Ruggiero Giovannelli – composer

Church musician wrote popular madrigals and songs

Ruggiero Giovannelli was maestro di
cappella at St Peter's for five years

Ruggiero Giovannelli, a religious composer who also wrote a surprising number of light-hearted madrigals, died on this day in 1625 in Rome.

He may have been a pupil of Giovanni Pierluigi da Palestrina, the most famous of the Roman School composers of the 16th century. Even though there is no documentary evidence to support this, there are stylistic similarities in their music.

On Palestrina’s death in 1594, Giovannelli was chosen to replace him as maestro di cappella at the Julian Chapel in St Peter’s Basilica.

Giovannelli was born in Velletri near Rome and not much is known about his life until 1583 when he became maestro di cappella at the church of San Luigi dei Francesi near the Piazza Navona in Rome. He moved on to become maestro di cappella at the Collegio Germanico, a pontifical college in Rome, in 1591.

His most important appointment was when he was chosen to replace Palestrina at St Peter’s in 1594, a position he held until 1599 when he became a singer at the Sistine Chapel, a position he held until he became maestro di cappella there in 1614.

Giovannelli was influenced by Giovanni Pierluigi da
Palestrina (above), whom he succeeded at St Peter's 

Giovannelli composed church music in the style of Palestrina, although after 1600 he experimented with innovations that reflected the beginning of the Baroque era. Manuscripts of his masses, motets and psalms are kept in the Vatican Library.

Giovannelli wrote a surprising amount of secular music, mostly madrigals and canzonettas. He wrote three books of madrigals for five voices and two books for four voices, as well as a large quantity of other secular songs. His music was reprinted in Italy and abroad, which indicates its popularity at the time.

After retiring in 1624, he died the following year. He is buried in the church of Santa Marta in Rome.

The Cathedral of San Clemente in Velletri, which dates
back to the fourth century

Travel tip:

Velletri, where Ruggiero Giovannelli was born, is a municipality outside Rome in the Alban Hills. It has a fourth century cathedral, the Cathedral of San Clemente, which was originally built over the ruins of a pagan temple, but was rebuilt in the 17th century and given a Renaissance-style portal. The town suffered extensive damage during bombing raids in the Second World War, although the cathedral survived.  In the 15th century, Velletri had the dubious claim to fame of being the host to what is believed to have been the world's first pawnshop.

Michelangelo's incredible work
on the ceiling of the Sistine Chapel

Travel tip:

The Sistine Chapel, where Ruggiero Giovannelli was both a singer and maestro di cappella, is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Between 1508 and 1512, Michelangelo painted the ceiling at the request of Pope Julius II.  His amazing masterpiece is in bright colours, easily visible from the floor, and covers more than 400 square metres.



More reading:

Domenico Bartolucci - a musician who directed the Sistine Chapel choir under six 20th century popes

The tale of Carlo Gesualdo, the 16th century composer of madrigals who brutally killed his wife and her lover

Andrea Gabrieli, the father of Venetian music

Also on this day:

1655: The death of the controversial Pope Innocent X

1797: Italy's tricolore flag is hoisted for the first time

1920: The birth of actor Vincent Gardenia


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Baldassare Verazzi - painter

Piedmontese artist famous for image of uprising in Milan

Verazzi's Episodio delle Cinque Giornate
 (Combattimento a Palazzo Litta)

The painter Baldassare Verazzi, whose most famous work depicts a scene from the anti-Austrian uprising known as The Five Days of Milan, was born on this day in 1819 in Caprezzo, a tiny village in Piedmont, 120km (75 miles) from Turin in the hills above Lake Maggiore.

Something of a revolutionary in that he was an active supporter of the Risorgimento, it is supposed that he was in Milan in 1848 when citizens rose up against the ruling forces of the Austrian Empire, which controlled much of northern Italy.

The Cinque Giornate di Milano, in March of that year, comprised five days of street fighting that eventually resulted in the Austrian garrison being expelled from the city, marking the start of the First Italian War of Independence.

Verazzi’s painting, which is today on display at the Museum of the Risorgimento in the Castello Sforza in Milan, is entitled Episodio delle Cinque Giornate (Combattimento a Palazzo Litta), and shows three figures sheltering behind a barricade while another aims a rifle over the barricade, presumably in the direction of Austrian troops.

