Raffaele ‘Raf’ Vallone – actor

Movie star who had four careers

Raffaele Vallone, pictured in a scene from the Giuseppe
de Santis neorealist movie Bitter Rice

Raffaele Vallone, the stage and screen actor who was born on this day in 1916 in Tropea, Calabria, was remarkable for having embarked on three starkly different career paths even before he made his acting debut.

Usually known as Raf, he grew up from the age of two in Turin, where his father, an ambitious young lawyer, had relocated to set up a legal practice.  A natural athlete, he was a fine footballer – so good, in fact, that at the age of 14 he was snapped up by Torino FC, who made him an apprentice professional.

Compared with the average working man, he was handsomely paid as a footballer, and he won a medal as part of the Torino team crowned Coppa Italia winners in 1936.  Yet he quickly became bored with football and enrolled at Turin University, where he studied Law and Philosophy with a view to joining his father’s firm.

Ultimately, he baulked at the idea of becoming a lawyer, too, and instead joined the staff of the left-wing daily newspaper L’Unità, where he rose quickly to be head of the culture pages, at the same time establishing himself as a drama and film critic for the Turin daily La Stampa.

It was in his capacity as a journalist that he was invited to meet Giuseppe De Santis, the film director, who wanted him to help with background information for a new film in the growing neorealist genre called Bitter Rice, about a woman working in the rice fields in the Po Valley.

Vallone in his days as a young footballer
with Torino FC

This was a time when, partly out of budget restrictions, partly out of a desire to cast real people rather than rely solely on established stars, directors were weighing up everyone they met as a potential actor.

De Santis was immediately impressed with Vallone, who had served with the anti-Fascist resistance during the Second World War, both for his depth of knowledge but also for the passion of his views, particularly on the subject of exploitation of workers.

The director also noted Vallone’s physical stature and his rough-hewn features and decided he would be perfect for the role of a soldier from peasant roots, competing with Vittorio Gassman for the love of another relative unknown, Silvana Mangano. In fact, not only was Vallone an educated man, his mother was descended from nobility, which only illustrates how appearances can be deceptive.

The film, made in 1949, was a box office hit, commercially one of the biggest successes of the neorealist era.  Unlike some of the unknowns plucked from real life, discarded after one movie, Vallone went on to enjoy a successful career.

He worked again with De Santis in 1950 in  Non c'e Pace tra gli Ulivi (There’s No Peace Among the Olive Trees), playing a shepherd who antagonised local Mafiosi, and in Rome 11 O'Clock (1952), based on a true story of a rickety staircase that collapsed under a queue of unemployed girls hoping for a job interview.

Raf Vallone (left) in a scene from Il Cammino della Speranza,
in which he starred with his future wife, Elena Varzi (right)

In Pietro Germi’s Il Cammino della Speranza (The Road to Hope, 1951) Vallone starred alongside Elena Varzi, whom he later married and with whom he had three children.

The popularity of neorealist films declined as Italy’s shattered post-War economy began to recover, when audiences decided they no longer wished to be reminded of the hard times they had left behind. For a while, Vallone’s career stalled.

Ever eager to try different things, however, Vallone now set his sights on the stage.  He travelled to Paris and London, where he was inspired in particular by Peter Brook’s production of the Arthur Miller play A View From the Bridge, in which he felt the role of the Italian-American longshoreman Eddie Carbone, tormented by a sexual fixation with a niece, was made for him.

He had the chance to play the character when Brook took the play on tour to Paris. Vallone’s performances at the Theatre Antoine, where the play ran for 550 nights, were frequently received with ovations from the audience, and earned him the same part in Sidney Lumet’s 1961 film version of the play, which he shot in both English and French.

That movie helped cement Vallone’s popularity with American movie-going audiences.  During that time he also gave well received supporting roles in Vittorio De Sica’s Two Women (1960) and Anthony Mann’s El Cid (1961), both co-starring Sophia Loren. Other actresses he co-starred with on included Gina Lollobrigida, Anna Magnani, Melina Mercouri and Simone Signoret.

In his later years, Vallone tended to play only cameos, such as in The Italian Job (1969) and The Godfather Part III (1990). He also directed for the stage, even trying his hand at opera with a production of Bellini’s Norma, with Renata Scotto in the lead role.

Tropea in Calabria enjoys a spectacular cliff-top location

Travel tip:

Tropea, where Vallone was born, is for obvious reasons not a resort that attracts many holidaymakers other than Italians. Situated on the western coast of Calabria, the region that occupies the toe and the instep of the Italian peninsula, it is more than 400km (250 miles) south of Naples and though relatively close to Sicily – Messina is just 112km (70 miles) away – it tends to be a place flown over en route.  Yet it has much to recommend it, from its beautiful soft sandy beaches to the spectacular cliff-top setting of its historic old town, with its maze of narrow streets and sleepy southern Italian feel.  On a stretch of scenic coastline known as the Costa degli Dei – the Coast of the Gods – it is regarded by some regular visitors as one of Italy’s hidden gems.

