Marta Abba - actress

Aspiring star who became Pirandello’s muse

Marta Abba was just 24 when she met the
playwright Luigi Pirandello

Marta Abba, who as a young actress became the stimulus for the creativity of the great playwright Luigi Pirandello, was born on this day in 1900 in Milan.

The two met in 1925 when Pirandello, whose most famous works included the plays Six Characters in Search of an Author (1921) and Henry IV (1922), asked her to see him, having read an enthusiastic appreciation of her acting talents by Marco Praga, a prominent theatre critic of the day.

Abba had made her stage debut in Milan in 1922 in Anton Chekhov’s The Seagull and was noted for the exuberance and passion of her performances. Pirandello was impressed with her and immediately hired her as first actress for his Teatro d’Arte company in Rome.

Over the next nine years until Pirandello’s death in 1936, Abba would become not only his inspiration but his confidante. When Abba was not working with him but was on stage in some other city or country, they would correspond in writing, exchanging hundreds of letters.

Pirandello was said to be infatuated with Abba from
their first meeting in 1925 in Rome

There was a considerable age gap between them - Abba was 24 and Pirandello 58 when they met - and their relationship was complex and not always harmonious.  It has been speculated that there was a romance between them but any love affair was probably one-sided.

The Sicilian playwright, who was married but whose wife was in an asylum for the mentally ill, was infatuated with the young actress but it is thought it was a passion that was unconsummated, which meant that the relationship was a source of torment for Pirandello as well as one that inspired his creativity.

The eldest daughter of a Milan merchant, Abba went to a theatre school in Milan and was always set on a career in theatre.  Her collaboration with Pirandello, starring in many of his plays, would make her a significant figure in theatre in Italy.

Abba did not marry until after
Pirandello's death

In 1930 she founded her own theatrical company and specialized in staging the works of Pirandello and other European playwrights such as George Bernard Shaw, Gabriele d'Annunzio and Carlo Goldoni, under the direction of prestigious directors such as Max Reinhardt and Guido Salvini.

After Pirandello’s death, she moved to the United States, making her Broadway debut was in the play Tovarich, by the French writer Jacques Deval, at the Plymouth Theatre.

She remained single until after Pirandello’s death. In January 1938 she married a wealthy Cleveland polo player, Severance Allen Millikin.  They lived in Cleveland until they divorced in 1952, at which point Abba returned to Italy.

Her health remained robust until the last few years of her life, when she was confined to a wheelchair.  She spent the last few weeks before her death in 1988 receiving treatment at the spa town of San Pellegrino Terme, north of Bergamo.

She wrote an autobiography, La mia vita di attrice (My Life as an Actress). After her death, a collection she had kept of more than 500 letters between her and Pirandello was donated to the University of Princeton, in New Jersey.

The Art Nouveau Grand Hotel in San Pellegrino Terme

Travel tip:

San Pellegrino Terme is a small town in a little over 20km (12 miles) north of the city of Bergamo, in Lombardy, in the Val Brembana. Its name has become known all over the world because of the fame of its spring water, bottled by a company that marketed it as San Pellegrino mineral water. The company’s main production centre used to be in the town, which is also notable for several striking Art Nouveau buildings from the early 20th century, including the Casinò, the Grand Hotel and the Terme (Baths).

The Palazzo Chigi-Odescalchi in Rome

Travel tip:

Luigi Pirandello’s Teatro d’Arte company used to stage its productions at the Odescalchi Theatre inside the Palazzo Chigi-Odescalchi, in Piazza Santi Apostoli, a short distance from Piazza Venezia in the heart of Rome. The palace, which belonged originally to the Colonna family, was remodelled by Carlo Maderno before undergoing a later transformation under the great Roman sculptor and architect Gian Lorenzo Bernini, with later input from Nicola Salvi and Luigi Vanvitelli, with the façade on Via del Corso rebuilt by Raffaelo Ojetti.

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Laura Betti - actress and jazz singer

Long-time companion of director Pier Paolo Pasolini

Laura Betti made her screen debut in Fellini's 1960 classic
about fame and decadence, La Dolce Vita

The actress and singer Laura Betti, who appeared in a number of important Italian films in the 1960s and 1970s, including Federico Fellini’s La Dolce Vita, Bernardo Bertolucci’s Novecento and Pier Paolo Pasolini’s Teorema, was born on this day in 1927 in Casalecchio di Reno, in Emilia-Romagna.

In addition to Teorema, which won her the coveted Volpi Cup for best actress at the 1968 Venice Film Festival, Betti appeared in six other Pasolini films as the two developed a special and unlikely relationship.

Betti, a vivacious blonde with striking good looks, had no shortage of suitors among the authors, artists, singers and aspiring actors that made up her circle in Rome in the 1950s, but Pasolini was homosexual and had no interest in her in a romantic sense.

