Angelo Beolco - playwright

Actor and dramatist with a genius for comedy

Angelo Beolco's plays were written in
Paduan dialect spiced with vulgarities

One of the most powerful Italian dramatists of the 16th century, Angelo Beolco, who was nicknamed Ruzzante (or sometimes Ruzante) after his favourite character, died on this day in 1542 in Padua in the Veneto region.

Beolco was famous for his rustic comedies, which were written mostly in the Paduan dialect of the Venetian language.

Many of his plays featured a peasant called Ruzzante and they painted a vivid picture of life in the Paduan countryside during the 16th century.

Beolco was born in Padua in 1496 and was the illegitimate son of a doctor. His mother was possibly a maid in the household where he was brought up by his father. He received a good education and after his father’s death became manager of the family estate. In 1529, he also became manager of a farm owned by a nobleman, Alvise Cornaro, who had retired to live in the Paduan countryside. Cornaro later became Beolco’s friend and protector.

Beolco met and associated with Paduan intellectuals of the time, such as the poet Pietro Bembo and the scholar and dramatist Sperone Speroni, which led to him developing an interest in the theatre.

His first attempts at acting and writing plays may have been delivering impromptu sketches at wedding parties.

It is established that in 1520 he was already known as Ruzzante and that he played a role in a play put on at a palace in Venice. It was after this that he put together his own theatrical troupe. His first plays were staged in Ferrara between 1529 and 1532 and then later in Padua at the residence of his friend, Cornaro.

Beolco was a friend of the poet
Pietro Bembo (above)

In Beolco’s first printed play, La pastoral, which was categorised as a rural comedy, Arcadian shepherds tell of their frustrated love affairs, while, in contrast, the peasants Ruzzante and Zilio deliver rustic verses in dialect, spiced with vulgarities and obscenities, beginning with Ruzzante’s first line in the play.

Much of the play’s comical effect comes from the contrast between the two languages, which provides the opportunity for misunderstandings and plays on words.

One of the characters is a physician, who earns the gratitude of Ruzzante for prescribing a fatal medicine to his stingy father. This unites the young peasant with his long-awaited inheritance.

In his later plays and monologues, Beolco shifts more to the Venetian language, while maintaining his social satire.

In the Oratione, a welcome speech for Bishop Marco Cornaro, who was later to become the 59th Doge of Venice, he suggests measures the new prelate should consider for improving the life of the peasants, including castrating the priests, or forcing them to marry, in order to give peace of mind to the local men and their wives.

Beolco’s plays were sometimes considered unfit for educated audiences because of the lascivious themes and vulgar language and this occasionally led to performances being cancelled.

In one of his best-known pieces, Il parlamento de Ruzante, the character tells of his return from the Venetian war front only to find that he has lost his wife, land and honour. The speech begins with Ruzzante’s favourite expletive.

Linguistic studies have concluded that Ruzante’s speech was not an accurate record of Paduan dialect of the day, but to some extent, a theatrical dialect created by Beolco.

Playwright Dario Fo put Beolco on the same level as the French playwright, Molière, claiming that he is the true father of the Venetian comic theatre (commedia dell’arte) and said that he was the most significant influence on his own work.

Beolco wrote at least 11 plays and monologues, but died in Padua when he was in his late forties, while preparing to stage a play by his friend, Speroni, for the Accademia degli Infiammati. Despite his theatrical success, Beolco was very poor for most of his life. Speroni once remarked that, while Beolco had an unsurpassed understanding of comedy, he was unable to perceive his own tragedy.

The Basilica di Sant'Antonio is one
of Padua's most impressive sights

Travel tip:

Padua, where Angelo Beolco was born and died, is in Italy’s Veneto region, situated 52km (32 miles) to the west of Venice. Padua is close to the stunning Euganean hills and many of the Venetian villas designed by architect Andrea Palladio. It is home to the second oldest university in Italy, the magnificent Basilica di Sant’Antonio, and one of the world’s greatest art treasures, the frescoes by Giotto in the Cappella Scrovegni, which tell the life stories of the Virgin Mary and Christ.

Padua hotels by Booking.com

The Ruzzante statue next to
Padua's Teatro Verdi

Travel tip:

There is a statue of Angelo Beolco (Ruzzante) next to the Teatro Verdi in Padua. The beautiful 18th century theatre, named after the composer Giuseppe Verdi, is in Via del Livello in the centre of the city, close to Piazza dei Signori. Teatro Verdi now presents operas, musicals, plays, ballets and concerts organised by the Teatro Stabile del Veneto.

Also on this day:

1826: The birth of inventor Innocenzo Manzetti

1861: The proclamation of the Kingdom of Italy

1925: The birth of actor Gabriele Ferzetti

1939: The birth of football coach Giovanni Trapattoni

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Giovanni Battista Belzoni – archaeologist

The Great Belzoni’s powerful physique helped him remove Egyptian treasures

A portrait of Giovanni Belzoni during
his time as an archaeologist in Egypt

Explorer and pioneer archaeologist of Egyptian antiquities, Giovanni Battista Belzoni, was born on this day in 1778 in Padua, which was then part of the Republic of Venice.

