Nino Sanzogno – conductor | Italy On This Day

Orchestra leader introduced audiences to new composers

Nino Sanzogno in 1951,
during his time at La Scala

The talented conductor and composer Nino Sanzogno, who was much admired for his elegance and the precision of his conducting, was born Giovanni Giuseppe Luigi Sanzogno on this day in 1911 in Venice.

He led the premieres of many important operas at Teatro alla Scala in Milan and also became well known for championing new music.

Sanzogno learnt the violin and developed a love of music from a young age. He went on to study under musicians such as Hermann Scherchen and Gian Francesco Malipiero and later went to Vienna to learn more about conducting from Scherchen.

His career took off when he was given the opportunity to lead the Gruppo Strumentale Italiano, who performed at concerts in Italy and abroad.

In 1937, Sanzogno became the main conductor at the opera house Teatro La Fenice in Venice. He then went on to work with the Rai Milan Symphony Orchestra and, in 1939, he began conducting at La Scala.

There, he led the first performances of many operas, including David by Darius Milhaud, Dialogues des Carmelites by Francis Poulenc, and Troilus and Cressida by William Walton.

He also introduced Italian audiences to works such as A Midsummer Night’s Dream by Benjamin Britten, and Lady Macbeth of Mtsensk by Dmitri Shostakovich.

In Britain and in other countries he introduced new Italian composers such as Malpiero, Luigi Dallapiccola, and Ildebrando Pizzetti.

In 1955, Sanzogno helped to open the Piccola Scala theatre, which he inaugurated with a performance of Domenico Cimarosa’s Il Matrimonio Segreto. This was a smaller theatre where he brought back works from the 1700s by composers such as Niccolò Piccinni, Giovanni Paisiello and Cimarosa.

He took the Piccola Scala company to perform at the Edinburgh Festival in 1957.

Sanzogno inside the Piccola Scala theatre in Milan,
where he would play a major role

Sanzogno was married to the harpist Zeffira Galeati, with whom he had a son, Giampaolo, who also went on to become a highly regarded conductor. After his first wife’s death, Sanzogno married the soprano, Giannina Buniato.

He also composed his own music, writing symphonic poems, concertos and music for solo instruments and small groups of instruments. At the age of just 23, he wrote the soundtrack for the film Il canale degli angeli, a 1934 production directed by Francesco Pasinetti and filmed in Venice.

In 1961 Sanzogno conducted the first full studio recording of Giuseppe Verdi's Rigoletto, featuring the soprano Joan Sutherland, for Decca Records.

During his career Sanzogno was widely respected for his perfect timing and the discipline and precision of his conducting. He was admired for the clarity, economy and poise of his conducting style. His movements were unfussy, projecting calm authority rather than theatricality, which often contrasted with the more flamboyant Italian conductors of his generation.

He died in Milan in 1983 at the age of 72.

A typical street in the Castello district,
which is known as working-class Venice

Travel tip:

Nino Sanzogno was born in the Castello district of Venice, which is the largest and most diverse of the city’s six sestieri, stretching across the entire eastern portion of Venice, from the edge of San Marco to the green spaces of Sant’Elena. It encompasses monumental architecture near San Marco to laundry‑lined alleys further east. Unlike the heavily-tourist areas around Rialto and San Marco, Castello remains largely residential. Locals outnumber tourists in many parts and it is often described as the area of the city where Venice still lives, day to day. Castello grew around the Arsenale, once one of Europe’s largest naval complexes and the industrial heart of the Venetian Republic. This history still shapes the district’s identity, which shows in its functional architecture, wider streets, and a sense of purposeful design rather than ornamentation. The eastern section is characterised by working‑class residential zones, quiet canals, and dilapidated but picturesque buildings, but also contains some of Venice’s rare greenery, including the Giardini Pubblici and the leafy island of Sant’Elena.

Castello hotels by Hotels.com

The final scene from the Piccolo Scala's 1956-57 production of Mozart's opera Così fan tutte

The final scene from the Piccola Scala's 1956-57
production of Mozart's opera Così fan tutte

Travel tip:

The Piccola Scala, where Sanzogno led the opening night performance of Cimarosa’s Il Matrimonio Segreto, was a 600‑seat opera house built between 1949 and 1955. It stood on Via Filodrammatici, directly beside the main Teatro alla Scala, and was designed by Piero Portaluppi and Marcello Zavellani Rossi. It was conceived during the post‑war reconstruction of La Scala, which had been heavily damaged in the 1943 bombings. The idea was to create a second, more intimate hall within the theatre complex - one suited to smaller‑scale works and experimental programming. Its initial focus was on Baroque and late‑18th‑century operas that were too small in scale for the main house, or chamber‑sized productions requiring reduced orchestras or minimalist staging. Notable productions included Mozart’s Così fan tutte (1956), conducted and directed by Guido Cantelli, and Monteverdi’s Il ritorno d’Ulisse in patria (1972), conducted by Nikolaus Harnoncourt. Despite its artistic successes, the theatre had an unexpectedly short life. In October 1983, regular programming was suspended due to changes in safety regulations for public venues and it was officially closed in 1985. The building itself was demolished in 2002.