Fortunato Depero - artist

Futurist who designed iconic Campari bottle

Fortunato Depero's 1932 Campari Soda
bottle is still in production today

The Futurist painter, sculptor and graphic artist Fortunato Depero, who left a famous mark on Italian culture by designing the conical bottle in which Campari Soda is still sold today, was born on this day in 1892 in the Trentino region.

Depero had a wide breadth of artistic talent, which encompassed painting, sculpture, architecture and graphic design.

He designed magazine covers for the New Yorker, Vogue and Vanity Fair among others, created stage sets and costumes for the theatre, made sculptures and paintings and some consider his masterpiece to be the trade fair pavilion he designed for the 1927 Monza Biennale Internazionale delle Arti Decorative, which had giant block letters for walls.

Yet it is the distinctive Campari bottle that has endured longest of all his creations, which went into production in 1932 as the manufacturers of the famous aperitif broke new ground by deciding to sell a ready-made drink of Campari blended with soda water.

It was the first pre-mixed drink anyone had sold commercially and Depero, who was already working with the Milan-based company on a series of advertising posters and stylish black-and-white newspaper ads, was tasked with creating a unique miniature bottle in which the new product would be packaged.

Depero became an important designer
in the advertising world

The conical shape, a little like an upturned glass, made it stand out on the shelves and at a time when the modern and unconventional was considered chic was perfect in helping establish Campari Soda as the sophisticated pre-dinner drink of choice among Italy’s style-setters.

The shape, timelessly modern, has not changed fundamentally in 88 years since and has become an icon of Italian design.

Depero was born either in the village of Fondo or its neighbour Malosco, about 40-50km (25-31 miles) north of Trento, and went to college a little further south in Rovereto, between Trento and Verona. He was apprenticed in a marble workshop, having been turned down in his efforts to obtain a place at the Academy of Fine Arts in Vienna.

He first became aware of the Futurist movement on a trip to Florence in 1913 and when his mother died the following year he decided to move to Rome, where he met fellow Futurist Giacomo Balla. Together they produced an extraordinary text entitled Ricostruzione futurista dell’universo (Futurist Reconstruction of the Universe), a manifesto that reflected the core values of the movement, which rejected everything ancient and classical and aimed to free Italy from what was perceived as a stifling obsession with the past.

The establishment tended to dismiss Futurists as cranks, because they admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention, and wanted to depict those things in their art.

Il Motociclista (the Motorcyclist) is an example of Depero's art

Yet in many ways, Depero and Balla and talented Futurist painters such as Carlo Carrà and Umberto Boccioni, who embraced a parallel obsession with nationalistic revolution and the overthrow of the hierarchical class system, foresaw how the 20th century would unfold, from the evolution of technology to the explosion of violence and the spread of mass communication.

The movement was ultimately tarnished by its association with Fascism, with which they initially shared similar goals in terms of wishing to build a strong, egalitarian, productive, youthful and modern Italy.  Once the link existed, it was difficult to break and after Mussolini’s regime was defeated there were many Futurists who found themselves shunned.

Depero himself found Italy an uncomfortable place after the Second World War and decided to return to New York, where he had spent a couple of years in the late 1920s, working on magazines and in the theatre and even building a house.  During his second stay, which lasted until the early 1950s, he published an English version of an earlier autobiography, entitled So I Think, So I Paint.

Depero returned to Italy and lived out his final days in Rovereto, where he died in 1960 from complications of diabetes.  A large collection of his work can be seen at the Museum of Modern and Contemporary Art of Trento and Rovereto.

Rovereto's Campana dei Caduti sounds
100 times at nightfall each day

Travel tip:

The picturesque small city of Rovereto, east of Riva del Garda, is notable not only for the aforementioned art museum but for a 14th century castle, which contains the Italian War Museum, and for the Maria Dolens (Mary Grieving) bell, also known as the Campana dei Caduti (the Bell of the Fallen) and the Bell of Peace. The second largest swinging bell in the world, it was originally the idea of a local priest, Father Antonio Rossaro, to honour the fallen of all wars and to invoke peace and brotherhood. Cast in 1924, since 1965 it has been located on Miravale Hill outside the town and sounds 100 times at nightfall each evening.

The beautiful Piazza Duomo in Trento

Travel tip:

The city of Trento is considered to have arguably the best quality of life in Italy, based on climate, surroundings and employment opportunities. With a population of 117,000, it is situated in an Alpine valley on the Adige river between the northern tip of Lake Garda and the border city of Bolzano, about 115km (71 miles) north of Verona. It was controlled by the Austrians almost continuously from the 14th century until the First World War.  In the 16th century, it hosted the Council of Trent, the ecumenical council of the Catholic Church that gave rise to the resurgence of the church following Protestant Reformation.

