Showing posts with label Pope Alexander VI. Show all posts
Showing posts with label Pope Alexander VI. Show all posts

13 July 2022

Vannozza dei Cattanei - popes’ mistress

Mother of Lucrezia and Cesare Borgia was figure of influence

Vannozza dei Cattanei hailed from an aristocratic family in Mantua
Vannozza dei Cattanei hailed from
an aristocratic family in Mantua
Vannozza dei Cattanei, who was for many years the chief mistress of Cardinal Rodrigo de Borgia - later Pope Alexander VI - was born on this day in 1442 in Mantua.

Herself from the aristocratic Candia family, Vannozza - baptised as Giovanna de Candia - grew up to be a beautiful woman but also a successful businesswoman, acquiring a number of osterie - inns - after she moved to Rome.

In 15th century Italy, it was not unusual for cardinals and popes to have mistresses, despite Holy Orders coming with a vow of celibacy.  Before her relationship with Rodrigo de Borgia, Vannozza allegedly was mistress to Cardinal Giuliano della Rovere, the future Pope Julius II and a rival to Borgia in the 1492 papal election that he won.

Rodrigo made no attempt to hide his sexual dalliances, acquiring the nickname Papa Cattivo - the naughty pope - not only for his promiscuity but his questionable morals in other areas, with allegations that he was involved in bribery and extortion on his rise to the top, and rumours that he poisoned some of his rivals.

Unusually, compared with other popes and cardinals who flouted the rules, Borgia openly acknowledged the children that Vannozza bore him during their relationship, which is thought to have lasted between 20 and 25 years, providing for them financially and having a significant influence over their lives.

The eldest, Cesare, born in 1475, became a cardinal and as leader of the Papal armies captured large amounts of territory that were added to the Pope’s empire.  Niccolò Machiavelli’s The Prince, the treatise on power that was written as a kind of reference point for new princes and royals, was influenced by Cesare’s lust for power.

Pope Alexander VI is thought to have fathered four children with Vannozza
Pope Alexander VI is thought to have
fathered four children with Vannozza
Of the others, Giovanni - also known as Juan - became the second Duke of Gandia but was murdered at the age of 21, possibly by Cesare; Gioffre married the daughter of the King of Naples, which was advantageous to Rodrigo Borgia.

Lucrezia, meanwhile, was forced to marry three times to elevate Rodrigo’s own status and acquire land and wealth. She took lovers of her own and there were rumours that Giovanni was in fact her own son, the product of an affair with her father's chamberlain.

Vannozza herself had to agree to marriages arranged by Borgia, first to Domenico d'Arignano, an officer of the church, then Giorgio di Croce, for whom Borgia had procured a position as apostolic secretary, and later Carlo Canale, the warden of a papal jail.

Her relationship with Rodrigo Borgia is thought to have changed after she turned 40 and Borgia’s passion for her had diminished by the time he was elevated to Pope in 1492. The care of all her children was entrusted to others in Borgia’s circle, although she remained part of it herself as a sort of matriarchal figure and her former lover sought her counsel as Pope.

He continued to support her financially and by the time she died in 1518, at the age of 76, she had acquired a considerable portfolio of property around the city.

Vannozza outlived Rodrigo de Borgia by 15 years yet despite the nature of their relationship she was granted a public funeral, recognised by Pope Leo X as the widow of Alexander VI. She was buried in the Church of Santa Maria del Popolo, near her son, Giovanni, after a ceremony attended by the Papal Court. 

The skyline of Mantua has changed little since it was the Renaissance seat of the Gonzaga family
The skyline of Mantua has changed little since it
was the Renaissance seat of the Gonzaga family

Travel tip:

The small, historic city of Mantua in Lombardy, which can be found approximately 150km (93 miles) southeast of Milan along the Po Valley, is flanked on three sides by artificial lakes created in the 123th century as the city’s defence system, filled with water from the Mincio river, a tributary of the Po. There was a fourth lake, which meant the city was once surrounded by water, but it dried up in the 18th century and never replenished. It was traditionally the seat of the Gonzaga family, who established a court with a heavy emphasis on music, art and culture. The city has a number of architectural treasures and elegant palaces, while the skyline of its historic old centre has changed little since Renaissance times. At its heart is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. Inside the Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, the Camera degli Sposi is decorated with frescoes by Mantegna.

The Church of Santa Maria del Popolo is in Piazza del Popolo, adjoining Porta del Popolo
The Church of Santa Maria del Popolo is in Piazza
del Popolo, adjoining Porta del Popolo
Travel tip:

The Church of Santa Maria del Popolo is a minor basilica in Rome that stands on the north side of Piazza del Popolo, hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall, its position making it the first church encountered by many travellers arriving in the city. The original church was founded by Pope Paschal II in 1099. The existing structure was built largely between 1472 and 1477 as part of an urban renovation programme instigated by Pope Sixtus IV. A trio of great architects - Andrea Bregno, Donato Bramante and Gian Lorenzo Bernini - contributed to its design and are among those whose works can be found inside, along with Raphael, Caravaggio, Alessandro Algardi, Pinturicchio and Guillaume de Marcillat. 