Yet he became a regular guest at her apartment near the Palazzo Farnese and she wrote many years later that a kind of love developed between them. They met while he was an unknown poet and it was with her encouragement that he realised his aspiration to become a director.

Betti the jazz singer was a popular
performer in Rome nightclubs

Over time she effectively became his cook and housekeeper and after his death in 1975, the victim of a brutal murder that was never fully explained, she devoted much of her time to preserving his memory and championing his work.

She was the driving force behind the establishment of the Pasolini Foundation in Bologna, where he was born. She also set up an annual literary prize in his name.

The daughter of a barrister, she was born Laura Trombetti. Her first interest was in singing, particularly jazz, and she moved to Rome at a young age, acquiring a following on the cabaret circuit, for which her husky voice was ideal.  Both Pasolini and Alberto Moravia supplied material for her act.

Her interpretations of jazz tunes and songs by Bertolt Brecht brought comparisons with the sultry-voiced French singer Juliette Greco. She released a number of albums, which sold well.

Betti's first venture into theatre came with a 1955 production of Arthur Miller's Crucible staged by Luchino Visconti, although the night clubs continued to be her domain for much of the late 1950s until Fellini launched her film career with a cameo role in La Dolce Vita (1960), as one of the authentic Roman eccentrics in the beach villa orgy sequence.  It was the first of 76 movies in her career.

Her first Pasolini film was La Ricotta, a controversial 40-minute short that featured Orson Welles as an American director shooting a film about the Passion of Christ in Rome, with Betti a temperamental Madonna.

Laura Betti was for many years the companion of
enigmatic director Pier Paolo Pasolini (left)

In 1968, her first substantial Pasolini role, as the peasant maid in a bourgeois household in Teorema, won the best actress award at the 1968 Venice festival.

After returning to the stage to give an electrifying performance in Samuel Beckett's Not I for the Rome Municipal Theatre, her next Pasolini film role was in The Canterbury Tales (1972), shot in England, in which she was the Wife of Bath.

In the early 1970s, she also appeared in films by Marco Bellocchio, Mauro Bolognini, Miklos Jancso and the Taviani Brothers. She was also in Bernardo Bertolucci's Last Tango In Paris (1972), Novecento (1976) and La Luna (1979).

After Pasolini's murder, Betti was sceptical, like many, of the explanation for his death and the confession by Giuseppe Pelosi, a 17-year-old youth he had paid for sex, when the evidence suggested the involvement of more than one attacker.  She preferred the idea that, as a communist sympathiser, he had been the victim of a conspiracy of the political Right, perhaps because he knew damaging secrets about senior figures, a theory that gained credence when it emerged that the Italian secret services were involved in the investigation into his death.

She continued to appear in films for her whole life, although at the same time devoting much time to travelling in Italy, and around the world, to fight Pasolini's corner. In 2001, she made a 90-minute documentary, Pier Paolo Pasolini: The Reason For A Dream, emphasising what she considered to be his optimistic vision of the future.

Betti, who never married, struggled with her health in the early 2000s and died of a heart attack in 2004.

The Villa Marescalchi, outside Casalecchio di Reno

Travel tip:

Casalecchio di Reno, which takes its name from the Roman word for a small collection of houses, in this instance clustered around the Reno river, is nowadays effectively a suburb of Bologna. An important industrial area in the early part of the 20th century, it was heavily bombed by the Allies in the Second World War, its population growing rapidly as it was rebuilt after 1945. The Villa Marescalchi, just outside the town, once contained paintings by the noted Bolognese painter Cesare Baglioni, but these were destroyed in a bombing raid.

The Palazzo Farnese now houses the French Embassy

Travel tip:

The Palazzo Farnese is one of the most important High Renaissance palaces in Rome, which currently serves as the French Embassy in Italy. Designed in 1517 for the Farnese family, it was expanded when Alessandro Farnese became Pope Paul III in 1534. The palace was designed by Antonio da Sangallo the Younger and the development involved input from Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta, who were alls prominent in Rome in the 16th century.

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Gianandrea Noseda - conductor

Milanese musician has achieved worldwide acclaim

Gianandrea Noseda is one of the most
able conductors of his generation

Gianandrea Noseda, who is recognised as one of the leading orchestra conductors of his generation, was born on this day in 1964 in Milan.

He holds the title of Cavaliere Ufficiale al Merito della Repubblica Italiana for his contribution to the artistic life of Italy.

Noseda studied piano and composition in Milan and began studying conducting at the age of 27.

He made his debut as a conductor in 1994 with the Orchestra Sinfonica di Milano Giuseppe Verdi. He won the Cadaques International Conducting Competition for young conductors in Spain the same year.

In 1997 he became principal guest conductor at the Mariinsky Theatre in St Petersburg and during his time there became fluent in Russian.

In 2002 he became principal conductor of the BBC Philharmonic and in this role led live performances in Manchester of Beethoven’s nine symphonies. In 2006 his title was changed to chief conductor.