More reading:

The explosive art of leading Futurist painter Carlo Carrà

Luigi Russolo and the strange phenomenon of 'noise music'

Painter whose work depicted Fascist repression

Also on this day:

1282: The revolt that became known as the Sicilian Vespers

1905: The birth of Modernist architect Ignazio Gardella


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Amedeo Guillet – army officer

Superb horseman helped keep the British at bay

Amedeo Guillet, pictured in his military dress
uniform, was a brilliant horseman

Amedeo Guillet, the last man to lead a cavalry charge against the British Army, was born on this day in 1909 in Piacenza.

His daring actions in Eritrea in 1941 were remembered by some British soldiers as ‘the most frightening and extraordinary’ episode of the Second World War.

It had seemed as though the British invasion of Mussolini’s East African empire was going like clockwork. But at daybreak on January 21, 250 horsemen erupted through the morning mist at Keru, galloping straight towards British headquarters and the artillery of the Surrey and Sussex Yeomanry.

Red Italian grenades that looked like cricket balls exploded among the defenders and the guns that had been pointing towards Italian fortifications had to be quickly turned to face a new enemy.

The horsemen later disappeared into the network of wadis - ravines - that crisscrossed the Sudan-Eritrean lowlands.

Guillet’s actions at Keru helped the Italian army regroup and go on to launch their best actions in the entire war. Guillet was to live on until the age of 101 and become one of the most decorated people in Italian history.

Guillet was born into a Savoyard-Piedmontese family, who were minor aristocracy that had, for generations, served the Dukes of Savoy and later the Kings of Italy.

Guillet in action on the battlefield in 1940

He spent most of his childhood in the south and said he remembered the Austrian biplane bombing of Bari during the First World War. He followed family tradition by joining the army and, after attending the military academy at Modena, went into the cavalry.

Guillet excelled as a horseman and was selected for the Italian eventing team to go to the Berlin Olympics in 1936. But Mussolini’s invasion of Ethiopia interrupted his career as a competition rider.

He had himself transferred to a cavalry division and fought repeated actions with them. He witnessed the aerial gas attacks on Emperor Haile Selassie’s lightly-armed warriors, which appalled the world.

In Guillet’s opinion, gas was largely ineffectual against an enemy that could flee. He fought with horse, sword and pistol. He suffered a painful wound to his left hand and was later decorated for his actions.

He was flattered to be chosen by General Luigi Frusci as an aide de camp, in the division sent to support Franco in the Spanish Civil War, where he suffered shrapnel wounds, but helped to capture three Russian armoured cars and crews.

Guillet disapproved of  the pro-
Nazi alliance and anti-semitism

But he disapproved of the pro-Nazi alliance and the anti-Semitic race laws adopted by Italy and asked for a posting to East Africa, where a family friend, Amedeo Duke of Aosta, had been appointed viceroy.

Mussolini’s decision to enter the war on the side of Germany in 1940 cut off Italian East Africa, which was surrounded by the territories of its enemies. Aosta gave Guillet command of 2,500 men, both cavalry and infantry. With almost no armour, Guillet’s horsemen were used to delay the British advance.

His actions at Keru and in subsequent battles won time for the Italian army, but eventually the British broke through. Most of the Italian army surrendered but Guillet refused to do so.

Aosta ordered his men to fight on to keep as many British soldiers as possible in East Africa.

For nine months Guillet launched a series of guerrilla actions against British troops with his mistress, Khadija, an Ethiopian Muslim, at his side. He believed he would never see Italy, or the woman he had planned to marry there, ever again.

Two British intelligence officers pursued him. One of them, Major Max Harrari, would later become an art dealer and one of his close friends. But Guillet managed to escape across the sea to neutral Yemen where he became a friend of the ruler Imam Ahmed. He sneaked back to Eritrea in 1943 in disguise, from where he returned to Italy on the Red Cross ship, Giulio Cesare.

He married his Neapolitan cousin, Beatrice Gandolfo, in 1944 and spent the rest of the war as an intelligence officer.

At the end of the war, after the decision to abolish the monarchy in Italy, Guillet told Umberto II he intended to leave the country for good, but the deposed King asked him to keep serving Italy, whatever sort of Government was installed.

Despite being wounded many times, Guillet not only survived
his wartime experiences but lived to be 101 years old

Guillet joined the diplomatic service and because his Arabic was fluent he served in the Middle East. He was later ambassador in Jordan, Morocco and India.

In 1975 he retired and went live in County Meath in Ireland to enjoy the fox hunting.

According to his biographer, Sebastian O’Kelly, Guillet was ‘a kind, generous man who thought himself lucky to have survived many bullet and grenade wounds, sword injuries and bone fractures.’ Guillet’s wife, Beatrice, died in 1990.

In 2000, Guillet was presented with the Knight Grand Cross of the Military Order of Italy, the highest military decoration, by President Carlo Azeglio Ciampi.