Also on this day:

1478: The birth of Giulio d’Este of Ferrara 

1814: The founding of the Carabinieri police force

1928: The birth of Mafia mobster and ‘pentito’ Tommaso Buscetta 

1974: The birth of racing driver Jarno Trulli


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14 June 2022

Giovanni Borgia - murdered son of Pope

Killing still unsolved after 500 years despite plenty of suspects

Giovanni Borgia was the brother of Cesare and Lucrezia
Giovanni Borgia was the brother
of Cesare and Lucrezia
Giovanni Borgia, the brother of Cesare and Lucrezia and son of Pope Alexander VI, was murdered on this day in 1497 in Rome.

There was no shortage of possible suspects but the murder was never solved. The grief-stricken Pope launched an immediate murder inquiry, but mysteriously closed down the investigation after just one week, leading to speculation that the perpetrator could have been a member of Giovanni’s own family.

The case has fascinated historians and writers for the last 500 years and been the subject of many books, including Mario Puzo’s historical novel, The Family, and it has featured in many films and televisions programmes.

Giovanni was born in Rome in either 1474 or 1476 to the then Cardinal Rodrigo Borgia and his mistress, Vanozza dei Cattanei. He is thought to have been  the eldest of the children fathered by Pope Alexander VI with his mistress, but this is disputed.

He was married to Maria Enriquez de Luna, who had been betrothed to his older half-brother, Pedro Luis, who had died before the marriage could take place.

Afterwards, Giovanni was made 2nd Duke of Gandia, Duke of Sessa, Grand Constable of Naples, Governor of St Peter’s and Gonfalonier and Captain General of the Church.

He and and Maria had twins, a boy and a girl, Juan and Francisca, and another daughter, Isabel, who was born after the murder of her father.

Painter Ettore Roesler Franz's impression of the
Via Rua in Ghetto as it make have looked in 1880
Giovanni was killed near what later became Piazza della Giudecca in the ghetto of Rome. He was last seen alive at a feast arranged in his honour by his mother at her villa near the church of San Pietro in Vincoli. His siblings, Cesare, Lucrezia and Gioffre were all present at the feast.

On the way back to the Papal Palace, he stopped and dismissed his retainers, saying he was going to visit his mistress. He took with him only his valet and a masked man whose identity has remained unknown, but who was believed to have been visiting Giovanni for about a month before the murder. Giovanni then rode as far as the ghetto, where he ordered the groom to wait for him until a certain time, when he was planning to return to the Papal Palace. He then rode off with the masked man.

The next morning his horse came back without its rider and with one of the stirrups cut off. The groom was later discovered in the same area dying of his wounds.

Pope Alexander ordered a search for his son. A witness was found whose information led to the discovery of Giovanni’s body. He had seen five men throw a corpse into the river next to the fountain at the Hospital of Jerome, where refuse was often disposed of.

Giovanni's brother, Cesare, was among the suspects
Giovanni's brother, Cesare,
was among the suspects
The river was dragged and Giovanni’s body was recovered from the Tiber on June 16, fully clad and with 30 ducats still in his purse, ruling out robbery as a motive. He had nine stab wounds in his head, neck, body and legs.

Although the killers have never been identified, there are three main theories about who was responsible:

First, the killer could have been either his brother, Cesare, or his brother, Gioffre, as both Giovanni and Cesare were having a relationship with Gioffre’s wife, Sanchia.

Second, the murder could have been carried out on behalf of Antonio Maria della Mirandola, whose house was near the Tiber. Giovanni had kept mentioning that he had dishonoured the daughter of one of the ancient Roman della Mirandola family.

Third, the murder could have been an act of revenge by relatives of Virginio Orsini, the head of a family hostile to the Pope, who had died in a prison in Naples.

In fictitious accounts of the murder written subsequently, the villain has sometimes been identified as Cesare, and sometimes as Lucrezia, with the help of one of her lovers.

The ghetto is the area highlighted  adjoining the river Tiber
The ghetto is the area highlighted 
adjoining the river Tiber
Travel tip:

The Roman ghetto (Ghetto di Roma) was established in 1555 in the Rione Sant’Angelo close to the Tiber and the Theatre of Marcellus. It occupied the area bordered today by the Via del Portico d'Ottavia, Lungotevere dei Cenci, Via del Progresso and Via di Santa Maria del Pianto. Apart from brief periods, the ghetto was controlled by the papacy until the capture of Rome in 1870. Despite the area being subject to frequent flooding from the river, Jews were required to live in the ghetto, which was a walled quarter with its gates locked at night.  It was established by a papal bull - an edict - issued by Pope Paul IV in 1555, which also revoked all the rights of the Jewish community and prohibited Jews among other things from owning property and practising medicine on Christians.

