Giovanni Paolo Cavagna – artist

Prolific painter left a rich legacy of religious canvases

Frescoes by Cavagna illuminate the dome of the
Basilica of Santa Maria Maggiore in Bergamo

Late Renaissance painter Giovanni Paolo Cavagna, who became famous for his religious scenes, died on this day in 1627 in his native city of Bergamo.

Cavagna was mainly active in Bergamo and Brescia, another historic city in the Lombardy region, for most of his career, although he is believed to have spent some time training in Venice in the studio of Titian.

The artist was born in Borgo di San Leonardo in Bergamo’s Città Bassa in about 1550. The painter Cristoforo Baschenis Il Vecchio is believed to have taken him as an apprentice from the age of 12. Cavagna is also thought to have spent time as a pupil of the famous Bergamo portrait painter Giovanni Battista Moroni.

Cavagna’s work can still be seen in many churches in Bergamo and villages in the surrounding area. In the Basilica of Santa Maria Maggiore in Bergamo’s Città Alta there are paintings by him of the Assumption of the Virgin, the Nativity, and Esther and Ahasuerus.

The church of Santo Spirito
in Bergamo's Città Bassa

In the Church of Santo Spirito in Bergamo’s Città Bassa, there are his paintings of Santa Lucia and the Crucifixion with Saints. He painted a Coronation of the Virgin for the Church of San Giovanni Battista in the province of Casnigo, which is to the north east of Bergamo, and some of his paintings can also be seen in the sanctuary of the Madonna del Castello in Almenno San Salvatore, a province to the north west of Bergamo.

The artist also completed a painting of the Crucifixion for the Church of Santa Lucia in Venice.

Cavagna’s son, Francesco, who became known as Cavagnuola, and his daughter, Caterina, also became painters.

After his death in 1627, Cavagna was buried in the Church of Santa Maria Immacolata delle Grazie in the Città Bassa in Bergamo, but after the reorganization of the lower town in the 19th century, the church was rebuilt and Cavagna’s tomb had to be moved, and it is now uncertain what happened to it.

Piazza Pontida is in Bergamo's Borgo San
Leonardo quarter in the Città Bassa

Travel tip:

Borgo San Leonardo, where Cavagna was born and lived, is a historic part of Bergamo’s Città Bassa where the Church of San Leonardo fronts an attractive square, Piazza Pontida, which links the important thoroughfares of Via Sant’Alessandro and Via XX Settembre. Piazza Pontida is part of an area that was known for centuries as Cinque Vie (five roads), where traffic from Milan, Lecco, Treviglio and Crema would converge and goods arriving in Bergamo would be unloaded. Some of the porticos in the piazza date back to the 15th century, when the farmers and merchants of the time would shelter from the sun under them.

The Via Arena entrance to the
Basilica di Santa Maria Maggiore

Travel tip:

Some of Cavagna’s paintings can be seen in one of the most important and beautiful churches in Bergamo, the Basilica di Santa Maria Maggiore, which has entrances from both Piazza Duomo and Via Arena in the Città Alta. The basilica was built in the 12th century in the shape of a Greek cross but was modified in the 14th and 16th centuries. It has a large interior with a richly decorated cupola from the 16th century and some fine Flemish and Florentine tapestries and works of art. At the back of the church is an elaborate white marble monument designed by Vincenzo Vela, marking the tomb of opera composer Gaetano Donizetti, who was born in Bergamo and came back to die in the city.

Also on this day:

1470: The birth of poet Pietro Bembo

1537: The birth of anatomist Hieronymous Fabricius

1916: The birth of athlete Ondina Valla

1943: The birth of singer Al Bano

1967: The birth of film director Gabriele Muccino

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Enea Salmeggia – artist

Painter was dubbed the Raphael of Bergamo

Enea Salmeggia's Il Martirio di Sant’Alessandro
is one of his most famous paintings

Prolific painter Enea Salmeggia, who was active during the late Renaissance period and left a rich legacy of art in northern Italy, died on this day in 1626 in Bergamo in the region of Lombardy.

Salmeggia, also known as Il Talpino, or Salmezza, went to Rome as a young man, where he studied the works of Raphael. His style has often been likened to that of Raphael and he has even been called the Bergamo Raphael by some art lovers. A drawing formerly attributed to Raphael, now in the Ashmolean Museum in Oxford, of two figures seated with some architectural studies, has subsequently been ascribed to Enea Salmeggia.

The artist was born at Salmezza, a frazione of Nembro, a comune - municipality - in the province of Bergamo, between 1565 and 1570. It is known that he grew up in Borgo San Leonardo in Bergamo, where his father, Antonio, was a tailor.

He learnt the art of painting from other Bergamo painters and is also believed to have studied under the Bergamo artist Simone Peterzano in Milan. Caravaggio was one of Peterzano’s most famous pupils and it has been suggested that Salmeggia could have been studying with Peterzano at the same time as Caravaggio.

Enea's Madonna col Bambino e santi
 Ambrogio e Carlo Borromeo

Salmeggia was so young when he received his first commission to paint an Adoration of the Magi for the Basilica of Santa Maria Maggiore in Bergamo that his father had to sign the acceptance document on his behalf.