Noseda has been music director at the
Teatro Regio in Turin since 2007

The London Symphony Orchestra announced the appointment of Noseda as its new principal guest conductor in 2016.

Noseda has been Music Director of the Teatro Regio Torino since 2007, taking their orchestra to the Edinburgh Festival in 2017. He has also conducted the orchestra of the Teatro Regio Torino for the recording of a number of opera albums, featuring celebrated singers such as Rolando Villazon.

The conductor celebrates his 54th birthday today and at the end of May he will lead the Met Orchestra at Carnegie Hall for the first time. He will conduct the orchestra in Mozart’s Violin Concerto No 5 and Mahler’s Symphony No 5.

He met his Sicilian-born wife, Lucia, at the Milan Conservatory when they were both students. They have a home on the western shore of Lake Maggiore.

The Naviglio Grande is a colourful and lively stretch of
Milan's canal system

Travel tip:

The Orchestra Sinfonica di Milano Giuseppe Verdi, where Noseda made his debut as a conductor, was founded in 1993 and is now based at the Auditorium di Milano Fondazione Cariplo in Largo Gustav Mahler close to the city’s Navigli district.  The auditorium was inaugurated in 1999 and quickly became one of the most important cultural venues in the city.  Navigli is the name of the triangle bounded by the Naviglio Grande and the Naviglio Pavese canals in the southwestern quadrant of the city, an area that is popular with young Milanese and boasts many attractive bars and restaurants.

The modern auditorium at the Teatro Regio of today

Travel tip:

The Teatro Regio Torino, where Noseda has been musical director, is in Piazza Castello close to the Palazzo Reale in the centre of Turin. The Teatro Regio has had something of a chequered history. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but limped into the 20th century only to be burnt down in a catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973.

More reading:

How American TV made Arturo Toscanini a star

Riccardo Muti still going strong at almost 77

The conductor who helped make Maria Callas a star

Also on this day:

1857: The birth of opera composer Ruggero Leoncavallo

1939: The birth of Mafia boss Stefano Bontade


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Sergio Tòfano – actor and illustrator

The many talents of stage and screen star

Sergio Tòfano as Professor Toti, in Luigi
 Pirandello's comic play Pensaci, Giacomino!

Comic actor, director, writer and illustrator Sergio Tòfano died on this day in 1973 in Rome.

He is remembered as an intelligent and versatile theatre and film actor and also as the creator of the much-loved cartoon character Signor Bonaventura, who entertained Italians for more than 40 years.

Tòfano was born in Rome in 1886, the son of a magistrate, and studied at the University of Rome and the Academy of Santa Cecilia. He made his first appearance on stage in 1909.

He soon specialised as a comic actor and worked with a string of famous directors including Luigi Almirante and Vittorio de Sica.

  

He became famous after his performance as Professor Toti in Luigi Pirandello’s comic play, Pensaci, Giacomino! 

Also a talented artist and writer, Tòfano invented his cartoon character Signor Bonaventura for the children’s magazine, Il Corriere dei Piccoli, signing himself as Sto.

Signor Bonaventura made his first appearance in 1917. The character wore a red frock coat and a hat and his fans interpret him as showing how good people, despite making mistakes, can avoid the bad outcome they seem fated to experience, even in complicated situations, because there is always hope.

Tòfano's invention, the cartoon
character Signor Bonaventura

After the Second World War Tòfano continued to act, working with important directors such as Luchino Visconti and Giorgio Strehler at the Piccolo Teatro in Milan performing in plays by Ibsen and Shakespeare. He also took parts in plays by Molière and Goldoni at the Teatro dei Satiri in Rome.

Tòfano has a string of film and television credits to his name, his most successful films including Goffredo Alessandrini’s 1934 comedy Seconda B, the Raffaello Matarazzo drama Giù il Sipario (1940) and Partner (1968), directed by Bernardo Bertolucci and based on the on the novel The Double by Fyodor Dostoyevsky

He continued to act until his death at the age of 87, having survived his wife, Rosetta, a costume designer he married in 1923, by 13 years.

Before 1935, Rome University's base was in
the Palazzo della Sapienza, near Piazza Navona
 

Travel tip:

Rome University, where Tòfano studied, is often known simply as La Sapienza, which means ‘the wisdom’.  It can trace its origins back to 1303, when it was opened by Pope Boniface VIII as the first pontifical university. In the 19th century the University broadened its outlook and started to offer more than just ecclesiastical studies. Today’s campus was built near the Termini railway station in 1935. Rome University now caters for more than 112,000 students.

Travel tip:

The Piccolo Teatro della Città di Milano, where Tòfano performed regularly after it was founded in 1947, was Italy’s first permanent repertory company. It now operates from three venues in Milan, the Teatro Grassi, the Teatro Studio and the Teatro Strehler.