Michelangelo's Moses is part of a huge funeral monument
Michelangelo's Moses is part of
a huge funeral monument 
Travel tip

The Church of San Pietro in Vincoli - St Peter in Chains - which was near the villa where Vanozza dei Cattanei was living, is a minor basilica best known for being the home of Michelangelo’s Moses. It is on the Oppian Hill near Cavour metro station, not far from the Colosseum. It was first built on old foundations in 432-440 to house the relic of the chains that bound St Peter when he was imprisoned in Jerusalem. San Pietro in Vincoli was the church of the powerful Della Rovere family and the Moses sculpture is part of a massive funeral monument for Pope Julius II - born Giuliano della Rovere - within which the Pope was buried.



Also on this day:

1800: The Battle of Marengo

1837: The death of Giacomo Leopardi, poet and philosopher

1968: The death of Nobel Prize-winning poet and engineer Salvatore Quasimodo


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3 March 2020

Ascanio Sforza – Cardinal

Borgia pope’s ally used his power to benefit Milan


Cardinal Ascanio Sforza has been described as  Machiavellian in his diplomatic skills
Cardinal Ascanio Sforza has been described as
Machiavellian in his diplomatic skills
Ascanio Maria Sforza Visconti, who became a skilled diplomat and a Cardinal of the Catholic Church, was born on this day in 1455 in Cremona in Lombardy.

He played a major part in the election of Rodrigo Borgia as Pope Alexander VI in the papal conclave of 1492 and served as Vice-Chancellor of the Holy Roman Church from 1492 until 1505.

Ascanio was the son of Francesco Sforza, Duke of Milan, and Bianca Maria Visconti. Two of his brothers, Galeazzo Maria Sforza and Ludovico Sforza, became Dukes of Milan, as did his nephew, Gian Galeazzo Sforza.

At the age of ten, Ascanio was named commendatory abbot of Chiaravalle and he was promised the red hat of a cardinal when he was in his teens. He was appointed Bishop of Pavia in 1479.

Pope Sixtus IV created him cardinal deacon of SS Vito e Modesto in March 1484. Pope Sixtus died in August before Ascanio’s formal ceremony of investiture had taken place and some of the cardinals objected to him participating in the conclave to elect the next pope.

Cardinal Rodrigo Borgia intervened on his behalf and Ascanio was received with all the rights of a cardinal. The conclave elected Giovanni Battista Cybo as Pope Innocent VIII.

Sforza played an important part in helping Rodrigo Borgia be elected as Pope
Sforza played an important part in helping
Rodrigo Borgia be elected as Pope
After Pope Innocent’s death in 1492, Ascanio promised his vote to Rodrigo Borgia at the next conclave. In return, Borgia promised him the office of Vice-Chancellor of the Holy Roman Church, many other lucrative posts, and the Palazzo Borgia. Ascanio managed to persuade other Cardinals to vote for Rodrigo Borgia and he was duly elected, becoming Pope Alexander VI.

Ascanio became so powerful he was virtually prime minister of the Holy See.

He arranged the marriage of Giovanni Sforza, his cousin, to Lucrezia Borgia, the pope’s illegitimate daughter, but the marriage was annulled four years later on the grounds of non consummation.

The friendship between Ascanio and Alexander VI came to an end when the French invaded Italy because the Sforza family had made a secret alliance with King Charles VIII of France. Ascanio tried to get the pope deposed along with several cardinals but the papal troops defeated the French. Once the Sforzas gave up their support of the French, Ascanio was received in the Vatican again, but his relationship with Alexander VI was never the same.

When Giovanni Borgia, the pope’s son, was stabbed to death, Ascanio was accused of the murder but he was quickly absolved by the pope.

After the French invaded Italy again in 1500, Ascanio’s brother, Ludovico Sforza, was imprisoned and Ascanio was taken to France where he was held captive for nearly two years.

Andrea Sansovino's tomb for Ascanio  was commissioned by Pope Julius II
Andrea Sansovino's tomb for Ascanio
 was commissioned by Pope Julius II
In the papal conclave of 1503 Ascanio tried to succeed Alexander VI, but he was beaten by Francesco Piccolomini, who became Pius III. He died the same month as his coronation and Ascanio took part in the conclave of October 1503 when Giuliano delle Rovere was elected as Pope Julius II almost unanimously.

Ascanio became ill with the plague in May 1505 and died, aged 50, at his home near San Girolamo degli Schiavoni in Rome. He was buried the same evening with no ceremony because he had died of the plague.

Julius II commissioned Andrea Sansovino to erect a tomb for Cardinal Ascanio in the Cappella Maggiore of Santa Maria del Popolo with an inscription announcing that Julius II had forgotten Cardinal Ascanio’s honest opposition - ‘honestissimarum contentionum oblitus’.

Ascanio Sforza has been judged to have been both intelligent and Machiavellian, but to have remained dedicated to Milan and to his family.

In recent TV dramas about the Borgias, the role of Cardinal Ascanio Sforza has been played variously by the British actors, Clive Merrison, Peter Sullivan and Christian McKay.