Guillet’s life story was the subject of a film made by Elisabetta Castana for the national TV channel RAI in 2007.

In 2009 he was still well enough to be able to celebrate his 100th birthday at the army officers’ club in Palazzo Barberini in Rome.

When Guillet died in June 2010 in Rome he was widely respected as one of the last men to have commanded cavalry in a war.

One of Francesco Mochi's
 statues in Piacenza

Travel tip:

Piacenza, where Guillet was born, is a city in the Emilia-Romagna region of northern Italy. The main square in Piacenza is named Piazza Cavalli because of its two bronze equestrian monuments featuring Alexander Farnese, Duke of Parma and his son Ranuccio I Farnese, Duke of Parma, who succeeded him. The statues are masterpieces by the sculptor Francesco Mochi.

The Palazzo Barberini in Rome

Travel tip:

Palazzo Barberini, where Guillet celebrated his 100th birthday, is just off Piazza Barberini in the centre of Rome. The palace was completed in 1633 for Pope Urban VIII to the design of three great architects, Carlo Maderno, Francesco Borromini and Gian Lorenzo Bernini.

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Sonia Gandhi - Indian politician

Widow of ex-PM Rajiv born in pre-Alps of Veneto

Sonia Gandhi overcame her reluctance to become
a major figure in Indian politics

Sonia Gandhi, an Italian who married into a famous political dynasty and became the most powerful woman in India, was born on this day in 1946 in a small town near Vicenza.

In 1965, in a restaurant in Cambridge, England, where she was attending a language school, she met an engineering student from the University of Cambridge. They began dating and three years later were married.

His name was Rajiv Gandhi, the eldest son of the future Indian prime minister Indira Gandhi.  They were married in a Hindu ceremony, Sonia moved into her mother-in-law’s house and from then on lived as an Indian. Rajiv became an airline pilot while Sonia looked after their two children, Rahul and Priyanka.

Everything changed when Indira Gandhi was assassinated by Sikh nationalists in 1984, a year after Sonia had been granted Indian citizenship.  Rajiv had entered politics in 1982 following the death of his brother, Sanjay, in a plane crash and was elected to succeed his mother as prime minister.

Sonia wanted to remain in the background, having developed a passionate interest in preserving India’s artistic treasures. Inevitably she became more involved, campaigning on her husband’s behalf, and when Rajiv himself was killed by a suicide bomber in 1991, she was invited to take over as prime minister.

Sonia Gandhi at a meeting with the former US
president Bill Clinton

She declined but then watched her husband’s Indian National Congress Party lose its way over the next few years and was urged to help revive its flagging fortunes. She joined the party in 1997. Within a year she was leader of the opposition in the Indian Parliament and in 2004 won the general election.

Amid controversy over whether a foreigner should be allowed to assume the highest office in the country, she opted not to become prime minister, nominating Manmohan Singh to hold the title instead, a move that was accepted by her political opponents.

Nonetheless, as chair of the 15-party governing coalition, named the United Progressive Alliance, that was charged with running the country, she was the most powerful woman in Indian politics and therefore one of the most powerful women in the world.

How different her life might have been had she not met the young Rajiv Gandhi on that evening in 1965.

The house in Lusiana where Sonia
Gandhi was born in 1946

Born in Lusiana, a town in the Veneto about 20km (12 miles) north of Vicenza, her birth name was Edvige Antonia Albina Maino.  She spent her early years in the Contrada Maini – the Maini quarter – which historically was dominated by people from the Maino family, many of whom spoke a Germanic language called Cimbro.

It was her father, Stefano, who began to call her Sonia. A fervent supporter of Benito Mussolini’s Fascist party, he had fought in Russia alongside the Axis forces during the Second World War and was taken prisoner, but was grateful for the kindness of three Russian women who helped him after he was released.  One was named Sonia, the others Anouchka and Nadia, and he used their names as nicknames for his own three daughters.

When Sonia was nine, the family moved to Orbassano, a town near Turin, where her father started a small business.  He built his family a two-storey villa, with tall iron gates, that remains the family home even today.

He was a strict catholic and sent Sonia and her sisters to a convent, where they were boarders. Sonia was remembered as a lively student who took part in theatre activities and sang.

Later, she attended a Berlitz language school in Turin, eager to learn good English, a command of which was regarded as essential for any Italian with ambition. It was becoming the norm for wealthier Italian parents to send their children to study in England, hence Sonia’s arrival in Cambridge in January, 1965.

She did not care much for English weather nor the food, and the only cuisine resembling Italian that she could find in Cambridge at the time was at the Varsity Restaurant, whose owner was Greek-Cypriot. It was where she met Rajiv.  Some accounts of her life say she took temporary work there as a waitress while studying, although it is not clear whether she was waiting on tables or simply there as a diner on the night she met Rajiv.