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Eleonora Duse – actress

Performer 'became' the person she played with her whole being

Eleonora Duse began acting at the age of four.

Regarded as one of the greatest acting talents of all times, Eleonora Duse was born on this day in 1858 in Vigevano in Lombardy.

Often simply known as Duse, she was admired for her total assumption of the roles she played. In 1947, the film, Eleonora Duse, was made about her life.

She began acting at the age of four, joining her father and grandfather in the profession. She worked in a troupe with her family, travelling from city to city. Duse became famous for creating Italian versions of roles made famous by the actor Sarah Bernhadt.

Duse toured South America, Russia and the US, beginning the tours as an unknown actor, but leaving in her wake a general recognition of her genius.

She had an affair with the Italian poet, Arrigo Boito, who was the librettist for the composer, Giuseppe Verdi. They carried out their relationship in a clandestine manner, but the letters they exchanged have survived and they remained on good terms until Boito’s death in 1918.

Duse had a romantic relationship with the
writer and poet Gabriele D'Annunzio

In 1895 Duse met the writer Gabriele D’Annunzio and they became involved romantically as well as professionally.

D’Annunzio wrote four plays for her but when he gave the lead in La Città Morta to Sarah Bernhardt instead of her, Duse ended her relationship with him.

Duse had a relationship with the dancer, Isadora Duncan and spent several weeks with her at Viareggio in Tuscany, shortly after Duncan’s two children drowned in a tragic accident.

Her biographer, Frances Winwar, recalled that Duse wore little make-up but made herself up "morally." She meant that she used her body to express her grief and joy.

Duse, who had a history of ill health, died of pneumonia at the age of 65 in the US while on a tour. Her body was returned to Italy and she was buried in Asolo in the Veneto at the cemetery of St Anna.

The beautiful Piazza Ducale in Vigevano

Travel tip:

Vigevano, where Duse was born, is a town in the province of Pavia in Lombardy. It is well-known for the beautiful Piazza Ducale in the centre of town. The piazza was completed in 1493 and was planned to form the forecourt to the castle built for Ludovico Sforza, who was Duke of Milan between 1452 and 1508.

Porticoes line the Via Browning in Asolo

Travel tip:

Asolo, where Duse was buried, is a town in the Veneto region, known as ‘the pearl of the province of Treviso’. It is famous for being the home of the English poet, Robert Browning. Duse lived there for part of her life and is now buried in the hillside cemetery of St Anna.

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Zanetta Farussi – actress

Venetian performer who gave birth to a legendary womaniser

Giacomo Casanova, whose mother was
 the actress Zanetta Farussi

Zanetta Farussi, the comedy actress who was the mother of the notorious adventurer, Casanova, was born on this day in 1707 in Venice.

At the age of 17, Zanetta had married the actor Gaetano Casanova, who was 10 years older than her.

He had just returned to Venice after several years with a touring theatrical troupe, to take a job at the Teatro San Samuele.

Farussi’s parents opposed the marriage because they considered acting to be a disreputable profession.

But Farussi soon began working at Teatro San Samuele herself and the following year she gave birth to a son, Giacomo, who was to grow up to make the name Casanova synonymous with womanising and philandering.  Giacomo Casanova would later claim that his real father was Michele Grimani, who owned the Teatro San Samuele.

Zanetta and Gaetano accepted a theatrical engagement in London where Farussi gave birth to their second son, Francesco, who became a well-known painter.

They returned to Venice in 1728 and went on to have four more children. The youngest child was born two months after the death of his father. 

The Teatro San Samuele, where Farussi found work

The same year, Farussi met the playwright Carlo Goldoni in Verona and he wrote a short comedy for her called La Pupilla (The Female Ward), which was inspired by the jealous infatuation she had inspired in a famous actor and theatrical impresario of the day. It was presented as an interlude with his tragicomedy, Belisario.

In 1737 Farussi signed a long contract to appear in Italian comedies in Saxony.

The following year she made her debut in Pilnitz, near Dresden, on the occasion of the proxy wedding of Crown Princess Maria Amalia.

Farussi eventually visited Warsaw, where she presented two short theatrical pieces she had written herself.

When the Seven Years War started, the Saxon court suspended the activities of the Italian comedy troupe and the actors all retired and were granted an annual pension.

The playwright Carlo Goldoni

During the war, Farussi sought refuge in Prague but as soon as it was safe she returned to Dresden where she was to remain for the rest of her life. She was joined by one of her sons, Giovanni, who taught at the Academy of Fine Arts there, and one of her daughters, Maria Maddalena, who married the court organist, Peter August.

Meanwhile, her eldest son, Giacomo Casanova, had graduated in law from the University of Padua. At various times during his life he worked as a clergyman, military officer, violinist, businessman and spy. Throughout his life it was a recurring pattern that he embarked on passionate affairs with women, ran out of money and was imprisoned for debt.