Born into a family of humble origins, Verazzi studied at the Brera Academy in Milan from 1833 to 1842 under the guidance of the Venetian painter Francesco Hayez. He participated in numerous art exhibitions in Milan and Turin.

In 1851 he won the prestigious Canonica Prize with The Parable of the Samaritan and in 1854 the Mylius Prize with his portrait of Raphael, which was presented to Pope Julius II.

Verazzi's Portrait of a Gentleman and Girls, in the
National Museum of Fine Arts in Buenos Aires

He became sought after for his frescoes, depicting historical scenes, such as his work on the dome of the enclosed annex to the Fatebenesorelle Hospital in Milan.

Although he had no shortage of work in Lombardy and Piedmont - his paintings can be found in many churches across the two regions - Verazzi took the bold decision in 1856 to move to South America.

Settling first in Buenos Aires, he became known for his historical and allegorical compositions, and for portraits, as well as the decorations at the Teatro Colón.

In Buenos Aires an intense rivalry developed between him and another Italian painter, Ignazio Manzoni, while he also had a dispute with General Justo José de Urquiza, an influential politician and military leader, which led him to move on to Montevideo in Uruguay, where he became a sought-after portraitist and decorated the frescoes of the Rotonda of the city cemetery.

Between Argentina, Uruguay and Brazil, he spent 12 fruitful years of his artistic career in South America, where he became one of the most appreciated and well-known painters.

He returned to Italy in 1868 but decided not to reopen his former studio in Milan in favour of taking up residence again in Caprezzo, although he ultimately decided that the wealth he had accumulated in South America deserved something grander.

Eventually, he took a fancy to the small town of Lesa, on the shores of Lake Maggiore and a favourite of the novelist Alessandro Manzoni.

He bought a extensive property in the hamlet of Villa Lesa, where he spent the last 16 years of his life, 1870 to 1886, and where his son Serafino, who also became a noted painter, was born in 1875.

The town of Lesa on the shores of Lake Maggiore, which
was once the home of novelist Alessandro Manzoni

Travel tip:

Lesa is a pretty town on the shores of Lake Maggiore, halfway between Stresa and Arona, known for its calm atmosphere and beautiful views. The town and surrounding area is notable for its many extravagant villas and palaces, with gardens and distinctive architecture, a legacy of its one-time popularity with noble families. It remains a sought-after area for the wealthy, such as the businessman and former prime minister Silvio Berlusconi, who owns the Villa Campari, built by Gaspare Campari, inventor of the famous aperitif liqueur.  On the lakeshore are the ruins of a castle that once guarded the town.

The Cascata del Toce waterfall is one of the attractions
of the province of Verbano-Cusio-Ossola in Piedmont

Travel tip:

Caprezzo is part of the province of Verbano-Cusio-Ossola, an area of unspoiled nature that encompasses many beautiful valleys such as Val d’Ossola, through which flows the Toce River and the dramatic Cascata del Toce waterfall. The area includes the picturesque Lake Mergozzo, the northern bank of Lake Orta and the town of Omegna, which in the early part of the 20th century was famous for the production of small domestic appliances, including the first coffee makers and pressure cookers. The province includes the western bank of Lake Maggiore that hosts renowned resorts of Cannobio, Cannero Riviera, Verbania, Baveno and Stresa, as well as the Borromean Islands, lying in the middle of Lake Maggiore, including the Baroque palace and gardens of Isola Bella.

More reading:

What happened in the Five Days of Milan

Why Alessandro Manzoni is considered to have written the greatest novel in Italian history

Garibaldi and the Expedition of the Thousand

Also on this day:

Befana - the Italian tradition on January 6

1907: Educationalist Maria Montessori opens her first school

1938: The birth of Italy's biggest-selling recording artist Adriano Celentano


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Severino Gazzelloni - flautist

Lead player with RAI orchestra considered a great of Italian music

Severino Gazzelloni was regarded as one of
Italy's finest flautist

The flautist Severino Gazzelloni, who for 30 years was the principal player of his instrument in the prestigious RAI National Symphony Orchestra but who had a repertoire that extended well beyond orchestral classical music, was born on this day in 1919 in Roccasecca, a town perched on a hillside in southern Lazio, about 130km (81 miles) south of Rome.