Rajiv Gandhi (left) with his mother Indira and brother
Sanjay as a young man in India

Although she was a beautiful girl, never short of male attention, and comfortably off, too, thanks to her father’s generous allowance, it was only after meeting Rajiv that she felt her time in Cambridge became bearable. Rajiv was wealthy but Indians were not allowed to take much money out of the country and he therefore had to live a humble life. He took a part-time job in a supermarket while not studying. 

Sonia met Indira Gandhi in London and it was plain to her that her relationship with Rajiv met with his mother’s approval. But her own parents had reservations about the idea of her marrying a non-Italian, never mind one from a country so far removed from Italy as India, even though Stefano thought Rajiv was sincere and was impressed by his determination to support her by becoming a commercial pilot.

He forbade Sonia to travel to India until she was 18 and even then said he would give their relationship his blessing only after they had lived apart for a year, hoping it might cool.  It did not, and they were married in 1968.

Although her life from then was in India, Sonia returned to Italy from time to time but did so discreetly. When she won the 2004 election, the media descended on Orbassano.  Her father had passed away some years earlier but her mother and sisters still lived in the town. They declined all interviews, however, their reluctance explained by the mayor of Orbassano, who told reporters that they had been upset by the tragedies that had beset the Gandhi family and asked to be left in peace.

Lusiana nestles in the picturesque hills of the northern
Veneto in the shadow of the Alps

Travel tip:

Lusiana is a town of slightly more than 2,500 inhabitants in the picturesque pre-Alps of northern Veneto, about 20km (12 miles) north of Vicenza and about the same distance west of Bassano del Grappa. It is located about 750m (2,450ft) above sea level on the Asiago or Sette Comuni plateau. It is a centre for tourism both in summer and winter. The church of Santa Caterina in the nearby village of the same name contains an altarpiece by the artist Jacopo Bassano.

Piazza Umberto I in Orbassano

Travel tip:

The town of Orbassano is in an area about 20km southwest of Turin that was deforested in Roman times. It grew from a village to a town in the 19^th century when a railway line from Turin and a textile factory was opened, although it remained a relatively small municipality until the 1960s, when its development as an industrial centre saw the population double to around 16,000 in the space of a decade, largely due to Fiat opening a plant at nearby Rivalta. The town, with a pretty central square, Piazza Umberto I, has continued to grow and is earmarked  for a direct metro link to the centre of Turin. A road out of Orbassano is named Via Rajiv Gandhi.

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Cesare Pavese - writer and translator

Author introduced great American writers to Fascist Italy

Cesare Pavese translated the works
of many American novelists

Cesare Pavese, the writer and literary critic who, through his work as a translator, introduced Italy to the Irish novelist James Joyce and a host of great American authors of the 20^th century, was born on this day in 1908 in Santo Stefano Belbo, a town in Piedmont about 60km from Turin.

Pavese would become an acclaimed novelist after the Second World War but was frustrated for many years by the strict censorship policies of Italy’s Fascist government.

It is thought he devoted himself to translating progressive English-language writers into Italian as the best way by which he could promote the principles of freedom in which he believed.

Pavese’s translations would have given most Italians they first opportunity to read writers such as Herman Melville, William Faulkner, Charles Dickens, Gertrude Stein, John Steinbeck, John Dos Passos and Daniel Defoe, as well as Joyce, who would ultimately spend many years living in Italy.

The son of Eugenio Pavese, an officer of the law courts in Turin, Cesare had a fractured childhood. His father died when he was only six and his mother, Consolina, is said to have shown him little affection, as a result of which he grew up learning how to fend for himself.

He was born in Santo Stefano Belbo, situated in a picturesque vine-growing area east of Alba in southern Piedmont, because his parents were staying at their holiday home there when his mother went into Labour.  As soon as he was old enough, he moved to Turin and attended the lyceum – the Licio Classico Massimo d’Azeglio – where he was taken under the wing of the Italian anti-Fascist intellectual Augusto Monti.

Pavese hid in the hills outside Turin during the Second
World War occupation of the city by German soldiers

Monti was later imprisoned by the regime for his vociferous opposition, a fate that would befall Pavese not long after he had left the University of Turin, where he was mentored by Leone Ginzburg, husband of the author Natalia Ginzburg.

He had begun an affair with Tina Pizzardo, a young Communist he met at the sparsely-attended anti-Fascist meetings he used to frequent, and agreed for her to use his address as somewhere to which she could have correspondence delivered because her own movements were under surveillance.

However, when the authorities intercepted letters from Altiero Spinelli, a jailed anti-Fascist dissident, and found they were addressed to Pavese’s apartment, he was arrested and sent to a prison at Brancaleone in Calabria, almost 1,400km (870 miles) from Turin.

Pavese later wrote a book about his ordeal, although for many years his work remained unpublished by his own choice, rather than it be censored.  When a volume of his poetry was published during his incarceration, a number of poems were deleted by the Fascist authorities.