He was locked up for a time in the Doge’s Palace in Venice in terrible conditions, but he eventually escaped through the ceiling of his cell, broke back into the building through a window, walked out through the main entrance and made his escape in a gondola across the lagoon on his way to exile in France.

Farussi, who was known in theatrical circles as La Buranella, a reference to her family roots on the island of Burano, died in 1776 in Dresden.

Travel tip:

The church of San Samuele, just beyond the waterbus stop

Teatro San Samuele, where Farussi began her theatrical career, was an opera house and theatre at the Rio del Duca, between San Samuele and Campo Santo Stefano. It was first opened in 1656 in Venice and the playwright, Carlo Goldoni, was the theatre’s director between 1737 and 1741. The theatre was destroyed by fire in 1747 but then rebuilt and it remained a theatre until the building was demolished in 1894. San Samuele is in the San Marco sestiere and has a waterbus stop on the right bank of the Grand Canal before you reach the Rialto.

Goldoni's home was the beautiful Palazzo Centani

Travel tip:

The playwright, Carlo Goldoni, who wrote more than 250 comedies, was born in the beautiful Gothic Palazzo Centani in Venice. The palace, in Calle dei Nomboli in the San Polo district, is now a centre for theatrical studies and has a collection of theatrical memorabilia on display. It is open to the public every day except Wednesday.

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Franca Rame – actress, writer and politician

Artistic collaborator and wife of Dario Fo

Franca Rame in a publicity shot from a
brief but unsuccessful movie career

The actress and writer Franca Rame, much of whose work was done in collaboration with her husband, the Nobel Prize-winning actor, playwright and satirist Dario Fo, died in Milan on this day in 2013 at the age of 83.

One of Italy's most admired and respected stage performers, her contribution to Dario Fo’s work was such that his 1997 Nobel prize for literature probably should have been a joint award. In the event, on receipt of the award, Fo announced he was sharing it with his wife.

Rame was also a left-wing militant. A member of the Italian Communist Party from 1967, she was elected to the Italian senate in 2006 under the banner of the Italy of Values party, a centre-left anti-corruption grouping led by Antonio di Pietro, the former prosecutor who had led the Mani Pulite (“Clean Hands”) corruption investigation in the 1990s.

Later she was an independent member of the Communist Refoundation Party.  Her political views often heavily influenced her writing, in which her targets tended to be the Italian government and the Roman Catholic Church.  She was also an outspoken champion of women’s rights.

Her politics made her some enemies, however.  In 1973, she was kidnapped at gunpoint on a Milan street by a group of neo-Fascist men who raped and tortured her. When she was released, the group said it was revenge against her and Fo for their political activism.

Franca Rame in 1952, when she began her relationship
with Dario Fo after they met through work

Born in Parabiago, a town of almost 30,000 people in the north-western quarter of the Milan metropolitan area, Rame was the daughter of an actor and a militant socialist father and a strict Catholic mother. She was almost born on the stage, appearing in a performance with her mother when she was only eight days old.

At the age of 18, and with the photogenic looks of a 1950s blonde bombshell, she began a theatre career in Milan. She met Dario Fo when they were members of the same company. Fo was smitten from an early stage and to his surprise and delight the attraction was mutual. They married in 1954 and their son Jacopo, now himself a writer, was born in 1955.

Rame had a brief but only modestly successful movie career before switching her focus to the theatre. As a professional partnership, she and Fo's first hit, Gli Arcangeli non Giacano a Flipper – Archangels Don’t Play Pinball – played at the Odeon theatre in Milan in 1959, where they were subsequently invited to write and perform a new play every year. 

Subsequent successes included Isabella, Tre Caravelle e un Cacciaballe – Isabella, Three Sailing Ships and a Con Man – set in Spain in the early years of the inquisition, in which Rame played Queen Isabella.

Dario Fo with Franca Rame and their son Jacopo

In time, however, they gave up commercial theatre in favour of forming co-operative groups and in 1970 founded their own militant theatre group, La Comune, based at the Palazzina Liberty, an abandoned pavilion. It was there that Rame starred in Fo’s acclaimed Non Si Paga! Non Si Paga! (Can’t Pay? Won’t Pay!) and that she wrote and performed in a one-woman show Tutta Casa, Letto e Chiesa (It’s All Bed, Board and Church).

Their relationship was turbulent at times and at one stage she announced their separation. Yet they patched up their differences and even sent themselves up in a play, Coppia Aperta (The Open Couple).

Rame and Fo were particularly despairing of Italy’s support for Silvio Berlusconi when the country shifted to the right in the 1990s, even more when he was granted a return to power in 2001. Their play L’Anomalo Bicefalo (The Two Headed Anomaly), a satire about a political rally in Sicily which features an assassination attempt on Berlusconi and the Russian leader Vladimir Putin, infuriated Berlusconi when Rame’s performance in a comic scene as his wife, Veronica, was praised by Veronica herself.

