Vittorio Gui – composer and conductor

Precise and sensitive musician enjoyed a long and distinguished career

Vittorio Gui enjoyed a long
and distinguished career

Internationally renowned orchestra conductor Vittorio Gui was born on this day in 1885 in Rome.

Gui composed his own operas, while travelling around Italy and Europe conducting the music of other composers. He spent many years conducting in Britain and served as the musical director of the Glyndebourne Festival for 12 years.

He was taught to play the piano by his mother when he was a young child. He graduated in Humanities at the University of Rome and then studied composition at the Accademia Nazionale di Santa Cecilia.

The premiere of his opera, David, took place in Rome in 1907. He made his professional conducting debut at the Teatro Adriano in Rome in the same year, having been brought in as a substitute to lead Ponchielli’s La Gioconda.

This led to Gui being invited to conduct in Rome and Turin. Arturo Toscanini then invited him to conduct Salome by Richard Strauss as the season opener at La Scala in Milan in 1923.

He conducted at the Teatro Regio in Turin between 1925 and 1927 and premiered his own fairytale opera, Fata Malerba, there.

Gui founded the Orchestra Stabile in Florence and developed the Maggio Musicale Fiorentino festival, which he led for ten years, conducting the Orchestra Stabile and trying out unusual operas there.

Some recordings of performances
conducted by Gui are still available 

He was guest conductor at the Salzburg festival in 1933 and invited by Sir Thomas Beecham in 1936 to be a regular conductor at the Royal Opera House in Covent Garden in London.

Complete recordings of Gui conducting Il Trovatore and La Traviata from the 1939 Covent Garden season have survived.

Gui remained in Britain during World War Two and made his debut at the Glyndebourne Festival in 1948. He served as musical director there from 1951 to 1963 and as artistic counsellor to the festival from 1963 to 1965.

He was particularly known for his conducting of music by Brahms and in 1947, on the 50th anniversary of the death of Brahms, he conducted a complete cycle of the orchestral and choral works of the composer  throughout Italy.

A prolific writer and critic, Gui’s works include a study of Boito’s opera, Nerone, an article on Mozart in Italy and a collection of essays, Battuta d’aspetto.

Gui died in October 1975 at his home in Florence at the age of 90 after an attack of angina. He had made his final appearance as a conductor in Italy just two weeks before his death, when he inaugurated the new season at the Teatro Comunale in Florence with a concert of Mozart and Brahms.

He was considered by critics to have been one of the most precise and sensitive conductors of the 20th century and he had been presented with a gold medal by the regional administration of Florence on 14 September, 1975, his 90th birthday.

The Teatro Regio in Turin was closed for 37 
years after a catastrophic fire in 1936

Travel tip:

The Teatro Regio in Turin, where Gui conducted in the 1920s, was burnt down in a catastrophic fire in 1936. It remained dark for 37 years until reopening in 1973. The theatre, which is in Piazza Castello close to the Palazzo Reale in the centre of the city, had something of a chequered history even before the fire. Inaugurated in 1740, it was closed by royal decree in 1792 then reopened with the French occupation of Turin during the early 19th century, first as the Teatro Nazionale and then the Teatro Imperiale before its original name was reinstated with the fall of Napoleon in 1814. It endured several financial crises in the late 1800s but somehow survived.

The Teatro del Maggio Musicale 
has been fully open only since 2014

Travel tip:

The Orchestra Stabile Fiorentina founded by Gui evolved into the Orchestra del Maggio Musicale Fiorentino, resident at the Teatro Comunale in Corso Italia, on the edge of the city’s historic centre, about 1.5km (1 mile) from the Ponte Vecchio along the Arno river.  Since 2014, the May Festival has had its own base at the new Teatro del Maggio Musicale Fiorentino, situated less than one kilometre away on land opposite the vast public park known as Le Cascine. Designed by Paolo Desideri, it was inaugurated in 2011 with a performance of Beethoven's Ninth Symphony conducted by Zubin Mehta, although not fully opened until 2014-15, when its first opera season was staged. The square in front of the theatre is named Piazza Vittorio Gui in honour of the festival’s founder.

Also on this day:

1321: The death of the poet Dante Alighieri

1937: The birth of architect Renzo Piano

1938: The birth of journalist Tiziano Terzani

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Gian Giorgio Trissino – dramatist and poet

Innovative playwright spotted the potential of Palladio

Vincenzo Catena's portrait of the
dramatist Gian Giorgio Trissino

Literary theorist, philologist, dramatist and poet Gian Giorgio Trissino was born on this day in 1478 in Vicenza.

As well as his contribution to Italian culture, Trissino is remembered for educating and helping Andrea di Pietro della Gondola, a young mason he discovered working on his villa in Cricoli, just outside Vicenza.

He took the young man on two visits to Rome that profoundly influenced his development into a great architect and he gave him the name Palladio, after the Greek goddess of wisdom, Pallas Athene.