Cremona's famous bell tower, il Torrazzo
Cremona's famous bell tower, il Torrazzo
Travel tip:

Cremona in Lombardy, where Ascanio Sforza was born, is famous for having the tallest bell tower in Italy, il Torrazzo, which measures more than 112 metres in height. The city is also well known for producing torrone, a type of nougat. It is thought the concoction of almonds, honey and egg whites was first created in the shape of il Torrazzo to mark the marriage of Ascanio’s parents, Bianca Maria Visconti and Francesco I Sforza, in 1441. To sample the many different types of torrone now made in Cremona, visit Negozio Sperlari in Via Solferino in the centre of the city.

The Church of Santa Maria del Popolo in Rome, where Ascanio Sforza is buried
The Church of Santa Maria del Popolo in Rome, where
Ascanio Sforza is buried
Travel tip:

Ascanio Sforza’s tomb by Sansovino is in Santa Maria del Popolo, a minor basilica in Piazza del Popolo in Rome. The basilica was important during the Borgia era. When the Pope’s son, Giovanni Borgia, Duke of Gandia, was murdered in 1497 his body lay in state in the basilica for several days before being buried in the Borgia chapel. Vannozza dei Cattanei, former mistress of Alexander VI, and Ludovico Podocataro, the pope’s secretary and physician, were also buried there.

Also on this day:

1578: The death of Venetian Doge Sebastiano Venier

1585: The inauguration of the Teatro Olimpico in Vicenza

1768: The death of composer and teacher Nicola Porpora

1882: The birth of fraudstar Charles Ponzi


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29 November 2018

Agostino Chigi - banker and arts patron

Nobleman from Siena became one of Europe’s richest men


A Roman coin bearing the image of Agostino Chigi, who was one of the 16th century's richest bankers
A Roman coin bearing the image of Agostino Chigi,
who was one of the 16th century's richest bankers
The banker Agostino Chigi, who was a major sponsor of artists during the Renaissance, was born on this day in 1466 in Siena.

At its height, Chigi’s banking house in Rome was the biggest financial institution in Europe, employing up to 20,000 people, with branches throughout Italy and abroad, as far apart as London and Cairo.

Chigi invested a good deal of his wealth in supporting the arts, notably providing financial backing to almost all the main figures of the early 16th century, including Perugino, Sebastiano del Piombo, Giovanni da Udine, Giulio Romano, Il Sodoma (Giovanni Bazzi) and Raphael.

Perugino painted The Chigi Altarpiece, dated at around 1506-1507, which hangs in the Chigi family chapel in the church of Sant'Agostino in Siena. 

Chigi’s significant legacy to Rome was to have built a chapel in the church of Santa Maria della Pace, another - his mortuary chapel, the Chigi Chapel - in the church of Santa Maria del Popolo, and the superb suburban villa in Trastevere, on the banks of the Tiber, which since 1579 has been known as the Villa Farnesina. 

The altarpiece painted by Perugino for Agostino Chigi in Siena
The altarpiece painted by Perugino
for Agostino Chigi in Siena
Agostino Chigi was the son of the prominent Sienese banker Mariano Chigi, from an ancient and illustrious Tuscan family. He moved to Rome around 1487, taking with him a rich fund of capital.

He grew the wealth of his own bank by lending considerable sums to Pope Alexander VI and others, and by diversifying from regular banking practice by buying monopoly control of salt mining in the Papal States and the Kingdom of Naples, as well as that of alum, a mineral used in the textile industry.

After the death of the Borgia pope Alexander VI and his short-lived Sienese successor Pius III Piccolomini, Chigi helped Pope Julius II, in return for which he became treasurer and notary of the Apostolic Camera.  Agostino even accompanied Julius in the field in his military campaigns and went to Venice on his behalf to buy Venetian support for the papal forces in the War of the League of Cambrai.

Work began on his magnificent palace in Trastevere in 1506. Chigi took the unusual step of commissioning an untried pupil of Bramante, Baldassare Peruzzi, to design and oversee the construction of the villa, although he may have been helped Giuliano da Sangallo, the favored architect of Lorenzo de' Medici.

Raphael's fresco The Triumph of Galatea. in the loggia at the Villa Farnesina
Raphael's fresco The Triumph of Galatea.
in the loggia at the Villa Farnesina
His design differed from that of the typical urban palazzo, which tended to be rectangular, with an enclosed courtyard. This villa, intended as an airy summer pavilion, had a U-shaped plan with a five-bay loggia between the arms, facing north, which was the main entrance.

The best known element of the sumptuous decorations are Raphael's frescoes on the ground floor, both in the loggia depicting the classical and secular myths of Cupid and Psyche, and in the east-facing loggia, depicting The Triumph of Galatea. 

This was a mythological scene from an intended series inspired by the Stanze per la giostra of the Florentine poet Angelo Poliziano. It shows the near-naked sea nymph Galatea on a shell-shaped chariot drawn by two dolphins, surrounded by other sea creatures.