He was known for his versatility. In addition to his proficiency in classical flute pieces, Gazzelloni also excelled in jazz and 20th century avant-garde music. As such, many musicians and aficionados regard him as one of the finest flute players of all time.

Gazzelloni also taught others to master the flute. His notable pupils included the American jazz saxophonist Eric Dolphy and the Dutch classical flautist Abbie de Quant.

The son of a tailor in Roccasecca, Gazzelloni grew up in modest circumstances yet had music around him from a young age as his father played in a local band.  He taught himself music and became fascinated with the flute as an instrument, acquiring the technique to play it simply by practising for endless hours on his own.

Severino Gazzelloni's golden flute was made for him
by a craftsman in Germany

By the age of seven, his father considered him good enough to sit alongside him in the band, whose conductor and musical director, Giambattista Creati, recognised him as a musician of natural talent and great potential.

With Creati’s encouragement, Gazzelloni developed as a performer over the next few years and in 1934, at the age of 15, obtained a place at Italy’s premier conservatory, the National Academy of Santa Cecilia in Rome, where he graduated in 1942 under the guidance of the accomplished flautist Arrigo Tassinari.

During the war years he stayed in Rome, finding work in the orchestra at a variety theatre, where he met Alberto Semprini, who would go on to become director of the RAI National Symphony Orchestra.

When Gazzelloni played with that orchestra for the first time in 1944, it was called the Radio Roma Orchestra, led by Fernando Previtali. His debut appearance began an association that would last until the mid 1970s.

Gazzelloni was as comfortable playing jazz as he
was with classical music

He began to give solo recitals in 1945, launching his solo career with a tour of Belgium. His debut as a soloist in an Italian venue did not come until 1947, when Italy was beginning to get back on its feet after the devastation of the Second World War, and Gazzelloni gave a performance at the Teatro Eliseo in Rome.

His interest in avant-garde music developed after he had met the Venetian-born composer Bruno Maderna, through whom he was introduced to the Internationale Ferienkurse für Neue Musik - a summer school for ‘new music’ - that was held each year in Darmstadt, near Frankfurt.

Gazzelloni went to Darmstadt for the first time in 1952 and taught there continuously from 1956 to 1966.

In those years he developed friendships and professional relationships with some of the leading lights of the 20th century avant-garde movement, including Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Franco Donatoni, Olivier Messiaen, John Cage, Luciano Berio and Sylvano Bussotti.

The composer Igor Stravinsky composed
music for Gazzelloni

Berio, the experimental composer who was a pioneer of electronic music, Boulez, Maderna and Igor Stravinsky - the Russian-born pianist considered one of the most important composers of the 20th century - all wrote pieces specifically for Gazzelloni, who was nicknamed “the Golden Flute” - in part in recognition of his virtuosity but also because he did actually own a gold-plated flute, made for him by a German craftsman in 1956.

Gazzelloni is said to have enjoyed the informality of the jazz scene and one of his most successful tours came in 1976, when he was accompanied by the eminent classical pianist Bruno Canino and a jazz combo that comprised some of Italy’s top names, including the jazz piano player Enrico Intra, the saxophonist Giancarlo Barigozzi, bass guitarist Pino Presti, drummer Tullio De Piscopo and lead guitarist Sergio Farina.

At his peak as a soloist, Gazzelloni played as many as 250 concerts a year, as well as teaching at the Academy of Santa Cecilia and at the Chigiana Academy in Siena.

He died in Cassino, not far from Roccasecca, in 1992 in a clinic where he had been undergoing treatment for a brain tumour.

Two years after his death, the municipality of Roccasecca launched a musical festival in his honour and the event, the International Festival Severino Gazzelloni, is today an annual month-long event staged in August and September, supported by the Licinio Refice Conservatory of Frosinone and the University of Cassino and Southern Lazio, with sponsorship from businesses in the area.

The remains of the castle at Roccasecca

Travel tip:

The town of Roccasecca occupies a strategic position at the entrance to two narrow gorges that provide access to the Valle di Comino below the slopes of Monte Asprano. It has a castle built in the 10th century at the behest of the Abbot of Montecassino. The abbot later put the castle in the control of the D’Aquino family and it was there that Tommaso D’Aquino, the Dominican friar who was canonized as Saint Thomas Aquinas fifty years after his death, was supposedly born in 1225. The castle fell into disrepair in the 17th century.