He became famous for his height and strength and his discovery and removal to England of the seven-ton bust of Ramesses II.

Belzoni was born into a poor family. At the age of 16 he went to find work in Rome and studied hydraulics. He was planning to take monastic vows but in 1798 French troops occupied the city and he moved to the Batavian Republic, now the Netherlands, where he earned his living as a barber.

He moved to England in 1803, allegedly to escape going to prison. He was six feet seven inches tall and had a powerful physique. For a while he earned his living as a circus strongman under the name, The Great Belzoni.

He also exhibited his models of hydraulic engines and went to Cairo in 1815 to offer hydraulic engines for use in irrigation to Muhammad Ali Pasha, the founder of modern Egypt.

But two years later he embarked on another new career, excavating Egyptian tombs and temples for their treasures. It was said he damaged other less valuable objects in the process, which was later frowned upon.

The 6ft 7ins Belzoni pictured
as a circus strongman in England

At Thebes he obtained the colossal sculpture of the head of Ramesses II for the British Museum. It took him 17 days and he had to use 130 men to help him tow it to the river where it was loaded on to a boat bound for England. In the nearby Valley of the Tombs of Kings, he discovered the tomb of Seti I and removed the aragonite sarcophagus for the Sir John Soane Museum in London. This became known as Belzoni’s Tomb.

While he was in the process of removing an obelisk from the Nile island of Philae, it was taken from him at gunpoint by men working for the French.

He explored an island in the Nile, known as Elephantine, and the temple of Edfu. He also cleared the entrance to the great temple of Ramesses II at Abu Simbel. He was the first to penetrate the pyramid of Khafre at Giza and he identified the ruins of the city of Berenice on the Red Sea.

Belzoni returned to England in 1819 and published an account of his adventure – Narratives of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia. It was a two-volume work published in 1820.

The explorer and archaeologist died in 1823 at the age of 45 in Gwato, now called Ughoton, in Nigeria on his way to Timbuktu. In 1825 Belzoni’s widow exhibited his drawings and models of the Royal tombs of Thebes in London and Paris.

The Scrovegni Chapel is one of the many
attractions of the city of Padua

Travel tip:

Padua in the Veneto is one of the most important centres for art in Italy and home to the country’s second oldest university. Padua has become acknowledged as the birthplace of modern art because of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are considered his greatest achievement and one of the world’s most important works of art. At Palazzo Bo, where Padua’s university was founded in 1222, you can still see the original lectern used by Galileo and the world’s first anatomy theatre, where dissections were secretly carried out from 1594.

The Prato della Valle square in Padua was
built on the site of a Roman theatre

Travel tip:

The elliptical Prato della Valle, one of Padua's principal squares, is built on the site of the Zairo theatre on land which fell into disuse and became flooded following the fall of the Roman Empire.  The land was drained in the 18th century and a canal crossed by four bridges was created around an island planted with trees and lawns, which was later lined by statues of 78 eminent citizens of Padua. Nearby is a restaurant, the Ristorante Zairo, which contains statues and wall decorations that recall the chariot races and other activities that would have taken place in the theatre. Diners can also see a 17th century fresco that came to light when renovations uncovered part of the structure of a former church.

Also on this day:

1666: The birth of composer Attilio Ariosti

1702: The birth of painter Pietro Longhi

1754: The birth explorer Alessandro Malaspina

1777: The birth of dancer Filippo Taglioni

1898: The birth of Francesco Domenico Chiarello, who would become one of the longest surviving victims of both world wars

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Teofilo Folengo – poet

Style of writer’s verses took its name from the dumpling

A portrait of Teofilo Folengo by Girolamo Romanino,
owned by the Uffizi museum in Florence

Teofilo Folengo, who is remembered as one of the principal Italian ‘macaronic’ poets, died on this day in 1544 in the monastery of Santa Croce in Campese, a district of Bassano del Grappa in the Veneto.

Folengo published, under the pseudonym Merlin Cocaio, a macaronic narrative poem entitled Baldo, which was a humorous send up of ancient epic and Renaissance chivalric romance.

Writing in verse that mixed vernacular language with Latin became known as macaronic verse, the word deriving from the Latin macaronicus and the Italian maccarone, which meant dumpling, fare mixed crudely from different ingredients that at the time was regarded as a coarse, peasant food. It is presumed to be the origin of the modern Italian word maccheroni.

Folengo was a runaway Benedictine monk who satirised the monastic life using an invented, comic language that blended Latin with various Italian dialects.

Born Girolamo Folengo in 1491 in Cipada, a village near Mantua, he entered the Benedictine order as a young man taking the name Teofilo. He lived in monasteries in Brescia, Mantua and Padua, where he produced Latin verse written in the Virgilian style.