Trissino had been born into a wealthy family and was able to travel widely, studying Greek in Milan and philosophy in Ferrara. He was part of Niccolò Machiavelli’s literary circle in Florence before he settled in Rome, where he associated with the humanist and poet, Pietro Bembo. He became a close friend of the dramatist, Giovanni Rucella, and served Popes Leo X and Clement VII.

Trissino’s most important dramatic work was the blank verse tragedy Sofonisba, published in 1524 and first performed in 1562.

Andrea Palladio was Gian
Giorgio Tressino's protégé

The play was based on a story about the Carthaginian wars by the Roman historian Livy. It employed the dramatic techniques of Sophocles and Euripides. It was the first time blank verse had been used extensively in Italian drama and many later European tragedies were modelled on it. The play was translated into French and performed in 1556 at the Château de Blois.

Trissino later wrote a verse comedy based on a work by the Roman playwright Plautus. He wrote the first Italian odes modelled on the verse of the Greek poet, Pindar, and the first Italian versions of the Horatian ode.

Trissino died in Rome in 1550. An edition of his collected works was published in Verona in 1729.

Vicenza's Piazza dei Signori

Travel tip:

Vicenza, where Gian Giorgio Trissoni was born, has become known as the city of his protégé, Andrea Palladio, and the buildings the great architect designed are all around the city. There is a statue of Palladio close to Piazza dei Signori, the main square. Palazzo del Valmarana and Loggia del Capitaniato are examples of his work that can be seen close to the centre.

Andrea Palladio worked as a stonemason on the Villa
Trissoni, which can be found at Cricoli, near Vicenza

Travel tip:

The Villa Trissoni is located at Cricoli, just outside the centre of Vicenza. Most of it was built in the 16th century and it is associated with Andrea Palladio, who worked on it as a mason. Since 1994 the villa has been part of a World Heritage Site designated to protect the Palladian buildings of Vicenza. Gian Giorgio Trissoni was personally responsible for organising the remodelling of the villa at Cricoli, which he had inherited from his father.

Read more:

Andrea Palladio - the world's famous architect

The poet who was Lucrezia Borgia's lover

Leo X - visionary Renaissance pope

More reading:

1593: The birth of painter Artemisia Gentileschi

1822: The death of the English poet Shelley

1918: American author Ernest Hemingway injured by Austrian mortar fire in the Veneto

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Renato Rascel - actor, singer and songwriter

Film and TV star who wrote the iconic song Arrivederci Roma

Renato Rascel enjoyed a remarkable career as a
singer, songwriter and actor

Renato Rascel, whose remarkable career encompassed more than 60 movies, a hit 1970s TV series, representing Italy at the Eurovision Song Contest and writing one of the most famous Italian songs of all time, was born on this day in 1912 in Turin.

Rascel was Italy’s entry at Eurovision 1960 in London, singing Romantica, with which he had won the Sanremo Music Festival earlier in the year. Romantica finished eighth overall in London.

He is arguably most famous, however, for the song Arrivederci Roma, which he wrote for the 1955 film of the same name, in which he starred with the Italian-American tenor and actor Mario Lanza, which was subsequently released for English and American cinema audiences with the title Seven Hills of Rome.

Arrivederci Roma quickly became a favourite Italian song and scores of big-name singers recorded cover versions, including Bing Crosby, Connie Francis, Dean Martin, Dionne Warwick, Nat King Cole, Perry Como and Vic Damone.

Only a year earlier, Rascel had written the best-selling Italian song of 1954 in Te voglio bene tanto tanto (I Love You So Much).

Rascel performing at the Eurovision Song
Contest in London in 1960

Yet, those achievements were just one part of Rascel’s career in the entertainment business, a life he was born into literally. His mother, Paola Ranucci, gave birth to him backstage in a theatre in Turin, where he and her husband, Cesare, both opera singers, were performing.

As Renato Ranucci, he grew up in his parents’ home city, Rome, and sang in a choir at St Peter's Basilica.  At the age of 14, he began to play drums in ballrooms around Rome before breaking into the growing comedy revue scene as an actor, dancer and clown. His first major stage role was in the operetta Al cavallino bianco, by the Austrian composer Ralph Benatzky.

In 1941 he launched his own theatre company and he began to develop a distinctive kind of humour that became known as ‘non-sense’ and which won him huge popularity. He made play of his small stature - he was only 5ft 2ins tall - becoming known as the il piccoletto nazionale - The Tiny Italian - and exaggerated his smallness by wearing oversized coats.

One of the characters he created for his stage act was called ‘Il Corazziere’, an irony based on the fact that the Corazziere division in the Italian army recruited only soldiers over six feet tall.

His style of humour was seen as ideal for the big screen, where comic characters were all the rage. His movie debut came in 1942 in Pazzo d’amore (Crazy For Love) and began a new phase in his career that saw him appear in more than 60 comedy or drama features.

