Tito Gobbi – baritone

Singer found fame on both stage and screen

Tito Gobbi, pictured in 1955

Opera singer Tito Gobbi was born on this day in 1913 in Bassano del Grappa in the Veneto region.

He had a career that lasted 44 years and sang more than 100 different operatic roles on stages all over the world.

Gobbi also sang in 25 films and towards the end of his career directed opera productions throughout Europe and America.

His singing talent was discovered by a family friend while he was studying law at the University of Padua, who suggested that he studied singing instead. As a result, Gobbi moved to Rome in 1932 to study under the tenor, Giulio Crimi.

At his first audition he was accompanied at the piano by Tilde De Rensis, the daughter of musicologist Raphael De Rensis. She was later to become Gobbi’s wife.

Gobbi made his debut in 1935 in Gubbio, singing the role of Count Rodolfo in Vincenzo Bellini’s La sonnambula, and then went to work for a season at La Scala in Milan as an understudy, which gained him valuable experience.

He made his first appearance on stage there as the Herald in Ildebrando Pizzetti’s Orseolo.

Listen to Tito Gobbi singing Di provenza il mar il suol from Verdi's La Traviata

In 1942 he sang the role of Belcore in Donizetti’s L’elisir d’amore at La Scala, conducted by Tullio Serafin.

Gobbi was guided by Serafin in preparing roles, which was to be invaluable later in his career when he was cast as Scarpia, Rigoletto and Simon Boccanegra.

The movie poster for the Italian version
of the British film The Glass Mountain

He began working in films as early as 1938 when he appeared in Cilea’s L’arlesiana with Licia Albanese.

After the Second World War, Gobbi’s international career took off and he sang at the Royal Opera House in Covent Garden, the Lyric Opera in Chicago and the San Francisco Opera house.

He made his debut at The Metropolitan Opera in New York as Scarpia in Tosca.

His screen appearances continued and he starred with Anna Magnani in a contemporary drama released in 1946, Avanti a lui tremava tutta Roma (Before Him All Rome Trembled), a story which sees a group of opera singers appearing in a production of Tosca in Rome in 1944 simultaneously taking part in Italian resistance actions against the Germans.

Gobbi's performance in 1949 in the British film, The Glass Mountain, which was set in wartime Italy, made him known to a much wider audience. The theme music, Legend of the Glass Mountain, which became a contemporary hit, was by the Italian composer Nino Rota.

Tito Gobbi pictured in London in 1973

In the 1960s, Gobbi began directing, staging Verdi’s Simon Boccanegra at both Covent Garden and in Chicago.

He directed Otello in California, Chicago and Thessalonika in Greece and Gianni Schicchi by Puccini in Florence, at the Edinburgh Festival, and in Chicago, Zurich and Monaco.

Gobbi estimated that he had sung the part of Scarpia in Puccini’s Tosca nearly a thousand times.

He sang it in Franco Zeffirelli’s production of the opera at Covent Garden in 1964, when Maria Callas sang the title role and Act Two was broadcast live on British television.

Gobbi and Callas had previously sung Tosca together in a 1953 recording of the Opera in Milan, when Giuseppe di Stefano sang Cavaradossi. That recording, which has been reissued on CD, is considered the finest recording of a complete opera ever made.

In retirement the singer wrote two books, Tito Gobbi: My Life  and Tito Gobbi on his World of Italian Opera. After retiring in 1979, Gobbi died in Rome in 1984 at the age of 70.

Palladio's Ponte degli Alpini in Bassano del Grappa

Travel Tip:

Bassano del Grappa, where Tito Gobbi was born, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

Travel tip:

Gubbio, where Tito Gobbi made his opera debut, is a town in the province of Perugia in Umbria, with some fine medieval architecture in the narrow streets in the centre. Gubbio is well-known for its annual foot race, Corsa dei Ceri, held on 15 May. Three teams, devoted to Sant’Ubaldo, San Giorgio and Sant’Antonio, run through the town and up the mountain carrying a statue of their saint mounted on a tall wooden stand. A similar event is held each year in Jessup, Pensylvania, when residents race statues of the three saints through the streets.

More reading:

Luciano Pavarotti - king of the high 'Cs'

How Tullio Serafin helped Maria Callas achieve her potential

Nino Rota - film music composer who wrote The Godfather soundtrack

(Photo of  Tito Gobbi in London by Allan Warren CC-BY SA 3.0)
(Photo of Bassano del Grappa by Zyance CC BY-SA 3.0)


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Soave - an Italian classic wine

How the dry white from the Veneto earned its DOC status

Soave from
the famous
Bolla vineyard

Soave - at one time the world's most popular Italian wine - was officially granted a DOC classification on this day in 1968.

