11 October

Cesare Andrea Bixio - composer and lyricist

Pioneer of Italian film music left catalogue of classic songs

Cesare Andrea Bixio, the composer behind such classic Italian songs as Vivere, Mamma, La mia canzone al vento and Parlami d'amore Mariù, was born in Naples on this day in 1896.  Bixio enjoyed many years of popularity during which his compositions were performed by some of Italy's finest voices, including Beniamino Gigli, Tito Schipa and Carlo Buti, and later became staples for Giuseppe Di Stefano and Luciano Pavarotti.  He was also a pioneer of film soundtrack music, having been invited to compose a score for the first Italian movie with sound, La canzone dell'amore, in 1930. As well as writing more than 1,000 songs in his career, Bixio penned the soundtracks for more than 60 films.  Bixio's father, Carlo, was an engineer from Genoa; his grandfather was General Nino Bixio, a prominent military figure in the drive for Italian Unification.  Read more…

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Anita Cerquetti – soprano

Performer with a powerful voice had brief moment in the spotlight

Anita Cerquetti, the singer whose remarkable voice received widespread praise when she stood in for a temperamental Maria Callas in Rome, died on this day in 2014 in Perugia.  Cerquetti had been singing the title role in Vincenzo Bellini’s Norma at Teatro San Carlo in Naples in 1958 when Callas, who had been singing the same part in Rome, walked out after the first act on the opening night.  Despite Callas claiming that her voice was troubling her, the incident, in front of Italian President Giovanni Gronchi, created a major scandal.  Fortunately the performances in Rome and Naples were on alternate days and so for several weeks Cerquetti travelled back and forth between the two opera houses, which were 225km (140 miles) apart. The achievement left her exhausted and three years later she retired from singing and her magnificent voice was heard no more. Read more…

Mattias de’ Medici - Governor of Siena

Distinguished soldier was interested in art and science

Mattias de’ Medici, who was an enthusiastic supporter of the Palio horse race during his time as Governor of Siena, died on this day in 1667.  He is remembered for being a patron of art and of science and for the scientific instruments he acquired while on military campaigns during the Thirty Years War in Germany, which are now housed in the Uffizi galleries in Florence.  Mattias, who was born in 1613, was the third son of Grand Duke II Cosimo de Medici of Tuscany and of Archduchess Maria Maddalena of Austria.  He was originally intended for the church, but he had little enthusiasm for the ecclesiastical life and so from the age of 16, he pursued a military career instead.  After Cosimo II died in 1621, he was succeeded as Grand Duke by Matteo’s older brother, Ferdinando.  Grand Duke Ferdinando II appointed Mattias as the Governor of Siena. Read more…

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Pierre-Napoleon Bonaparte – adventurer

Colourful life of Italian-born prince

Prince Pierre-Napoleon Bonaparte, a nephew of the Emperor Napoleon, was born on this day in 1815 in Rome.  He was to become notorious for shooting dead a journalist after his family was criticised in a newspaper article.  Bonaparte was the son of Napoleon’s brother, Lucien, and his second wife, Alexandrine de Bleschamp. He grew up with his nine siblings on the family estate at Canino, about 40km (25 miles) north of Rome.  The young Bonaparte helped to keep bandits at bay, spending a lot of time with the local shepherds who were armed and had dogs to protect them.  He set out on a career of adventure, joining bands of insurgents in the Romagna region as a teenager.  In 1831 he spent time in prison for a minor offence and was banished from the Papal States.  He went to the United States to join his uncle, Joseph Bonaparte, in New Jersey. Read more…

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Book of the Day: The Routledge Companion to Global Film Music in the Early Sound Era, by Jeremy Barham (Editor) 

In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues - culturally, historically, and aesthetically - across five parts: Western Europe and Scandinavia, Central and Eastern Europe, North Africa, The Middle East, Asia, Australasia, Latin America and Soviet Russia. Filling a major gap in the literature, this book offers an essential reference for scholars of music, film studies, and cultural history.

Jeremy Barham is Professor of Music at the University of Surrey in the United Kingdom.  

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