The cover of a book of macaronic verse
by Folengo under his pseudonym 

But he left the order to travel around the country with a young woman, Girolama Dieda. They often experienced great poverty as Folengo had no money apart from what he earned through writing.

For a few years he lived as a hermit near Sorrento, but he was readmitted to the Benedictine order in 1534 and remained in it, continuing to write, until his death.

Out of all his poetry, Baldo is considered to be his masterpiece and it has been republished five times. Full of satire and humour it describes the adventures of Baldo, who is supposed to be a descendant of the cousin of the medieval epic hero Roland. Baldo suffers imprisonment, battles with authority, pirates, witches and demons, and goes on a journey to the underworld.

The poem blended Latin with various Italian dialects in hexameter verse. The first English version, translated by Ann Mullaney, was published in 2007.

The term macaronic is still used to describe literature where the mixing of languages has a humorous or satirical effect. It is believed to have originated in Padua in the late 15th century, after the comic poem, Macaronea, by Tifi Odasi was published in about 1488, satirising the broken Latin used by doctors and officials to communicate with ordinary people.

Folengo once described his own verses as ‘a gross, rude and rustic mixture of flour, cheese and butter.’

Many modern Italian authors, including Umberto Eco and Dario Fo, have continued to use macaronic text.

The Palazzo Ducale in Mantua was the seat of the Gonzagas

Travel tip:

Cipada near Mantua, where Teofilo Folengo was born, was a village on the banks of a lake, but it no longer exists, having become part of the industrial area of Mantua. A main street, Strada Cipata, is the only reference to it that remains. On the other side of the lake is the historic area of Mantua, where the Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, can be found.

The former monastery of Santa Croce
in Campese, where Folengo died

Travel tip:

The monastery of Santa Croce, where Teofilo Folengo died, is in Via IV Novembre in Campese, a district of Bassano del Grappa on the banks of the Brenta Canal. The monastery dates back to 1124 and for centuries was the most important religious centre in the area around the Brenta. There is a monument to Teofilo Folengo in the monastery, which is now used as a church. Close by is a square named after the poet, Piazza Teofilo Folengo.


More reading:

Giosuè Carducci - the poet who became the first Italian to win a Nobel Prize in literature

Why Torquato Tasso is known as Italy's greatest Renaissance poet

How Dario Fo's work denounced crime, corruption and racism

Also on this day:

1920: The birth of politician Carlo Azeglio Ciampi

1920: The birth of Bruno Ruffo, Italy's first motorcycling world champion

1946: The birth - near Vicenza - of Indian politician Sonia Gandhi


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Stefano Landi – composer

Musician whose works influenced development of opera

Stefano Landi had an early influence
on the evolution of opera

Stefano Landi, an influential early composer of opera, died on this day in 1639 in Rome.

He wrote his most famous opera, Sant’Alessio, in 1632, which was the earliest to be about a historical subject, describing the life of the fourth-century monastic, Saint Alexis.

It was also notable for Landi interspersing comic scenes drawn from the contemporary life of Rome in the 17th century.

Born in Rome, Landi had joined the Collegio Germanico as a boy soprano in 1595.

He took minor orders in 1599 and began studying at the Seminario Romano in 1602. He is mentioned in the Seminary’s records as being an organist and singer in 1611.

By 1618 he had moved to northern Italy and he published a book of five-voice madrigals in Venice. He wrote his first opera while in Padua, La morte d’Orfeo, which was probably for part of the festivities for a wedding.

An illustration depicting a scene from Sant'Alessio

In 1620 he returned to Rome, where his patrons included the Borghese family, Cardinal Maurizio of Savoy, and the Barberini family, who were to be his major employers throughout the late 1620s and 1630s.

It was for the Barberini family that he wrote the work for which he is most famous, Sant’Alessio. It was used to open the Teatro delle Quattro Fontane in 1632.

After a period of ill health, Landi died in Rome in 1639 and was buried at the church of Santa Maria in Vallicella.

The Palazzo Barberini was completed by Gian Lorenzo Bernini

Travel tip:

The Barbarini family’s most famous Roman residence was the Palazzo Barberini, a 17th-century palace which faces the Piazza Barberini in the Trevi district.  The site was purchased in 1625 by Maffeo Barberini - later Pope Urban VIII - from Cardinal Alessandro Sforza.  Three great architects worked to create the Palazzo, starting with Carlo Maderno, who gave the building its air of princely power and created a garden front that had the nature of a suburban villa. When Maderno died in 1629, it was expected the project would be passed to his nephew, Francesco Borromini, who had been assisting his uncle. Instead, the the commission was awarded to Gian Lorenzo Bernini, a young prodigy then better known as a sculptor, with Borromini at first working alongside him.