The DOC status - which stands for Denominazione di Origine Controllata - was introduced midway through the last century as part of a series of laws designed to safeguard the quality and authenticity of Italian wines.

Winegrowers had been pushing for such regulation because the increasing popularity of Italian wines around the world was impacting on quality as more and more producers sprang up to meet demand.

Soave was a case in point.  Originally limited to a small area of just 2,720 acres (1,100 hectares) in the hills to the north of the small towns of Soave and Monteforte d'Alpone, roughly 25km east of Verona in the Veneto region, production spread rapidly to an area more than six times as large.

The biggest demand was from the United States, which developed a taste for Italian wines in the boom years that followed the end of the Second World War.  Of the huge volume of imported bottles that arrived on ships from Europe, Soave was the most popular.

Its reputation then was that of a fine, high quality wine, not unlike France's Chablis in style - pale coloured, lively and refreshing and with crisp mineral flavours and a clean finish.

However, mass production led to a decline in quality.  Grapes grown on the flatlands in the expanding production zone did not yield wine of the same character as those grown on the hillsides, and more and more liberties were taken with the blend of grapes used.

Soave is produced using the Garganega grape

Most wineries honoured the fundamental requirement that a minimum 70 per cent of the blend should be the Garganega grape, which gives the wine its characteristic almond nose, but some were more liberal. And sometimes the Trebbiano di Soave grape that by tradition made up the other 30 per cent in the recipe would be substituted with the very different Trebbiano Toscano, or with other varieties producing different qualities.

At the same time, the volumes being produced led to prices falling, which while a good thing in some respects tended to have a negative effect on the wine's reputation.  With its rarity value gone, Soave began to be seen as a cheap wine, not one with which the wealthy could impress their friends.

Swanky restaurants began to drop it from their wine lists and the knock-on effect was soon felt by wine merchants, too, as customers looked for exclusivity elsewhere.

A similar tipping point was also reached in the United Kingdom and Soave's popularity began to wane, with Pinot Grigio taking its place as the favourite among Italian whites.

Although the area in which Soave makers could obtain DOC status after 1968 reflected the expanded production zone, strict rules on the blend had to be followed.  Garganega grapes had to make up between 70 and 100 per cent and Trebbiano di Soave between 0 and 30 per cent.

The beautiful rolling hills near Verona where Soave is made

Soave produced from grapes grown in the historical 1,100 hectares around Soave and Monteforte d'Alpone was marketed as Soave Classico.

Since the DOC classification came into being, two further indicators of provenance have been introduced.  Wines of the highest quality can qualify for the certification category Denominazione di Origine Controllata e Garantita (DOCG), while wines that do not adhere exactly to the DOC guidelines but are nonetheless judged as of good quality can be awarded an IGT (Indicazione Geografica Tipica) certificate.

Recent signs are that Soave is regaining some of the market share lost to Pinot Grigio.  More sophisticated and reliable production methods have led to higher quality wines, with subtle variations in taste relating to the location of the vineyard underpinning the crisp, non-acidic freshness.

Older wine connoisseurs are still tending to give it a wide berth but a new, younger generation of wine drinkers are discovering it afresh, tiring of Pinot Grigio, still enjoying the fashionable Sauvignon Blancs of Australia and New Zealand but finding Soave a pleasing alternative that is a little easier on the pocket.

The 10th century house at the centre of Soave Castle

Travel tip:

Soave, a small municipality of fewer than 10,000 inhabitants, is notable for its castle, which enjoys a commanding location overlooking the town.  Originally built in the 10th century to protect the area against the Hungarians, it was added to in the 14th and 15th centuries and has three lines of walls.  It was bought privately in the 19th century and restored, and is now open to the public, with several rooms of exhibits, including a dining room with medieval kitchenware.  The poet Dante Alighieri is said to have stayed there as a guest of the Scaligeri family, who were part of a noble Veronese dynasty.

Travel tip:

Nearby Verona, which sits astride the Adige river, is regarded as one of Italy's most beautiful cities.  It attracts hundreds of thousands of visitors whose sole aim is to find the 14th century house in the centre of the city where the balcony overlooking a courtyard was made famous by Shakespeare's play Romeo and Juliet, which he based on stories of Verona's warring Montague and Capulet families.  But there is much more to the city, which has a fascinating network of narrow medieval streets, some fine churches, handsome squares and impressive Roman ruins, the most famous of which is the vast Arena amphitheatre, designed to accommodate 30,000 spectators and now a major venue for music concerts and opera.

