Premiere of Andrea Chénier

Giordano’s masterpiece is still stirring emotions

The poster advertising the opening
night of the Giordano masterpiece

Andrea Chénier, the greatest and most enduring opera to be written by the composer Umberto Giordano, was performed for the first time on this day in 1896 in Milan.

It was immediately acknowledged as a triumph and many members of the audience at Teatro alla Scala on the first night were moved by the emotional intensity of Giordano’s music.

The four-act opera was based on the life story of the French poet Andrea Chénier who was executed by guillotine in Paris in 1794, during the French revolution, at the age of just 31. He was accused of being a counter revolutionary in the final days of the so called ‘reign of terror.’

Ironically, just three days after Chénier’s horrific death, France’s radical Jacobin leader, Maximilien Robespierre, one of the main architects of ‘the terror’, was himself arrested and sent to the guillotine.

Giordano’s music, in particular the arias he wrote for the tenor who sings the title role, captured the turmoil and poignancy of this dangerous time in France’s history. The quality of the music has enabled the opera to remain popular over the centuries.

Plácido Domingo, Luciano Pavarotti and José Carreras are three of the great tenors to have sung Giordano’s emotional arias to great acclaim during the 20th century, often featuring the haunting Un dì all'azzurro spazio from the final act in their concert repertoire. The music remains a favourite with singers today because it provides an opportunity for a talented tenor to demonstrate his skills and the quality of his voice.

Giordano worked with the tenor Alfonso Garulli to create the role of Andrea Chénier, but Garulli became ill at the eleventh hour and his place on the first night in 1896 had to be taken by the young tenor Giuseppe Borgatti.

On the night of the premiere in Milan, Borgatti’s triumph in the role escalated him to the top tier of Italian opera singers and he went on to become acknowledged as Italy’s greatest Wagnerian tenor.

The tenors Giovanni Martinelli and Beniamino Gigli were also famous for their portrayals of the role of Andrea Chénier, and Enrico Caruso sang the part at performances of the opera in London in 1907.

Giuseppe Borgatti was a late
substitute in the title role

In the 1950s and 1960s, the Italian tenors Franco Corelli, Mario del Monaco and Carlo Bergonzi were also acclaimed for their interpretations of the title role.

The libretto for the verismo opera was written by Luigi Illica and on the night of the premiere in 1896 the orchestra was conducted by Rodolfo Ferrari.

Singing opposite Borgatti, in the role of Chenier’s lover, Maddalena, was the soprano Avelina Carrera, and the part of the servant, Carlo Gérard, was sung by the baritone Mario Sammarco.

As well as the famous arias sung by the tenor playing the title role, Andrea Chénier also contains a beautiful aria for Maddalena, La Mamma Morta. This featured in the 1993 film Philadelphia, when a recording of the aria by Maria Callas was used in the soundtrack.

The final haunting duet, Vicino a te, which is sung by Chénier and Maddalena as they prepare to climb the scaffolding to go to the guillotine together, has also stood the test of time and is regularly performed. Corelli and the Italian soprano Renata Tebaldi were famed for performing this duet.

Teatro alla Scala is among a wealth of theatres
in Milan staging entertainments of many kinds

Travel tip:

Milan has come to be regarded as the opera capital of Italy because it is home to Teatro alla Scala, the theatre where many singers have made their debuts and operas have been premiered. La Scala was built after fire destroyed the Teatro Regio Ducale, previously the home of opera in the city, and a new theatre was built on the site of the former Church of Santa Maria alla Scala. The cost was funded by the owners of the boxes at the former Teatro Regio Ducale and it was designed by neoclassical architect Giuseppe Piermarini, opening on 3 August 1778. Milan went on to have a wealth of theatres staging a variety of entertainment, such as Teatro Dal Verme in San Giovanni sul Muro, which opened in 1872. The Piccolo Teatro in Via Rivoli opened in 1947 and Teatro dell’Arte in Viale Alemagna was redesigned and reopened in 1960. Teatro Litta next to Palazzo Litta in Corso Magenta dates back about 370 years and is believed to be the oldest theatre in the city. La Scala’s museum displays costumes and memorabilia from the history of the theatre and is open every day except the Italian Bank Holidays and a few days in December.

Stay in Milan with Expedia

Leonardo Da Vinci's wall painting of The Last
Supper is kept in a climate-controlled conditions

Travel tip:

Milan is also famous as the home of the Leonardo da Vinci masterpiece, The Last Supper, on the wall of the refectory at the Convent of Santa Maria delle Grazie. Commissioned by Ludovico Sforza, Duke of Milan, Leonardo began work on The Last Supper (known as Il Cenacolo in Italian) in 1495 and completed it four years later. He felt traditional fresco painting techniques would not capture the intensity he wanted so he experimented by painting on to dry plaster on the wall of the refectory. But his new method was not as durable as the traditional one and the painting soon deteriorated. By 1556, the painting was described by one commentator as ‘ruined’. Over the years it suffered from poor restoration techniques, vandalism by French soldiers, having a doorway cut into it to provide a shortcut for monks coming and going for their meals, and wartime bomb damage. By 1978 only a small part of Leonardo’s original work remained. A restoration project was organised to reverse the damage and the refectory was sealed and converted to provide a climate-controlled environment. Using modern techniques, the restoration team slowly removed everything that had been added after Leonardo completed the painting in 1498. The areas that couldn’t be repaired were repainted in subdued colours so they could be distinguished from the original painting. After more than 20 years’ work, longer than it took Leonardo to paint it, The Last Supper was once more revealed in 1999. The refectory has since remained a protected environment and visitor numbers inside at any one time are carefully restricted.