Submerged rice fields are a feature of the countryside
around Vercelli in the Po Valley

Travel tip:

The rice fields of the Po Valley represent the largest rice production area in the whole of Europe.  The Po Valley, or Po Plain, is vast, stretching about 650km (400 miles) from the Western Alps to the Adriatic Sea, bordered by the Alps to the north and the Apennines to the south, with an area of 46,000 sq km (18,000 sq mi).  Rice production is mainly centred on the province of Vercelli, between Milan and Turin, in which the town of Vercelli is surrounded in the summer months by submerged paddy fields, for which water is supplied by a canal from the Po River.  Rice has been grown in the area since the 15^th century.

More reading:

Silvana Mangano - actress whose big break came with Bitter Rice

Vittorio De Sica and the neorealist masterpiece Bicycle Thieves

The earthy beauty of Oscar-winner Anna Magnani

Also on this day:

1600: The death of  'heretic' philosopher Giordano Bruno, burned at the stake

1653: The birth of composer Arcangelo Corelli

1796: The birth of composer Giovanni Pacini

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Giovanni Arpino – writer and novelist

Stories inspired classic Italian films

Giovanni Arpino had a distinguished career as both
a sports writer and a novelist

The writer Giovanni Arpino, whose novels lay behind the Italian movie classics Divorce, Italian Style and Profumo di donna – later remade in the United States as Scent of a Woman – was born on this day in 1927 in the Croatian city of Pula, then part of Italy.

His parents did not originate from Pula, which is near the tip of the Istrian peninsula about 120km (75 miles) south of Trieste. His father, Tomaso, was a Neapolitan, while his mother, Maddalena, hailed from Piedmont, but his father’s career in the Italian Army meant the family were rarely settled for long in one place.

In fact, they remained in Pula only a couple of months. As Giovanni was growing up, they lived in Novi Ligure, near Alessandria, in Saluzzo, south of Turin, and in Piacenza in Emilia-Romagna. His father imposed a strict regime on Giovanni and his two brothers, who were required to spend a lot of their time studying.

In fact, Giovanni was separated from his family for a while during the Second World War, when his mother returned to the Piedmontese town of Bra, not far from Saluzzo in the province of Cuneo, to deal with the estate of her father, who passed away in 1940. He left the family a villa on the hill overlooking the Sanctuary of the Madonna dei Fiori, on the outskirts of the town.  Giovanni remained at school in Piacenza.

After the armistice of 1943, his father left the military and they settled in Bra, where he attended high school before enrolling in the faculty of law at the University of Turin.  He later switched to literature, completing a thesis on the Russian poet, Sergei Yesenin.

Arpino died prematurely in 1987 after a
year-long battle with cancer

Arpino spent several periods of his life working in journalism, including a stint writing about football, for which he had a massive enthusiasm. Gianni Brera, the celebrated football writer, had brought his literary style to the sports pages a few years earlier and Arpino was encouraged to do the same.

His time working for La Stampa, the Turin daily newspaper, enabled him to travel to the 1978 World Cup finals in Argentina, from which his reports attracted a substantial following. 

It was as a novelist, however, that he truly made his mark. He wrote in a dry and sardonic style to which readers responded well.

His first novel, Sei stato felice, Giovanni (You’ve been happy, Giovanni), was published by Einaudi in 1952. At around the same time, having completed his own military service – compulsory rather than voluntary – he began courting his future wife, Caterina, whose parents owned the Caffe Garibaldi in Bra.

They married in 1953 and moved to Turin, where he began to work in the sales department of the Einaudi publishing house and at the same time wrote a column for the Rome newspaper Il Mondo about provincial life.

His first big break came when his fourth novel, Un delitto d’onore (An Honour Killing), published in 1962, formed the basis for the hit movie Divorzia all’Italiana – Divorce, Italian Style – a satirical comedy directed by Pietro Germi and starring Marcello Mastroianno.

Vittorio Gassman (left) and Alessandro Momo in a scene
from Dino Risi's film Profumo di donna

Two years later, his sixth novel, L’Ombra delle colline (The Shadow of the Hills), about the apprehensions and delusions of a young man who, as a child, had witnessed partisans fighting for their country towards the end of the Second World War, won the Strega Prize – the Premio Strega – which is Italy’s most prestigious literary award.

The film industry gave him another massive sales boost in 1969 when his novel Il buio e il miele – The Darkness and the Honey – was turned into the film Profumo di donna, directed by Dino Risi and starring Vittorio Gassman, both of whom received David di Donatello awards.

Another version of the film was made in 2012, when Martin Brest directed Al Pacino in Scent of a Woman, in which Pacino’s performance as Frank Slade, a retired Lieutenant Colonel who had lost his sight in an accident with a hand grenade, won him an academy award for best actor.

Arpino, whose enjoyment telling stories to his son, Tommaso, led him to write for children as well as for his established adult readership, developed cancer in his late 50s, which ultimately led to his early death in 1987 at the age of just 60.

Piazza dei Caduti in Bra with the Bernini church of
Sant'Andrea Apostolo on the left

Travel tip:

The town of Bra in Piedmont, situated some 50km (31 miles) southeast of Turin, is renowned as the birthplace of the Slow Food movement, founded by Carlo Petrini in 1989 to prevent the disappearance of local food cultures and traditions. Every two years, Slow Food organizes the cheese festival in Bra, with artisanal cheese makers invited from across the world.  There are a number of attractive churches in the town, including the beautiful Chiesa di Sant’Andrea Apostolo, just off the main Piazza dei Caduti, which was built to a design by the sculptor and architect Gian Lorenzo Bernini, famous for the impact his designs made in the city of Rome in the 18^th century.