Renato Rascel starred in Alberto Lattuada's 1952
film Il cappotto (The Overcoat) 

These included Figaro here, Figaro there alongside the king of comic actors, Totò, Alberto Lattuada’s Il cappotto (The Overcoat), which won Rascel a Nastro Argento award for his performance in the lead role, The Secret of Santa Vittoria, in which he had played alongside Anthony Quinn and Anna Magnani.

Rascel continue his film career well into his 60s, appearing as the blind man in Franco Zaffirelli’s Jesus of Nazareth in 1977.

He also made his mark in a big way in television. When Rai began broadcasting as Italy’s first national TV network in the 1950s, Rascel was chosen as host for the first Saturday night variety shows, among them Rascel la nuit and Stasera Rascel City.

In the 1970s he achieved fame all over again when he was chosen to play the crime-solving priest Father Brown in a series based on the character created by the English novelist G K Chesterton. The series ran for several seasons.

Rascel died in Rome of heart failure at the age of 78 in 1990.

Carlo Mollino's modern auditorium is a feature of the
rebuilt Teatro Regio in Turin

Travel tip:

The main opera venue in Turin is the Teatro Regio, which opened originally in 1740 and was re-opened in 1973 after a long closure following a fire. Architect Carlo Mollino created a striking contemporary interior design behind a reconstruction of the original facade. One of the oldest and most important theatres not only in Turin but in Italy is the Teatro Carignano in Turin, which is believed to date back to 1711, although it has been rebuilt several times over the centuries. Today it is owned by the city of Turin and is used mainly to stage plays.

The facade, designed by Carlo Maderno, of the vast
St Peter's Basilica in Rome

Travel tip:

From conception to completion, St Peter's Basilica in Rome, where Rascel sang in a choir as a schooboy, took more than 150 years to build.  Suggested by Pope Nicholas V in about 1450, at which time the original St Peter's was near collapse, it was not finished until 1615.  Although the principal design input from the laying of the first stone in 1506 came from Donato Bramante, Michelangelo, Maderno and Bernini, contributions were also made by Giuliano da Sangallo, Fra Giocondo, Raphael and Antonio da Sangallo.  Michelangelo became involved with reluctance, ironically, after Pope Paul III's first choice as architect, Giulio Romano, died before he could take up the post and second choice Jacopo Sansovino refused to leave Venice.

More reading:

Why Totò is still remembered as Italy's funniest performer

The Oscar-winning talents of Anna Magnani

Mario Monicelli - the father of Commedia all'Italiana

Also on this day:

1937: The death of left-wing intellectual Antonio Gramsci

1942: The birth of the entrepreneur and film producer Vittorio Cecchi Gori

2014: The canonisation of Popes John XXIII and John Paul II


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Carlo Goldoni – playwright

Greatest Venetian dramatist whose work still entertains audiences today

Alessandro Longhi's portrait of Carlo Goldini
is on display at the Casa Goldoni

Carlo Goldoni, the author of The Servant of Two Masters, one of Italy’s most famous and best-loved plays, was born on this day in 1707 in Venice.

Goldoni became a prolific dramatist who reinvigorated the commedia dell’arte dramatic form by replacing its masked, stock figures with more realistic characters.

He produced tightly constructed plots with a new spirit of spontaneity and is considered the founder of Italian realistic comedy.

The son of a physician, Goldoni read comedies from his father’s library when he was young and ran away from his school at Rimini with a company of strolling players when he was just 14.

Later, while studying at the papal college in Pavia, Goldoni read comedies by Plautus, Terence and Aristophanes and learnt French so he could read plays by Molière.

He was eventually expelled for writing a satire about the ladies of Pavia and was sent to study law.

Although he practiced law in Venice and Pisa and held diplomatic appointments, his real passion was writing plays for the theatres in Venice.

Antonio Dal Zòtto's statue of Goldoni
in Piazza San Bartolomeo in Venice

In 1748 he began writing for the Teatro Sant’Angelo company and dispensed with masked characters altogether for his play, La Pamela, a serious drama based on Samuel Richardson’s novel.

In the 1750 season he produced some of his best comedies, such as I pettegolezzi delle donne - Women’s Gossip - a play in Venetian dialect, Il bugiardo - The Liar - written in commedia dell’arte style and Il vero amico -  The True Friend - a comedy of manners.

From 1753 to 1762, Goldoni wrote for Teatro San Luca, now called Teatro Goldoni. Among the important plays he wrote during this period is La locandiera - Mine Hostess - which was first performed in 1753.

There was intense rivalry between competing playwrights at the time. Goldoni satirised Pietro Chiari, a rival playwright, in I malcontenti - The Malcontents - which was performed in 1755, before Carlo Gozzi, an adherent of the commedia dell’arte, denounced him in a satirical poem in 1757, then ridiculed both Goldoni and Chiari in a commedia dell’arte classic, L’amore delle tre melarance - The Love of Three Oranges - which was performed in 1761.

In 1762, Goldoni left Venice for Paris to direct the Comedie-Italienne. He later rewrote all his French plays from this period for Venetian audiences. L’Eventail, performed in France in 1763, became Il ventaglio - The Fan - and is considered one of his finest works.