It has been noted that Raphael’s Galatea bore similarities to the courtesan, Imperia Cognati, who was Agostino Chigi's lover and is said to have posed for Raphael on more than one occasion. The art historian and Raphael's near-contemporary, Giorgio Vasari, noted, however, that Raphael had said that Galatea was the product of his imagination, an idealised beauty.

It was at this villa that Chigi held sumptuous banquets. He was recognised as the richest man in Rome but was said to have affected a contempt of money by throwing silver dishes into the Tiber at the end of the parties, although it is thought his servants were on hand to collect them in nets draped under the windows.

The villa was called the Viridario in Chigi's time. It became the property of the Farnese family in 1577, more than a half-century after his death.

The Palazzo Chigi, the current official residence of Italian prime ministers, was bought by Fabio Chigi, related to Agostino as a descendent of his father’s brother, shortly after he became Pope Alexander VII in 1655.

The northern aspect of the Villa Farnesina, which was  Agostino Chigi's summer palace in Rome
The northern aspect of the Villa Farnesina, which was
Agostino Chigi's summer palace in Rome
Travel tip:

The Villa Farnesina can be found on Via della Lungara in the Trastevere district of Rome.  After the Farnese family, the villa belonged to the Bourbons of Naples and in 1861 to the Spanish Ambassador in Rome, Bermudez de Castro, Duke of Ripalta. Today, it is owned by the Italian State and accommodates the Accademia dei Lincei, a long-standing academy of sciences. The main rooms of the villa, including the Loggia, are open to visitors from 9am to 2pm on Monday to Saturday, and on every second Sunday of the month from 9am to 5pm. For more details, visit http://www.villafarnesina.it


The Palazzo Chigi in Rome was built originally for the  Aldobrandini family before passing to the Chigi family in 1659
The Palazzo Chigi in Rome was built originally for the
Aldobrandini family before passing to the Chigi family in 1659
Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Piazza Colonna and the Via del Corso in Rome, was begun in 1562 by Giacomo della Porta and completed by Carlo Maderno in 1580 for the Aldobrandini family. It was in the ownership of the Chigi family, who had it remodelled by Felice della Greca and Giovan Battista Contini, from 1659 until the 19th century. It became the residence of the Austro-Hungarian Ambassador to Italy in 1878 before being bought by the Italian state in 1916, when it became the home of the Minister for Colonial Affairs. Later it was the official residence of the Italian Minister of Foreign Affairs and in 1961 became the official meeting place of Council of Ministers, whose president is the head of the Italian government - the prime minister - and can now use the palace as his official residence.


More reading:

Raphael: The precocious genius from Urbino

How the courtesan Imperia Cognati became a 16th century celebrity

Pope Alexander VI - the scheming Borgia pope

Also on this day:

1463: The birth of antiquities collector Andrea della Valle

1797: The birth of composer Donizetti

1850: The birth of Agostino Richelmy, the cardinal who fought with Garibaldi

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5 July 2018

Giovanni Sforza – Lord of Pesaro and Gradara

Military leader was briefly married to Lucrezia Borgia


A 15th century portrait of Giovanni Sforza d'Aragona
A 15th century portrait of Giovanni
Sforza d'Aragona
Giovanni Sforza d’Aragona was born on this day in 1466 in Pesaro in the region of Le Marche.

The illegitimate son of Costanzo I Sforza, Giovanni became part of the powerful Sforza family and inherited his father’s titles when he was just 17, as Costanzo I died leaving no legitimate children.

Giovanni Sforza is mainly remembered for being the first husband of Lucrezia Borgia, but he was also a condottiero - a professional army commander -  who fought military campaigns and ruled over Pesaro and Gradara from 1483 until his death.

In 1489 Sforza married Maddalena Gonzaga, the daughter of Federico I of Mantua, but she died the following year.

As Giovanni was related to the Sforza branch who ruled the Duchy of Milan, he was regarded as a valuable connection by the Borgias and with the help of Giovanni’s cousin, Cardinal Ascanio Sforza, the Borgias arranged a marriage between Giovanni, who was by then in his twenties and Lucrezia, the 12-year-old illegitimate daughter of the Borgia pope, Alexander VI.

Lucrezia Borgia is said to have tipped off Sforza of a plot to have him killed
Lucrezia Borgia is said to have tipped off
Sforza of a plot to have him killed
A proxy marriage took place on 12 June 1492 as the contract stipulated that Lucrezia would stay in Rome and not consummate the marriage for a year.

Giovanni and Lucrezia then spent two years together in Pesaro, during which his importance to the Borgia family dwindled because they had formed other political alliances.

It is believed that the Pope and his son, Cesare, contrived a plot to murder Giovanni while he was in Rome, but Lucrezia was informed by her brother and warned Giovanni to leave the city.

In 1497 the Pope petitioned for an annulment of the marriage on behalf of Lucrezia.

Giovanni refused to accept the annulment as he would have had to return Lucrezia’s dowry and also sign a paper stating he was impotent.