The Castiglia, historic residence of the Marchesi di Saluzzo

Travel tip:

The Piedmontese town of Saluzzo, about 30km (19 miles) west of Bra on the edge of the southern part of the Alpine arc, is notable for a beautifully preserved 15^th century historic centre characterised by a network of cobbled streets and steep passages by which to explore a number of fine palaces and churches, including the 15^th century cathedral built in the Lombard-Gothic style.  At the summit of the town is the Castiglia, built in the 13^th century by the Marquis Tommaso I and renovated in 1492 by Ludovico II of Saluzzo, at the time when the town was a powerful city-state.

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Franca Sozzani – magazine editor

Risk taker who turned Vogue Italia into a major voice

Franca Sozzani was editor-in-chief of
Vogue Italia for 28 years

Franca Sozzani, the journalist who was editor-in-chief of the Italian edition of Vogue magazine for 28 years, was born on this day in 1950 in Mantua.

Under her stewardship, Vogue Italia was transformed from what she saw as little more than a characterless clothing catalogue for the Milan fashion giants to one of the edgiest publications the style shelves of the newsstands had ever seen.

Sozzani used high-end fashion and the catwalk stars to make bold and sometimes outrageous statements on the world issues she cared about, creating shockwaves through the industry but often selling so many copies that editions sometimes sold out even on second or third reprints.

It meant that advertisers who backed off in horror in the early days of her tenure clamoured to buy space again, particularly when the magazine began to attract a following even outside Italy.

She gave photographers and stylists a level of creative freedom they enjoyed nowhere else, encouraging them to express themselves through their photoshoots, particularly if they could deliver a message at the same time.  She encouraged her writers, too, not to shy away from issues she thought were important, and not to regard fashion as an insular world.

Among the most famous editions of the magazine were those that drew attention to broad topics such as drug abuse and rehab, domestic abuse and plastic surgery, and specific issues such as the Gulf of Mexico oil spill of 2010 and America’s election of a first black president, which she marked with an edition in which all of the models used were non-white.

Sozzani had a vision to set Vogue Italia apart from
its sister publications in other countries

The work they did for her advanced the careers of many photographers, including Peter Lindbergh, Paolo Roversi, Bruce Weber and Steven Meisel, whose elevation to star status in magazine photography owed almost everything to her guidance and nurture.

Sozzani wanted her readers to think about issues, even to disturb them, and she sometimes attracted criticism. For instance, when she had the model Kristin McMenamy photographed covered in oil, as a stricken bird of paradise, in response to the Gulf oil spill, it was seen as insensitive.  Her response was to say that if you wanted to take risks, as she did, then you should expect people to make judgments, good or bad.

Brought up in a comfortable environment in Mantua, the historic and prosperous city in Lombardy where her father, Gilberto, was an engineer, Sozzani might never have followed the career path that was to unfold in front of her had her father not talked to her about the virtues of getting a steady job.

She attended convent schools and then the Catholic University of the Sacred Heart in Milan, where she graduated in literature and philosophy, following her free spirited nature by getting married at the age of 20 and then going travelling in London and India.

The marriage collapsed after just three months, after which she sought to convince her father that she could take a long-term view of her future and took a job as a secretary at Condé-Nast, the magazine publishing company.  From there in 1976 she became an editorial assistant on the company’s Vogue Bambini title and gradually worked her way up the production ladder.

The 2008 'black edition' of Vogue Italia
was one of Sozzani's notable triumphs

This in time led to the editorship in 1980 of a new Italian magazine, Lei, which was the Italian equivalent of Glamour, and two years later its sister title aimed at the male market, Per Lui.  It was while working for those magazines that she began to use photographers such as Weber and Meisel and Olivieri Toscani, who had much to do with the multicultural and socially aware advertising campaigns followed by Italy’s trendsetting Benetton company.

The two titles remained her focus until the late 80s, at which point she felt she had taken both as far as she could and was prepared to move on, only for Condé-Nast to realise the talent they were about to lose and gave her Vogue Italia, which lagged the British, American and French versions of the magazines in sales and prestige and needed freshening up.

No one was better suited to create an identity for Vogue Italia than Sozzani, whose vision from the outset was that where Vogue in the UK was about elegance and romance, in the US about glossy celebrity and the French version intellectual chic, her readers would understand that each edition of Vogue Italia would say something about the world, in words but sometimes only in images.

Her own attitude to fashion helped shape her editorial policy. She thought many aspects of the fashion world were ridiculous and in her own day-to-day life favoured clothes that were easy to wear, elegant but understated. 

After her first misadventure, Sozzani never married again, and managed to keep subsequent relationships largely out of the spotlight. One of them produced a son, Francesco Carrozzini, who was born in 1982. She died in 2016 after a long illness, at the age of 66.

The Basilica of Sant'Andrea in Mantua

Travel tip:

Mantua, where Franca Sozzani was born, is an atmospheric old city in Lombardy, about 180km (112 miles) to the south east of Milan, surrounded on three sides by a broad stretch of the Mincio river, which has always limited its growth, making it an easy place for tourists to look round. At the Renaissance heart of the city is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna.