Goldoni retired from the theatre in 1764 and went to teach Italian to the French royal princesses at Versailles.

In 1783 he began writing his Memoirs in French but after the French Revolution his pension was cancelled and he died in poverty in Paris in 1793. The pension was eventually restored to his widow, Nicoletta Conio, after the intervention on her behalf of the poet Andrea Chénier.

Goldoni’s most famous work, Il servitore di due padroni - The Servant of Two Masters - written in 1745, has been translated into different languages and performed many times. In 2011 it was adapted for the National Theatre in the UK under the title One Man, Two Guvnors and it was so popular it transferred to the West End and then Broadway.

Travel tip:

Goldoni was born in Ca’ Centani, or Centanni, a beautiful 15th century Gothic palace overlooking a narrow canal in the San Toma district of Venice. Better known as Casa Goldoni, the palace was bequeathed to Venice in 1931 and now houses the Goldoni Museum and a centre for theatrical studies. Through a series of displays of relics, furniture, paintings, illustrations of Goldonian comedies and explanatory panels, the museum represents the life and work of Carlo Goldoni in the context of 18th century theatre and Venetian society.

Hotels in Venice from Booking.com

The interior of the Teatro Goldoni, which
dates back to the 1720s

Travel tip:

Teatro Goldoni near the Rialto Bridge in Venice was formerly known as Teatro San Luca, when Goldoni was writing plays for it. The present building dates back to the 1720s although it has been renovated many times after fires or structural problems. Situated in Calle Goldoni in the San Marco district, it was renamed Teatro Goldoni in 1875 and is now home to the Teatro Stabile del Veneto ‘Carlo Goldoni’.


More reading:

How Carlo Gozzi fought to preserve commedia dell'arte

Zanetta Farussi, the 18th century Venetian actress who was the mother of Casanova

Niccolò Piccinni, the opera composer for whom Goldoni wrote a libretto

Also on this day:

1682: The birth of anatomist Giovanni Battista Morgagni

1873: The birth of the great tenor Enrico Caruso

2003: The death of comic actor Alberto Sordi

Selected books:

The Comedies of Carlo Goldoni, edited and introduced by Helen Zimmern

The Servant to Two Masters, by Carlo Goldoni

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Roberto Paci Dalò – composer and film maker

Music maker coined the definition ‘media dramaturgy’

Roberto Paci Dalò has composed and directed more than
30 groundbreaking music-theatre works

The award-winning contemporary musician and composer Roberto Paci Dalò was born on this day in 1962 in Rimini.

Paci Dalò is the co-founder and director of the performing arts ensemble Giardini Pensili and has composed music for theatre, radio, television and film.

After completing musical, visual and architectural studies in Fiesole, Faenza and Ravenna, Paci Dalò focused on sound and design and their use in film, theatre and collaborative projects.

He has been a pioneer in the use of digital technologies and telecommunication systems in art and has been particularly interested in performing arts as a meeting point of languages.

Since 1985 he has written, composed and directed more than 30 groundbreaking music-theatre works which have been presented worldwide.

Roberto Paci Dalò has worked at some
of Italy's leading universities

Paci Dalò has composed music for acoustical ensembles, electronics and voices and has produced radio works for the main European broadcasting corporations.

His films and videos have been regularly presented in international festivals.

Paci Dalò taught Media Dramaturgy at the University of Siena and collaborates with institutions such as the University of Bologna, University of Rome, University of Ascoli Piceno and the Brera Fine Arts Academy in Milan, where he develops projects in collaboration with designers, architects, planners, artists, programmers and hackers.

He coined the term ‘media dramaturgy’ - an extension of the study of composition of drama and adapting stories to actable form to cover not only the theatre but radio, television and film - in describing his own work.

He has been internationally acclaimed for leading the way in multimedia.

As a performer he has also developed extended techniques on the clarinet and with electronics.

Paci Dalò currently lives and works in the hills above Rimini.

The 13th century Tempio Maletestiano in Rimini has
frescoes by Piero della Francesca and works by Giotto

Travel tip:

With wide sandy beaches and plenty of hotels and restaurants, Rimini is one of the most popular seaside resorts in Europe, but it is also a historic town with many interesting things to see. The Tempio Maletestiano is a 13th century Gothic church originally built for the Fransiscans that was transformed on the outside in the 15th century and decorated inside with frescoes by Piero della Francesca and works by Giotto and many other artists. In 1993 Paci Dalò conceived the project Publiphono for his native town, using the public address system of the beach at Rimini to create environmental audio performances along 15km (9 miles) of the coast.