In response, he accused Lucrezia of paternal and fraternal incest, a claim which has sullied the reputation of the Borgia family over the centuries, even though it may not have been true. The marriage was eventually annulled on the grounds of non-consummation.

Giovanni was excommunicated in 1500 and there were several attempts to kill him. He was forced to leave Pesaro and could safely return to his home city only after the death of Alexander VI.

Giovanni Sforza remarried and fathered a son, Giovanni Maria, who succeeded him as Costanzo II, after his death in Pesaro in 1510.

The Palazzo Ducale - Ducal Palace - in Pesaro
The Palazzo Ducale - Ducal Palace - in Pesaro
Travel tip:

Pesaro, which Giovanni Sforza ruled between 1483 and 1510, is a coastal city in Le Marche with a 15th century Ducal Palace, commissioned by Alessandro Sforza, one of Giovanni’s ancestors. It has become known as the city of music because the opera composer Gioachino Rossini was born there in 1792. The Rossini Opera Festival has taken place in Pesaro every summer since 1980 and the town is home to the Conservatorio Statale di Musica Gioachino Rossini, which was founded from a legacy left by the composer.

The medieval castle at Gradara
The medieval castle at Gradara
Travel tip:

Giovanni Sforza was also Lord of Gradara, a town in the region of Le Marche about 15km (9 miles) from Pesaro. Gradara has a double line of medieval walls and a large castle. It is famous for being the location of the ill-fated, true love story of  Paolo and Francesca, which was described by the poet Dante Alighieri in the fifth canto of his famous work, Inferno.

More reading:

Did Lucrezia Borgia deserve her notoriety?

Giovanni dalle Bande Nere - last of the great condottieri

Francesco Sforza and the Treaty of Lodi

Also on this day:

1966: The birth of footballer Gianfranco Zola

1982: Paolo Rossi scores a hat-trick as Italy eliminate Brazil from the 1982 World Cup in Spain
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3 August 2017

Imperia Cognati - courtesan

Prostitute who became a celebrity


Raphael's Galatea in his frescoes at the Villa Farnesina in Rome is thought to be Imperia
Raphael's Galatea in his frescoes at the Villa
Farnesina in Rome is thought to be Imperia
Imperia Cognati, who acquired celebrity status in Rome in the early 16th century as a courtesan to a number of rich and powerful figures, was born on this day in 1486.

Courtesans were originally the female companions of courtiers of the papal court, whose duties required them to be educated and familiar with etiquette, so that they could participate in the formalities of court life and take part in polite conversation.

In time, however, in some cases their companionship became of a more intimate nature and they became the mistresses of their courtiers, who in the papal court were clerics nor permitted to marry.

It was common, too, for courtesans to be the companions of several clients simultaneously.  They were in effect a new class of prostitute, refined and educated enough to hold their own in polite society.

Imperia Cognati acquired her elevated status mainly through being the chosen companion of Agostino Chigi, a Sienese banker closely associated with Pope Alexander VI and others and a patron of the Renaissance.  At one time he was thought to be the richest banker in the world.

He lavished Imperia – as she was usually known – to the extent that she could afford to keep both a palace in Rome and a country villa.

The statue named Imperia at Konstanz is said to have been  inspired by Balzac's fictional portrayal of a courtesan
The statue named Imperia at Konstanz is said to have been
 inspired by Balzac's fictional portrayal of a courtesan
Chigi remained her main client but she took others, maintaining her status – and income – by being very selective over the men with whom she would consort.  Her exclusive list included Angelo di Bufalo, who was another banker, Angelo Colocci, a papal secretary under Leo X, Tommaso Inghirami, a papal librarian, and the painter Raphael, of whom Chigi was a sponsor.

Imperia posed as a model for Raphael on a number of occasions.  It is thought that the nymph Galatea in the frescoes Raphael painted for the Villa Farnesina in Rome, built by Chigi, is actually Imperia.

Imperia’s background is not entirely clear. Some sources suggest she hailed from Ferrara but the consensus is that she was born in Rome, the daughter of a prostitute, Diana di Pietro Cognati, and raised in Via Alessandrina in the district of Borgo.

It was speculated that her father was Paris de Grassis, who would later serve as master of ceremonies under Pope Julius II, which may explain how she acquired an education, and why she at times referred to herself as Imperia de Paris.

She gave birth to a daughter, named Lucrezia, at the age of 17, of whom the father was assumed to be Chigi.

The artist Raphael was among Imperia's  lovers at the time she posed for him
The artist Raphael was among Imperia's
lovers at the time she posed for him
Imperia died in 1512, at the age of just 26, apparently from poisoning, thought to be self-administered.

Various theories have been put forward as to what might have prompted her to take her own life. One is that she was distraught that Angelo di Bufalo, supposedly her true love, decided to end their relationship, another is that she felt pushed out when Chigi took a new, younger mistress. 

Whatever the reason, she was given a stately funeral in Rome, fit for a noblewoman rather than a prostitute, paid for by Agostino Chigi.  She was buried at the church of San Gregorio Magno al Celio in Rome, although the monument erected in her name has not survived.