The Teatro delle Quattro Fontane is now a cinema complex

Travel tip:

The Teatro delle Quattro Fontane - Theatre of the Four Fountains - was also designed, in part, by Gian Lorenzo Bernini and built in 1632 by the Barberini family. It was located in Via delle Quattro Fontane, near the Piazza Barberini and the Quattro Fontane or Four Fountains.  The theatre closedin 1642 at the height of the Barberini Wars of Castro against with the Farnese Dukes of Parma and remained so for more than 10 years then passed before it was reopened and performances recommenced. In 1632, the theatre was rebuilt and remained active until after the Second World War. It was converted into a modern cinema in the 1960s and now houses a multiplex called Multisala Barberini.

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Vincenzo Scamozzi – architect

Follower of Palladio had his own distinctive style

A portrait of  Vincenzo Scamozzi
attributed to Paolo Veronese

The architect and writer Vincenzo Scamozzi, whose work in the second half of the 16th century had a profound effect on the landscape of Vicenza and Venice, died on this day in 1616 in Venice.

Scamozzi’s influence was later to spread far beyond Italy as a result of his two-volume work, L’idea dell’Architettura Universale - The idea of a universal architecture - which was one of the last Renaissance works about the theory of architecture.

Trained by his father, Scamozzi went on to study in Venice and Rome and also travelled in Europe.

The classical influence of Andrea Palladio is evident in many of the palaces, villas and churches that Scamozzi designed in Vicenza, Venice and Padua.

His work influenced English neoclassical architects such as Inigo Jones and many others who came after him.

Scamozzi's Palazzo Contarini degli Scrigni
on the Grand Canal in Venice

Scamozzi was also an important theatre architect and stage set designer. He completed Palladio’s Teatro Olimpico in Vicenza in 1585, adding his own design for a stage set constructed of timber and plaster, using trompe-l'œil techniques to create the appearance of long streets receding to a distant horizon

Scamozzi was invited to Venice to design housing for the procuratorate of San Marco. He continued the end façade of the Sansovino Library, with its arcaded ground floor, adding an upper floor to provide the required accommodation in the Piazzetta.

Between 1569 and 1614, Scamozzi designed villas, palaces and churches throughout the Venetian Republic, often completing and reworking designs by Palladio, such as the one for Villa Capra “La Rotonda” near Vicenza.

In 1601 he continued the work of the architect Andrea Moroni after his death, by designing a new façade for Palazzo del Bò, the main building of Padua University

Scamozzi designed Palazzo Contarini degli Scrigni on the Grand Canal in Venice and his final project in 1614 was Palazzo Loredan Vendramin Calergi in Venice.

His seven children had died before him, so Scamozzi left the proceeds of his estate to set up a scholarship to enable poor boys from Vicenza to study architecture.

Scamozzi's stage set at the Teatro Olimpico in Vicenza

Travel tip:

The Teatro Olimpico in Vicenza was the last piece of architecture designed by Andrea Palladio and it was not completed until after his death. It is one of three Renaissance theatres remaining in existence and since 1994 it has been listed by Unesco as a World Heritage Site. In 1579 Palladio was asked to produce a design for a permanent theatre in Vicenza and he decided to base it on designs of Roman theatres he had studied. After his death, only six months into the project, Vincenzo Scamozzi was called in to complete it. Scamozzi’s original scenery for the theatre, which was meant to represent the streets of Thebes, has miraculously survived to this day. The theatre is still used for plays and musical performance, but audiences are limited to 400 for conservation reasons. The theatre was also used as a location for the films Don Giovanni and Casanova.

The inner courtyard at Palazzo del Bò, where Scamozzi
designed a new facade

Travel tip:

The main building of Padua University is Palazzo del Bò in Via 8 Febbraio in the centre of Padua. Vincenzo Scamozzi designed a new façade for the palace after the death of the original architect commissioned, Andrea Moroni. The building used to house the medical faculty of the university and visitors can take a guided tour of the palace and see the actual lectern used by Galileo when he taught there between 1592 and 1610.

More reading:

How Andrea Palladio became the world's favourite architect

Jacopo Sansovino - the architect of Piazza San Marco

How Canaletto captured the look of Venice

Also on this day:

1919: The birth of film producer Dino De Laurentiis

1956: The birth of Italy's 'Millionaire' Presenter Gerry Scotti

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Cesare Cremonini - philosopher

Great thinker famous for Galileo ‘denial’

Cesare Cremonini was one of the most
revered Aristotelian philosophers of his day

The philosopher Cesare Cremonini, the contemporary and friend of Galileo Galilei who famously refused to look at the Moon through Galileo’s telescope, died on this day in 1631 in Padua.

Cremonini was considered one of the great thinkers of his time, a passionate advocate of the doctrines of the ancient Greek philosopher Aristotle. He was paid a handsome salary by his patron, Alfonso II d’Este, the Duke of Ferrara, and kings and princes regularly sought his counsel.

He struck up a friendship with the poet, Torquato Tasso, while he was studying in Ferrara, and met Galileo in 1550 after he was appointed by the Venetian Republic to the chair of the University of Padua.