The artist married Vittoria Daverio, the sister of Milanese sculptor Pietro Antonio Daverio, and they had six children. Two of their children died from the plague and one went into a monastery, but his daughters, Chiara and Elisabetta, and his son, Francesco, worked in his studio near the Church of Sant’Alessandro in Colonna in Bergamo and later became painters themselves.

One of Salmeggia’s most famous works, Il Martirio di Sant’Alessandro, an oil on canvas in the choir of the Church of Sant'Alessandro in Colonna, was completed in 1623.

Among the other churches with paintings by Salmeggia are Sant’Andrea and Santi Bartolomeo e Stefano in Bergamo, Sant’Afra in Brescia, San Francesco in Lodi, San Vittorio in Terno d’Isola and San Gregorio in Gromo.

The Accademia Carrara in Bergamo has works by Salmeggia, including his Portrait of a Gentleman. The Pinacoteca del Castello Sforzesco in Milan also has paintings by Salmeggia, including his Madonna col Bambino e santi Ambrogio e Carlo Borremeo.

Salmeggia died in 1626 and was buried in the Church of Sant’Alessandro in Colonna.

The parish church of San
Martino in the centre of Nembro

Travel tip:

Nembro, the suburb of Bergamo in which Enea Salmeggia was born, can be found about 9km (5 miles) northwest of the city of Bergamo, on the right bank of the Serio river. The surrounding countryside is popular with walkers, with many defined paths in the hills above the town, one of which leads to the Santuario della Madonna dello Zuccarello, built in 1374 by the nobleman Bernardo Vitalba. The town itself surrounds the parish church of San Martino, erected in the ninth century but rebuilt in the 18th century, which contains no fewer than 27 of Salmeggia’s paintings.  In recent history, Nembro was notable as one of the areas of Bergamo worst hit by the Covid-19 pandemic, with 188 known to have died from the disease, 94 in the first 15 days. On average, every household in Nembro mourned at least one family member.

Stay in Nembro with Booking.com

The Festa di Sant'Alessandro sees
the church facade illuminated

Travel tip:

The Chiesa di Sant’Alessandro in Colonna in Via Sant’Alessandro in Bergamo is the church of the city’s patron saint.  Outside the church is a Roman column, said to have been erected in the exact spot where Alessandro was executed by the Romans. The column was constructed in the 17th century from Roman fragments and there are various theories about where the pieces came from. The church of Sant’Alessandro in Colonna was rebuilt in the 18th century on the site of an earlier church. Its ornate campanile was completed at the beginning of the 20th century. Over several days each August, the facade of the church is illuminated as part of the Festa di Sant’Alessandro, marking the anniversary of his execution in 303.

Accommodation choices in Bergamo from Booking.com

More reading:

The Bergamo painter who left a visual record of changing society

The Bergamo shoemaker’s son who became internationally acclaimed sculptor

Raphael - the precocious genius from Urbino

Also on this day:

1682: The birth of anatomist Giovanni Battista Morgagni

1707: The birth of Venetian playwright Carlo Goldoni

1866: The birth of philosopher and historian Benedetto Croce

1873: The birth of tenor Enrico Caruso

2003: The death of actor Alberto Sordi

(Picture credits: Nembro church by Giorces via Wikimedia Commons)

(Paintings: Il Martirio di Sant’Alessandro, Galleria dell Accademia Carrara, Bergamo; Madonna col Bambino e santi Ambrogio e Carlo Borromeo, Pinacoteca del Castello Sforzesco, Milan)

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Vittorino da Feltre – humanist and educator

Teacher to the nobility provided free education for poor children

Vittorino da Feltre treated his 
pupils as equal, wealthy or poor

A scholar considered to have been the greatest humanist schoolmaster of the Renaissance, Vittorino da Feltre, died on this day in 1446 in Mantua in the Lombardy region.

Da Feltre, who was originally named Vittore dei Ramboldini when he was born in Feltre in the republic of Venice in 1378, is thought to have established the first boarding school in Europe, a place of learning where the pupils enjoyed their lessons so much that it became known as La Casa Gioiosa - The House of Joy.

After studying and then teaching at the University of Padua, Da Feltre chose to settle in Padua and became a successful teacher, welcoming pupils into his own home, varying his fee according to the financial situation of the pupil’s family. He himself had come from a noble family that had become impoverished and his own early education had been difficult, but this had contributed to making him a strong and decisive character. He had also benefited from free tuition at the University of Padua.

In 1423, he was asked to become tutor to the children of the powerful Gonzaga family, who ruled over Mantua. He agreed to do this providing he could set up his own school away from the Gonzaga court and its political influence.

He also enrolled other children to be taught at the school along with the Gonzaga children, both noble and poor children, who were selected because of their ability. The poor children did not have to pay for their education and were taught on an equal footing with the children from wealthy families. He also educated girls and did not consider the female pupils to be inferior to the male pupils.

Palazzo Bo, the main building
of the University of Padua

Latin and Greek language and literature were at the centre of the curriculum of the school. The children were also taught arithmetic, geometry and music and did games and physical exercise, following the Greek ideal of development of the body as well as of the mind. The school was close to a lake and surrounded by beautiful countryside, which also contributed to the wellbeing of the pupils.

