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5 February 2026

5 February

La dolce vita - cinematic masterpiece

Commentary on decadence of 1950s Rome saw Fellini hailed as a genius

La dolce vita, a film still regarded as one of the greatest in cinema history, was screened in front of a paying audience for the first time on this day in 1960.  After a preview before invited guests and media at the Fiamma cinema in Rome, the Capitol Cinema in Milan was chosen for its public premiere. The movie went on general release in Italy the day afterwards and made its London debut on 8 February.  It was shown in America for the first time in April of the following year.  Directed by Federico Fellini, the film won the Palme d'Or, the highest award presented at the Cannes Film Festival in 1960 and was nominated for four Academy Awards, including Best Director for Fellini, although ultimately the production team had to be content with the Oscar for Best Costumes.  It won numerous awards in Italy, while the brilliant Nino Rota’s soundtrack was nominated for a Grammy.  Read more…

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Giovanni Battista Moroni – artist

Portrait painter left visual record of a changing society

Giovanni Battista Moroni, who was considered one of the greatest portrait painters of the 16th century, died on this day in 1578 while working on a painting at a church just outside Bergamo in the northern region of Lombardy.  His wonderful legacy of portraits provides an illuminating insight into life in Italy in the 16th century, as he received commissions from merchants trying to climb the social ladder as well as from rich noblemen.  Moroni was born at Albino near Bergamo somewhere between 1510 and 1522 and went on to train under a religious painter from Brescia, Alessandro Bonvicino.  Although Moroni painted many acclaimed religious works, he became known much more for the vitality and realism of his portraits, for which he was once praised by Titian.  Some of Moroni’s work is in the Uffizi Gallery in Florence and the National Gallery in London.  Read more…

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Cesare Maldini - footballer and coach

Enjoyed success with AC Milan as player and manager

The footballer and coach Cesare Maldini, who won four Serie A titles and an historic European Cup as a centre half with AC Milan and later coached the club with success in domestic and European football, was born on this day in 1932 in Trieste.  When, under Maldini’s captaincy, Milan beat Benfica 2–1 at Wembley Stadium in London in May 1963, they became the first Italian club to win the European Cup and Maldini the first Italian captain to lift the trophy.  Maldini’s international career included an 18-month spell as coach of the Italy national team, during which the Azzurri reached the quarter-finals of the 1998 World Cup. He had earlier won three consecutive European championships as coach of the Italy Under-21s. He is the father of Paolo Maldini, the former AC Milan defender whose record-breaking career spanned 25 years. Read more…

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Giovanni Capurro - poet and songwriter

Neapolitan who wrote the words to ‘O sole mio

Giovanni Capurro, a poet and songwriter best known for writing the lyric of the classic Neapolitan song ‘O sole mio, was born in Naples on this day in 1859.  The son of a professor of languages, Capurro was a cultured man who would in time be considered one of the 19th century’s finest Italian poets, yet was never well rewarded for his art. He spent much of his working life as a journalist and died poor.  Capurro grew up in the Montecalvario district of Naples, an area of the city centre that climbs up the hill of San Martino to the west of Via Toledo. Although his first love was writing, and poetry in particular, he was also a talented musician, graduating from the Naples Conservatory after studying the flute. He was also blessed with a good singing voice.  He wrote poetry in both Italian and Neapolitan dialect, both in the form of song lyrics and volumes of poetry. Read more…


Premiere of Verdi’s Otello

Composer’s penultimate opera prompted 20 curtain calls

Giuseppe Verdi’s opera Otello, the penultimate work of his outstanding career, was staged for the first time at Milan’s Teatro alla Scala theatre on this day in 1887.  The four-act opera, based on the play Othello by William Shakespeare, came into being only after a long campaign by Verdi’s publisher, Giulio Ricordi, and the librettist Arrigo Boito, to persuade Italy’s greatest opera composer to come out of his unofficial retirement.  Verdi effectively called time on his writing career after the success of Aida in 1871. It was his 28th opera and his success had enabled him to become a wealthy landowner. Although his Requiem was to come in 1874, he was reluctant to commit himself to any new works.  It took Ricordi and Boito eight years from first suggesting to Verdi that he wrote an opera based on Othello to it actually coming to fruition.  Read more…

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Carolina Morace - footballer and coach

Prolific goalscorer first woman in Italian Football Hall of Fame

Footballer and coach Carolina Morace, the first woman to be inducted into the Italian Football Hall of Fame, was born on this day in 1964 in Venice.  Morace played for 20 years for 10 different clubs and was the leading goalscorer in the Women's Serie A on 12 occasions, including an incredible run of 11 consecutive seasons from 1987 to 1998.   She won the Italian championship 12 times with eight of her clubs and scored an extraordinary 550 goals at an average of three in every two games at her peak, with a further 105 goals in 153 appearances for the Italy national team.  Four of those came in one match when Italy Women played England in a curtain-raiser to the pre-season Charity Shield game at Wembley in 1990, which she described as one of her proudest moments.  Morace, the daughter of a former officer in the Italian Navy, grew up a stone’s throw away from Venice's football ground at Sant' Elena. Read more…

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Saint Agatha of Sicily – Christian martyr

Huge crowds turn out for feast day in Catania

One of the largest festivals in the Roman Catholic calendar takes place on this day every year to celebrate the life of the Christian martyr Saint Agatha of Sicily.   In Catania, which adopted her as the patron saint of the city, hundreds of thousands of people line the streets to watch the extraordinary sight of up to 5,000 citizens hauling a silver carriage said to weigh 20 tons (18,140kg), bearing a huge statue and containing the relics of the saint, who died on this day in 251 AD.  The procession follows a route from Piazza del Duomo that takes in several city landmarks and ends, after a long climb along the Via Antonino di Sangiuliano at Via Crociferi.  The procession begins in the afternoon and finishes deep into the night.  There is an enormous fireworks display that takes place when the procession reaches Piazza Cavour.  Read more…

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Book of the Day: The Cinema of Federico Fellini, by Peter Bondanella

This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C G Jung, especially Jungian dream interpretation. Covering Fellini's entire career, The Cinema of Federico Fellini links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neorealist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work and discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.

Until his retirement in 2007, Peter Bondanella was Distinguished Professor of Comparative Literature, Film Studies, and Italian at Indiana University. A member of the European Academy of Sciences and the Arts and past President of the American Association for Italian Studies, Bondanella wrote numerous books and articles on Italian literature and cinema and translated or edited a number of Italian literary classics.

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