The Piazza della Libertà in the centre of Faenza, the city
in Emilia Romagna where Paci Dalò studied

Travel tip:

Paci Dalò studied at Faenza, a city about 72km (45 miles) kilometres northwest of Rimini, which is famous for the manufacture of a type of decorative majolica-ware known as faience. It is also home to the International Museum of Ceramics, which has examples of ceramics from ancient times, the Middle Ages and the 18th and 19th centuries as well as displaying work by important contemporary artists. The museum is in Viale Baccarini in Faenza. For more information visit www.micfaenza.org

More reading:

The unique style of contemporary composer Ludovico Einaudi

The Futurist artist who invented 'noise music'

How Luigi Nono used avant-garde music as a means of political expression

Also on this day:

98AD: Trajan becomes Roman Emperor

1901: The death of Giuseppe Verdi

1927: The birth of novelist Giovanni Arpino


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Filippo Taglioni - dancer and choreographer

Father of star ballerina was pioneer of Romantic ballet

Filippo Taglioni's portrait, the original of
which is at Teatro alla Scala in Milan

The dancer and choreographer Filippo Taglioni, who choreographed the original version of the ballet classic La Sylphide for his ballerina daughter Marie Taglioni, was born on this day in 1777 in Milan.

La Sylphide was one of the earliest works to represent a new ballet genre, which became known as Romantic ballet, that gained popularity in the 19th century as an alternative to traditional classical ballet.  Romantic ballet was different in that the characters were recognisable as real people rather than the gods and goddesses and strange creatures from Roman and Greek mythology that populated classical ballet.

The work, which premiered at the Salle Le Peletier of the Paris Opéra in 1832, cemented Marie Taglioni’s status as a star, the prima ballerina of the Romantic movement, although the version performed today - the only version to have survived - was choreographed by the Danish ballet master August Bournonville in 1836.

Filippo was part of an Italian dancing dynasty of the 18th and 19th centuries. His father and mother, Carlo Taglioni and Maria Petracchi, were both dancers. Carlo, who was born in Turin, worked in Venice, Rome, Siena and Udine.

Taglioni's daughter, Marie, pictured in a
performance of La Sylphide

As well as Marie, Filippo had a son, Paul Taglioni, who was a successful choreographer and the father of another dancer, Marie Taglioni the younger. Filippo’s brother, Salvatore Taglioni, was father of Luisa Taglioni, who was a ballerina of the Paris Opéra, and Fernando Taglioni, who became a respected composer.

Trained for the most part by the Neapolitan dancer Carlo Blasis and Jean-François Coulon, Filippo made his debut at 17 in Pisa, playing female roles, and after appearing in other Italian cities joined the Paris Opéra at the age of 22, before moving to Stockholm to be principal dancer and ballet master for the Royal Swedish Ballet.

It was while he was living in Stockholm that he married the dancer Sophie Karsten, daughter of a famous Swedish opera singer Christoffer Christian Karsten and a Polish actress, Sophie Stebnowska.

Their two children were born early in the marriage and after living for a number of years in Vienna and Germany they moved to Paris to escape the the Napoleonic wars.  Filippo danced and choreographed in different parts of Europe before accepting a permanent position in Vienna.

Filippo Taglioni made his daughter, Marie,
practise six hours a day for six months

Filippo had left his daughter, Marie, to study ballet in Paris but in time summoned her to join him in Vienna, where he began training her himself, making her practice six hours a day for six months until she mastered her jumps and pointe work. When he judged her to be ready he took her back to Paris.

Marie soon became popular and Filippo was able to negotiate a six-year contract for the two of them. He unveiled La Sylphide to huge acclaim and its success established Marie as the pre-eminent prima ballerina of the Romantic period, as well as making him its most renowned choreographer.

The two toured Europe and Russia and were well rewarded, although Filippo lost a good deal of his daughter’s fortune in through unwise and speculative investments.

His legacy, though, was to have changed the nature of ballet. Although the Romantic movement began to decline at the start of the 20th century, it produced works of lasting popularity such as Delibes’s Coppélia (1870) and Tchaikovsky's Swan Lake (1876) and The Nutcracker (1892).

Filippo Taglioni died in Como in 1871, at the age of 93.

The Teatro Verdi in Pisa was opened in November 1867

Travel tip:

The principal venue for ballet and opera in Pisa is the Teatro Verdi in Via Palestro, built in the mid-19th century in the style of classic theatre architecture to designs by the Venetian architect Andrea Scala, who won a competition organised by the architect and politician Ranieri Simonelli, a prominent Pisan citizen of the day. Completed in 1867, it was inaugurated on November 12 of that year with a performance of Gioachino Rossini’s opera William Tell. It began to stage ballet as well as opera in the latter part of the 19th century.  Taglioni is likely to have performed at the Regia Teatro Nuovo, which the Teatro Verdi replaced.

The beautiful Villa Olmo on Lake Como

Travel tip:

Como, where Taglioni died, is a city at the southern end of Lake Como. It has become a popular tourist destination because it is close to the lake and has many attractive churches, gardens, museums, theatres, parks and palaces to visit. The Villa Olmo, built in neoclassical style there in 1797 by an aristocratic family, has hosted Napoleon, Ugo Foscolo, Prince Metternich, Archduke Franz Ferdinand I and Giuseppe Garibaldi, to name but a few of the eminent people who have stayed there.