On his return to Turin after a little more than a year in jail, he found that Pizzardo had begun another relationship and countered his sadness by throwing himself into his work, again mainly in translating.  He became a close associate of Giulio Einaudi – father of the pianist and composer Ludovico Einaudi and son of the politician Luigi Einaudi – with whom he helped establish the Einaudi publishing house. Natalia Ginzburg also worked there.

The young communist Tina Pizzardo,
with whom Pavese had an affair

Pavese was conscripted to fight in Mussolini’s Fascist army but avoided front-line action because he suffered from asthma. Instead, he was confined to a military hospital for six months.

In his absence, German troops occupied Turin and on returning to civilian life when he was discharged on health grounds Pavese went into hiding in the hills around Serralunga di Crea, near Casale Monferrato, where he remained between 1943 and 1945.

Most of Pavese’s work, mainly short stories and novellas, was published by Einaudi, appearing between the end of the Second World War and his death. In that time he was a member of the Italian Communist Party and worked on the party’s newspaper L’Unità.

The main character in many of Pavese’s stories was often a loner, whose relationships with both men and women tended to be short-lived. The stories are often bleak yet he was admired for the tautness of his prose, which was favourably compared to that of Ernest Hemingway.

They tended to draw comparison with his own life. As well as his affair with Pizzardo, whom he felt deserted him, he had a brief relationship after the war with Constance Dowling, an American actress, but that too failed and is seen to have been a contributory factor in his death at the age of only 41.

It came at a moment when he appeared to be at the height of his career, hailed as one of Italy’s greatest living writers.

Works such as La casa in collina (The House on the Hill) and Il carcere (The Prison), which were published as a two-novella volume entitled Prima che il gallo canti (Before the Cock Crows) and based in his experiences in prison, were regarded as confirming his genius, as were Il Compagno (The Comrade), Dialoghi con Leucò (Dialogues with Leucò) - philosophical dialogues between classical Greek characters – and La luna e i falò (The Moon and the Bonfires), which he dedicated to Dowling.  

In 1950, he won the prestigious Strega Prize but two months after receiving the honour he was found dead in an hotel room in Turin, having swallowed an overdose of barbiturates.  Entries in his diary indicated that he had been profoundly depressed following his break-up with Dowling, which he took as a sign that he would never find happiness in marriage, or with other people.

The village of Santo Stefano Belbo

Travel tip:

Pavese’s life is commemorated in several ways in Santo Stefano Belbo, where there is a museum housed in the house his parents owned in what is now Via Cesare Pavese, while the Cesare Pavese Foundation, which was established in 1973 and has its headquarters in Piazza Confraternita off Via Cavour, promotes not only the work of Pavese but encourages and supports other writers.

A plaque marks where Cesare Pavese lived in Turin

Travel tip:

In Turin, Pavese lived in the same building for 20 years on the Via Alfonso Lamarmora, one of the elegant residential streets in the grid of criss-crossing thoroughfares that characterises the centre of the city.  Via Lamarmora links Corso Stati Uniti with Via Sebastiano Caboto, bisecting the busy Corso Luigi Einaudi. There is a wall plaque marking the building that contained his apartment.

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Alessandro Blasetti - film director

Reputation tarnished by links with Mussolini

Alessandro Blasetti was one of the first directors
to use the techniques of neorealism in his films

Alessandro Blasetti, the film director sometimes referred to as ‘the father of Italian cinema’ for the part he played in reviving the film industry in Italy in the late 1920s and 30s, was born on this day in 1900 in Rome.

In his directing style, Blasetti was seen as ahead of his time, even in his early days.  His films were often shot on location, used many non-professional actors and had the characteristics of the neorealism that would make Italian cinema famous in the post-War years.

Yet he will forever be seen by some critics as an apologist for Fascism, a charge which stems mainly from his support for at least part of the ideology of Benito Mussolini, which led to a number of his films being interpreted as Fascist propaganda, although the evidence in some cases was rather thin.

The son of an oboe professor at Rome’s Accademia Nazionale di Santa Cecilia, Blasetti graduated in law from the Sapienza University of Rome.   Married in 1923, his first job was as a bank clerk but after a year he began to work as a journalist and wrote the first film column to appear in an Italian national newspaper.

He used his position to campaign for a revival of film production in Italy, which at that time had largely ground to a halt, despite Rome having been a major hub of the silent movie industry before the First World War.

Adriana Benetti and Gino Cervi in a scene from
Blasetti's 1942 film Quattro pasi fra le nuvole 

Blasetti helped begin the resurgence with his first movie, Sole – Sun – in 1929, with a storyline set against the real-life draining of the Pontine Marshes, south of Rome, a project organised by Mussolini.

Mussolini applauded the end result, declaring it to be ‘the dawn of the Fascist film’. Financed through a co-operative, it was not a commercial success yet it was significant in that Mussolini saw film as a way of spreading his message and would later invest much state funding in the Italian film industry.