The entrance to the Conservatory
of the Academy of Santa Cecilia

Travel tip:

The National Academy of Santa Cecilia is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, but the historic conservatory in Via dei Greci remains, offering preparatory courses, and also houses the Italian Institute for Music History.



More reading:

How avant-garde composer Luigi Nono saw music as a form of political expression

Why Pino Presti is an important figure in Italian contemporary music

The brilliance of classical flute player Leonardo De Lorenzo

Also on this day:

1905: The birth of Michele Navarra - practising doctor and Mafia boss

1932: The birth of academic and novelist Umberto Eco

1948: The birth of anti-Mafia activist Giuseppe Impastato


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Giuseppe ‘Pino’ Greco - Mafia executioner

Notorious hitman thought to have committed at least 80 murders

Giuseppe 'Pino' Greco was one of the
Sicilian Mafia's most notorious killers

The notorious Mafia hitman Giuseppe Greco, who was convicted posthumously on 58 counts of murder but whose victims possibly ran into hundreds, was born on this day in 1952 in Ciaculli, a town on the outskirts of Palermo in Sicily.

More often known as ‘Pino’, or by his nickname Scarpuzzedda - meaning ‘little shoe’ - Greco is considered one of the most prolific killers in the history of organised crime.

The nephew of Michele Greco, who lived on an estate just outside Ciaculli and rose to be head of the Sicilian Mafia Commission - a body set up to settle disputes between rival clans - Pino Greco is generally accepted to have been responsible for 80 deaths, although some students of Cosa Nostra history believe he could have committed more than 300 killings.

Most of Greco’s victims were fellow criminals, the majority of them killed during the Second Mafia War, which began in 1978 and intensified between 1981 and 1983 with more than 1,000 homicides, as rival clans fought each other and against the state, with judges, prosecutors and politicians prominent in the fight against organised crime themselves becoming targets.

Greco, in fact, was convicted at the so-called Maxi Trial in the late 1980s of the murder of General Carlo Alberto dalla Chiesa, Italy’s counter-terrorism chief, who was shot to death in his car in Palermo in 1982 after being sent to Sicily with a brief to end the conflict.

General Carlo Alberto dalla was Greco's most high-profile
victim among the scores of murders he committed

In 1983, also in Palermo, he planted and detonated the car bomb that killed magistrate Rocco Chinnici, his two carabinieri escorts and the porter of the building where Chinnici lived.

As a young man, Greco was academically bright, excelling in the study of Latin and Greek, but his family background meant that his life in crime was effectively preordained. His father was also a contract killer, whose nickname Scarpa - ‘shoe’ - gave rise to Giuseppe’s nom de guerre.

The exact point at which he became part of the Mafia is not known but by 1979 he was sitting alongside his uncle, Michele, on the Commission, as the Ciaculli clans formed a powerful alliance with the Corleonesi, led by Salvatore 'Toto' Riina and Bernardo Provenzano.

It was on behalf of Riina and Provenzano, who instigated the internecine conflict that was to prove so deadly, that Pino carried out his reign of terror, working closely in particular with Filippo Marchese, a notorious Corleonesi hitman who ran the so-called Room of Death, an apartment in Palermo where victims would be taken to meet their fate.

Giuseppe Lucchese, who for a
time was Greco's partner in crime

Such was the nature of Greco’s work, however, that within days of organising with Marchese a massacre of nine gangsters invited to a barbecue at his uncle’s estate, Greco was ordered by Riina to kill Marchese, who was perceived as becoming too powerful.

Unfortunately for Greco, that fate would soon enough be his own, Riina’s craving for ultimate power brooking no sentiment. Greco's ‘mistake’ was to assume control of the Ciaculli mob on behalf of his uncle, who was in hiding.

Riina decided he had to reduce the strength of the Ciaculli, who lost eight members in a massacre in the Piazza Scaffa in central Palermo, and had decided that Greco had to go even as his erstwhile chief henchman was arranging the killing of another identified ‘enemy’ in police investigator Antonino Cassarà.