More reading:

Fanny Cerrito - the Neapolitan ballerina who wowed Europe

Pierina Legnani - the Italian who conquered St Petersburg

How Strictly Come Dancing judge Bruno Tonioli dealt with playground bullies

Also on this day:

1702: The birth of Venetian painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1898: The birth of Francesco Chiarello, soldier who survived two World Wars


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Vittorio Gassman - actor

Stage and screen star once dubbed ‘Italy’s Olivier’

Vittorio Gassman in the 1948 movie Riso amaro, which
provided him with his breakthrough as a screen actor

Vittorio Gassman, who is regarded as one of the finest actors in the history of Italian theatre and cinema, was born on this day in 1922 in Genoa.

Tall, dark and handsome in a way that made him a Hollywood producer’s dream, Gassman appeared in almost 150 movies but he was no mere matinée idol.

A highly respected stage actor, he possessed a mellifluous speaking voice, a magisterial presence and such range and versatility in his acting talent that the Hollywood columnist Sheilah Graham once called him ‘the Lawrence Olivier of Italy’.

He enjoyed a career that spanned five decades. Inevitably, he is best remembered for his screen roles, although by the time he made his movie debut in 1945, he had appeared in more than 40 productions of classic plays by Shakespeare, Aeschylus, Ibsen, Tennessee Williams, and others.

On screen, his major successes included his portrayal of the handsome scoundrel Walter opposite Silvana Mangano in Giuseppe De Santis's neorealist melodrama Riso amaro (Bitter Rice, 1948), and several Commedia all’Italiana classics, including Mario Monicelli’s I soliti ignoti (Big Deal On Madonna Street, 1958), La grande guerra (The Great War, 1959) and L'armata brancaleone (1965), and Dino Risi's Il sorpasso (1962).

With Silvana Mangano and Alberto Sordi (right), his co-stars
in the comedy classic La grande guerra (1959)

At this time, his popularity was rivalled only by Alberto Sordi, his co-star in La grande guerra, which shared the Golden Lion prize at Venice in 1959 with a Rossellini film.

Gassman’s portrayal of a blind military man in Risi’s 1974 film Profumo di donna received the Best Actor award at the Cannes Film Festival. Al Pacino played the same part and won an Oscar in the 1992 remake, Scent of a Woman.

His flirtation with Hollywood came after he met and fell in love with the American actress Shelley Winters while she was touring Europe.

When Winters returned to Hollywood because of contractual obligations, he followed her there and married her. With his natural charisma and fluency in English he landed a number of roles in Hollywood, including Charles Vidor’s Rhapsody opposite Elizabeth Taylor, and with Gloria Grahame in Maxwell Shane’s film noir The Glass Wall.

He was the only Italian star in the cast of King Vidor's epic War And Peace (1956), produced by Dino De Laurentiis in Rome and for which the Italian composer Nino Rota wrote the music score. Later, Gassman gave distinguished performances in the Robert Altman films A Wedding (1978) and Quintet (1979).

Gassman was the only Italian cast in the 1956 epic War and
Peace, in which he is pictured with Audrey Hepburn

Born to a German father and a Jewish Italian mother, Gassman had aspirations to be a lawyer. But his mother encouraged him to pursue his interest in acting and he remained devoted to his first love, theatre, throughout his career.

A student at the Accademia Nazionale d'Arte Drammatica in Rome, he made his stage debut in Milan in 1942 before moving back to Rome to work at the Teatro Eliseo.

Even after his film debut in 1946 was followed by his breakthrough role in Bitter Rice two years later, he devoted much energy to Luchino Visconti's theatre company in productions such as Tennessee Williams' Un tram che si chiama desiderio (A Streetcar Named Desire) and Come vi piace (As You Like It) by Shakespeare.

In 1952 he co-founded and co-directed the Teatro d'Arte Italiano, which produced the first complete version of Hamlet in Italy.  Later in his career, he created his own company, Teatro Popolare Itinerante, with which he toured Italy staging the works of 20th century authors and playwrights as well as the classics of Shakespeare, Dostoyevsky and the Greek tragicians. He also founded a theatre school in Florence.

For a while he was the star of a popular TV series, Il Mattatore, which was later turned into a movie.

Married three times - to actresses Nora Ricci, Shelley Winters and Diletta D'Andrea - he also had numerous affairs.  The father of two daughters and two sons - one of whom, Alessandro, became a film actor - Gassman died in June 2000, in Rome, following a heart attack.

The Piazza de Ferrari in the centre of Genoa

Travel tip:

Gassman’s home city of Genoa boasts Italy's largest sea port, its maritime power going back to the 12th and 13th centuries, when the Republic of Genoa ruled the Mediterranean. The old city is fascinating for its large maze of narrow caruggi (streets), opening out occasionally into grand squares such as Piazza de Ferrari, site of an iconic bronze fountain and Teatro Carlo Felice opera house. There is a Romanesque duomo, the Cathedral of San Lorenzo, recognisable for its black-and-white-striped facade and frescoed interior.