Her opposition to Berlusconi was part of her motivation for joining forces with Di Pietro, for whom Berlusconi’s scorn had been undisguised during the Mani Pulite trials, prior to her election to the senate.

Rame is buried at the Monumental Cemetery in Milan.

The Prepositurale church in Parabiago

Travel tip:

Parabiago grew as an industrial centre in the 1960s, when its footwear industry, established in the late 19^th century, enjoyed a boom. It became known as The City of the Shoe. Notable churches include the Prepositurale church dedicated to saints Gervasio and Protasio, built in 1610 on the orders of the Bishop of Milan, San Carlo Borromeo. The neoclassical façade, added between 1780 and 1781, was designed by Giuseppe Piermarini. Parabiago is also home to Villa Maggi-Corvini , or simply Villa Corvini, located at the beginning of the historic Via Santa Maria. The villa is part of the Parco Corvini municipal park, which is open to the public.

The Palazzina Liberty used to be the cafeteria-restaurant
at the Verziere market in Milan

Travel tip:

The Palazzina Liberty in Milan’s Parco Vittorio Formentano, on the eastern side of the city centre, was built in 1908 to house the cafeteria-restaurant in the Verziere fruit and vegetable market but fell into disuse when the market moved to a different location. Dario Fo took it over in the 1970s and in 1980 it became home to Milan’s civic orchestra before being renovated in 1992 and opened as a cultural and recreational facility for the city, hosting orchestral concerts, film festivals and poetry events among other things.

More reading:

Enrico Berlinguer - the politician who put Italian Communism on the map

How Dario Fo put the spotlight on corruption in Italian government

Books of Leonardo Sciascia put spotlight on corruption in Sicily

Also on this day:

1926: The birth in Italy of English TV personality Katie Boyle

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Carlo Gozzi – playwright

Noble Venetian who fought to preserve commedia dell’arte

Carlo Gozzi - a portrait by an
unknown artist

Count Carlo Gozzi, the poet and playwright, was born on this day in 1720 in Venice.

He was a staunch defender of the traditional Italian commedia dell’arte form of drama and his plays were admired throughout Europe.

Commedia dell’arte was a theatrical form that used improvised dialogue and a cast of masked, colourful stock characters such as Arlecchino, Colombina and Pulcinella.

Gozzi was against the dramatic innovations made by writers such as Pietro Chiari and Carlo Goldoni. He attacked Goldoni in a satirical poem and then wrote a play, L’amore delle tre melarance - The Love of Three Oranges - in which he portrayed Goldoni as a magician and Chiari as a wicked fairy.

The play was first performed by commedia dell’arte actors, who had been out of work due to the dwindling interest in the genre following the innovations of Goldoni and Chiari. It was a great success and revived the fortunes of the company of actors.

Having been born into a noble but poor family, Gozzi initially had to go into the army to make a living because his parents could not support him. When he returned to Venice, he joined the Accademia dei Granelleschi, a group determined to preserve Italian literature from being corrupted by foreign influences.

Gabriel Bella's painting of the stage at the Teatro san Samuele

His personal crusade was to revive traditional commedia dell’arte and after the success of The Love of the Three Oranges, Gozzi wrote nine fiabe, literally fairy tales.

Considered outstanding were Il re cervo - the King Stag - Turandot, and La donna serpente - the Snake Woman - which were all performed in 1762, and L’augellin belvedere - the Pretty Little Green Bird - performed in 1765.

Gozzi’s fiabe were popular, both in Italy and other countries in Europe, and drew influences from commedia dell’arte, which led to a revival of interest in the genre and earned him the title of ‘the saviour of commedia dell arte’.

Gozzi’s Turandot was first performed at the Teatro San Samuele in Venice in January 1762.

Later, in Germany, the playwright Schiller turned Turandot into a serious play and it was used later as the basis for operas by Ferruccio Busoni and Giacomo Puccini. The Love of the Three Oranges also provided the basis for an opera by Sergey Prokofiev.

Gozzi wrote his authobiography, Memorie inutile - Useless Memories - in 1797.

He died in Venice in 1806 at the age of 85 and was buried in the Church of San Cassiano in the San Polo district of the city.

Travel tip:

Teatro San Samuele, where Gozzi’s Turandot was first performed, was an opera house and theatre at the Rio del Duca, between San Samuele and Campo Santo Stefano. It was first opened in 1656 in Venice and the playwright Carlo Goldoni was the theatre’s director between 1737 and 1741. The theatre was destroyed by fire in 1747 but then rebuilt and Gozzi’s play, Turandot, was performed in the new structure in 1762. It remained a theatre until the building was demolished in 1894. San Samuele is in the San Marco sestiere and is a waterbus stop on the right bank of Canal Grande, travelling from San Marco towards the railway station, before you reach the Rialto.