The two built a relationship of respect and friendship that endured for many years, despite many differences of opinion, yet in 1610 their divergence of views on one subject created an impasse between them.

It came about when Galileo observed the surface of the Moon through his telescope and proclaimed that he had discovered mountains on the Moon.

But Cremonini said that Aristotle had proved that the Moon could only be a perfect sphere and was having none of Galileo’s claim that it was not true. Galileo invited him to look through the telescope and see for himself but Cremonini refused.

Cremonini first met Galileo
in Padua in 1550

It may be that Cremonini simply refused to countenance the idea that Aristotle’s assertion may have been wrong. An alternative theory is that he feared for the consequences if he aligned himself with Galileo.

The Tuscan polymath was already in trouble with the Roman Inquisition for stating his belief in heliocentrism - the idea that Earth and the other planets in the solar system revolve around the sun,  which contradicted the idea to which the Catholic Church subscribed - based on the wisdom of Aristotle - that the sun revolved around Earth as the centre of the universe.

Cremonini had himself been under the scrutiny of the Inquisition. Indeed, he had been charged with atheism and heresy for propagating Aristotle’s argument that the human soul was mortal. As a citizen of Padua, however, he was protected by the leniency of Venice and had been spared punishment.

It may be that he felt that if he had seen what Galileo saw with his own eyes he would have been obliged to argue in support of his friend and could land himself in trouble again.  Given that Galileo was threatened with being burned at the stake and was held under house arrest for the remainder of his life over his belief in heliocentrism, some may argue that Cremonini was wise not to get involved.

He also had genuine concerns for Galileo’s wellbeing, warning his friend that if he decided to move to Tuscany from Padua it would bring him under the Inquisition's jurisdiction.

Born in Cento, nowadays a town of around 35,000 residents about 35km (22 miles) southwest of Ferrara, Cremonini was chair of natural philosophy and chair of medicine at the University of Padua from 1591 until his death.

He died in 1631 when an outbreak of plague swept Padua. He was buried in the Benedictine monastery of St. Justina of Padua, to which he also willed his possessions.

Cento's 14th century castle, originally built by the Bishop
of Bologna and enlarged by future pope Giulio della Rovere

Travel tip:

Cento, which was part of the Papal States when Cremonini was born, is best known as the birthplace of the Baroque painter Giovanni Francesco Barbieri, better known as Guercino. The town’s main square, the place at which the four ancient roads into the town once converged, is called Piazza Guercino. Monuments around the square include the Palazzo del Governatore, which has a 17th century clock tower, and the Palazzo Comunale, built in 1612 but improved with the addition of an elegant facade in the 18th century. The town has an impressive castle, built in 1378.

Donatello's statue of the condottiero
Gattamelata outside St Anthony's Basilica

Travel tip:

Padua’s well-preserved medieval layout and artistic heritage attract many hundreds of thousands of visitors each year, although it is much quieter than Venice, which is only a little over 40km (25 miles) away.  The presence in the city of Giotto, Donatello and Mantegna support the claim that Padua was the capital of Italian art in the 15th and 16th centuries. The most famous example of Giotto’s work are the frescoes in the Scrovegni Chapel, there are works by Donatello in and outside the Basilica di Sant’Antonio, including the equestrian statue in front of the church, while there are restored frescoes by Mantegna in the Chiese degli Eremitani.

More reading:

Why the philosopher and scientist Galileo Galilei was convicted of heresy

The mysterious death of philosopher Giovanno Pico della Mirandola

How a simple friar laid some of the cornerstones of Western philosophy

Also on this day:

1249: The death of Jacopo Tiepolo, Doge of Venice

1374: The death of the scholar and poet Petrarch


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Giovanni Antonio Magini – astronomer and cartographer

Scientist laboured to produce a comprehensive atlas of Italy

The cover of Magini's great work, which
was published by his son in 1620

Giovanni Antonio Magini, who dedicated his life to producing a detailed atlas of Italy, was born on this day in 1555 in Padua.

He also devised his own planetary theory consisting of 11 rotating spheres and invented calculating devices to help him work on the geometry of the sphere.

Magini was born in Padua and went to study philosophy in Bologna, receiving his doctorate in 1579. He then dedicated himself to astronomy and in 1582 wrote his Ephemerides coelestium motuum, a major treatise on the subject, which was translated into Italian the following year.

In 1588 Magini joined in the competition for the chair of mathematics at Bologna University and was chosen over Galileo because he was older and had more moderate views. He held the position for the rest of his life.

But his greatest achievement was the preparation of Italia, or the Atlante geografico d’Italia, which was printed posthumously by Magini’s son in 1620.

Although Italy as a state has existed only since 1861, the name Italia, referring to the southern part of the peninsula, may go back to the ancient Greeks. It appeared on coins thought to have been produced in the 1st century BC and was eventually applied to the whole of the peninsula. Magini’s atlas set out to include maps of every Italian region with exact names and historical notes.