Each wall of the Sforza Castle is 180m long,
 while the Torre di Filarete is 70m high

Travel tip:

Vogue Italia’s headquarters are in Milan in Piazza Castello, the horseshoe-shaped piazza that wraps around the city’s impressive Castello Sforzesco – the Sforza Castle – which was built in the 15^th century by Francesco Sforza, Duke of Milan on the site of a fortification erected in the previous century by another Milanese warlord, Galeazzo II Visconti. One of the largest citadels in Europe, it has a central tower, the Torre del Filarate, that climbs to 70m (230ft) in height, while each of the four walls is more than 180m (590ft) long. At the end of the 15^th century, Ludovico Sforza commissioned artists including Bramante and Leonardo da Vinci to improve the interior decoration and they painted several notable frescoes.

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Giuliana Sgrena – journalist

War reporter who survived kidnapping in Iraq

The journalist Giuliana Sgrena pictured
at a book signing in Rome

The journalist Giuliana Sgrena, a war correspondent for an Italian newspaper who was kidnapped by insurgents while reporting the 2003 invasion of Iraq, was born on this day in 1948 in Masera, a village in Piedmont.

Sgrena, who was covering the conflict for the Rome daily Il Manifesto and the weekly German news magazine Die Welt, was seized outside Baghdad University on February 4, 2005.

During her 28 days in captivity, she was forced to appear in a video pleading that the demands of her abductors – the withdrawal of the 2,400 Italian troops from the multi-national force in Iraq – be met.

Those demands were rejected but the Italian authorities allegedly negotiated a $6 million payment to secure Sgrena’s release.

She was rescued by two Italian intelligence officers on March 4 only then to come under fire from United States forces en route to Baghdad International Airport.

In one of the most controversial incidents of the conflict, Major General Nicola Calipari, from the Italian military intelligence corps, was shot dead. Sgrena and the other intelligence officer were wounded.

The US authorities apologised for the incident but claimed that the soldiers involved, whose detail was to protect an American diplomat who was travelling to the airport at the same time, were responding to reports of a bomb planted on Sgrena’s vehicle by Al-Qaeda terrorists and gave a warning before they opened fire.

Sgrena was an opponent of the 2003
invasion of Iraq

However, Sgrena testified that the US forces had given no warning and that of 58 bullets fired at the car only one was aimed at the engine, which suggested that the primary objective was to kill the occupants of the vehicle rather than to disable it.

The incident led to a period of difficult relations between Italy and the US and led to criticism of Italian premier Silvio Berlusconi for giving his support to the invasion, the impetus for which came primarily from US president George W Bush and the British prime minister, Tony Blair.

Sgrena herself had been a steadfast opponent of the invasion and her reporting of the conflict was critical of the ferocity of US bombing, in particular of Baghdad and during the second Battle of Fallujah, where she claimed the invasion force used the flammable gel napalm that was deployed to such deadly effect in Vietnam.

She insisted that working away from the embedded correspondents enabled her to report events more honestly, giving full detail of the level of destruction.

Sgrena’s background shaped her politics and her attitude to conflict. Masera, an Alpine village in the province of Verbano-Cusio-Ossola, had seen intense fighting during the Second World War between Italian partisans and German soldiers. Her father, Franco Sgrena, a noted partisan, was a communist and an activist in railway union.

Italian president Carlo Azeglio Ciampi visited Sgrena in
hospital as she recovered from gunshot wounds

At university in Milan, Sgrena herself was involved with left-wing political causes and became a pacifist. From 1980 she wrote for the weekly magazine Guerra e Pace.

In 1988, she joined the left-leaning Il Manifesto, where she became a war correspondent, covering conflicts in Algeria, Somalia and Afghanistan. She also reported from Morocco, Tunisia, Libya and the Middle East.

A campaigner for women's rights who has also been critical of the treatment of women under Islam, her coverage of the bombing of Baghdad earned her the title of Cavaliere del Lavoro on her return to Italy. In 2005 she was awarded the Stuttgart Peace Prize.

Masera sits in the shadow of the Alps close to the Swiss border

Travel tip:

Masera, located almost on the Swiss border some 130km (81 miles) northeast of Turin, is an Alpine village of almost 1,500 inhabitants in which the economy is driven as much by agriculture as tourism and which is notable for staging a annual Grape Festival in the second week of September, which celebrates the harvest with numerous cultural events, including folk music events that attract performers from all over Piedmont.

Verbania is a large town on the shore of Lake Maggiore

Travel tip:

The nearest sizeable community to Masera is Verbania, situated on the shores of Lake Maggiore about 30km (19 miles) to the southeast.   A town of more than 30,000 population, it faces the city of Stresa across the lake. A small island a few metres from the shore, known as the Isolino di San Giovanni, is famous for having been the home of Arturo Toscanini, between 1927 and 1952.  Verbania is also the home town of the military general Luigi Cadorna, who was Chief of Staff of the Italian Army in the early part of the First World War.

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Germano Mosconi – sports writer and presenter

Short-tempered journalist who became the news

Broadcaster became an unintentional
internet phenomenon

Germano Mosconi, who became a well-known television personality, was born on this day in 1932 in San Bonifacio in the Veneto.

Mosconi became notorious for his short temper and swearing on air and was regarded as a bit of a character on local television. But he became known all over Italy and throughout the world after a video of him someone posted anonymously on the internet went viral.