In September 1985, Greco invited two supposed friends, Vincenzo Puccio and Giuseppe Lucchese, into his villa outside Bagheria, about 20km (12 miles) east of Palermo, only for the pair to draw their weapons and shoot him dead. His body was never found and his death not confirmed until 1989 by an informant, Francesco Marino Mannoia, whose brother had also been in Greco’s house at the time of the killing.

By that time, the Maxi Trial, the extraordinary event spanning six years that saw the conviction of 360 defendants following the investigations led by Paolo Borsellino and Giovanni Falcone, had handed Greco a life sentence in absentia, along with Marchese, Riina and Provenzano among others.

The sandy beach at Mondello, the pretty resort just
along the coast from Palermo

Travel tip:

Palermo has plenty of attractions in the heart of the city, but there are also some good beaches nearby, the closest of which is at Mondello, about 10km (6 miles) out of town to the north. The former fishing village has a nice sweeping bay enclosing turquoise water and a beach of fine sand and a promenade lined with beautiful villas, many built in Liberty style at the start of the 20th century as summer retreats for the wealthier residents of the city.  The nature reserve of Capo Gallo, with its white rocks and clear water, is within walking distance of Mondello.

The Villa Palagonia in Bagheria reflected the town's
wealth in the early 18th century

Travel tip:

Bagheria, a town of around 55,000 inhabitants, became prosperous under Savoyard and Habsburg rule in the early 18th century, when the first of many grand villas were built in the town.  The two most striking baroque residences, Villa Valguarnera and Villa Palagonia, were designed by the architect Tommaso Maria Napoli and have echoes of architecture in Rome and Vienna, where he had worked previously.  Villa Palagonia is renowned for its complex external staircase, curved façades, and marble.  The town is the home of the film director Giuseppe Tornatore, most famous for Cinema Paradiso, and some of the location shooting took place there.


More reading:

How Bernardo Provenzano evaded the police for 43 years

Giovanni Falcone's lifelong crusade against the Mafia

Tommaso Buscetta, the Mafia 'pentito' who put hundreds behind bars

Also on this day:

1710: The birth of 'opera buffa' composer Giovanni Battista Pergolesi

1881: The birth of Gaetano Merola, founder of the San Francisco Opera

1975: The death of Carlo Levi, author of Christ Stopped at Eboli


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Renato Carosone – singer-songwriter

Composer revived popularity of the traditional Neapolitan song

Renato Carosone wrote such classic songs as
 Tu vuo' fa' l'Americano and Mambo Italiano

Renato Carosone, who became famous for writing and performing Neapolitan songs in modern times, was born Renato Carusone on this day in 1920 in Naples.

His 1956 song Tu vuo’ fa’ l’Americano - 'You want to be American' - has been used in films and performed by many famous singers right up to the present day.

Torero, a song released by him in 1957, was translated into 12 languages and was at the top of the US pop charts for 14 weeks.

Carosone studied the piano at the Naples Conservatory of San Pietro a Majella and obtained his diploma in 1937, when he was just 17. He went to work as a pianist in Addis Ababa and then served in the army on the Italian Somali front. He did not return to Italy until 1946, after the end of the Second World War.

Back home, he had to start his career afresh and moved to Rome, where he played the piano for small bands.

Carosone's Tu vuo' fa' l'Americano featured
in a 1958 movie starring Totò

He was asked to put together a group for the opening of a new club and signed Dutch guitarist, Peter van Houten and Neapolitan drummer, Gegè di Giacomo, with whom he launched the Trio Carosone.

When Van Houten left to pursue a solo career, Di Giacomo remained with Carosone and they recruited more musicians to form a new band.

The band was popular both in Italy and abroad during the 1950s and the songs Carosone composed, many inspired by his native city, achieved high sales after being recorded.

In 1957, Carosone and his band started off a US tour with a concert in Cuba and finished off with a triumphant performance at Carnegie Hall in New York.

In 1960, Carosone made the shock announcement that he was retiring. He was at the height of his career and his decision caused uproar. It was even suggested that he had received criminal threats, but nothing was ever proved. Away from the music business, Carosone took up painting.

He made a comeback in 1975 in a televised concert. He then performed in live concerts and at the Sanremo Music Festival, continuing to make TV appearances until the late 1990s.