Apart from her image being preserved in works by Raphael, Imperia is thought to have been the inspiration for HonorĂ© de Balzac’s 1832 story La Belle ImpĂ©ria, set in the time of the Council of Konstanz, which ended the Western Schism in the Catholic Church, in which a courtesan is given the name Imperia.


The character in Balzac’s novel has been portrayed by the German painter Lovis Corinth in 1925, and also inspired the larger-than-life Imperia statue in the harbour of Konstanz, the town on the lake in Germany of the same name, erected in 1993.

Travel tip:

Via Alessandrina is a street, nowadays closed to vehicles, that runs alongside the Roman ruins of the Italian capital, from the Forum in the direction of the Colosseum, joining up with Via dei Fori Imperiali.

The Villa Farnesina in the Trastevere district in Rome
The Villa Farnesina in the Trastevere district in Rome
Travel tip:

The Villa Farnesina, built by Baldassare Peruzzi for Agostino Chigi, can be found in the Via della Lungara, in the district of Trastevere in Rome. Owned at different times by the Bourbons of Naples and the Spanish Ambassador in Rome, it is today owned by the Italian State and accommodates the Accademia dei Lincei, a renowned Roman academy of sciences.  The main rooms of the villa, including the Loggia, are open to visitors.


7 February 2017

The Bonfire of the Vanities

Preacher Savonarola's war on Renaissance 'excesses'


The statue of Girolamo Savonarola in  Piazza Savonarola in Florence
The statue of Girolamo Savonarola in
Piazza Savonarola in Florence
The most famous 'bonfire of the vanities' encouraged by the outspoken Dominican priest Girolamo Savonarola took place in Florence on this day in 1497.

Savonarola campaigned against what he considered to be the artistic and social excesses of the Renaissance, preaching with fanatical passion against any material possession that might tempt the owner towards sin.

He became notorious for organising large communal bonfires in the tradition of San Bernardino of Siena, urging Florentines to come forward with items of luxury or vanity or even simply entertainment that might draw them away from their faith.

Savonarola arrived in Florence from his home town of Ferrara in 1482, entering the convent of St Mark. With Lorenzo de' Medici at the height of his power, Savonarola became disturbed by what he perceived as the moral collapse of the Catholic church.

For a number of years he confined himself to speaking about repentance to congregations of believers in the parishes around Florence but on returning to the city in 1490 he began to campaign with more vigour about what he saw as the need for a return to piety.

He issued dire warnings about what would happen to Florence and its citizens if they did not renounce their sins, prophesising that a powerful leader would arrive from the north to punish Italy and reform the church.

Paintings by Botticelli were considered indecent under's Savonarola's moral code
Paintings by Botticelli were considered
indecent under's Savonarola's moral code
Savonarola's condemnation of what he considered the vice and corruption infecting the Catholic bishops and cardinals, and his attacks on the wealthy for ignoring the plight of the poor and sick, struck a chord with the common people and he became an increasingly powerful figure.

When Emperor Charles VIII of France invaded Italy from the north in 1494, many people saw this as confirmation of Savonarola’s prediction.  They rose up against the Medici family, the major sponsors of Renaissance art and literature, and drove them from the city, after which Savonarola became the effective leader of a new Florentine republic.

Savonarola began to host his bonfires in 1495, at around the time that used to be taken up with Carnival celebrations, which he cancelled.

At first, it was items of vanity such as mirrors, cosmetics, jewellery and fine clothes that were thrown on to the flames, along with playing cards, musical instruments and such pagan fripperies as books of magic and astrology. Savonarola employed street urchins to knock on doors, demanding luxurious and suspect items were handed over.

But the scope of what was deemed to be sinful grew. Soon, he was demanding that books he saw as immoral, such as works by Boccaccio, were burned, as well as paintings and sculptures, manuscripts and tapestries. Priceless works by Dante and the Roman poets Ovid and Propertius were said to have been consigned to the flames.

A painting by an unknown Florentine artist depicts the bonfire built in Piazza della Signoria in which Savonarola was burned
A painting by an unknown Florentine artist depicts the bonfire
built in Piazza della Signoria in which Savonarola was burned
At the same time, Savonarola spread fear among the people with ever more horrific visions of what fate would befall them if they did not live according to his strict moral code. Higher church officials viewed all this with increasing unease and for Pope Alexander VI, it seems, the huge bonfire of 1497 - in which the Florentine artist Sandro Botticelli is said to have burned several of his own paintings - was the last straw.

Already in defiance of a ban on his preaching imposed when he failed to support Pope Alexander's military response to the French invasion, Savonarola was excommunicated in May 1497. The following year, having confessed that his visions and prophecies were invented, he was condemned as a heretic and, with two other friars, hung from a cross in Florence's Piazza della Signoria, to be consumed by a bonfire built beneath him.