Da Feltre saw education as a pathway to living a Christian life and made his pupils feel loved and cared for in terms of their health and characters. He adapted his teaching methods to their individual abilities and needs and never used corporal punishment. Among his students were Federico da Montefeltro, who became Duke of Urbino, and Gregorio Correr, who became Patriarch of Venice.

One of the first modern educators to develop during the Renaissance, Da Feltre’s teaching methods were therefore innovative and many other schools in Europe were to adopt his educational model.

During his career, Da Feltre not only educated future Italian rulers and professional men but also taught Latin and Greek scholars who came to him from the east. This paved the way for the translation of the Greek manuscripts that were to inspire the Renaissance in Europe.

After Da Feltre’s death at the age of 68 in Mantua, Iacopo da San Cassiano, a humanist and mathematician who had been one of his pupils, took over the running of the school and inherited his library. Da Feltre was laid to rest in the Chiesa di Santo Spirito in Mantua.

Feltre School in Chicago, a private non-profit school, educates adults in English grammar, composition, public speaking, philosophy and the humanities. The name and philosophy of the school, which was founded in 1992, was inspired by the work of Vittorino da Feltre.

The town of Feltre, where Da Feltre was
born, sits on a hill 20km from Belluno

Travel tip:

Feltre, where Vittorino da Feltre was born and from which he took his name, is a town in the province of Belluno in the Veneto. It is located 20 kilometres (12 miles) southwest of Belluno and there is a view of the Dolomites from the north of the town. The Cathedral, which was rebuilt during the Renaissance, has retained its 14th century campanile. It is flanked by a 15th century baptistery, which houses a precious, medieval baptismal font. There is an excavated archaeological area under the Cathedral revealing part of the Roman layout of the city. There is a statue of Vittorino in the main square, Piazza Maggiore.

The Palazzo Ducale was the seat of the
Gonzaga family, rulers of Mantua

Travel tip:

Mantua, where Da Feltre worked, died and is buried, is an atmospheric ancient city in Lombardy, to the south east of Milan. It is famous for its Renaissance Palazzo Ducale, the seat of Da Feltre’s employers, the Gonzaga family, between 1328 and 1707. The palace is famous for its Camera degli Sposi, which is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins are a reflection of Mantegna’s love of classical architecture.

Also on this day: 

1594: The death of composer Giovanni Pierluigi da Palestrina

1723: The death of anatomist Antonio Maria Valsalva

1891: The birth of poltician Antonio Segni

1925: The birth of Olympic showjumper Raimondo D'Inzeo

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Flaminio Scala - Renaissance writer and actor

Influential figure in growth of commedia dell’arte

A 16th century painting thought to show Flavio
Scala's commedia dell'arte company, I Gelosi 

The writer, actor and director Flaminio Scala, who is recognised as one of the most important figures in Renaissance theatre, was born on this day in 1552 in Rome.

Commonly known by his stage name Flavio, Scala was the author of the first published collection of scenarios - sketches - from the commedia dell’arte genre.

These scenarios, brought together under the title Il Teatro delle Favole Rappresentative, were short comic plays said to have provided inspiration to playwrights such William Shakespeare and Molière.

They were unusual because the theatre companies were so worried about rival troupes stealing their ideas that publishing them was considered too risky.

Commedia dell’arte was a theatrical form that used improvised dialogue and a cast of masked, colourful stock characters such as Arlecchino, Colombina and Pulcinella. The characters tended to be exaggerated versions of social stereotypes. Figures of authority, such as doctors or city officials, were often portrayed as buffoons, while the servants were much more lovable and sympathetic.

The cover page of Scala's collection
of scenarios, published in 1611

The first record of Scala’s theatrical career suggests he was a member of a touring troupe known as the Compagnia dei Comici Gelosi in Florence from as early as 1577. He became known as Flavio after being given the role in 1610 of the company’s stock innamorato character, who was called Flavio.

Innamorati - lovers - were staple characters in commedia dell’arte, generally seen to be in love with themselves as much as other members of the cast. They were central to the plots of most scenarios.

As well as I Gelosi, Scala worked with a number of other successful commedia dell’arte companies. He can also be said to have been theatre’s first professional producer, having identified and hired an actor to play opposite him as his innamorata. She was Isabella Andreini, the 16-year-old wife of another actor, Francesco Andreini, who was such a success in the role that the company’s stock female lover became known as the Isabella.

Scala’s writing and directing reinforced commedia dell’arte as a highly expressive and physical art form, underlining the importance of body and facial gestures. The 50 scenarios in his collection Il Teatro delle Favole Rappresentative, published in 1611 and sometimes known simply as the Scala collection, did not contain any dialogue. 

They consisted instead of detailed stage direction, descriptions of the actions the characters were required to perform.  Dialogue in commedia dell’arte was improvised, the most successful actors those who could reference topical events or popular culture.

The collection was republished a number of times and, in 1967, appeared in translation for the first time as Scenarios of the Commedia dell'Arte.  More recently, translation of 30 of the scenarios was published as The Commedia dell'Arte of Flaminio Scala: A Translation and Analysis of 30 Scenarios, by Richard Andrews.

Little is known about Scala’s private life, although it is thought he was born into an aristocratic family and fathered one child, Orsola, who herself became an actress. His death was recorded as having occurred in Mantua in 1624.