(Photo of Soave landscape by Alessandro Pighi CC BY-SA 4.0)
(Photo of Soave Castle by Casalmaggiore Provincia CC BY-SA 4.0)

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Vajont Dam Disaster

Catastrophic flood may have killed 2,500

The Vajont Dam, pictured before the disaster of 1963, was
considered a triumph of  engineering.

Prone to earthquakes because of its unfortunate geology, Italy has suffered many natural disasters over the centuries, yet the horrific catastrophe that took place on this day 53 years ago in an Alpine valley about 100km north of Venice, killing perhaps as many as 2,500 people, was to a significant extent man-made.

The Vajont Dam Disaster of October 9, 1963 happened when a section of a mountain straddling the border of the Veneto and Fruili-Venezia Giulia regions in the Fruilian Dolomites collapsed in a massive landslide, dumping 260 million cubic metres of forest, earth and rock into a deep, narrow reservoir created to generate hydroelectric power for Italy's industrial northern cities.

The chunk of Monte Toc that came away after days of heavy rain was the size of a small town yet within moments it was moving towards the water at 100km per hour (62mph) and hit the surface of the reservoir in less than a minute.

The effect was almost unimaginable.  Within seconds, 50 million cubic metres of water was displaced, creating a tsunami that rose to 250m high.  The dam held, but the colossal volume of water had nowhere to go but over the top and into the Piave valley below.

Where the village of Longarone had stood, all that
 remained was mud and debris.

The landslide was timed at 10.39pm.  In the valley, dotted with villages, many residents were already in bed, others locking up, some making their way home.  They had no chance of escape.  The only warning was a rumbling in the distance, accompanied by a sudden, strengthening wind, that rapidly turned into a deafening roar.

The force behind the surge of water was such that its initial impact with the valley floor after its 250m descent through the narrow Vajont gorge left a crater 60m (200ft) deep and 80m across.

As the water rushed onwards into the Piave valley, it pushed along a pocket of air generating more energy than was created by the atomic bomb that flattened Hiroshima. It was so powerful that most of the victims were found naked, their clothes ripped off them by the blast.

Within a matter of minutes, the villages of Longarone, Pirago, Rivalta, Villanova and Faè had been wiped from the map and 80 per cent of their inhabitants were dead, accounting for around 2,000 of the fatalities.

Others died in villages further downstream, as well as on the opposite side of the reservoir to the landslide, where another huge wave swept up the hillside.

It is estimated that more than half those killed were never found, their bodies buried too deep to be recovered under the vast mud plain that the water left behind.  Others were carried for miles along the Piave River, some possibly into the Adriatic.

The collapse of the mountain filled in almost
half of the reservoir in minutes

A cemetery exists at Fortogna, which commemor- ates all those known to have died, although the headstones - identical blocks of marble in uniform rows - do not necessarily correspond with the remains buried immediately underneath. In many cases there are no remains at all.  To the dismay of relatives, flowers and personal memorials are not permitted to be left.

In the immediate aftermath of the disaster, the Italian government and the two authorities involved with the construction of the dam - the Adriatic Energy Corporation (Societa Adriatica di Elettrica) and, at a later stage, the National Entity for Electricity (Ente nazionale per l'energia elettrica) - attributed the catastrophe to natural causes. Journalists who suggested otherwise were accused of "undermining public order".

Later, however, it emerged that many warnings about the instability of the site chosen had been ignored and the project had been allowed to continue despite a number of landslides over a period of four years before the disaster.

A number of engineers eventually went on trial and some were convicted of negligence but the sentences handed out were seen by many as too lenient.  The government was urged to sue the Adriatic Energy Corporation for compensation but in the end decided against it.

Among events held to commemorate the 50th anniversary of the disaster in 2013, a stage of the Giro d'Italia cycle race finished in the municipality of Erto e Casso on the northern side of the reservoir, with the next stage starting in Longarone.

Longarone was completely rebuilt as a modern village

Travel tip:

Nowadays, the largely undamaged Vajont Dam - itself a triumph of engineering, at 262m (860ft) the tallest in the world at the time of construction - is open to the public and a small memorial chapel has been built.  The rebuilt village of Longarone contains a memorial church designed by one of Italy's most influential 20th century architects, Giovanni Michelucci.

Travel tip:

The most important city in the upper Piave valley, situated about 30km south of Longarone, is Belluno, a former Alpine Town of the Year, where there has been a settlement of some kind since around 220BC.  Subsequently it passed into the hands of the Romans.  The sarcophagus of Caius Flavius Hosilius and his wife Domitia can be found in the church of Santo Stefano, which was built on the site of a Roman cemetery.