The Accademia Nazionale d'Arte Drammatic in Rome

Travel tip:

The Accademia Nazionale d'Arte Drammatica "Silvio d'Amico", the dramatic arts academy where Gassman trained as an actor, can be found in Via Bellini, between Villa Borghese and the Parioli district, in an elegant four-storey building. Founded in 1936 by the critic and theatrical theorist Silvio D'Amico, in addition to Gassman it has seen students such as Rossella Falk, Anna Magnani, Paolo Stoppa, Nino Manfredi, Gian Maria Volonté, Monica Vitti, Michele Placido, Nicoletta Braschi and Luca Zingaretti attend lectures and workshops there.

More reading:

Mario Monicelli - the father of Commedia all'Italiana

The genius of Alberto Sordi

How Silvano Mangano's acting talents overcame her critics

Also on this day:

1878: The birth of conductor Tullio Serafin

1886: The birth of vaudeville star Guido Deiro


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Peppino De Filippo - comedian, actor and playwright

Talented Neapolitan who lived in shadow of his brother

Peppino de Filippo enjoyed a successful
career on stage and screen

The playwright and comic actor Peppino De Filippo was born Giuseppe De Filippo on this day in 1903 in Naples.

A highly accomplished performer on stage in serious as well as comedy roles, De Filippo also had a list of film credits numbering almost 100, of which he is best remembered for his screen partnership with the brilliant comic actor Totò.

To an extent, however, he spent his career in the shadow of his older brother, Eduardo De Filippo, who after Luigi Pirandello was regarded as the second great Italian playwright of the 20th century.

The two fell out in the 1940s for reasons that were never made clear, although it later emerged that they had many artistic differences.

They were never reconciled, and though Peppino went on to enjoy a successful career and was widely acclaimed it annoyed him that he was always seen as a minor playwright compared with his brother.

When Peppino published an autobiography in 1977, three years before he died, he called it Una famiglia difficile - A Difficult Family. In the book he described his relationship with his sister, Titina, as one of warmth and affection, but portrays Eduardo as something of a tyrant.

Peppini, second from the right, with his father,
mother, brother and sister in about 1910

The son of Eduardo Scarpetta, one of the most prominent Neapolitan playwrights of the early 20th century, and Luisa De Filippo, he was born in a house on the corner of Via Giovanni Bausan and Via Vittoria Colonna in the Chiaia district of central Naples, about a 20-minute walk from Piazza del Plebiscito and the Royal Palace.

Yet he spent the first five years of his life being cared for by a nanny in Caivano, a small town about 14km (9 miles) northeast of Naples, and returned to his family somewhat reluctantly.

He made his stage debut at the age of six in a play written by his father, learned to play the piano and worked in various theatre companies as he grew up, meeting Totò for the first time in 1920 at the Teatro Nuovo in Naples, in the Spanish Quarter.

Married in 1929 to Adela Carloni, he became a father the following year and soon afterwards joined his brother, Eduardo, and Titina in forming the Compagnia Teatro Umoristico: i De Filippo - the De Filippos’ Humorous Theatre Company.

They were very successful, touring Italy, presenting new comedies to full theatres and enthusiastic reviews.

However, in 1944, after a number of clashes with Eduardo - one story was that Eduardo disapproved of his brother’s relationship with another woman, Lidia Maresca, who later became his second wife  - Peppino left the company.

Peppino de Filippo, right, with Totò, centre, in a scene
from their 1956 movie, La Banda degli Onesti

His own plays were lighter in tone than Eduardo’s and, some critics argued, superior work, yet he never achieved the same recognition for his writing.

On the other hand, he became a highly respected actor known for his versatility. His performances in Harold Pinter’s play The Caretaker and in Molière’s The Miser attracted glowing reviews.

Nonetheless, Peppino’s career tends to be defined by the high profile he achieved in film and on television.

His films with Totò, of which there were 16, though snubbed by the critics, were hugely successful, so much so that the popularity of De Filippo in his own right meant that several movies in which the pair collaborated, such as Totò, Peppino e la malafemmina and Totò, Peppino e le fanatiche, had his name in the title as well as that of his more famous co-star.

He worked with Federico Fellini - in Boccaccio '70, for example - and with Alberto Lattuada and also invented Pappagone, a character for a TV show, who represented a servant employed by himself, a typical character in Neapolitan theatre, whose phrases and jargon became popular sayings.

He married three times in total but had only child, his son Luigi, who maintained the family tradition by becoming an actor, director and playwright, producing and performing in many works by his father and uncle.

De Filippo died in Rome in 1980 and was buried at the Campo Verano cemetery.