The facade of the church of San
Luigi dei Francesi in Rome

Travel tip:

Flaminio Scala’s life coincided with that of the temperamental but brilliant painter, Caravaggio, who was active largely in Rome and was a major influence on the art of the Baroque period.  Rome today hosts approximately 25 Caravaggio masterpieces, several of which are on free public display in churches, including the basilicas of Sant’Agostino and Santa Maria del Popolo, which has two of his masterpieces in the Cerasi Chapel, and the church of San Luigi dei Francesi, where three Caravaggio paintings can be viewed in the Contarelli Chapel. The Sant’Agostino basilica is in Campo Marzio, where in 1606 the painter killed a man in a row over a woman, after which he spent the rest of his life effectively on the run.

Mantua, like Venice, gives the impression of rising
from the water, in this case the Lago Superiore

Travel tip: 

Mantua, where Flaminio Scala died, is a Renaissance city surrounded on  three sides by lakes, which can create the impression that the city rises from the water in the same way that Venice seems to emerge from the lagoon.  It is a city with a rich artistic and cultural heritage, going back to the time of Virgil, the Roman poet, said to have been born in a village nearby. In the Renaissance, Frederico Gonzaga II and Isabella d’Este presided over one of the finest artistic courts in Europe, to which they invited many musicians, artists and writers, among them Leonardo di Vinci and Raphael. Claudio Monteverdi’s opera L’Orfeo was performed for the first time in Mantua in 1607. More than 200 years later, Giuseppe Verdi set his opera, Rigoletto, in the city.

Also on this day:

1389: The official ‘birthday’ of Cosimo de’ Medici, banker and politician

1871: The birth of Nobel prize winner Grazia Deledda

1966: The birth of rapper and musician Jovanotti

1979: The death on Capri of English actress and singer Gracie Fields

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Vannozza dei Cattanei - popes’ mistress

Mother of Lucrezia and Cesare Borgia was figure of influence

Vannozza dei Cattanei hailed from
an aristocratic family in Mantua

Vannozza dei Cattanei, who was for many years the chief mistress of Cardinal Rodrigo de Borgia - later Pope Alexander VI - was born on this day in 1442 in Mantua.

Herself from the aristocratic Candia family, Vannozza - baptised as Giovanna de Candia - grew up to be a beautiful woman but also a successful businesswoman, acquiring a number of osterie - inns - after she moved to Rome.

In 15th century Italy, it was not unusual for cardinals and popes to have mistresses, despite Holy Orders coming with a vow of celibacy.  Before her relationship with Rodrigo de Borgia, Vannozza allegedly was mistress to Cardinal Giuliano della Rovere, the future Pope Julius II and a rival to Borgia in the 1492 papal election that he won.

Rodrigo made no attempt to hide his sexual dalliances, acquiring the nickname Papa Cattivo - the naughty pope - not only for his promiscuity but his questionable morals in other areas, with allegations that he was involved in bribery and extortion on his rise to the top, and rumours that he poisoned some of his rivals.

Unusually, compared with other popes and cardinals who flouted the rules, Borgia openly acknowledged the children that Vannozza bore him during their relationship, which is thought to have lasted between 20 and 25 years, providing for them financially and having a significant influence over their lives.

The eldest, Cesare, born in 1475, became a cardinal and as leader of the Papal armies captured large amounts of territory that were added to the Pope’s empire.  Niccolò Machiavelli’s The Prince, the treatise on power that was written as a kind of reference point for new princes and royals, was influenced by Cesare’s lust for power.

Pope Alexander VI is thought to have
fathered four children with Vannozza

Of the others, Giovanni - also known as Juan - became the second Duke of Gandia but was murdered at the age of 21, possibly by Cesare; Gioffre married the daughter of the King of Naples, which was advantageous to Rodrigo Borgia.

Lucrezia, meanwhile, was forced to marry three times to elevate Rodrigo’s own status and acquire land and wealth. She took lovers of her own and there were rumours that Giovanni was in fact her own son, the product of an affair with her father's chamberlain.

Vannozza herself had to agree to marriages arranged by Borgia, first to Domenico d'Arignano, an officer of the church, then Giorgio di Croce, for whom Borgia had procured a position as apostolic secretary, and later Carlo Canale, the warden of a papal jail.

Her relationship with Rodrigo Borgia is thought to have changed after she turned 40 and Borgia’s passion for her had diminished by the time he was elevated to Pope in 1492. The care of all her children was entrusted to others in Borgia’s circle, although she remained part of it herself as a sort of matriarchal figure and her former lover sought her counsel as Pope.

He continued to support her financially and by the time she died in 1518, at the age of 76, she had acquired a considerable portfolio of property around the city.

Vannozza outlived Rodrigo de Borgia by 15 years yet despite the nature of their relationship she was granted a public funeral, recognised by Pope Leo X as the widow of Alexander VI. She was buried in the Church of Santa Maria del Popolo, near her son, Giovanni, after a ceremony attended by the Papal Court. 