In the 1980s Mosconi delivered sports reports on Telenuovo in Verona and in 1982 he received the Cesare d’Oro international award for journalistic merit.

But he later became known for his excessive swearing and blaspheming. The anonymous video showed his irate reactions to various problems he encountered while broadcasting, such as people unexpectedly entering the studio, background noises and illegible writing on the news sheets he received.

His use of swearwords, blasphemy and insults in both Italian and Venetian dialect and his other humorous antics made the video compulsive viewing all over the world.

Internet forums discussing Mosconi appeared and Mosconi fan clubs were set up.

However, the sports journalist did not relish his notoriety and declined every request for an interview related to the video.

Away from television, he edited the German-language magazine Gardasee Zeitung, dedicated to tourists visiting Lake Garda, and worked for the newspapers Il Gazzettino and L’Arena in Verona.

Mosconi died in Verona in 2012 at the age of 79, following a long illness. He left a wife, Elsa, and one daughter, Margherita.

The cathedral in San Bonifacio

Travel tip:

San Bonifacio, where Mosconi was born, is a town in the province of Verona about 25 kilometres to the east of the city of Verona. It borders the municipality of Soave, where the famous white wine is produced. San Bonifacio’s main sights are the seventh century Abbey of St Peter with its imposing 12th century bell tower and the 12th century cathedral.

Travel tip:

Verona is famous as the city of Romeo and Juliet and for opera. Mosconi worked as a broadcaster there and also as a journalist on L’Arena, which was founded in 1866, before the Veneto became part of the Kingdom of Italy, and is one of the oldest newspapers in Italy. Named after the Roman amphitheatre in Piazza Bra, which hosts concerts and operas every summer, the newspaper is now based in San Martino Buon Albergo, a suburb of Verona.

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Giovanni Spadolini - politician

The first non-Christian Democrat to lead Italian Republic

Giovanni Spadolini in 1987

Giovanni Spadolini, who was the Italian Republic’s first prime minister not to be drawn from the Christian Democrats and was one of Italy's most respected politicians, died on this day in 1994.

In a country where leading politicians and businessman rarely survive a whole career without becoming embroiled in one corruption scandal or another, he went to the grave with his reputation for honesty intact.

Although he was an expert on Italian unification and became a professor of contemporary history at the University of Florence when he was only 25, a background that gave him a deep knowledge of Italian politics, he first built a career as a journalist.

He became a political columnist for several magazines and newspapers, including Il Borghese, Il Mondo and Il Messaggero, and was appointed editor of the Bologna daily II Resto del Carlino in 1955, at the age of 30.

In 1968, having doubled Il Resto’s circulation, he left Bologna to become the editor at Corriere della Sera, in Milan, where he remained until 1972.  It was while editing the Corriere that he became known for his anti-extremist stance, condemning violent student activists on the left and terrorists on the right in equal measure.

Under his stewardship, the Corriere took a strong anti-Communist stance, provoking attacks on its offices by angry demonstrators. Once, a stone thrown by a demonstrator smashed through Spadolini’s office window. He picked it up and placed it on his desk, where it remained throughout his time as editor, as a reminder of the turmoil brought about by political extremism.

Prime Minister Spadolini (right) with the
Italian president, Sandro Pertini

During his time in Milan, Spadolini was persuaded to enter politics. In 1972, after leaving the Corriere, he was elected senator as an independent with the Republican Party. He was appointed Minister of Cultural Affairs in Aldo Moro’s cabinet in 1974.

He became leader of the Italian Republican Party in 1979, a position he held until 1987, and in 1981 he was chosen to be Italy's first non-Christian-Democrat prime minister by the Socialist President, Sandro Pertini.

In partnership, these two men did much to restore the credibility of Italy's political institutions after years of terrorist violence and the scandal of the secret P2 Masonic lodge, a secret society that included politicians, businessmen, some high-ranking military officers and policemen, that attempted to create a ‘state within a state.’  Spadolini introduced laws suppressing secret organisations.

It was during Spadolini’s time in office that the anti-terrorist unit of the Italian police freed the United States general James Lee Dozier, who had been kidnapped by the Red Brigades.  He also achieved a drop in inflation from 22 per cent to 16 per cent during his 18 months in office.

Spadolini, born into a bourgeois Florentine family, was known as a connoisseur of good food and drink and his wide girth became the target of Italy's political cartoonists.

Yet, in the 1983 national election, the Republican Party capitalised on Spadolini's popularity, realising 5.1 per cent of the vote, the highest they had achieved.

The Spadolini villa outside Florence is
now the home of a cultural foundation

He became dismayed at a new class of politician emerging at that time, whom he felt were preoccupied with grabbing the spoils of power rather than healing the ills of the country. As the speaker of the Senate from 1987, Spadolini regularly underlined his concern for Italy's institutions.

From 1987 to April 1994, he was president of the Italian Senate and, for a month in 1992, acting president of Italy, following the resignation of Francesco Cossiga. 

After the electoral success of Silvio Berlusconi's House of Freedoms party, he lost the presidency of the Senate to Carlo Scognamiglio Pasini by a single vote. He died four months later in Rome.

In his villa at Pian dei Giulliari, in the countryside near Florence, Spadolini left a library containing some 70,000 volumes on contemporary history and the 19th century. The villa became home to a cultural foundation dedicated to the study of Italian unity.

