7 July

Vittorio De Sica - film director

Oscar-winning maestro behind 1948 classic Bicycle Thieves

Vittorio De Sica, the director whose 1948 film Bicycle Thieves is regarded still as one of the greatest movies of all time, was born on July 7, 1901 in Sora in Lazio.  Bicycle Thieves, a story set in the poverty of post-War Rome, was a masterpiece of Italian neorealism, the genre of which the major figures, in addition to De Sica, were Luchino Visconti, Roberto Rossellini and Giuseppe de Santis and, to a smaller degree, Federico Fellini.  The movie was one of four that landed Academy Awards for De Sica. Another neorealist movie, Shoeshine (1948), won an honorary Oscar, while Bicycle Thieves won a special award as an outstanding foreign language film before the Best Foreign Language Film category was introduced.  De Sica would later win Oscars in that section for Yesterday, Today and Tomorrow (1963) and The Garden of the Finzi-Continis (1970).  Read more…

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Giacomo Barozzi da Vignola - architect

Legacy of beautiful Renaissance buildings throughout Italy

One of the great architects of the 16th century, Giacomo Barozzi da Vignola, died on July 7, 1573 in Rome.  Often referred to simply as Vignola, the architect left the world with a wealth of beautiful buildings and two acknowledged masterpieces, the Villa Farnese at Caprarola and the Church of the Gesù in Rome.  Along with Andrea Palladio and Sebastiano Serlio, Vignola was responsible for spreading the style of the Italian Renaissance throughout Europe.  He was born at Vignola near Modena in Emilia-Romagna in 1507. He began his career as an architect in Bologna and then went to Rome to draw Roman temples. He was invited to Fontainebleau  to work for King Francois I, where it is believed he first met the Bolognese architect, Serlio.  Back in Italy he designed the Palazzo Bocchi in Bologna and then moved to Rome to work for Pope Julius III. Read more… 

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Gian Carlo Menotti - composer and librettist

Founded Spoleto festival after achieving fame in the United States

Gian Carlo Menotti, who wrote more than two dozen operas and founded the annual Festival dei Due Mondi in Spoleto, was born on July 7, 1911 in the village of Cadegliano-Viconago, on the Swiss-Italian border.  A prodigiously talented child who began to write music at the age of seven, Menotti was sent to study at the Curtis Institute of Music in Philadelphia as a teenager and settled in the United States.  For many years he was the partner - professionally and in life - of the brilliant American composer, Samuel Barber.  Menotti wrote the libretto for Barber’s 1957 work Vanessa, which is regarded as one of the 20th century’s finest operas.  Two of Menotti’s own operas, The Consul (1950) and The Saint of Bleecker Street (1955), won Pulitzer Prizes.  He created the Festival dei Due Mondi in 1957 out of a desire to make his mark in the country of his birth. Read more…

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Michele Amari – politician, historian, and writer

Scholarly revolutionary became a leading translator of mediaeval Arabic

Patriotic Sicilian revolutionary Michele Amari was born on July 7, 1806 in Palermo.  Amari published a history in 1842 of the War of the Sicilian Vespers, was a minister in the Sicilian revolutionary government in 1848, and was part of Garibaldi’s revolutionary cabinet in Sicily in 1860.  He embraced the cause of Italian unification and helped prepare Sicilians for the annexation of Sicily by the Kingdom of Sardinia. During his later years, he served as a Senator of the new Kingdom of Italy.  A grandson of the third Count Amari of Sant’Adriano, he grew up in an aristocratic household. The title had been acquired in 1772 by one of his ancestors, who had held the hereditary office of the administrator of the royal tobacco monopoly.  Michele Amari lived with his grandfather in the centre of Palermo after his father, Ferdinando, had financial problems caused by his gambling. Read more…

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1990 World Cup - Italy’s consolation prize

Azzurri beat England for third place

Italy beat England 2-1 in Bari to claim third place in the World Cup finals, of which they were the host nation, on July 7, 1990.  It was a small consolation for the team, managed by Azeglio Vicini, who had played some of the best football of all the competing nations to reach the semi-finals, only to be held to a 1-1 draw by Argentina in Naples and then lose the match on a penalty shoot-out.  Their heartbreak mirrored that suffered by England, who had also suffered a defeat on penalties in their semi-final against West Germany in Turin.  Many neutrals believed that Italy and England would have been more worthy finalists, particularly in retrospect after West Germany had beaten Argentina by a penalty five minutes from the end of 90 minutes in a match of cynical fouls and attritional football that is seen as the poorest World Cup final in the competition’s history.  Read more…

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Book of the Day: Italian Neorealism: A Cultural History, by Charles L Leavitt IV

Neorealism emerged as a cultural exchange and a field of discourse that served to shift the confines of creativity and revise the terms of artistic expression not only in Italy but worldwide. If neorealism was thus a global phenomenon, it is because of its revolutionary portrayal of a transformative moment in the local, regional, and national histories of Italy. At once guiding and guided by that transformative moment, neorealist texts took up, reflected, and performed the contentious conditions of their creation, not just at the level of narrative content but also in their form, language, and structure. Italian Neorealism: A Cultural History demonstrates how they did so through a series of representative case studies. Recounting the history of a generation of artists, this study offers fundamental insights into one of the most innovative and influential cultural moments of the 20th century.

Charles L Leavitt IV is Director of Graduate Studies of Italian and William Payden Associate Professor of Italian and Film at the University of Notre Dame in Indiana.

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