The skyline of Mantua has changed little since it
was the Renaissance seat of the Gonzaga family

Travel tip:

The small, historic city of Mantua in Lombardy, which can be found approximately 150km (93 miles) southeast of Milan along the Po Valley, is flanked on three sides by artificial lakes created in the 123th century as the city’s defence system, filled with water from the Mincio river, a tributary of the Po. There was a fourth lake, which meant the city was once surrounded by water, but it dried up in the 18th century and never replenished. It was traditionally the seat of the Gonzaga family, who established a court with a heavy emphasis on music, art and culture. The city has a number of architectural treasures and elegant palaces, while the skyline of its historic old centre has changed little since Renaissance times. At its heart is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. Inside the Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, the Camera degli Sposi is decorated with frescoes by Mantegna.

The Church of Santa Maria del Popolo is in Piazza
del Popolo, adjoining Porta del Popolo

Travel tip:

The Church of Santa Maria del Popolo is a minor basilica in Rome that stands on the north side of Piazza del Popolo, hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall, its position making it the first church encountered by many travellers arriving in the city. The original church was founded by Pope Paschal II in 1099. The existing structure was built largely between 1472 and 1477 as part of an urban renovation programme instigated by Pope Sixtus IV. A trio of great architects - Andrea Bregno, Donato Bramante and Gian Lorenzo Bernini - contributed to its design and are among those whose works can be found inside, along with Raphael, Caravaggio, Alessandro Algardi, Pinturicchio and Guillaume de Marcillat. 

Also on this day:

1478: The birth of Giulio d’Este of Ferrara 

1814: The founding of the Carabinieri police force

1928: The birth of Mafia mobster and ‘pentito’ Tommaso Buscetta 

1974: The birth of racing driver Jarno Trulli

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Guarino da Verona – Renaissance scholar

Humanist who lost Greek manuscripts went grey overnight

Guarino da Verona was a
humanist philosopher

Professor of ancient Greek, Guarino da Verona, who dedicated his life to learning the language and educating others to follow in his footsteps, died on this day in 1460 in Ferrara.

Da Verona studied ancient Greek in Constantinople for more than five years and returned to Italy with two cases full of rare Greek manuscripts that he had collected. It is said that when he lost one of the cases during  a shipwreck, he was so distraught that his hair turned grey in a single night.

Da Verona, who was also sometimes known as Guarino Veronese, was born in 1374 in Verona. He studied in Italy and established his first school in the 1390s before going to Constantinople.

After returning to Italy, he earned his living by teaching Greek in Verona, Venice and Florence.

Da Verona taught the philosophy of humanism to Leonello, Marquis of Este, who then became his patron and employed him to teach Greek in Ferrara. Da Verona’s method of teaching became renowned and he attracted students from all over Italy and Europe, even from as far away as England. He supported poor students using his own money and many of them became well known scholars themselves.

He was particularly influenced by the philosopher Georgiu Gemistus Pletho, one of the most famous Greek scholars during the late Byzantine era and a pioneer of reviving Greek scholarship in Western Europe.

Da Verona's Latin grammar
Regulae Grammaticales

Da Verona is remembered for his translations of works by the Greek historian, geographer and philosopher, Strabo, and the Greek biographer, essayist and historian, Plutarch.

He also compiled Regulae Grammaticales, the first Renaissance Latin grammar, which was used well into the 17th century.

The layout of Leonello d’Este’s Studiolo in the Palazzo Belfiore was believed to have been the work of Da Verona. He is also said to have corresponded with the writer and humanist Isotta Nogarola, the first female humanist, who was considered to be one of the most important humanists of the Italian Renaissance and who was also from Verona.

Da Verona died in Ferrara at the age of 86.

The Castello Estense
dominates Ferrara

Travel tip:

The city of Ferrara in Emilia-Romagna, about 50km (31 miles) northeast of Bologna, was ruled by the Este family between 1240 and 1598 and is dominated by the magnificent Castello Estense (Este Castle)  in the centre of the city began, originally built in 1385 and added to and improved by successive rulers of Ferrara until the Este line ended with the death of Alfonso II d’Este.  It was constructed originally as a defensive shield to protect the palace of the Marquis Niccolò II d'Este following a revolt of the Ferrarese population against high taxes at a time when catastrophic floods had left many local people destitute.

A private residence now stands on the site of
the former church of Santa Maria degli Angeli

Travel tip:

The Palazzo Belfiore in Ferrara, of which Leonello d'Este's Studiolo was a feature, was destroyed by a fire in 1683, having suffered extensive damage 200 years earlier at the hands of a Venetian army. It is known that it was situated near the Corso Ercole I d'Este, approximately 1km (0.62 miles) north of the Castello Estense. The palace was one of the so-called delizie of the Este dynasty, which were palaces where members of the family could find pleasurable diversions from daily life.  These included pursuits that were intellectually stimulating and the Studiolo was a study designed by Da Verona and lined with paintings of the so-called Muses of Greek religion and mythology, nine inspirational goddesses of literature, science, and the arts. The nearby church of Santa Maria degli Angeli, also destroyed, once was one of the main burial sites for the Este family. The site of the church is now occupied by a private residence.

Also on this day:

1784: The birth of Princess Maria Antonia of Naples and Sicily

1853: The birth of anarchist Errico Malatesta

1922: The birth of novelist and translator Luciano Bianciardi

1966: The birth of racing driver Fabrizio Giovanardi

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Girolamo Cardano - doctor and mathematician

Polymath was also a gambler and womaniser

Girolamo Cardano was the leading
mathematician of Renaissance Italy

The Renaissance polymath Girolamo Cardano, whose range of talents included mathematics and medicine but who also invented a number of mechanical devices still in use today, was born on this day in 1501 in Pavia, then part of the Duchy of Milan.