Giovanni Antonio Magini

It proved expensive to produce and Magini took on extra posts in order to fund it. These included working as mathematics tutor to the sons of Vincenzo I of Gonzaga, Duke of Mantua.

The atlas is dedicated to the duke, who assisted him with the project by arranging for maps of the many states of Italy to be brought to Magini.

The governments of Messina and Genoa also assisted him financially to help him produce the atlas.

Magini died in Bologna in 1617 and the lunar crater maginus was later named after him.

Giotto's brilliant frescoes cover the walls of the Scrovegni
Chapel, one of the Italy's great artistic treasures

Travel tip:

Padua in the Veneto, where Magini was born, is one of the most important centres for art in Italy and home to the country’s second oldest university. Padua has become acknowledged as the birthplace of modern art because of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion. At Palazzo Bo in the centre of the city, where Padua’s university was founded in 1222, you can still see the original lectern used by Galileo and the world’s first anatomy theatre, where dissections were secretly carried out from 1594.

The courtyard of the Archiginnasio, the oldest surviving
building of the University of Bologna

Travel tip:

Bologna University, where Magini occupied the chair in Mathematics, was founded in 1088 and is the oldest university in the world. The oldest surviving building, the Archiginnasio, is now a library and is open Monday to Friday from 9 am to 7 pm, and on Saturdays from 9 am to 2 pm. It is a short walk away from Piazza Maggiore and the Basilica di San Petronio in the centre of the city.

Also on this day:

The feast of St Anthony of Padua

2000: Mehmet Ali Agca, the gunman who tried to kill Pope John Paul II, is granted a state pardon by the Italian government

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Andrea Dandolo - Doge of Venice

Reign tested by earthquake, plague and war

A bust of Andrea Dandolo, sculpted by
Lorenzo Larese Moretti in 1861

Andrea Dandolo, the fourth member of a Patrician Venetian family to serve as Doge of the historic Republic, was born on this day in 1306.

A notably erudite scholar, Dandolo wrote two chronicles of the history of Venice in Latin and reformed the Venetian legal code by bringing together all of the diverse laws applicable to the Venetian Republic within one legal framework.

He achieved these things despite his reign being marked by a devastating earthquake, a catastrophic outbreak of the Black Death plague and two expensive wars, against Hungary and then Genoa.

Dandolo studied at the University of Padua, where he became a professor of law, a position he maintained until he was elected Doge. He quickly rose to a position of prominence in Venetian life, being appointed Procurator of St Mark’s Basilica, the second most prestigious position in the Venetian hierarchy after the Doge, at the age of just 25.

He was elected Doge in 1343, aged 37.  It was a particularly young age at which to be given the leadership of the Republic, but his family history and the manner in which had conducted himself as Procurator gained the respect of the republic’s aristocratic elders.

Dandolo was a benefactor of the arts. He added the Chapel of San Isidoro to the Basilica of St Mark and oversaw improvements to the Pala d'Oro and the Baptistery.

Mosaics inside the Chapel of San Isidoro, which was
Andrea Dandolo's addition to the Basilica of St Mark

He became a close friend of the poet Petrarch, who described him as a “just and incorruptible man”, although they would later fall out over the latter’s attempt to mediate between Venice and Genoa after the third Venetian-Genoese War of 1350-55.

The first conflict began in 1345 after a revolt against the rule of the Republic by the people of what is now Zadar, a coastal city in Croatia, sometimes known in Italian as Zara.  The Venetian fleet laid siege to Zadar and eventually recaptured the city, but only after 16 months of fighting, during which between 2,000 and 3,000 Venetians died along with an unknown number of soldiers dispatched to support Zadar by the king of Hungary, Louis of Angevin.

Louis wished to gain control over the Kingdom of Croatia and in particular Dalmatia, the area controlled by Venice, and achieved his aim only a few years later, taking advantage of Venetian forced severely depleted by the third Venetian-Genoese War, in which a large Genoese fleet under the command of Paganino Doria devastated large areas of Venetian territory around the Adriatic and eventually captured the entire Venetian fleet. Peace was finally brokered by Dandolo’s successor as Doge, Marino Faliero.

The former Palazzo Dandolo, facing the lagoon on Riva degli
Schiavoni, now houses the luxurious Hotel Danieli

In the meantime, Dandolo had needed to support the people of Venice in recovering first from a violent earthquake in 1348, which destroyed many buildings and killed hundreds of citizens.

This was followed swiftly by the arrival of the Black Death, the plague spread by fleas living off black rats that would arrive in Europe in the hold of merchant ships importing goods from central Asia via the Black Sea.

The plague is thought to have killed between 75 and 200 million people all told. The outbreak in Venice, which lasted from 1348 until 1350, claimed the lives of a third of the population.