A statue of Savonarola, completed in 1875 by the sculptor Enrico Pazzi, from Ravenna, can be found in Piazza Savonarola, about 2km north-east of Florence's centre,

Travel tip:

Florence's Piazza della Signoria has been the focal point of the city since the 14th century. Overlooked by the imposing Palazzo Vecchio, it was the scene of the triumphant return of the Medici family in 1530, three and a half decades after they had been driven from the city by the supporters of the fanatical Savonarola. The controversial priest's bonfires of the vanities were built in the middle of the square, where his own body was burned at the stake in 1498 after he was denounced as a heretic. A marble circle inscription on the piazza shows the spot where he was burned.

Florence hotels from Hotels.com

The Piazza della Signoria is Florence's main square
The Piazza della Signoria is Florence's main square
Travel tip:

The Piazza della Signoria contains several important sculptures and statues, including a copy of Michelangelo's David - the original is in the Galleria dell'Accademia - outside the Palazzo Vecchio, which is said to be a symbol of defiance against the tyranny of the Medici.  The family apparently installed or appropriated their own symbols of power in the shape of Bandinelli's Hercules and Cacus, just to the right of the David, and the Nettuno by Ammannati, which celebrates the Medici's maritime ambitions.  Giambologna's equestrian statue of Duke Cosimo I is a tribute to the man who brought all of Tuscany under Medici military rule.  Under the Loggia dei Lanzi, to the right of Palazzo Vecchio, the statue of Perseo holding Medusa's head, by Benvenuto Cellini, is a stark reminder of what happened to those who crossed the Medici. Giambologna's Rape of the Sabines can also be found in the Loggia dei Lanzi.

Hotels in Florence from Expedia

More reading:

The execution of Girolamo Savonarola

Sandro Botticelli - Renaissance master forgotten until the 19th century

How scheming Pope Alexander VI married off his children to secure power

Also on this day:

1622: The birth of Vittoria della Rovere, Grand Duchess of Tuscany


1941: The birth in San Marino of pop singer Little Tony

(Picture credits: Savonarola statue by liviathana; Piazza della Signoria by Zolli; via Wikimedia Commons)


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17 August 2016

Cesare Borgia – condottiero

Renaissance prince turned his back on the Church


Altobello Melone's portrait of Cesare Borgia
Altobello Melone's portrait of Cesare Borgia
Cesare Borgia, the son of Pope Alexander VI, became the first person in history to resign as a Cardinal on this day in 1498 in Rome.

Cesare was originally intended for the Church and had been made a Cardinal at the age of 18 after his father’s election to the Papacy. After the assassination of his brother, Giovanni, who was captain general of the Pope’s military forces, Cesare made an abrupt career change and was put in charge of the Papal States.

His fight to gain power was later the inspiration for Machiavelli’s book The Prince.

Cesare was made Duke of Valentinois by King Louis XII of France and after Louis invaded Italy in 1499, Cesare accompanied him when he entered Milan.

He reinforced his alliance with France by marrying Charlotte d’Albret, the sister of John III of Navarre.

Pope Alexander encouraged Cesare to carve out a state of his own in northern Italy and deposed all his vicars in the Romagna and Marche regions.

Cesare was made condottiero - military leader - in command of the papal army and sent to capture Imola and Forli.

He returned to Rome in triumph and received the title Papal Gonfalonier from his father.

Niccolò Machiavelli
He subsequently took over Pesaro, Faenza and Rimini and laid siege to Piombino, later commanding French troops in the sieges of Naples and Capua, causing the collapse of Aragonese power in southern Italy.

Cesare was planning the conquest of Tuscany when he received news of his father’s death in 1503.

Machiavelli later wrote that had Cesare been able to win the support of Pope Julius II his success would have continued, but the new Pope went back on his promises.

Cesare was betrayed in Naples and imprisoned and his land was retaken by the Papacy.

He was transferred to Spain where his imprisonment continued in various castles. Eventually he escaped and tried to recapture his lands but he was ambushed by his enemies and received a fatal wound from a spear.

Cesare was originally buried inside the Church of Santa Maria in Viana in northern Spain but his bones were later expelled and buried under the street outside. He was dug up twice by historians and then reburied. After years of petitions being turned down because he had resigned as a Cardinal, he was finally moved back inside the church in 2007,  some 500 years after his death.

Travel tip:

Cesare Borgia was born in Rome and studied law at an educational institution, the Studium Urbis, which has now become the Sapienza University of Rome. It was founded in 1303 by Pope Boniface VIII as a centre for ecclesiastical studies and expanded in the 15th century to include schools of Law, Medicine, Philosophy and Theology.  It moved from being the papal university to the university of the city of Rome in 1870.  The main campus is situated just north of Termini Station.

Piazza Aurelio Saffi in Forlì.
Travel tip:

At the height of his power, Cesare Borgia controlled the Papal States, now part of the region of Emilia-Romagna in Italy. Faenza, Forlì and Rimini are among the historic cities he conquered. The area is one of the wealthiest in Italy, containing Romanesque and Renaissance cities.  It is a centre of production in the food and automobile industries, home to top-end car manufacturers such as Ferrari, Lamborghini and Maserati.

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