Carosone retired from the music scene in 1960 but made
a comeback at the 1975 Sanremo Music Festival

His biggest hits, such as Tu vuo’ fa’ l’Americano, Mambo Italiano and Torero were written in collaboration with the Neapolitan lyricist Nicola Salerno, who was known as Nisa. They developed a perfect understanding and it was said that after just a few words from Carosone, Nisa could write a funny story based on them.

Carosone's original version of Tu vuo' fa' l'Americano was performed by him in the film Totò, Peppino e le fanatiche (directed by Mario Mattoli, 1958). The song was featured in the 1960 Melville Shavelson film It Started in Naples, in which it was sung by Sophia Loren. It was also performed by Rosario Fiorello in the 1999 film The Talented Mr. Ripley.

The melodies of Carosone, influenced by jazz and swing, helped revive the popularity of Neapolitan songs, which he presented in a modern manner.

Carosone died in 2001 in Rome at the age of 81 and was buried in the Flaminio Cemetery in the city.

Carosone's boyhood home in Naples was in a street close
to the historic square, the vast Piazza Mercato

Travel tip:

Carosone lived as a child in Vico dei Tornieri, in the historic centre of Naples near Piazza Mercato, which is now a lively commercial area, but was once the setting for the city’s important executions. He studied the piano at the Naples Conservatory, which has been housed in a monastery next to the Church of San Pietro a Majella since 1826. The church and monastery are in Via San Pietro a Majella, which leads off the top of Via dei Tribunali.

The Cimitero Flaminio in Rome, where Carosone was
buried, is the largest cemetery in the city

Travel tip:

Carosone was laid to rest in the Cimitero Flaminio in Via Flaminio in Rome, which is also known as Cimitero di Prima Porta, and is the largest cemetery in the city. Prima Porta is a suburb of Rome on the right bank of the Tiber. An important marble statue of Augustus Caesar was discovered in the area in 1863.

More reading:

The classic songs of Cesare Andrea Bixio

Giambattista De Curtis - the man behind Torna a Surriento

Why Totò is still regarded as Italy's finest funny man

Also on this day:

1698: The birth of poet and librettist Pietro Metastasio

1929: The birth of film director Sergio Leone

1952: The birth of politician Gianfranco Fini

Watch Renato Carosone and his musicians perform Tu vuo' fa' l'Americano

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Giulio Einaudi - publisher

Son of future president who defied Fascists

Giulio Einaudi ran his publishing company
for more than 60 years

Giulio Einaudi, who founded the pioneering publishing house that carries the family name, was born on this day in 1912 in Dogliani, a town in Piedmont.

The son of Luigi Einaudi, an anti-Fascist intellectual who would become the second President of the Italian Republic, Giulio was also the father of the musician and composer Ludovico Einaudi.

Giulio Einaudi’s own political leanings were influenced by his education at the the Liceo Classico Massimo d'Azeglio, where his teacher was Augusto Monti, a staunch opponent of Fascism who was imprisoned by Mussolini’s regime in the 1920s.

After enrolling at the University of Turin to study medicine, Einaudi decided to abandon his studies to work alongside his father Luigi in publishing an anti-Fascist magazine Riforma Sociale - Social Reform.

His own contribution was to establish a cultural supplement, edited by the writer and translator Cesare Pavese, which so offended Mussolini that in 1935 the magazine was closed down and the staff arrested.

Einaudi spent 45 days in jail along with Pavese and several writers who would later become celebrated names, including Vittorio Foa, Massimo Mila, Carlo Levi and Norberto Bobbio.

The publisher's famous ostrich logo is still on
the cover of every Einaudi publication

By that time, in collaboration with Mila, Bobbio, Pavese and Leone Ginzburg, he had founded the publishing house - Giulio Einaudi Editore - whose offices were on Via Arcivescovado in Turin. Critics who later accused Einaudi of being a literary mouthpiece for the Italian Communist Party (PCI), rather than a genuinely independent publisher, would delight in pointing out that it was the same building that had hosted L'Ordine Nuovo - The New Order - the journal published by the Marxist philosopher and PCI founder Antonio Gramsci.

