18 September

Rossano Brazzi - Hollywood star

Actor quit as a lawyer for career on the big screen

The movie actor Rossano Brazzi, whose credits include The Barefoot Contessa, Three Coins in the Fountain and South Pacific, was born on this day in 1916 in Bologna.  Brazzi gave up a promising career as a lawyer in order to act and went on to appear in more than 200 films, more often than not cast as a handsome heartbreaker or romantic aristocrat.  He was at his peak in the 50s and 60s but continued to accept parts until the late 80s. His last major role was as Father DeCarlo in Omen III: The Final Conflict in 1981.  Brazzi's family moved to Florence when he was aged four. His father Adelmo, a shoemaker, opened a leather factory in which Rossano, his brother, Oscar, and his sister, Franca, would all eventually work.  Adelmo had ambitions for Rossano, however, helping him win a place at the University of Florence, where he obtained a law degree. Read more…

______________________________________

Alberto Franchetti - opera composer

Caruso sang his arias on first commercial record in 1902

The opera composer Alberto Franchetti, some of whose works were performed by the great tenor Enrico Caruso for his first commercial recording, was born on this day in 1860 in Turin.  Caruso had been taken with Franchetti’s opera, Germania, when he sang the male lead role in the opera’s premiere at Teatro alla Scala in Milan in March 1902.  A month later, Caruso famously made his first recording on a phonograph in a Milan hotel room and chose a number of arias from Germania and critics noted that he sang the aria Ah vieni qui… No, non chiuder gli occhi vaghi with a particular sweetness of voice.  A friend and rival of Giacomo Puccini, Franchetti had a style said to have been influenced by the German composers Wagner and Meyerbeer. He was sometimes described as the "Meyerbeer of modern Italy."  Read more…

Domitian – Roman emperor

Efficient tyrant rebuilt parts of Rome

The Emperor Domitian, who kept the Roman upper classes under control by subjecting them to a 15-year reign of terror, died on this day in 96 AD in Rome.  He has been described as ‘a ruthless, but efficient, autocrat,’ who clashed with the Senate and drastically reduced their powers. But he strengthened the Roman economy and started a massive building programme to restore the city of Rome, which had been damaged by successive wars and fires.  The last member of the Flavian dynasty, Domitian was the son of Vespasian, and the brother of Titus, who were his two predecessors as Emperor.  He played only a minor role during their reigns, but after the death of his brother, Titus, who had no children, Domitian was declared Emperor by the Praetorian Guard.  Domitian revalued the Roman coinage and strengthened border defences. Read more…

______________________________________

Francesca Caccini – singer and composer

Court musician composed oldest surviving opera by a woman

Prolific composer and talented singer Francesca Caccini was born on this day in 1587 in Florence.  Sometimes referred to by the nickname La Cecchina, she composed what is widely considered to be the oldest surviving opera by a woman composer, La Liberazione di Ruggiero, which was adapted from the epic poem, Orlando Furioso by Ludovico Ariosto.  Caccini was the daughter of the composer and musician, Giulio Caccini, and she received her early musical training from him. Like her father, she regularly sang at the Medici court.  She was part of an ensemble of singers referred to as le donne di Giulio Romano, which included her sister, Settimia, and other unnamed pupils.  After her sister married and moved to Mantua, the ensemble broke up, but Caccini continued to serve the court as a teacher, singer and composer. Read more…

______________________________________

The Italian Cinema Book,  edited by Peter Bondanella

The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: The Silent Era 1895-1922); The birth of the Talkies and the Fascist Era (1922-45); Postwar cinematic culture (1945-59); The golden age of Italian cinema (1960-80); An age of crisis, transition and consolidation (1891-present); and  New directions in critical approaches to Italian cinema. Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called 20th-century Italy's greatest and most original art form. 

Peter Bondanella was the author of a number of groundbreaking books such as: Hollywood Italians, The Cinema of Federico Fellini, and The Films of Roberto Rossellini. In 2009, he was elected to the European Academy of Sciences and the Arts for his contributions to the history of the Italian cinema and his translations or editions of Italian literary classics

Buy from Amazon

Home