Blasetti’s early neorealism was clear in 1860, a film made in 1934 about Garibaldi’s campaign to unite Italy as seen through the eyes of two peasants, again with much location filming and imbued with the same kind of visual starkness that would be associated with Luchino Visconti, Roberto Rossellini, Vittorio De Sica and others in the post-War years.

It can be argued that several of Blasetti’s 1930s films are critical of the Fascist regimes. Vecchio guardia - The Old Guard - recounts Mussolini’s 1922 March on Rome, which led to his ascension to power. Ironically, it was criticised by some in the Fascist government for having too few scenes of public enthusiasm for Il Duce.

Blasetti pictured in 1965

Blasetti, however, did not discourage Mussolini’s interest in his work and took every opportunity to lobby for state funding and support. One outcome was the construction of the large, state-of-the-art Cinecittà studios in Rome, which would give Italian filmmakers the resources to make a real impact.

A marked shift to neorealism came with Quattro pasi fra le nuvole – Four Steps in the Clouds – his 1942 story of a married salesman who agrees to save the honour of a pregnant girl he meets on a train by presenting himself to her family as her husband.

As well as his films, Blasetti’s notable contribution to Italian cinema was as founder of the school that was to become the Centro Sperimentale, Rome’s noted film study centre archive.  He died in Rome in 1987.

Coastal lakes or lagoons typify the Pontine Marshes

Travel tip:

The Pontine Marshes is a reclaimed area of land south of Rome, bordered roughly by the Alban Hills, the Lepini Mountains, and the Tyrrhenian Sea.  It was a marshy and malarial area that several emperors and popes tried unsuccessfully to drain and until the early part of the 20^th century it was inhabited by just a handful of shepherds. However, in 1928 the Fascist government drained the marshes, cleared the vegetation and built new towns, notably Littoria (now Latina) in 1932, Sabaudia in 1934, Pontinis in 1935, Aprilia in 1937, and Pomezia in 1939. By the Second World War the only untouched area was the Monte Circeo National Park. The area is now the most productive agricultural region in in Italy.

Travel tip:

The Centro sperimentale di cinematografia – the Italian national film school - was established in 1935. The oldest film school in Western Europe, it is still financed by the Italian government. It is located near Cinecittà, about 10km (6 miles) south-east of the centre of Rome along Via Tuscolana.

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Pierre Cardin - fashion designer

Star of Parisian haute couture was born in Italy

Pierre Cardin, pictured in 2009

Pierre Cardin, who has been described as the last survivor of the heyday of Parisian haute couture in the 50s and 60s, was born on this day in 1922 in the province of Treviso, north of Venice.

There are differing versions of the story of Cardin’s Italian origins.

One says that his parents were French but had a holiday home in Italy and that he was born in the village of Sant’ Andrea di Barbarana, on the Piave river, where his parents had a house.

Another says that his father was Italian, a labourer, that he was born in another small town in the province, San Biagio di Callalta and that he was the last of 11 children. This version suggests his father was in his 60s when Pierre – christened Pietro – was born.

What is agreed is that the family left Italy for France in 1924, possibly because of his father’s unease at the rise of Mussolini and his opposition to Fascism.

They settled in the industrial city of Saint-Etienne, where Pierre began his career in the clothing industry in 1936 when he was taken on as a tailor’s apprentice.

He moved to Vichy in 1939 and worked during the Second World War for the Red Cross before relocating to Paris in 1945, determined to make his name in the fashion world.

The trademark Pierre Cardin
bubble dress of the 1950s

At first, he worked with the Italian designer Elsa Schiaparelli and designed costumes for the film director Jean Cocteau. before joining Christian Dior.  His talent shone through from an early stage and in 1950 he started his own fashion house.

The first Pierre Cardin dresses were unveiled at a lavish masquerade ball in 1953 – dubbed ‘the party of the century’ – in a palace on the Grand Canal in Venice.

Cardin’s first boutique, Eve, opened in Paris in 1954, the same year that his so-called ‘bubble dress’ – a loose-fitting dress tightened near the waistline and brought in at the hem to create a ‘bubble’ effect – brought him international success.

He became known for his avant-garde designs, inspired often by things he had seen in travelling around the world.  His clothes for a while showed a Japanese influence after he had visited Tokyo in 1957 to open Japan’s first high fashion store.

Later, after he had visited NASA headquarters in Washington, his designs began to have a futuristic space-age look.

Cardin was one of the first designers to realise the potential of ready-to-wear as haute couture began to decline in the 1960s. Indeed, he was expelled from the snooty Chambre Syndicale – the guardian of fashion standards – for launching a ready-to-wear line in the department store Printemps, although he was quickly reinstated.