The first book to carry the company’s famous ostrich emblem - borrowed from the magazine - was a translation - by his father - of Henry A. Wallace's What America Wants, an analysis of New Deal economics. Mussolini apparently approved of the substance of the book but not of Luigi Einaudi’s foreword.

Luigi Einaudi, Giulio's father, was the
2nd President of the Italian Republic

Despite Giulio’s imprisonment and the Fascist Party verdict that the purpose of Giulio Einaudi Editore was “disseminating anti-fascist publications and gathering together anti-fascist elements from the intellectual world”, the publishing house survived the war years.

This was despite being damaged in bombing raids on Turin and Giulio’s decision to decamp temporarily to Switzerland, from where he returned to support the resistance movement in Piedmont.

Once the Fascists had been overthrown, the business grew quickly. Einaudi was well placed to feed the literary needs of a nation embracing a left-wing renaissance and although the publisher had a close relationship with many leading members of the PCI, many literary historians have argued that Einaudi was already the father of left-wing culture in Italy and that his writers influenced the PCI rather than other way round.

At the same time, Einaudi had an eye for spotting young talent, publishing authors such as Natalia Ginsburg, Elsa Morante, Italo Calvino and Primo Levi while they were still unknown.

When Giulio Einaudi Editore celebrated its 50th anniversary in 1983, it had published more than 5,000 titles, its back catalogue representing a history of 20th century Italian literature, with Carlo Emilio Gadda, Leonardo Sciascia and the poet Eugenio Montale also among his authors.

The composer and pianist Ludovico
Einaudi is Giulio's son

In addition to original fiction and non-fiction, Einaudi published translations of Goethe and Defoe and was the first to publish the studies in psychology of Sigmund Freud and Carl Jung in Italian.

Known as Il principe (the prince) because of his distinguished appearance, his biggest failing was that he spent money as if he were royalty. Seldom would he reject a project on the grounds of cost and years veering from one financial crisis to another came to head in 1994, when his bankers ran out of patience and the need for outside investment led to the company being taken over by Mondadori, the publishing conglomerate controlled by the right-wing former prime minister Silvio Berlusconi, although Einaudi remained chairman.

Einaudi enjoyed Rome as much as Turin and died at his country house just outside the capital in April 1999, aged 87. He was survived by his wife, Renata Aldrovandi, sons Mario, Riccardo and Ludovico, and a daughter, Giuliana.

Dogliani's imposing church of Sant Quirico and
Paolo, designed by Giovanni Battista Schellino

Travel tip:

Einaudi’s home town of Dogliani, where there has been a settlement since pre-Roman times, is about 60km (37 miles) southeast of Turin in the Langhe, a picturesque area of hills to the south and east of the Tanaro river famous for wines, cheeses and truffles. As well as being the home of the red wine Dolcetto di Dogliani, the town is famous for the annual tradition of Presepio Vivente, in which around 350 people take part in a living nativity scene in the medieval streets.  The town is also notable for the magnificent parish church of Santi Quirico and Paolo, designed by Giovanni Battista Schellino. The Einaudi home, a farmhouse just outside the town called San Giacomo, was acquired by Luigi Einaudi in 1897 and became the heart of the family’s wine-producing business.

Rome's Isola Tiberina used to be one of Giulio Einaudi's
favourite places in the capital

Travel tip:

When in Rome, Giulio Einaudi would often be spotted at a table outside a cafe in Piazza Navona or, in the summer months, on the Isola Tiberina, situated in the bend in the Tiber that wraps around the Trastevere district, with which it is connected by the Ponte Cestio. A footbridge allows access from the other bank of the river.  The island was once the location of an ancient temple to Aesculapius, the Greek god of medicine and healing, and in modern times the Fatebenefratelli Hospital, founded in the 16th century. The 10th century the Basilica of St. Bartholomew is also located on the island, which is just 270m (890ft) long and 67m (220ft) wide.

