Played key role in popularising American literature in Italy
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Fernanda Pivano, pictured in 1979 with Allan Ginsberg. one of the Beat Generation writers she so admired |
She was 92, having enjoyed a literary career spanning half a century. Her final article in the Milan daily Corriere della Sera was published only a month before her death.
As well as Hemingway, with whom she developed a close friendship after meeting him for the first time in 1949, Pivano - whose first name was usually shortened to Nanda - translated into Italian works by classic American writers such as F Scott Fitzgerald, William Faulkner and Dorothy Parker.
In the 1950s, she became fascinated by the culture and ideals of what became known as the Beat Generation, introducing Italy to the works of writers such as Allen Ginsberg, Jack Kerouac and William S Burroughs from a movement characterised by a rejection of the materialism and conformity of postwar America.
Born in Genoa in 1917, Pivano came from a well-to-do family. Her father, Riccardo Newton Pivano, was a banker of partial Scottish heritage. Her mother, Mary, was the daughter of Francis Smallwood, an Englishman who was one of the founders of the Italian Berlitz language school.
Pivano was educated initially at a Swiss school before her family moved to Turin when he was a teenager, where she attended the Liceo classico Massimo d'Azeglio.
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Pivano in 1949, the year she married the celebrated designer, Ettore Sottsass |
Pivano graduated with a thesis on Herman Melville’s Moby-Dick, which also won a prize from the Centre for American Studies in Rome. She also graduated in philosophy.
She and Pavese, who was in his 20s when he was her teacher, met again some years later, after he returned to Turin from a three-year exile in Calabria imposed for alleged anti-Fascist activity. Their relationship developed into intimacy and he is said to have twice proposed marriage but was turned down by Pivano, who went on to marry the celebrated architect and designer, Ettore Sottsass.
During that time, Pavese gave her several books in English by American authors, which would launch her career as a translator. Among them were the Spoon River Anthology, by the poet Edgar Lee Masters, which was her first published work, and Hemingway’s A Farewell to Arms.
Pivano was arrested herself during World War Two, along with her brother, Franco, after a raid by the Fascist authorities on the Einaudi publishing house discovered the contract - mistakenly addressed to Franco - to publish A Farewell to Arms, which Mussolini’s government banned on the grounds that it was disrespectful to the honour of the armed forces.
The novel was based on Hemingway’s experiences serving with the Red Cross in Italy in World War One. He described the catastrophic Italian defeat at the Battle of Caporetto in some detail. Fortunately she and her brother were released after interrogation.
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Pivano in 2006, still championing young American writers at the age of 89 |
Her first awareness of the Beat Generation of writers came when she read a poem by Allen Ginsberg, entitled Howl, in 1957, in an issue of the Evergreen Review. She regarded the poem's innovative language and counterculture themes as a powerful expression of the freedom she so admired.
She wrote her first article about the Beat Generation in the Italian culture and philosophy magazine aut aut (either or) in 1959 and set out to meet as many of the movement’s writers as she could. She met Ginsberg in Paris in 1961 and became friends with Kerouac, Burroughs and Gregory Corso, not only as their translator but confidante.
Her promotion of their work through her own writings encouraged a generation of young Italian poets and writers, including Gianni Milano and Antonio Infantino.
Two important documentaries preserved the history of Pivano’s life. She collaborated with the psychoanalyst and film director Ottavio Rosati, a close friend since the 1970s, on Generations of Love - The Four Americas of Fernanda Pivano, and with Luca Facchini on A Farewell to Beat.
Her work can be researched at the Riccardo and Fernanda Pivano Library in Corso di Porta Vittoria in Milan. The library, which includes her father’s collection, was inaugurated in 1998. It contains published and unpublished examples from the writer’s literary career.
Pivano, who was divorced from Ettore Sottsass in the 1990s, died at the Don Leone Porta clinic in Milan. Her funeral was held at the Basilica of Santa Maria Assunta di Carignano in Genoa. After cremation, her remains were buried at the port city's Staglieno Cemetery, next to her mother.
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Via Alessandro Manzoni, the fashionable street in Milan where Pivano lived with her husband |
Nanda Pivano and Ettore Sottsass shared a large apartment on Milan’s fashionable Via Manzoni during their marriage, their home at times welcoming many of the American writers for whom Pivano’s work did much to make them appreciated by Italian readers. Via Manzoni leads from the Piazza della Scala northwest towards Porta Nuova and Piazza Cavour, with notable buildings that include the Museo Poldi Pezzoli, which specialises in Northern Italian and Netherlandish/Flemish artists, and the Grand Hotel et de Milan, where the opera composer Giuseppe Verdi died in 1901. Part of the street forms the one boundary of the quadrilatero della moda, Milan’s up-market fashion district. The street commemorates the 18th century writer, Alessandro Manzoni, born in Milan, whose epic novel The Betrothed, is regarded as one of the great works of Italian literature.
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The Basilica di Santa Maria Assunta in Carignano, the church in Genoa where Pivano's funeral was held |
The Basilica di Santa Maria Assunta in Carignano in Genoa, where Fernanda Pivano’s funeral took place, is a stunning example of Renaissance architecture and one of the city's major religious landmarks. Located in a residential area on the hills above the city centre, work on the church began in 1522 but was not completed until the 19th century. It follows a Greek cross plan with four symmetrical façades. Built in Renaissance style, it has later Neoclassical additions, including a monumental façade featuring Corinthian pilasters and statues by Claude David. It boasts five domes and originally has four bell towers, now reduced to two, giving it a commanding presence. The art treasures that can be seen inside the church include St Francis of Assisi receives stigmata by Guercino, the celebrated 17th century Baroque painter from Ferrara.
Also on this day:
1497: The birth of lutenist and composer Francesco Canova da Milano
1750: The birth of composer Antonio Salieri
1943: The birth of footballer and politician Gianni Rivera
1954: The birth of astronaut Umberto Guidoni
1985: The birth of ex-model-turned-journalist Beatrice Borromeo
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