He was also a pioneer of the designer label culture, launching a collection during the late 1960s that was the first to include the designer’s logo stitched on each garment.  He became something of an iconic figure of the Swinging Sixties era, designing clothes for both The Beatles – the collarless jackets were his idea – and The Rolling Stones.

The Pierre Cardin logo is known the world over

In 1971 he turned a former theatre in Paris into Espace Cardin, where he would not only show his clothes but would also promote rising artistic talents – in music and theatre – by offering them the chance to perform on his stage.

In time, much to the disapproval of some of his contemporaries in the Paris fashion world, the Pierre Cardin name began to appear on all manner of products – from baseball caps to cars – as the company sought to exploit the brand.  Some critics condemned him for ‘cheapening’ the company’s image; others applauded his entrepreneurialism.

The company bought Maxim’s in Paris in 1981 and from it developed a worldwide chain of exclusive restaurants and hotels.

In 2011, the business was valued at around $1 billion. Cardin’s proud boast was that he built the business from scratch, without ever having to borrow money.

Cardin, now in his 90s and, until recently, still designing clothes personally in his studio, owns among other homes a castle at Lacoste, Vaucluse once owned by the Marquis de Sade and a palazzo in Venice that he claims once belonged to Giacomo Casanova, although history shows that its historical owner was Giovanni Bragadin di San Cassian, Bishop of Verona and Patriarch of Venice.

The Ca' d'Oro is one of the most famous palaces
on the Grand Canal in Venice

Travel tip:

The buildings that line the Grand Canal in Venice, of which there are about 170, were mostly built between the 13th and the 18th century, when noble Venetian families wanted to show off their wealth in suitable palaces. Among the most famous are the Palazzo Barbaro, Ca' Rezzonico, Ca' d'Oro, Palazzo Dario, Ca' Foscari, Palazzo Barbarigo and the Palazzo Venier dei Leoni, which today houses the Peggy Guggenheim Collection.

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Alberto Rabagliati - singer and actor

Performer found fame through radio

Alberto Rabagliati won a contest as
a Rudolph Valentino lookalike

The singer and movie actor Alberto Rabagliati, who became one of the stars of Italian radio in the 1930s and 40s, was born on this day in 1906 in Milan.

His movie career reached a peak in the post-War years, when he had roles in the Humphrey Bogart-Ava Gardner hit Barefoot Contessa and in Montecarlo, starring Marlene Dietrich.

The son of parents who had moved to Milan from the village of Casorzo, near Asti, in Piedmont, Rabagliati’s career in the entertainment business began when he entered a competition in 1927 to find a Rudolph Valentino lookalike.

To his astonishment he won.  The prize was to be taken to Hollywood to audition, so his life changed overnight.  Later he recalled his own wide-eyed incredulity as he sailed across the Atlantic, bound for a new life.  "For someone like me, who had never been beyond Lake Como or Monza Cathedral, finding myself on board a luxury steamer with three cases full of clothes, a few rolls of dollars, gran-duchesses and countesses flirting with me was something extraordinary".

He lived in America for the next four years but never achieved more than modest success and decided to return to Italy. During his time in America, however, he took the opportunity to get to know some new musical genres such as jazz, swing, and ‘scat’ singing, in which the vocalist uses his or her voice to make sounds rather than words, such as the ‘doo wah, doo wah, doo wah, doo wah’ lines repeated in It Don’t Mean a Thing if it Ain’t Got That Swing.

On coming home he was determined he would make a success as a singer and he realised his ambition in some style.

Rabagliati recording one of his radio shows in the 1940s

After joining a popular band called the Lecuona Cuban Boys, in which he performed with his face painted black, he met the songwriter Giovanni D'Anzi who arranged for him to have an audition with the Italian state radio station, EIAR, in Rome.

Rabagliati soon became a star and by 1941 had his own show, Canta Rabagliati ("Rabagliati sings"). It spurned a string of hits, including Ma l'amore no, Mattinata fiorentina, and Bambina innamorata.  He developed a huge following, mainly among women, and when he appeared on stage he would have hundreds of roses thrown at his feet.

He owned a large American car, which the Italian authorities at one time threatened to confiscate, because the Fascist regime banned all manifestations of foreign culture.

The Fascist leader Benito Mussolini, however, sensed he could use Rabagliati’s popularity to his own advantage and personally intervened to ensure the singer kept his car.  Mussolini persuaded Rabagliati to lend one of his songs to the government’s campaign to persuade Italians to buy into his vision of Fascist family life, adopting Sposi (c'è una casetta piccina) as an anthem for the campaign, celebrating newlyweds in their own "little house".

Rabagliati was lined up to work alongside
Raffaella Carrà in a new TV show

It is said that Mussolini privately despised Rabagliati’s music, with its heavy American influences, and reputedly flew into a rage one day when he discovered his mistress, Clara Petacci, listening to one of his records, dragging it off the turntable and smashing it.