Casa Spadolini at 28 Via Cavour in Florence

Travel tip:

Spadolini’s home until 1978 was at 28 Via Cavour, one of the principal streets in the northern part of the historic centre of Florence, a four-storey palazzo that had been acquired by his grandfather.  Spadolini kept the house as his main residence even while he was editing in Bologna and Milan and serving the country in Rome. He left for the family villa in Pian dei Giullari after the death of his mother.

Travel tip:

Pian dei Giullari is a picturesque village in the hills some 5km (3 miles) south of Florence.  Many villas line the Via Pian dei Giullari that runs through the village. The Spadolini Foundation is at number 139. On the same street can be found Il Gioiello, where the physicist, mathematician and astronomer Galileo Galilei spent his last years.

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Indro Montanelli – journalist

Veteran writer who cast a critical eye on Italian politics and society

Indro Montanelli, in the offices of Corriere della Sera, working
from an improvised chair made from a pile of books

A writer and journalist regarded as one of the greatest of 20th century Italy, Indro Montanelli, died on this day in 2001 in Milan.

The previous year he had been named as one of 50 World Press Freedom Heroes by the International Press Institute.

Montanelli had been a witness to many of the major events of the 20th century. He was in Danzig when Hitler rejected the ultimatum from Britain and France in September 1939. He was in the streets of Budapest in 1956 when Soviet tanks rolled in and he was shot in the legs by Red Brigades terrorists on an Italian street in 1977.

Montanelli was born Indro Alessandro Raffaello Scizogene Montanelli in 1909 at Fucecchio near Florence.

He studied for a law degree at the University of Florence in the early 1920s and began his journalistic career by writing for the Fascist newspaper, Il Selvaggio.

Montanelli in Ethiopia in 1936

He then worked as a crime reporter for Paris Soir before serving as a volunteer with Italian troops in the Eritrean Battalion in Ethiopia - Abyssinia as it was then - where he wrote war reports which later formed the basis for the first of his 40 books. 

It was a book that honestly conveyed what Montanelli had seen, some of which caused him to change his mind about Benito Mussolini, the Fascist leader. It was a little too honest for the Fascist oligarchy, however, and, after his similarly objective reporting on the Spanish civil war did not meet with Fascist approval, his press accreditation was withdrawn.

Despite this, he continued to write, the Corriere della Sera getting around the ban on his working as a journalist by hiring him as a ‘collaborator’, in which capacity he sent back reports from Scandinavia and the Baltic States, the Balkans and Greece.

After witnessing the disastrous Italian invasion of Greece, Montanelli decided to join the partisan movement against the Fascist regime.

During the Nazi occupation of Italy he was arrested and narrowly avoided being executed. His reprieve was thanks to the intervention of some influential admirers who put pressure on the Germans.

His prison experiences inspired him to write a novel, Il Generale della Rovere, based on his meeting in prison with a German spy posing as an Allied military commander, which was later filmed by Roberto Rossellini and won the Venice Golden Lion in 1959.

Montanelli pictred in Milan in 1992

After the war, Montanelli co-edited a magazine called Il Borghese, which tried to cater for what remained of right-wing cultural tastes in a country divided between the Communists and Christian Democrats.

His increasing anger at the Communists was to eventually win the approval of media magnate Silvio Berlusconi, who backed the right-leaning newspaper, Il Giornale, which Montanelli had founded in 1973 after breaking away from Corriere following a change in the paper's political direction.

Montanelli remained as the editor until 1994 when he fell out with Berlusconi after criticising his entry into politics.

The journalist was made a Knight Grand Cross of the Order of Merit of the Italian Republic in 1995.

It was Gianni Agnelli, then proprietor, who persuaded Montanelli to return to Corriere, where he commented on prominent Italians in editorials and on a letter’s page entitled Montanelli’s Room.

He spent his last years vigorously opposing Silvio Berlusconi’s politics.

Montanelli also wrote a series of successful history books, including one about Rome, which became a regular textbook used in schools.

Towards the end of his life, Montanelli lived in an apartment overlooking Piazza Navona in Rome.

He died at the age of 92 after a prostate cancer operation at a clinic in Milan.

The day after his death, Corriere della Sera published a letter he had written on its front page, ‘Indro Montanelli’s farewell to his readers’.

The journalist had also left instructions for his ashes be placed in an urn above his mother’s tomb at Fucecchio.

Montanelli's reputation was tarnished by his admission that he bought a 12-year-old Ethiopian girl to be his wife during Mussolini’s campaign in Ethiopia, in common with other Italian soldiers, who took advantage of local laws that made such marriages legal. Asked about the marriage on a television interview in 1969, Montanelli refused to apologise. 

The house in Piazza Garibaldi in Fucecchio, near
Florence, where Montanelli was born

Travel tip:

Fucecchio, where Indro Montanelli was born, is a municipality  of Florence. One of the major sights in the town is the Abbey of San Salvatore which was built in the upper part of Fucecchio in the 11th century. The town is mentioned frequently in the 1917 opera Gianni Schicchi by Giacomo Puccini.