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Pope John Paul I

Sudden end to the reign of ‘The Smiling Pope’

Pope John Paul I making his weekly
address to the crowds outside St Peter's

John Paul I died on this day in 1978 in Rome, having served for just 33 days as Pope.

His reign is one of the shortest in Papal history and resulted in the most recent ‘Year of Three Popes’, which hadn’t happened since 1605.

John Paul I was also the most recent Pope to be born in Italy, his death ending the succession of Italian pontiffs that started with Clement VII in 1523.

Pope John Paul I was born Albino Luciani in 1912 in a small town then known as Forno di Canale, in the province of Belluno in the Veneto.

The son of a bricklayer, he decided to become a priest when he was just ten years old and was educated first at the seminary in Feltre and then in Belluno.

After Luciani was ordained, he taught for a while at the seminary in Belluno before going to Rome to work on a Doctorate in Sacred Theology.

He was appointed Bishop of Vittorio Veneto by Pope John XXIII in 1958. The next Pope, Paul VI, made him Patriarch of Venice in 1969 and then Cardinal Priest of San Marco in 1973.

Albino Luciani in 1959, soon after he was
 appointed Bishop of Vittorio Veneto 

After the death of Pope Paul VI in August 1978, Luciani was elected Pope in the fourth ballot of the papal conclave. He accepted his election but prophesied that his reign would be a short one.

The new Pope chose the name John Paul to honour both of his predecessors, Pope John XXIII and Pope Paul VI. It was the first time in history a Pope had chosen a double name.

It was suggested at the time that his election had been a compromise to satisfy rival camps among the Cardinals.

Pope John Paul I died during the night of 28 September 1978 and was found the following morning lying in his bed with a book open next to him and his reading light on. According to a doctor at the Vatican he had died at around 11 pm of a heart attack.

After his funeral in St Peter’s Square, the Pope’s body was laid to rest in a tomb in the Vatican grottoes.

His successor Cardinal Karol Wojtyla chose the name Pope John Paul II and paid tribute to his predecessor’s warm qualities.

In Italy John Paul I is remembered as ‘The Smiling Pope’, Il Papa del Sorriso.

Pope John Paul I was against Communism but was a friend to Muslim people and defended their right to build Mosques in Italy.

The suddenness of his death and the discrepancies in statements issued by the Vatican about it resulted in a number of conspiracy theories being aired. Several books were published and films and plays were produced based on the story.

David Yallop’s book, In God’s Name, puts forward the theory that the Pope was in danger because of corruption in the Vatican Bank, while Malachi Martin’s book, Vatican: A Novel, suggests the Pope was murdered by the Soviet Union because he was opposed to Communism. Other books and films propose alternative theories.

The house in Canale d'Agordo in which Albino Luciani, who
would become Pope John Paul I, was born

Travel tip:

Canale d’Agordo, the birthplace of John Paul I, is a small town in the province of Belluno in the Veneto, which was previously known as Forno di Canale. The Albino Luciani Museum, which displays documents, personal items and objects associated with the life of Pope John Paul I, opened last month in the old town hall in Canale d’Agordo.

Travel tip:

Belluno, where Luciani both studied and taught in the Seminary, is about 100 kilometres north of Venice. Named Alpine Town of the Year in 1999, it is the most important city in the area of the Eastern Dolomites and has some fine architecture There are picturesque views of the surrounding countryside to be seen from the 12th century Porta Ruga at the end of the main street and from the Campanile of the 16th century Duomo.

(Photo of John Paul's birthplace by Sibode 1 GFDL)

Books

In God's Name, by David Yallop

Vatican: A Novel, by Malachi Martin



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Tullio Serafin – opera conductor

Toscanini’s successor furthered the career of Callas

Tullio Serafin

The man who helped Maria Callas develop her singing talent, musician and conductor Tullio Serafin, was born on this day in 1878 in Rottanova near Cavarzere in the Veneto, on the Adige river just south of the Venetian Lagoon.

Serafin studied music in Milan and went on to play the viola in the orchestra at Teatro alla Scala under the baton of Arturo Toscanini.

He was later appointed assistant conductor and then took over as musical director at the theatre when Toscanini left to go to New York.

Serafin conducted at La Scala between 1909 and 1914, from 1917 to 1918 and then returned briefly at the end of the Second World War.

He became a conductor at the Metropolitan Opera in New York in 1924 and stayed with them for ten years before returning to Italy to become artistic director at the Teatro Reale in Rome.