Rabagliati used his fame as a singer to kick-start his film career and appeared in more than 20 films between 1940 and the mid-1960s, including Barefoot Contessa, Montecarlo, Il vedova (The Widow) and The Christmas That Almost Wasn’t, in which he played Santa Claus.

He began to act on stage too, landing many parts in musical revues and comedies.  It seemed he was about to break into television in a big way, too, making a guest appearance on a new show Milleluci, presented by Mina Mazzini and Rafaella Carrà.

He was so impressive that Mina wanted him to be on the show regularly and he was about to agree a deal on becoming a co-host in March 1974 when he collapsed and died from a cerebral haemorrhage. He was 67.

Rabagliati, who had married Maria Antonietta Tonnini in 1954, was buried at the Cimitero Flaminio in Rome, next to his mother.

The impressive Baroque cathedral at Asti

Travel tip:

Asti is one of the most important cities in Piedmont in terms of art and literature, notably as the birthplace of Vittorio Alfieri, the famous 18th century poet and dramatist. The town's historic centre, is charmingly quaint, the highlight of which is the triangular Piazza Alfieri, where the town’s famous Palio horse race is staged.   It has a wealth of palaces, towers and ancient churches, and a magnificent Gothic cathedral.

Travel tip:

The Cimitero Flaminio is in the Rome suburb of Prima Porta, which is so called because of an arch under an aqueduct carrying water across the Via Flaminia, which was considered a gateway into Rome from the north.  The Via Flaminia, which effectively begins at Piazza del Popolo in the centre of Rome, stretches all the way across the Apennines to what is now Rimini on the Adriatic coast.

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Giovanni Gentile – philosopher

The principal intellectual spokesman for fascism

Giovanni Gentile wrote part of The Doctrine
of Fascism for Benito Mussolini

Giovanni Gentile, a major figure in Italian idealist philosophy, was born on this day in 1875 in Castelvetrano in Sicily.

Known as ‘the philosopher of Fascism’, Gentile was the ghostwriter of part of Benito Mussolini’s The Doctrine of Fascism in 1932. His own ‘actual idealism’ was strongly influenced by the German philosopher, Georg Hegel.

Gentile's rejection of individualism and acceptance of collectivism helped him justify the totalitarian element of Fascism.

After a series of university appointments, Gentile became professor of the history of philosophy at the University of Rome in 1917.

While writing The Philosophy of Marx – La filosofia di Marx – a Hegelian examination of Karl Marx’s ideas, he met writer and philosopher Benedetto Croce. The two men became friends and co-editors of the periodical La Critica until 1924, when a lasting disagreement occurred over Gentile’s embrace of Fascism.

Gentile was Minister of Education in the Fascist government of Italy from October 1922 to July 1924 carrying out wide reforms, which had a lasting impact on Italian education.

In 1925 he served as president of two commissions on constitutional reform, helping to lay the foundations of the Fascist corporate state.

Gentile is buried in the Basilica of Santa Croce in Florence

After acting as president of the Supreme Council of Public Education and as a member of the Fascist Grand Council between 1925 and 1929, he saw his political influence steadily decline.

His most important achievement was the Enciclopedia Italiana, which he began to plan in 1925 and edited until 1943 and he also wrote prolifically on the subjects of philosophy and education.

After the fall of Benito Mussolini in 1943, Gentile supported the Fascist Social Republic established by the Germans at Salò. He served as president of the Academy of Italy, Italy’s foremost intellectual institution, until his death.

In 1944 a group of anti-Fascist partisans shot Gentile dead as he returned from the prefecture in Florence. Ironically he had been there arguing for the release from prison of anti-Fascist intellectuals.

The church of Santa Maria Assunta, also known as the
Chiesa Madre - mother church - in Castelvetrano

Travel tip:

Castelvetrano, the birthplace of Giovanni Gentile, is in the province of Trapani in Sicily. It is first mentioned in historical records dating from the 12th century. The Church of St John, which is just outside the city walls, was founded in 1412. The mother church, Chiesa Madre, which dates back to the 16th century, is in the town’s main square, Piazza Tagliavia. The remains of Selinunte, an ancient Greek city, are just outside the city, on a site overlooking the sea.

The Basilica of Santa Croce in Florence

Travel tip:

Gentile was living and working in Florence when he was shot dead by anti-Fascists on 15 April, 1944. He is buried in the church of Santa Croce beside the remains of Galileo and Machiavelli. The Basilica of Santa Croce is the principal Franciscan Church in Florence and is the burial place of some of the most illustrious Italians. It is also known to Italians as the Temple of the Italian Glories.

More reading:

Why Luigi Einaudi signed the Manifesto of the Anti-Fascist Intellectuals 

Benito Mussolini and the Founding of the Italian Fascists

How the Republic of Salò was Mussolini's last stand

Also on this day:

1924: The anti-Fascist speech that cost a socialist politician his life

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