Travel tip:

Indro Montanelli was among many distinguished Italian writers who worked for Corriere della Sera, a daily newspaper founded in 1876 in Milan. The newspaper’s headquarters have been in the same building in Via Solferino in the centre of Milan since the beginning of the 20th century.

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Oriana Fallaci - journalist

Writer known for exhaustively probing interviews

Oriana Fallaci interviewed politicians and
leaders from around the world 

Oriana Fallaci, who was at different times in her career one of Italy’s most respected journalists and also one of the most controversial, was born in Florence on this day in 1929.

As a foreign correspondent, often reporting from the world’s most hazardous regions in times of war and revolution, Fallaci interviewed most of the key figures on both sides of conflicts.

Many of these were assembled in her book Interview with History, in which she published accounts of lengthy conversations, often lasting six or seven hours, with such personalities as Indira Gandhi, Golda Meir, Yasser Arafat, Zulfikar Ali Bhutto, Willy Brandt, Shah of Iran Mohammad Reza Pahlavi, Henry Kissinger and the presidents of both South and North Vietnam during the Vietnam War.

Others she interviewed included Deng Xiaoping, Lech Wałęsa, Muammar Gaddafi and the Ayatollah Khomeini.

She seldom held back from asking the most penetrating and awkward questions. Henry Kissinger, the diplomat and former US Secretary of State, later described his meeting with Fallaci for a piece published in Playboy magazine as "the single most disastrous conversation I have ever had with any member of the press".

During her interview with Ayatollah Khomeini in 1979 she called him a “tyrant" to his face and attacked the chador – the full-length cloak she was obliged to wear for the interview – as representing “the apartheid Iranian women have been forced into after the revolution” and described it as “a stupid, medieval rag”.

Henry Kissinger described his encounter
with Fallaci as "disastrous"

Fallaci’s stance on many political issues related to her background. Her father, Edoardo Fallaci, a cabinet maker in Florence, was a political activist opposed to the dictatorship of Italian Fascist leader Benito Mussolini. Despite her youth – she was only 10 when the conflict began – she supported her father’s cause during the Second World War by joining the anti-Fascist resistance movement, Giustizia e Libertà.

One of the tasks assigned to her was to smuggle a gun concealed in a basket of food into the Pitti Palace, where the Jewish writer Carlo Levi, author of the 1945 book Christ Stopped at Eboli, was in hiding.

She later wrote: “Whether it comes from a despotic sovereign or an elected president, from a murderous general or a beloved leader, I see power as an inhuman and hateful phenomenon ... I have always looked on disobedience toward the oppressive as the only way to use the miracle of having been born.”

As well as a child fighter against the Fascists, Fallaci also displayed precocious talent as a journalist, becoming a special correspondent for the Italian paper Il mattino dell'Italia centrale in 1946, when she was just 16.

Her work as a war correspondent began in earnest 20 years later.  Beginning in 1967, she worked as a war correspondent for a number of newspapers and magazines, covering Vietnam, the Indo-Pakistani War, the Middle East, and South America.  During the 1968 massacre of students at Tiatelolco in Mexico, she herself was shot three times.

Fellaci in the chador she was told to
wear to interview Ayatollah Khomeini

Fallaci won many awards for her work and was also honoured by the Italian state, the city of Milan and the Council of Tuscany, where she kept a home even while living mostly in New York, for her contribution to Italian culture.

Later in her career, she attracted controversy for her writings on Islamic fundamentalism, which she regarded as a threat which was the equal of Fascism in her youth.  She accused European politicians of not taking the threat seriously.

Two books, The Rage and the Pride and The Force of Reason, sold more than a million copies in Italy alone but Fallaci was criticised for using language that was extreme and for appearing to demonise Muslims in general, although a number of legal actions against her failed because the state ruled that she was protected by freedom of speech laws.

Fallaci died in Florence aged 77 in 2006, having suffered from lung cancer.  Although a smoker all her life, she claimed she developed the disease after being exposed to smoke from oil wells torched on the orders of Saddam Hussein while she was reporting from Kuwait in 1991.

She was buried at the Cimitero Evangelico agli Allori in Florence alongside family members and close to a memorial to Alexandros Panagoulis, a former Greek resistance fighter with whom she formed a relationship in the 1970s but who was killed in a mysterious road accident, which Fallaci claimed was an assassination by remnants of the 1960s Greek military junta.

Fallaci's tomb at the Cimitero
Evangelico degli Allori

Travel tip:

The Cimitero Evangelico agli Allori is situated between Florence and Galluzzo Certosa, a town about five kilometres outside the city centre. It was in 1860 when the non-Catholic communities of Florence could no longer bury their dead in the English Cemetery in Piazzale Donatello. Apart from Fellaci, it houses the remains of the British writer and aesthete Sir Harold Acton, the American sculptor Thomas Ball and Alice Keppel, the mistress of the British monarch King Edward VII.

Travel tip:

Florence’s Palazzo Pitti – the Pitti Palace – was originally built in the second half of the 15th century by Filippo Brunelleschi for Luca Pitti, but was unfinished at his death in 1472. The building was purchased in 1550 by Eleonora da Toledo, the wife of the Grand Duke Cosimo I de' Medici, and became the official residence of the family. It was expanded in 1560 by Bartolomeo Ammannati. More work was carried out in the 17th century by Giulio and Alfonso Parigi, giving the building its present day look.