Campo San Cassiano in Venice, with the church of
 the same name to the left

Travel tip:

The Church of San Cassiano in Venice, where Carlo Gozzi was buried, is in the San Polo sestiere and can be reached by getting off the waterbus at the San Stae stop on Canal Grande. The 14th century church, which is dedicated to San Cassian of Imola, is in Campo San Cassiano. Its highlight is the painting of The Crucifixion of Christ by Tintoretto, which the art critic John Ruskin described as ‘the finest example of a Crucifixion painting in Europe’. Campo San Cassiano is also where the world’s first public opera house, Teatro San Cassiano, was located until it had to be demolished in 1812 after several fires.

More reading:

Tommaso Albinoni - prolific Venetian composer famous for adagio in G minor

Titian - the colossus of Venetian Renaissance art

Dario Fo - playwright who put focus on corruption

Also on this day:

1466: Death of the great early Renaissance sculptor Donatello

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Pierina Legnani - ballerina

Italian dancer who conquered St Petersburg

Pierina Legnani photographed in St
 Petersburg in around 1895

The ballerina Pierina Legnani, considered by many ballet historians to be one of the greatest dancers in history, was born on this day in 1863 in Milan.

Legnani's legacy was the 32-turn fouetté en tournant in which the dancer essentially spins on the point of one foot for 32 revolutions while maintaining perfect balance.

No ballerina had completed 32 turns before Legnani, who is said to have tried it out at the Alhambra Theatre in London before introducing the move to the wider world in 1893 on her debut at the Imperial Ballet in St Petersburg in Russia, where she was performing in the title role of Cinderella.

It came in the final act on the night of the premiere and her perfection of technique and execution caused a sensation, with many critics hailing her as the supreme ballerina of her generation.

Her feat set a new standard for future ballerinas as a yardstick of strength and technique. A sequence of 32 fouetté turns was later choreographed into the Black Swan solo in Act Three of Swan Lake, of which it continues to be a feature.

Jealous rivals criticised Legnani for what they saw as showing off, taking an audacious gamble that could have backfired horribly, both to her embarrassment and that of the Imperial Ballet. The truth was that many feared that were they challenged to match her they would fall short.

Yet it paid off and Marius Petipa, the French dancer and choreographer who was Premier Maître de Ballet at the Mariinsky Theatre, was so impressed with Legnani's technical brilliance, not to mention her bravery, the he gave her the title of prima ballerina assoluta, the first ballerina to be bestowed with such recognition.

Legnani in the Cinderella role that
would make her famous

The title was created by Petipa to signify that in his opinion Legnani, who had been prima ballerina at Teatro alla Scala in Milan, was the best of the best.  The suffix assoluta has been given to only 11 other female dancers since.

It was the making of Legnani's career.  She proved to be Petipa's greatest muse and almost every new ballet he mounted throughout his remaining years with the Imperial Ballet featured Legnani in the principal rôle.

Legnani began dancing at the age of seven and after passing auditions was accepted as a pupil at La Scala under the instruction of Caterina Beretta.  When she was old enough and proficient enough to perform on stage as part of the corps de ballet she was paid just one lira per night.

This rose to 40, 60 and then 80 lira per month.  Her professional career took off when she was named prima ballerina in a production of Salandra, by Giovanni Casati, at the Alhambra in London.

Having understudied for Maria Giuri, Legnani became prima ballerina at La Scala in 1892, the same year in which she was invited to St Petersburg.  She would enjoy eight highly successful years working with Petipa, deciding to leave only because she tired of the rivalries that developed between dancers.

A picture of ballet being performed at La Scala in about 1893

She spent the remainder of her career performing largely in Europe, principally in London, Paris and Milan, before retiring to her villa on the shores of Lake Como, maintaining a connection with ballet as a member of the examining board at La Scala.  She died in 1930, aged 67, and is buried at the cemetery in the village of Pognana Lario.

Travel tip:

The La Scala Theatre Ballet  - Corpo di ballo del Teatro alla Scala - is the resident classical ballet company at La Scala in Milan.  One of the oldest and most renowned ballet companies in the world, it predates the theatre, but was officially founded at the inauguration of La Scala in 1778.  Its history can be traced back to Renaissance courts of Italy, notably in the Sforza family’s palace in Milan.

The Villa Carlotta with its wonderful views towards
the Bellagio peninsula

Travel tip: 

Lake Como is one of the deepest lakes in Europe, with an average depth of 154m (500ft) but plunging to 425m (1,400ft) at its deepest point, more than 200m (650ft) below sea level.  Surrounded by mountains, some of which are topped with snow almost all year round, the lake offers outstanding views in all directions.  It has been a haunt of the wealthy since Roman times, when villas began to be built on the shores.

Celebrities who have or have had homes on Lake Como include Madonna, George Clooney, Gianni Versace, Ronaldinho, Sylvester Stallone and Richard Branson.