Cardano, also known as Gerolamo, Hieronymus Cardanus in Latin and Jerome Cardan in English, is notable for writing Ars Magna which was the first Latin treatise devoted solely to algebra.

Far from being a stuffy academic, however, Cardano led a controversial life, practising as a physician without a licence and becoming proficient at gambling to keep himself solvent, while as a university professor being regularly accused of sexual impropriety with students.

In his wide range of interests, he seemed to be inspired by Leonardo da Vinci, who was a close friend of his father. Like Da Vinci, he wanted to put his mathematical and scientific skills to practical use and is credited with inventing among other things the first combination locks, the gimbal that allows a supported compass or gyroscope to rotate freely, and a universal joint that allows the transmission of rotation between the components of a drive train even when out of alignment.

A version of the joint in use today to connect the gearbox of a rear-wheel drive car with the rear axle is called a Cardan Shaft.

Girolamo Cardano was the illegitimate child of Fazio Cardano, a Milanese lawyer and university professor, and Chiara Micheria, a widow 20 years Fazio’s junior. Despite his mother’s attempts to abort the pregnancy, Girolamo was born at the home of some wealthy friends of his father in Pavia, where his mother was sent to escape an outbreak of plague in Milan that claimed the lives of her three other children.

The cover page of Ars Magna, seen
as Cardano's magnum opus

Girolamo survived a sickly childhood and, fascinated with philosophy and science, enrolled to read medicine at the University of Pavia, against the wishes of his father, who wanted him to study law.  The Italian War of 1521-26 forced the University of Pavia to close but he was able to resume his studies at the University of Padua.

There, however, he gained a reputation for being awkward and confrontational and while he obtained a doctorate he was denied admission to the College of Physicians in Milan, partly because he was not well liked and partly because of his illegitimacy.  

Unable to practise medicine legally in Milan, he moved to Saccolongo, a village outside Padua where he set up a practice despite his lack of a licence. He married Lucia, the daughter of a local militia captain, with whom he had three children.  His practice was not particularly successful, however, and he increasingly turned to gambling to make money, a habit he had developed while studying, but slipped further into debt.

Desperate for a change of fortune, he moved the family back to Milan. They had so little money they were forced to live in a poorhouse but Girolamo eventually elicited help from contacts of his father in the Milanese nobility, who arranged for him to be given his father’s former post of lecturer in mathematics at the Piatti Foundation in Milan.

For all that he was a difficult character, his brilliant mind was never in doubt and when the College of Physicians changed their attitude to illegitimacy he was granted his licence.  His success in treating his patients, some of whom had wide influence in Milan society, soon made him the most sought-after doctor in the city.

Cardano's universal joint is still used in the
drive shafts of motor vehicles today 

The next few years were his most productive. In 1537, he published the first of some 130 printed works, the most famous of which was Ars Magna, published in 1545. It included the first comprehensive solution for finding roots of cubic equations, which at the time was a subject that was the focus of much attention. Even that was the subject of controversy as Nicolo Tartaglia, another mathematician of note, accused Cardano of publishing results shared with him in confidence. 

He also wrote Liber de ludo aleae - Book on Games of Chance - which contains the first systematic treatment of probability, the basic concepts of which he had learned through his gambling. He also shared some of his secrets on how to cheat successfully.

Cardano did much of his inventing during this period, and enhanced his reputation as one of the world’s finest physicians, becoming rector of the College of Physicians that for so long rejected him. 

He turned down most invitations to work outside Italy but made an exception when asked to travel to Scoland, where John Hamilton, Archbishop of St Andrews, was suffering increasingly severe asthma attacks that the physicians of both the French king and German emperor had been unable to keep in check.

Cardano was also known for his chaotic
and controversial personal life

Cardano was welcomed as a celebrity when he landed in Scotland, where he was promised a substantial payment if he could treat the Archbishop successfully. In the event, he quickly established that feather pillows were the cause of the Archbishop’s malady and the patient made a full recovery.

For all that he was ultimately hailed as a genius, Cardano's personal life was filled with tragedy.

Lucia died in 1546, his eldest son was executed for poisoning his wife and his daughter died of syphilis. He disowned his second son, who stole money from him to fund his own gambling addiction.

Cardano was appointed a professor of medicine at the University of Bologna but as the father of a convicted murderer he was shunned by many colleagues, while his arrogant manner made him many enemies.  A shameless womaniser, he was frequently accused of using his power to coerce female students into inappropriate relationships.

In 1570 he spent a short time in jail, having been accused of heresy after publishing a horoscope of Jesus Christ.  It cost him his position at the University of Bologna.

Nonetheless, on moving to Rome he received a lifetime annuity from Pope Gregory XIII and was accepted in the Royal College of Physicians. He continued to practise medicine and expanded his philosophical studies. 

He died in Rome in 1576 at the age of 74. 