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Corrado Alvaro - writer and journalist

Novelist from Calabria won Italy's most prestigious literary prize

Corrado Alvaro

The award-winning writer and journalist Corrado Alvaro died on this day in 1956 at the age of 61.

Alvaro won the Premio Strega, Italy’s most prestigious literary prize, in 1951 with his novel Quasi una vita – Almost a Life.

The Premio Strega – the Strega Prize – has been awarded to such illustrious names as Alberto Moravia, Giuseppe Tomasi di Lampedusa, Elsa Morante, Primo Levi, Umberto Eco and Dacia Maraini since its inception in 1947.

Alvaro made his debut as a novelist in 1926 but for much of his life his literary career ran parallel with his work as a journalist.

He was born in San Luca, a small village in Calabria at the foot of the Aspromonte massif in the southern Apennines. His father Antonio was a primary school teacher who also set up classes for illiterate shepherds.

Corrado was sent away to Jesuit boarding schools in Rome and Umbria before graduating with a degree in literature in 1919 at the University of Milan.

He began his newspaper career writing for Il Resto di Carlino of Bologna and Milan’s Corriere della Sera, both daily newspapers, for whom he combined reporting with literary criticism.

Gente in Aspromonte was Alvaro's
breakthrough novel in 1931

After serving in the Italian army during the First World War, in which he was wounded in both arms and spent a long time in hospital, he resumed his journalistic career as a correspondent in Paris (France) for the anti-Fascist paper Il Mondo. In 1925, he supported Benedetto Croce’s Manifesto of the Anti-Fascist Intellectuals.

Alvaro’s debut novel L’uomo nel labirinto – the Man in the labyrinth, published in 1926, explored the growth of Fascism in Italy in the 1920s, when his politics made him the target of surveillance by Mussolini's Fascist regime. Worried about the possibility of arrest, he moved to Berlin in 1928, and subsequently spent time in the Middle East and the Soviet Union.

On his return to Italy, having had little success with his early novels, he made a breakthrough in 1931 when Gente in Aspromonte, his 1930 novel about an uprising in the area around his home village, won a 50,000 lira prize sponsored by the newspaper La Stampa after impressing a judging panel including the novelist and playwright Luigi Pirandello.

Ironically, given that he was previously under scrutiny as an anti-Fascist, his 1938 novel L’uomo è forte – Man is strong – led him to be accused of being a Fascist sympathiser because its content was strongly critical of communist totalitarianism. Nonetheless, the book won the literary prize of the Accademia d’Italia in 1940.

Alvaro lost his father in 1941 but retained his connection with Calabria through his mother, who had moved from San Luca to nearby Caraffa del Bianco, where his brother, Massimo, was parish priest.

The monument to Corrado Alvaro in Reggio Calabria

During the Second World War, Alvaro was briefly editor of the Rome newspaper Il Popolo but he was forced to flee Rome in the later years of the war to escape the Nazi occupation, taking refuge in Chieti, where he assumed a false name, Guido Giorgi, and made a living by giving English lessons.

In 1945 he was co-founder of the Italian Association of Writers, of which he became secretary two years later, a position he retained until his death.  He continued to write for prominent Italian newspapers and penned several more novels and a number of screenplays.

His Strega Prize in 1951 came in a vintage year for Italian literature, coinciding with the publication of L'orologio – the Clock – by Carlo Levi , Il conformista – the Conformist – by Alberto Moravia , A cena col commendatore – Dinner with the commander – by Mario Soldati and Gesù, fate luce – Jesus, make light – by Domenico Rea.

Alvaro died in Rome from lung cancer, having previously undergone surgery for an abdominal tumour. He is buried in the small cemetery of Vallerano in the province of Viterbo in Lazio, about 80km (50 miles) north-west of Rome, where he had bought a large country house in 1939.

His memory is celebrated both in Lazio and Calabria.

In Vallerano, a street, a library and an elementary school are named in his honour, with a statue at the entrance to the library.  The city also established a Corrado Alvaro literary prize in 2015.

In Calabria, the Aspromonte National Park contains a cultural itinerary that includes San Luca and a ‘literary park’ in his name. The regional capital, Reggio Calabria, honoured him with a monument in Piazza Indipendenza.

San Luca is on the eastern slope of Aspromonte

Travel tip:

That Alvaro’s home town of San Luca, situated on the eastern slopes of Aspromonte, could produce a literary giant of his standing is remarkable given its history as a stronghold of the N’drangheta – the Calabrian mafia – and the fact that in 1900, when Alvaro was five, it had no drinking water and a 100 per cent illiteracy rate. The only way to reach the village during his childhood was on foot. The convent known as the Sanctuary of Our Lady of Polsi, founded in 1144 by Roger II of Sicily, is situated in a spectacular setting at the foot of a deep gorge just outside the town.

The Loggia del Palazzo dei Papi in Viterbo

Travel tip:

Viterbo in Lazio is regarded as one of the best preserved medieval towns in Italy, with the historic San Pellegrino quarter, which features an abundance of typical external staircases, at its centre.  The Palazzo dei Papi, which was the papal palace for about 20 years in the 13^th century, and the Cathedral of San Lorenzo, which dates back to the 12^th century, has a 14^th century Gothic belfry and was largely rebuilt in the 16^th century, are among a number of impressive buildings.

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