Dandolo survived both events, yet died in 1354 at the age of 48.  He was the last Doge from the Dandalo family and the last Doge to be interred in St Mark’s Basilica.

The Palazzo Dandolo, which was built towards the end of the 14th century as a grand family residence, today houses the exclusive Hotel Danieli.

The Basilica of St Mark is one of Venice's most
popular tourist attractions

Travel tip:

The Basilica of St Mark dates from the 11th century, although it was not open to ordinary Venetians to venture inside until the early 19th century, its Byzantine grandeur having previously been off limits to all but the Doges and other senior figures in the Venetian government.  The chief attraction for many visitors to St Mark’s today are the golden mosaics, which cover more than 8,000 square metres of the walls, vaults and cupolas.

The poet Petrarch's house in Arquà Petrarca

Travel tip:

Petrarch - whose given name was Francesco Petrarca - the poet and diplomat who was a contemporary of Dandolo and was for a long time his close friend, was born in Arezzo in Tuscany but travelled widely.  He spent the last four years of his life in the small town of Arquà, about 25km (16 miles) southwest of Padua, in the Colli Euganei (Euganean Hills). The town added his name to its own to become Arquà Petrarca in 1870. The house where he lived (and died, in 1374) is now a museum dedicated to the poet.

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Riccardo Patrese - racing driver

Former Williams ace was first in Formula One to start 250 races

Riccardo Patrese was considered brash and
impetuous at the start of his career

The racing driver Riccardo Patrese, who for 15 years was the only Formula One driver to have started more than 250 Grand Prix races, was born on this day in 1954 in Padua.

The former Williams driver reached the milestone in the German Grand Prix of 1993, having three years earlier been the first to make 200 starts.

Patrese retired at the end of the 1993 season with his total on 256 and his  record of longevity was not surpassed until 2008, when the Brazilian driver Rubens Barrichello made his 257th start at the Turkish Grand Prix.

Ferrari ace Michael Schumacher passed 250 two years later and Patrese’s total has now been exceeded by six drivers, Jenson Button, Fernando Alonso, Kimi Raikkonen and Felipe Massa having all joined the 250 club.

Patrese also became famous for an unwanted record, having gone more than six years between his second Grand Prix victory in Formula One, in the 1983 South African GP, and his third, in the San Marino GP of 1990.

He enjoyed his most successful years while driving for Williams between 1987 and 1992, finishing third in the drivers’ championship in 1989 and 1991 and runner-up in 1992, albeit a long way behind that season’s champion, his Williams team-mate Nigel Mansell.

Patrese scored four of his six Grand Prix wins during that period, when he was also runner-up no fewer than 12 times.

Patrese became a key figure in the
successful years of the Williams team

A former world karting champion - he had started in karting at the age of nine - Patrese began his motor racing career in 1975.  Impetuous and brash, characteristics that did not endear him to some of his rivals and colleagues, he nonetheless had exceptional talent and was a dual Formula Three champion in only his second season on the track, winning both the Italian and European titles.

He made his debut at the 1977 Monaco Grand Prix with the Shadow racing team, switching later in the year to Arrows, for whom he almost won the 1978 South African Grand Prix, which he was leading when an engine failure forced him to retire 15 laps from the end.

But his early career was overshadowed by controversy following the death of the Swedish driver Ronnie Peterson following a pile-up soon after the start of the Italian Grand Prix later in the 1978 season, when the cars driven by Peterson and James Hunt came together, sending Peterson’s car into the barriers, where it broke in two and caught fire.

Peterson appeared to have escaped serious injury but while he was in hospital recovering from surgery on a broken leg he developed a blood clot and died. Hunt blamed Patrese, whose car had gone off onto the grass and rejoined the race moments before the collision.

Together with a race official, Patrese stood trial in 1981 over Peterson’s death but was found not guilty.

Patrese scored his first Grand Prix wins after joining Brabham, although his maiden success at the 1982 Monaco Grand Prix was somewhat fortuitous. He spun off while in the lead just two laps from the finish, which seemed to have put paid to his chance, but then three cars in front of him sensationally dropped out, one from engine failure, a second in a crash and a third, his fellow Italian Andrea de Cesaris, because he ran out of fuel.

Riccardo Patrese won four of his six Grand Prix while with the
Williams team, finishing championship runner-up in 1992

His second victory came in the South African Grand Prix in 1983, when his Brabham teammate Nelson Piquet, who needed only to finish in the top four to be confirmed as world champion, cautiously dropped his pace in the closing stages.

Then came the long wait for a third success as two seasons with Alfa Romeo and two more with Brabham yielded nothing but frustration. His move to Williams to be Nigel Mansell’s teammate in 1988 surprised the motor racing world but proved to be the break Patrese needed.

He got on well with the Renault engine and after a string of podium finishes in 1989 he ended his long drought by winning in San Marino in 1990. He collected more wins in Mexico and Portugal in 1991 and scored his final success in 1992 in Japan, before concluding his career alongside Schumacher at Benetton.

