth of palaces, a beautiful pink and white Duomo and the 12th century city walls that remain intact to this day, stretching to nine kilometres in length.

Travel tip:

Ferrara is the ideal city destination for cycling enthusiasts thanks to a network of cycle paths all around the city and the perimeter walls and a city centre from which cars are banned.  The self-proclaimed Città delle Biciclette - city of bicycles - since the late 1960s, Ferrara offers numerous outlets from which tourists can rent bicycles and enjoy exploring a beautiful city that combines medieval history and Renaissance elegance.

Books:

Luigi Barzini's book, Peking To Paris: Across Two Continents in an Itala, was reprinted by Penguin in 1986 and some second hand copies are still available on Amazon.

Buy Luigi Barzini junior's book, The Italians

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