The Naples waterfront to the west of the city centre - Chiaia
is the area behind the trees of Villa Comunale 

Travel tip:

Chiaia, where Peppino De Filippo was born, is a neighbourhood bordering the seafront in Naples, roughly between Piazza Vittoria and Mergellina. It has become one of the most affluent districts in the city, with many of the top fashion designers having stores on the main streets. It is the home of a large public park known as the Villa Comunale, flanked by the large palazzi along the Riviera di Chiaia on one side, and the sweeping promenade of the Via Francesco Caracciolo on the other.

An artist's sketch of the Teatro Nuovo in around 1900

Travel tip:

The Teatro Nuovo, where Peppino first met Toto, is located on Via Montecalvario in the Quartieri Spagnoli - Spanish quarter - of Naples, off the Via Toledo, a few steps from Piazza del Plebiscito. The original theatre was an opera house designed by Domenico Antonio Vaccaro completed in 1724. It specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday, including 15 by Cimarosa and seven by Donizetti. The theatre has twice been destroyed by fire, in 1861 and again in 1935.

More reading:

How Eduardo De Filippo captured the spirit of Naples

The brilliance of Luigi Pirandello

The versatility of Alberto Lattuada

Also on this day:

1540: The death of the artist Parmigianino

1902: The birth of Mafia boss Carlo Gambino


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Adolfo Celi – actor and director

Successful career of a Sicilian who was typecast as a baddy

Adolfo Celi in his most famous role as the villain
Emilio Largo in the 1965 Bond film Thunderball

An actor who specialised in playing the role of the villain in films, Adolfo Celi, was born on this day in 1922 in Curcuraci, a hamlet in the province of Messina in Sicily.

Celi was already prominent in Italian cinema, but he became internationally famous for his portrayal of Emilio Largo, James Bond’s adversary with the eye patch, in the 1965 film Thunderball.

He had made his film debut after the Second World War in A Yank in Rome (Un americano in vacanza), in 1946.

In the 1950s he moved to Brazil, where he co-founded the Teatro Brasiliero de Comedia.  He was successful as a stage actor in Brazil and Argentina and also directed three films.

Celi’s big break came when he played the villain in Philippe de Broca’s That Man from Rio. Afterwards he was cast as the camp commandant in the escape drama, Von Ryan’s Express, in which Frank Sinatra and Trevor Howard played prisoners of war.

After appearing in Thunderball, Celi was offered scores of big parts as a villain.

Celi (left) in a scene from the 1975 comedy-drama
Amici miei (My Friends), directed by Mario Monicelli

He later made a spoof of Thunderball in the film, OK Connery, in which he played opposite Sean Connery’s brother, Neil.

Despite being fluent in several languages, Celi’s heavy Sicilian accent meant he was always dubbed when he appeared in English language films.

But he was allowed to speak for himself when he appeared as the Spanish pope, Alexander VI, formerly Rodrigo Borgia, in the 1981 BBC series, The Borgias.

Celi was married three times. His son, Leonardo Celi, is a director and his daughter, Alessandra Celi, is an actress.

Celi (right) played Pope
Alexander VI in The Borgias

In his later years, Celi worked mainly in the theatre. In February 1986, when he was 64, he was in Siena directing and acting in I misteri di Pietroburgo, a theatrical version of Dostoevsky’s work, The Mysteries of St Petersburg.

He suddenly became ill and his friend, the great Italian theatre and film actor Vittorio Gassman, had to take his place on the stage for the premiere of the play on the evening of February 19.

Adolfo Celi died a few hours later in hospital after suffering a heart attack. He was buried in the Cimitero Monumentale in Messina.

The church of Santa Maria dei Bianchi
in Curcuraci was rebuilt by residents

Travel tip:

Curcuraci, where Adolfo Celi was born, is about 7km (4 miles) north of the town of Messina. The Church of Santa Maria dei Bianchi in the village had been built in a place where, according to tradition, the Madonna had appeared in 1347. The church was destroyed in an earthquake in 1908 but the local people worked together to rebuild it, completing the reconstruction by 1926. There is a statue of the patron saint of Curcuraci by the entrance gate and the residents hold a celebration for the saint every year on the first Sunday in September.

The Teatro dei Rinnovati, reopened in 1950, is the most
famous of several theatres in the city of Siena

Travel tip:

The most important theatre in Siena, the city where Celi died, is the Teatro dei Rinnovati right in the centre of the city in Piazza del Campo. Built in the 17th century to a design by the architect Carlo Fontana, the theatre opened in 1670 with a performance of the opera, L’Argia.  The theatre fell into disrepair in the early part of the 20th century and closed in 1927 but with the support of the famous Siena bank Monte dei Paschi, the municipal administration embarked on a programme of renovations designed to make it safe to use. Work was interrupted by the Second World War but the theatre was finally reopened in 1950.

More reading:

Why Mario Monicelli was called 'the father of Commedia all'Italiana'

The comic genius of Alberto Sordi

How Messina was all but destroyed in Italy's worst earthquake

Also on this day:

1835: The birth of poet and Nobel Prize winner Giosuè Carducci

1915: The birth of opera singer Mario del Monaco

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