Patrese’s later successes largely repaired the reputation damaged by the Peterson incident, although BBC television viewers became used to Hunt routinely referring to the controversy and what he thought of the Italian whenever he commentated on a Patrese race.

After retiring from F1 Patrese drove in the Le Mans 24 Hours race in 1997 and finished third in a Grand Prix Masters race in 2005, again coming in behind Nigel Mansell.

A former schoolboy swimming champion and successful skier, Patrese remains involved with sport. One of his twin daughters, Beatrice, is an international class equestrian and his youngest son, Lorenzo, has followed his father into karting, with ambitions to become a Formula One driver.

Patrese himself now rides and has a stable of horses. He still lives with his family in Padua.

Frescoes by Giotto at the Scrovegni Chapel in Padua

Travel tip:

Padua has become acknowledged as the birthplace of modern art because of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are considered his greatest achievement and one of the world’s most important works of art.

Monza's 14th century Duomo

Travel tip:

Monza, the Lombardy city best known for its motor racing circuit, has been the home of the Italian Formula One Grand Prix every year bar one since 1950.  The city has other attractions, including a 14th century Duomo, built in Romanesque-Gothic style with a black and white marble facade, and the church of Santa Maria in Strada, also built in the 14th century, which has a facade in terracotta. The Royal Villa, on the banks of the Lambro river, dates back to the 18th century, when Monza was part of the Austrian Empire.

More reading:

Alberto Ascari, one of Italy's Formula One pioneers

Flavio Briatore, the entrepreneur behind the Benetton team

Lella Lombardi, the only woman to win points in a Formula One Grand Prix

Also on this day:

1598: The birth of astronomer Giovanni Riccioli

1927: The birth of the vivacious operatic soprano Graziella Sciutti


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Pietro Andrea Mattioli – doctor

The first botanist to describe the tomato

As a physician, Pietro Andrea Mattioli described the
first documented case of cat allergy

Doctor and naturalist Pietro Andrea Gregorio Mattioli was born on this day in 1501 in Siena.

As the author of an illustrated work on botany, Mattioli provided the first documented example of an early variety of tomato that was being grown and eaten in Europe.

He is also believed to have described the first case of cat allergy, when one of his patients was so sensitive to cats that if he went into a room where there was a cat he would react with agitation, sweating and pallor.

Mattioli received his medical degree at the University of Padua in 1523 and practised his profession in Siena, Rome, Trento and Gorizia.

He became the personal physician to Ferdinand II, Archduke of Austria, in Prague and to Maximilian II, Holy Roman Emperor, in Vienna.

While working for the imperial court it is believed he tested the effects of poisonous plants on prisoners, which was a common practice at the time.

Mattioli's book about the work of
Greek physician Dioscorides

Mattioli’s interest in botany led him to describe 100 new plants and document the medical botany of his time in his Discorsi (Commentaries) on the Materia Medica of Dioscorides, a Greek physician and botanist. Dioscorides had written a five-volume encyclopaedia about herbal medicine and other medicinal substances that had been widely read for 1,500 years.

The first edition of Mattioli’s work appeared in 1544 in Italian. There were several later editions and translations into Latin, French, Czech and German.

He added descriptions of plants not in the original work and not of any known medical use. The woodcuts in Mattioli’s work were of a high standard, helping the reader to identify the plants.

The Scottish botanist Robert Brown later named a plant genus Matthiola in his honour.

Mattioli died in 1577 during a visit to Trento, now the capital city of Trentino-Alto Adige.

Siena's Piazza del Campo viewed from the air

Travel tip:

Mattioli’s birthplace, Siena, is famous for its shell-shaped Piazza del Campo, where the Palio di Siena takes place twice each year. It was established in the 13th century as an open marketplace and is now regarded as one of the finest medieval squares in Europe. The red brick paving, fanning out from the centre in nine sections, was put down in 1349. The city’s Duomo was designed and completed between 1215 and 1263 on the site of an earlier structure. It has a beautiful façade built in Tuscan Romanesque style using polychrome marble.

The Piazza del Duomo in Trento

Travel tip:

Trento is a city on the Adige river, which was formerly part of Austria-Hungary. It is famous as the location of the Council of Trent in the 16th century, an ecumenical council that led to a Catholic resurgence in the wake of the Protestant Reformation.  It was annexed by Italy in 1919 and is now one of the country’s most prosperous cities.

Hotels in Trento from Booking.com



More reading:

Ulisse Aldrovandi - the 'father' of natural history

How Prospero Alpini 'discovered' the coffee-drinking habit that took Italy by storm in the 18th century

Cesare Battisti - the patriot who campaigned for Trentino

Also on this day:

1863: The birth of writer and patriot Gabriele D'Annunzio

1921: The birth of Fiat patriarch Gianni Agnelli

(Picture credit: Piazza del Duomo by Casalmaggiore Provincia via Wikimedia Commons)

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