28 August

Lamberto Maggiorani - unlikely movie star

Factory worker who shot to fame in Bicycle Thieves

Lamberto Maggiorani, who found overnight fame after starring in the neorealist classic Bicycle Thieves (1948), was born on this day in 1909 in Rome.  Maggiorani was cast in the role of Antonio Ricci, a father desperate for work to support his family in post-War Rome, who is offered a job pasting posters to advertising hoardings but can take it only on condition that he has a bicycle – essential for moving around the city carrying his ladder and bucket.  He has one, but it has been pawned.  To retrieve it, his wife, Marie, strips the bed of her dowry sheets, which the pawn shop takes in exchange for the bicycle. They are happy, because Antonio has a job which will support her, their son Bruno and their new baby.  However, on his first day in the job the bicycle is stolen, snatched by a thief who waits for Antonio to climb to the top of his ladder before seizing his moment.  Read more…

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Elisabetta Sirani – artist

Sudden death of talented young woman shocked Bologna

The brilliant Baroque painter and printmaker Elisabetta Sirani died in unexplained circumstances at the age of 27 on this day in 1665 in Bologna. The body of the artist was carried to the Chapel of the Rosary in the Basilica of San Domenico in Bologna to be mourned, not just by her family, but by an entire community as she was loved and respected as an important female painter.  Elisabetta has been described as beautiful, focused and selfless and she became a symbol of the progressive city of Bologna, where the creativity of women was encouraged and they were able to express themselves through art and music.  Elisabetta’s father, Giovanni Andrea Sirani, was himself an artist and she was trained in his studio, although contemporary writers have recorded that he was reluctant to teach her to paint in the Bolognese style. Read more…

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Ugo Mulas - photographer

Images of street life in Milan and of New York art scene won acclaim

The photographer Ugo Mulas, much admired for the way he captured the street atmosphere of postwar Milan and for his portrayals of Andy Warhol and others in the Bohemian New York art scene of the 1960s, was born on this day in 1928 in Pozzolengo, a small town near the southern tip of Lake Garda.  At one time part of Milan’s fashion community, another of Mulas’s claims to fame is having been the photographer who discovered Veruschka, a German aristocrat who became part of the supermodel generation of Twiggy and Jean Shrimpton in the 60s.  Known for his meticulous approach to composition and lighting, and for the candid, spontaneous style of his work, illness denied Mulas a long life but he is widely seen as a pioneering figure in photography who had a profound impact on the art form.  Read more…

Giovanni Maria Benzoni - sculptor

Roman collectors called him the ‘new Canova’

The sculptor Giovanni Maria Benzoni, who earned such fame in Rome in the mid-19th century that collectors and arts patrons in the city dubbed him the “new Canova” after the great Neoclassical sculptor Antonio Canova, was born on this day in 1809 in Songavazzo, a small mountain village in northern Lombardy.  Benzoni sculpted many allegorical and mythological scenes, but also busts and funerary monuments.  Songavazzo being just outside Clusone in the province of Bergamo, Benzoni was regarded as a bergamasco - a native of the ancient city - even though he spent much of his life in Rome.  As such he was held in similar regard to bergamaschi celebrities such as the composer Gaetano Donizetti, the philologist Cardinal Angelo Mai and the painter Francesco Coghetti, all of whom lived in Rome during Benzoni’s time there.  Read more…

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Maurizio Costanzo - talk show host

Journalist whose show was the longest running on Italian TV

Talk show host and writer Maurizio Costanzo was born on this day in 1938 in Rome. Costanzo spent more than 40 years in television.  His eponymous programme, the Maurizio Costanzo Show, broke all records for longevity in Italian television.  Launched on September 18, 1982, the current affairs programme continued for 27 years, alternating between Rete 4 and Canale 5, two of Italy's commercial television networks, part of the Mediaset group owned by former Italian prime minister Silvio Berlusconi.  Its run came to an end in 2009 but was relaunched on the satellite channel Mediaset Extra in 2014 and returned to terrestrial television in 2015, again on Rete 4.  Costanzo began his media career in print journalism with the Rome newspaper Paese Sera at just 18 years old and by the time he was 22 he was in charge of the Rome office of the mass circulation magazine Grazia. Read more… 

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Book of the Day: Vittorio De Sica. The Art of Stage and Screen, by Flavio De Bernardinis

Vittorio De Sica was a unique film artist. While Rossellini and Visconti came into being with neorealism, De Sica matured through neorealism. As an already established artist, he put himself wholly on the line and played a gambit that revolutionised Italian and world cinema. From 1923, the year he made his debut in a minor role with Tatiana Pavlova’s theatre company, and over the following 20 years of his career in Italian theatre and cinema, he sowed the seeds of the neorealism that would lead to his 1943 I bambini ci guardano (The Children are Watching Us). Vittorio De Sica: The Art of Stage and Screen tells his whole story, before, during and after neorealism. From the early days in theatre to his role behind the camera, De Sica’s career straddles an era that included the decline of the theatre of the great stars of the 19th century, the “talkies”, songs and gramophone records, up to the formidable season of Sciuscià (Ragazzi) (Shoeshine, 1946) and Ladri di biciclette (Bicycle Thieves, 1948). This is what makes De Sica unique. He was an actor, singer, and director. He was at home with serious repertory as well as light and comic repertoires, ultimately scaling the heights of the art of cinema. To tell De Sica’s story is also to narrate how the young Italy, a kingdom that had been united for only 50 years, aimed to represent itself in the theatre and on screen.  De Sica was a unique figure in this representation of the ethos of Italy, its customs and traditions, its strengths and weaknesses, its glories and its miseries. 

Flavio De Bernardinis (Rome, 1957) is a scholar of the history and aesthetics of cinema and entertainment. He is the author of L’arte secondo Kubrick (2003) and Arte cinematografica: il ciclo storico del cinema da Argan a Scorsese (2017). He teaches Film History and the Analysis of Film Language at the Centro Sperimentale di Cinematografia, in Rome. 

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