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More reading:

Cesare Pavese, the author whose translations introduced Italy to the great American writers of the 20th century

How the murder Giacomo Matteotti changed the mind of Luigi Einaudi

Antonio Gramsci - the Communist intellectual Mussolini could not gag

Also on this day:

533: Pope John John II is the first pontiff not to us his own name

1462: The birth of painter Piero di Cosimo

1909: The birth of mountaineer Riccardo Cassin

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Cesare Paciotti - shoe designer

Exclusive brand worn by many celebrities

Cesare Paciotti has been designing shoes
full time since 1980

The shoe designer Cesare Paciotti, whose chic collections have attracted a celebrity clientele, was born on New Year’s Day in 1958 in Civitanova Marche, a town on the Adriatic coast.

His company, Paciotti SpA, is still headquartered in Civitanova Marche, as it has been since his parents, Giuseppe and Cecilia, founded their craft shoe-making business in 1948, producing a range of shoes in classical designs made entirely by hand.

Today, the company, which trades as Cesare Paciotti, has major showrooms in Milan, Rome and New York and many boutique stores in cities across the world. The business, which also sells watches, belts, others accessories and some clothing lines, has an annual turnover estimated at more than $500 million (€437 million).

Cesare Paciotti inherited the family firm in 1980 at the age of 22, having spent his late teenage years and early adulthood pursuing his interest in the arts by studying Drama, Art and Music at the University of Bologna, and then travelling to London, the United States and the Far East.

When he returned home, he already had solid shoemaking skills, having learned from his parents in their workshop as he grew up.

Paciotti's shoes are known for their elegant design, with
particular emphasis on the heel

He and his sister, Paola, were entrusted with running the business between them, Cesare focusing on creativity and design with Paola in charge of operational matters. They established Pariotti SpA in 1980 and launched their first collection in the same year.

Most of the workers employed by their parents were retained but Cesare nonetheless was able to drive the company forward. Thanks to Paola's astute management and Cesare's originality of design, the name quickly acquired a high profile and prestigious fashion houses such as Gianni Versace, Romeo Gigli and Dolce & Gabbana began to approach them to craft shoes for their labels.

Versace, in fact, had worn some handmade shoes created by Cesare’s father, so he was familiar with their workshop’s use of high quality materials and attention to detail.

In 1990, Cesare turned his attention in particular to the image of the Paciotti women's collection. It had traditionally produced shoes with a rather masculine appearance but Cesare was determined to change this and introduced a tall stiletto heel that soon became highly recognisable as a Paciotti trademark, synonymous with extremely feminine shoes.

In recent years, celebrities such as as Rihanna, Beyoncé, Kim Kardashian, supermodels Bar Refaeli and Miranda Kerr, actresses Anne Hathaway and Sienna Miller and singer-songwriter Taylor Swift have become clients.

Paciotti not only produces luxury shoes but other items such as watches and jewellery.  The company is famous for a dagger illustrated in its logo.

The port of Civitanova Marche, where Paciott's parents
established the family business in 1948

Travel tip:

Civitanova Marche, where Cesare Paciotto was born, is a port and resort on the Adriatic coast, about 50km (37 miles) south of Ancona. Now with a population of more than 42,000 inhabitants, the town developed in the 16th century under the Sforza and Cesarini families, the legacy of which is the Palazzo Cesarini-Sforza, the interior of which conserves some 16th-century frescoes by Pellegrino Tibaldi.  The 15th century walls commissioned by the Sforza family remain intact. The town also has some interesting Liberty-style architecture, including the Villa Conti, originally built in 1910, destroyed during the Second World War and subsequently rebuilt.

I faraglioni are a familiar landmark off the coast of Capri

Travel tip:

Among Cesare Paciotti’s many boutiques is one on Via Vittorio Emanuele III on Capri, the street that links the quaint Piazzetta with the exclusive Grand Hotel Quisisana.  The area brims with designer shops. Among Paciotti’s neighbours on Via Vittorio Emanuele III and the adjoining Via Camerelle are branches of Miu Miu, Louis Vuitton, Moschino and Dolce & Gabbana. A short walk beyond Via Camerelle along Via Tragara leads to the Belvedere Tragara, which offers views of Capri’s famous offshore rock formation i faraglioni.


More reading:

How Salvatore Ferragamo rose from humble beginnings to be a fashion giant

The meteoric rise of Gianni Versace

Guccio Gucci - from carrying bags to making them

Also on this day:

Capodanno - New Year - in Italy

1803: The birth of Guglielmo Libri, notorious book thief

1926: The birth of singing star Claudio Villa


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