More reading:

Fanny Cerrito - Neapolitan favourite who was darling of ballet's Romantic era

La Scala is born - first night at the world's most famous opera house

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Maurizio Costanzo - talk show host

Journalist whose show is the longest running on Italian TV

Maurizio Costanza pictured early in his broadcasting
career, as host of a 1972 radio show, Buon Pomeriggio

Veteran talk show host and writer Maurizio Costanzo celebrates his 78th birthday today.

Born on this day in 1938 in Rome, Costanzo has spent 40 years in television.  His eponymous programme, the Maurizio Costanzo Show, has broken all records for longevity in Italian television.

Launched on September 18, 1982, the current affairs programme continued for 27 years, alternating between Rete 4 and Canale 5, two of Italy's commercial television networks, part of the Mediaset group owned by former Italian prime minister Silvio Berlusconi. 

Its run came to an end in 2009 but was relaunched on the satellite channel Mediaset Extra in 2014 and returned to terrestrial television in 2015, again on Rete 4.

Costanzo began his media career in print journalism with the Rome newspaper Paese Sera at just 18 years old and by the time he was 22 he was in charge of the Rome office of the mass circulation magazine Grazia.

After branching into radio, he switched to television in 1976, hosting the RAI programme Bontà loro, which is considered to be Italy's first TV talk show.  Others followed before the launch of the Maurizio Costanzo Show, which involved prominent politicians and others in the public eye, discussing major issues of the day.

Costanzo returned to print in 1978, while continuing his broadcasting career in parallel, when he was appointed editor of La Domenica del Corriere, the Sunday edition of the Milan newspaper, Corriere della Sera, a move that saw Costanzo caught up in scandal.

Maurizio Costanza as TV audiences know him today

Corriere della Sera had in 1977 secretly fallen into the control of Propaganda Due, a clandestine network that evolved from a masonic lodge into an alliance of industrialists, members of parliament, military leaders, journalists and other influential figures who aimed to create a "state within a state" to control the direction of Italy's social and political future.

In 1980, Costanzo conducted a controversial interview with Licio Gelli, a former Fascist blackshirt who was head of Propaganda Due - already under scrutiny because of apparent links with the disgraced former banker, Michele Sindona - in which Gelli denied P2 had any malevolent agenda but spoke about his support for a rewriting of the Italian constitution along the lines of the Gaullist presidential system of France.

Less than a year later, police investigating Sindona raided Gelli's villa outside Arezzo in Tuscany and discovered a list of supposed subscribers to P2 that ran to almost 1,000 names.  As well as Berlusconi, 44 MPs, the heads of all four of Italy's secret services and 195 officers of the armed forces, the names included Costanzo himself.

Although at first he denied being a member, Costanzo later admitted his involvement but stressed his deep regret, insisting he was naive and acted only in the interests of safeguarding his career. He publicly distanced himself from the organisation and Gelli, who was subsequently jailed.

Costanzo rebuilt his reputation in the eyes of the public after shifting his political stance more towards the left and risking his own safety to campaign against the Mafia through his broadcasting. It is suspected that a car bomb that exploded in Rome in 1993 outside the Teatro Parioli, which was regularly used for the Maurizio Costanzo Show, was intended either to do him harm or at least frighten him.

A man of immense professional energy, Costanzo had a parallel career as a screenwriter both for television and the cinema, with a long list of credits from the 1960s until as recently as 2007.

He has been married four times and has two children by his second wife, journalist Flaminia Morando, of whom, Saverio, is a film director. He married his current wife, television host and producer Maria de Filippi, on his 57th birthday in 1995.

UPDATE: Maurizio Costanzo sadly passed away in Rome on February 24, 2023, at the age of 84. His funeral took place at the Church of Santa Maria in Montesanto, known as the Church of the Artists, in Piazza del Popolo, on Monday, February 27, 2023. His remains were buried at the Campo Verano cemetery.

Travel tip:

The Teatro Parioli - full name Teatro Parioli Peppino De Filippo - is situated in the Parioli district of Rome, about 20 minutes north of the city's historic centre. Opened in 1938 in the Via Giosuè Borsi, it takes its name from the Italian artist Peppino De Filippo.  Costanzo became artistic director in 1988 and remained in the position until 2011.

April in Rome: a view over St Peter's Square along
Via della Conciliazione towards the Tiber

Travel tip:

Seasoned visitors to Rome consider the Eternal City to be at its best between October and April, when there are fewer tourists and hotel prices are generally cheaper than in the high season.  The early part of October can still feel like summer with temperatures in the low to mid-20s, although there is an increasing chance of rain.  April tends to be a little cooler but is often dry and with plenty of sunshine.

(Photo of Maurizio Costanzo today by Birillo253 CC BY-SA 4.0)
(Photo of St Peter's Square by Diliff CC BY-SA 3.0)

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