The covered bridge linking Pavia with the
area known as Borgo Ticino

Travel tip:

Pavia is a city in Lombardy, about 46km (30 miles) south of Milan. Its university was founded in 1361 and was the sole university in the Duchy of Milan until the 19th century. As well as Girolamo Cardano, its alumni include explorer Christopher Columbus, physicist Alessandro Volta and the poet and revolutionary Ugo Foscolo. Pavia is also famous for its Certosa, a magnificent Renaissance monastery complex north of the city that dates back to 1396 and includes a number of important sculptures and frescoes. A pretty covered bridge over the River Ticino leads to Borgo Ticino, where the inhabitants claim to be the true people of Pavia.

Giotto's frescoes cover the inner
walls of the Scrovegni Chapel

Travel tip:

Padua in the Veneto is one of the most important centres for art in Italy and home to the country’s second oldest university. Padua has become acknowledged as the birthplace of modern art because of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are considered his greatest achievement and one of the world’s most important works of art. At Palazzo Bo, where Padua’s university was founded in 1222, you can still see the original lectern used by Galileo and the world’s first anatomy theatre, where dissections were secretly carried out from 1594.

Also on this day:

1934: The birth of exiled Princess Maria Pia of Bourbon-Parma

1954: The birth of footballer Marco Tardelli

1955: The birth of businessman Riccardo Illy

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Luca della Robbia - sculptor

Renaissance ‘genius’ famed for glazed terracotta

Della Robbia's Resurrection over the door of
the northern sacristy in the Florence duomo

Luca della Robbia, whose work saw him spoken of in the same breath as Donatello and Lorenzo Ghiberti among the great sculptors of the Renaissance, died on this day in 1482 in Florence.

Della Robbia worked in marble and bronze initially but enjoyed considerable success after inventing a process for making statuary and reliefs in terracotta decorated with a colourful mineral glaze.

Thought to be around 82 or 83 years old, he had shared the full details of the process only with his family. On his death, his nephew Andrea della Robbia inherited his workshop and other members of the family, notably his great-nephews Giovanni della Robbia and Girolamo della Robbia, continued to employ his methods with success into the 16th century.

Terracotta literally means cooked earth and Della Robbia’s technique involved the application of colourful glazes made using lead, tin and other minerals to the fired clay. 

Sculpting in terracotta was not new, having been invented in the ancient world, but Della Robbia’s idea to coat the terracotta with a glaze that fused with the clay below gave the surface a brightness and shine and made the sculpture particularly durable. 

Della Robbia decorated the dome of Brunelleschi's
Pazzi Chapel in the Basilica of Santa Croce

It took him many years to perfect his technique. The clay itself came from riverbeds, where Della Robbia would look for a light-colored, chalky variety of clay that bound particularly well with his glazes, cleaning and sifting it before adding soft river sand to achieve optimal consistency.  The blend of minerals in the glaze itself was a closely guarded secret.

The first commissions for which Della Robbia used the technique were in the Duomo of Florence, where between 1442 and 1445 he sculpted a lunette of the Resurrection over the door of the northern sacristy and a relief of the Ascension over the southern sacristy door.

He went on to execute many more works in the medium, of which some of the most important are the roundels of the Apostles in Filippo Brunelleschi’s Pazzi Chapel in the Basilica di Santa Croce in Florence, the roof of Michelozzo’s Chapel of the Crucifix in the Basilica di San Miniato al Monte, Florence, and a lunette over the entrance of the Church of San Domenico at Urbino.

His final major work was an altarpiece in the Palazzo Vescovile at Pescia, a small town just over an hour from Florence, near Montecatini Terme.

Della Robbia's bust in the Pincio
Gardens in Rome

It was the Renaissance polymath Leon Battista Alberti who compared Della Robbia to fellow sculptors Donatello and Ghiberti, ranking him also alongside the architect Brunelleschi and the painter Masaccio in terms of their artistic genius. This assessment took into account more than just his work in glazed terracotta, although his use of bright colours gave his work in the medium a particular charm that was very popular.

In the early part of his career, Della Robbia, who may have trained as a goldsmith, worked with Ghiberti on the famous bronze doors of the Florence Baptistry - the so-called Gates of Paradise.

Brunelleschi often used him for sculpture on his buildings. His important commission was for the Cantoria - a singing gallery - in Florence's Duomo, for which he was probably chosen by the Medici family.  The project took seven years and his depictions in the 10 panels of children singing, dancing and making music, the figures lively and finely observed in the manner of Renaissance naturalism, established him as a major Florentine artist.

Della Robbia’s other important works in marble include a tabernacle carved for the Chapel of San Luca in the Santa Maria Nuova Hospital in Florence, and the tomb of Benozzo Federighi, bishop of nearby Fiesole.

Florence's magnificent Duomo towers above
the skyline of Della Robbia's city

Travel tip:

The Florence Duomo - the Cattedrale di Santa Maria del Fiore - with its enormous dome by Filippo Brunelleschi and campanile by Giotto, is one of Italy's most recognisable and most photographed sights, towering above the city and the dominant feature of almost every cityscape. From groundbreaking to consecration, the project took 140 years to complete and involved a series of architects. Arnolfo di Cambio, who also designed the church of Santa Croce and the Palazzo Vecchio was the original architect engaged and it was to his template, essentially, that the others worked.  When he died in 1410, 14 years after the first stone was laid, he was succeeded by Giotto, who himself died in 1337, after which his assistant Andrea Pisano took up the project.  Pisano died in 1348, as the Black Death swept Europe, and a succession of architects followed, culminating in Brunelleschi, who won a competition - against Lorenzo Ghiberti - to build the dome, which remains the largest brick-built dome ever constructed.