During his career he helped the development of many singers, including Rosa Ponselle, Magda Olivero and Joan Sutherland.

Serafin’s most notable success was with Maria Callas, with whom he collaborated on many recordings. He is credited with helping the American-born singer achieve a major breakthrough in 1949 when he persuaded her to take over from the leading belcanto soprano Margeritha Carosio at the opening night of Bellini's I Puritani at La Fenice in Venice after Carosio was forced to withdraw through illness.

Callas protested that she was inadequately prepared but her performance received rave reviews, giving her the confidence to expand her repertoire.  Thereafter, success followed success.

The conductor was also responsible for reviving 19th century operas by Bellini, Rossini and Donizetti and establishing them in the 20th century repertoire.

Serafin died in 1968 in Rome at the age of 89.

The bell tower of the Duomo and the
Palazzo Barbiani in Cavarzere

Travel tip:

Rottanova, where Serafin was born, is a small hamlet on the outskirts of Cavarzere, a comune situated about 35km south of Venice in the Veneto. Cavarzere dates back to before Roman times when it was a military outpost. It later became a refuge for people escaping from the barbarians after the fall of the Roman Empire.

Hotels in Cavarzere by Expedia

Travel tip:

Teatro alla Scala, where Serafin conducted for so many years, is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30pm.

Milan hotels by Hotels.com

Also on this day: 

1576: The birth of Cardinal and art collector Scipione Borghese

1886: The birth of vaudeville star Guido Deiro 

1922: The birth of actor Vittorio Gassman

1950: The birth of crime writer Michele Giuttari 

HomeHome.30 to 5.30 pm.

Saint Anthony of Padua

Pilgrims honour the saint famous for his miracles

The Basilica di Sant'Antonio in Padua

The feast of Saint Anthony of Padua (Sant’Antonio da Padova) will be celebrated  by thousands of pilgrims visiting the northern Italian city today.

Special services will be held in the Basilica di Sant’Antonio and a statue of the saint will be carried through the streets of Padua.

Over the next few days pilgrims from all over the world will visit the Basilica, to see the saint’s tomb and relics.

Anthony was born in Portugal where he became a Catholic priest and a friar of the Franciscan order. He died on 13 June, 1231 in Padova and was declared a saint by the Vatican a year after his death, which is considered a remarkably short space of time.

Anthony is one of the most loved of all the saints and his name is regularly invoked by Italians to help them recover lost items.

It is estimated that about five million pilgrims visit the Basilica every year in order to file past and touch the tomb of the Franciscan monk, who became famous for his miracles, particularly relating to lost people or things.

The magnificent basilica in Piazza del Santo is an architectural masterpiece created between the 13th and 14th centuries, but it was later enriched with works of art by masters such as Titian, Tiepolo and the sculptor Donatello.

Saint Anthony’s Basilica is an imposing sight in Padova’s skyline even from a distance as it has seven domes around a cupola, two campanili (towers) and tapering spires like the minarets of a mosque.

Inside, the church is in the plan of a Latin cross with a nave and aisles in the gothic tradition. The Saint’s body lies in a marble tomb in the area known as the Chapel of the Tomb in the left transept.

The walls around the tomb are decorated with large 16th century marble reliefs that depict scenes from Saint Anthony’s life. These are overshadowed by the impressive amount of offerings and photographs on display from people wishing to give thanks after surviving car crashes or serious illnesses thanks to what they believe was the intervention of Sant’Antonio.

In a separate chapel, visitors can see relics of Saint Anthony and other important objects, such as a tunic believed to have been worn by the saint.

The Scrovegni Chapel is home to magnificent
frescoes by Giotto

Travel tip:

Padova in the Veneto is also one of the most important centres for art in Italy and home to the country’s second oldest university. Padova has become acknowledged as the birthplace of modern art because it is home to the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, a genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are acknowledged as his greatest achievement and are one of the world’s most important works of art. At Palazzo Bò, Padova’s university founded in 1222, you can still see the original lectern used by Galileo and the world’s first anatomy theatre, where dissections were secretly carried out from 1594.

Travel tip:

The enormous Basilica di Sant’Antonio da Padova, or Basilica del Santo as it is known to local people, is one of the most important places of Christian worship in the world. To reach it from the railway station in Piazzale Stazione, take the tram and get off at the stop called simply, Santo. Buses also run between the station and the Basilica. If you are on foot, walk down Corso del Popolo, Corso Garibaldi, Via Eremitani, Via Zabarella and Via del Santo. The Basilica is open from 06.20 to 19.00 in the winter and 06.20 to 19.45 in the summer. Admission is free.

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