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Piazzo Mino is the main square in the centre of
Fiesole, in the hills to the northeast of Florence

Travel tip:

Fiesole, a town of about 14,000 inhabitants situated in an elevated position about 8km (5 miles) northeast of Florence, has since the 14th century been a popular place to live for wealthy Florentines and even to this day remains the richest municipality in Florence.  Formerly an important Etruscan settlement, it was also a Roman town of note, of which the remains of a theatre and baths are still visible.  Fiesole's cathedral, built in the 11th century, is supposedly built over the site of the martyrdom of St. Romulus. In the middle ages, Fiesole was as powerful as Florence until it was conquered by the latter in 1125 after a series of wars.

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More reading:

Lorenzo Ghiberti and the 'Gates of Paradise'

Filippo Brunelleschi, the genius who designed the dome of the Florence duomo

Gian Lorenzo Bernini, the Florentine who made his mark in Rome

Also on this day:

1791: The birth of painter Francesco Hayez

1918: The death of Nobel Peace Prize winner Ernesto Teodoro Moneta

1941: The birth of author and politician Raffaele Lauro

1953: The founding of the giant oil and gas company ENI

1966: The birth of footballer Andrea Silenzi

(Picture credits: Resurrection by Sailko; Pazzi Chapel ceiling by Mattis; bust of della Robbia by Lalupa; via Wikimedia Commons)

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Luca Longhi – artist

‘Quiet’ painter trained his children to follow in his footsteps

Luca Longhi's Adoration by the Shepherds
can be seen at the Museo d’Arte della Città

Luca Longhi, a portrait painter also known for his beautiful religious paintings who was working during the late Renaissance and Mannerist periods, was born on this day in 1507 in Ravenna in Emilia-Romagna.

He was the father of the painters Francesco Longhi and Barbara Longhi, who were both trained by him and worked in his workshop.

Little is known about Luca Longhi’s own artistic training, but it is thought he probably attended the Ravenna workshops of local artists Francesco Zaganelli and his brother, Bernardino Zaganelli.

The painter and art historian Giorgio Vasari visited Ravenna in 1548 and wrote about "Master Luca de Longhi" in his book, The Lives of the Artists. He says: “Luca de Longhi is a man of good nature, quiet and (a) scholar (who) has done in his homeland Ravenna, and outside, many beautiful oil pictures and portraits. He has done and still works with patience and study.”

Longhi painted the portraits of many famous and important people of his time, including Giovanni Guidiccione, Bishop of Fossombrone, Giulio della Rovere, Cardinal of Urbino, Alessandro Sforza, Cardinal legate of Romagna and Cristoforo Boncompagni, Archbishop of Ravenna.

The Lady and the Unicorn is said
to depict Giulia Farnese

Among his well-known works are The Lady and the Unicorn, which is a portrait of Giulia Farnese, who was mistress to Pope Alexander VI and the sister of Pope Paul III, Adoration by the Shepherds and Virgin and Child with Saints Sebastian and Rocco.

He painted a Marriage at Canna for the Church of the Camaldolese in Ravenna with his son, Francesco. In the picture there are portraits of Francesco, his daughter, Barbara, and the Abbot of the church’s convent, Don Pietro Bagnolo da Bagnacavallo.

Longhi’s daughter, Barbara Longhi, was much admired as a portrait painter as well. She also assisted her father on large altarpieces and modelled for him. She was depicted by her father as Saint Barbara in his 1570 painting Virgin and Child Enthroned with Saints.

Her self-portrait, in which she is dressed as Saint Catherine of Alexandria, bears a strong resemblance to her father’s depictions of her. The painting was intended originally for the monastery of Sant’Apollinare in Classe, but it was acquired by the Museo d’Arte della Città di Ravenna in the 19th century and restored in 1980.

Lucca Longhi died in his home town of Ravenna in 1580 after succumbing to what was described as a catarrhal illness that had spread throughout Italy after arriving from Paris.

The Basilica of San Vitale in Ravenna is
a UNESCO world heritage site

Travel tip:

Ravenna in Emilia-Romagna, where Luca Longhi and his children lived and worked, was the capital city of the western Roman empire in the fifth century. It is known for its well-preserved late Roman and Byzantine architecture and mosaics and has eight UNESCO world heritage sites. The Basilica of San Vitale is one of the most important examples of early Christian Byzantine art and architecture in Europe.

The museum is housed in the cloister of the
Basilica di Santa Maria in Porto

Travel tip:

There are works by Luca Longhi and his children, Francesco and Barbara, on display in the Museo d’Arte della Città di Ravenna, which is in Via di Roma in the centre of the city, housed in the cloister of the abbey of the Basilica of Santa Maria in Porto. The museum is open from Tuesday to Sunday from 9am to 6pm. During the Covid 19 pandemic the museum is asking visitors to book appointments in advance.  Also on display are works by the Zaganellis and many Venetian artists.

Also on this day:

1451: The birth of Renaissance composer Franchino Gaffurio

1552: The birth of international lawyer Alberico Gentili

1883: The birth of fashion designer Nina Ricci

1919: The birth of seven-times prime minister Giulio Andreotti

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