Bianca Cappello – noblewoman

Tragic end for the mistress who earned promotion to Grand Duchess 

Bianca Cappello became the
mistress of Francesco I

Bianca Cappello, the mistress of Francesco I Grand Duke of Tuscany, who became his Grand Duchess after he married her in the face of widespread criticism, died on this day in 1587 in Poggio a Caiano.

Grand Duchess Bianca died just one day after her husband, and historians are still divided between the theories that either they were both poisoned, or that they each died of malarial fever.

Bianca had been born in Venice in 1548, the only daughter of a Venetian nobleman, and as she grew up, she was acknowledged to be a great beauty.

At the age of 15, Bianca fell in love with a young Florentine clerk and she eloped with him to Florence, where they were married. She gave birth to a daughter one year later.

The Venetian government tried to have Bianca arrested and brought back to Venice, but Cosimo I, the Grand Duke of Tuscany, intervened on her behalf and she was allowed to stay in Florence. However, she found that she did not get on well with her husband’s family, who, because they had little money, made Bianca do menial work. 

Because of her beauty, Bianca attracted the attention of the Grand Prince Francesco, the son and heir apparent of Tuscany’s Grand Duke Cosimo I.

Even though Francesco was married to Joanna of Austria, he seduced Bianca, and as a reward, he gave her money and jewellery as presents. Bianca’s own husband was given employment at the Medici court for a while, until he was murdered in a street in Florence in 1572.

After Francesco became Grand Duke on the death of his father in 1574, he installed Bianca in her own palace, which is now known as Palazzo Bianca Cappello, and he flaunted his mistress in front of his wife.

Francesco I de' Medici succeeded
Cosimo I as Grand Duke of Tuscany

Francesco had no legitimate son to inherit the Duchy from him and he thought that a child by Bianca could be a potential heir for him, even though it would be illegitimate.

But after Bianca gave birth to his son, Antonio, in 1576, Francesco refused to acknowledge him, because he was still hoping to have a legitimate heir with his wife, Joanna.

Joanna succeeded in producing a son, Grand Prince Philip de’ Medici, in 1577, crushing Bianca’s hopes of becoming anything more than a mistress who was favoured by Francesco.

However, after Joanna’s death in 1578, Francesco secretly married Bianca, only a few months later.

The marriage was announced publicly in 1579 and Bianca’s son, Antonio, was finally acknowledged as the Duke’s son. Two days later, Bianca was crowned Grand Duchess of Tuscany at Palazzo Vecchio in Florence.

The Venetian government sent a representative to the magnificent, official wedding festivities that were held, because they realised that Bianca Cappello could be useful to them as an instrument for cementing good relations with Tuscany.

But Bianca’s position was still insecure because her son, Antonio, was illegitimate, and he was therefore barred from inheriting the Duchy. She was also aware that if her husband died before she did, she would be lost, because his family all disliked her and regarded her as an interloper.

Bianca and Francesco's son,
Antonio, was born in 1576

Then, in 1582, Francesco’s heir, Grand Prince Philip, died, and so Francesco had Antonio legitimised, and declared him to be the heir apparent to the Duchy, making Bianca’s position stronger. In the event, Antonio never succeeded his father, whose title was instead taken by his brother, Ferdinando.

But on 19 October that year, at the Villa Medicea in Poggio a Caiano, Francesco died. The following day, Bianca also died. Both deaths were believed to be either the result of poisoning, or of malarial fever.

Francesco’s brother did not allow Bianca to be buried in the Medici family tomb, and it is thought that she may have been buried in an unmarked, mass grave under the church of San Lorenzo in Florence.

Bianca’s sad story was used as the basis for a tragic drama, Women Beware Women, written  by Thomas Middleton, which was staged for the first time in 1621. She has also been used as a main character in three different novels. 

The historic figure of Bianca Cappello was also a main protagonist in The Venetian, a play written by Clifford Vax, which opened in London’s West End in 1931, before moving on to be staged in venues in America. 

The Palazzo Bianca Cappello can be
found in Via Maggio in Florence

Travel tip:

The Palazzo Bianca Cappello in Florence's Via Maggio was renovated by Bernardo Buontalenti between 1570 and 1574 at the direction of Grand Duke Francesco I in order to install his lover, Bianca Cappello, in a location close to the Grand Ducal residence of Palazzo Pitti, which was less than 200m (220 yards) away. After Bianca had become Grand Duchess and moved permanently to the Palazzo Pitti, she ceded the palace to the Hospital of Santa Maria Nuova.  The palace was linked to the Palazzo Pitti by an underground corridor so that Bianca and Francesco could meet secretly during the time they were lovers. Thanks to this corridor, numerous artworks in the Vasari corridor, the elevated enclosed passageway connecting the Palazzo Vecchio with the Palazzo Pitti, were kept out of the hands of German occupiers in World War Two. Notable for a facade decorated using the sgraffito technique, with images scratched into layers of different coloured plaster, the palace today houses an hotel.

The Ponte Leopoldo was one of the earliest 
suspension bridges to be built in Italy

Travel tip:

A settlement since Roman times, Poggio a Caiano is a town of almost 10,000 residents on the banks of the river Ombrone in the Montalbano area northwest of Florence. First the Strozzi and then the Medici families populated the area, an important point of reference for trade and communication. The town is home to the magnificent Villa Medicea, the mansion commissioned by Lorenzo the Magnificent. Built between the 15th and 16th centuries by the architect Giuliano da Sangallo, the Villa Medicea is considered a masterpiece and is a UNESCO World Heritage Site. The villa was the scene of the sudden and mysterious death of Francesco I de' Medici and his second wife Bianca Cappello. Between Poggio and neighbouring Poggetto, the Torrente Ombrone river is crossed by the Ponte Leopoldo, built in 1833 and one of Italy's first suspension bridges.

Also on this day:

1438: The death of sculptor Jacopo della Quercia

1950: The birth of television presenter Mara Venier

1951: The birth of football manager Claudio Ranieri

1962: The birth of jazz musician Dado Moroni

Home

 

 

 

  

 

Mattias de’ Medici - Governor of Siena

Distinguished soldier was interested in art and science

A portrait of Mattias de' Medici by
the court painter, Justus Sustermans

Mattias de’ Medici, who was an enthusiastic supporter of the Palio horse race during his time as Governor of Siena, died on this day in 1667.

He is remembered for being a patron of art and of science and for the scientific instruments he acquired while on military campaigns during the Thirty Years War in Germany, which are now housed in the Uffizi galleries in Florence.

Mattias, who was born in 1613, was the third son of Grand Duke Cosimo II de' Medici of Tuscany and of Archduchess Maria Maddalena of Austria.

He was originally intended for the church, but he had little enthusiasm for the ecclesiastical life and so from the age of 16, he pursued a military career instead.

After Cosimo II died in 1621, he was succeeded as Grand Duke by Matteo’s older brother, Ferdinando.  Grand Duke Ferdinando II appointed Mattias as the Governor of Siena, to replace their aunt, Caterina de’ Medici, who had been governor of the city until her death in 1629.

After he arrived in Siena, Mattias took up residence in the Royal Palace in Piazza del Duomo and he quickly became very popular with the people living in the city.

He took part in the Battle of Lutzen in 1632, during the Thirty Years War in Germany. After he returned to Siena, he ruled the city again before becoming involved in the Wars of Castro.

A portrait of Mattias
in military uniform 

Mattias was given supreme authority over the grand duchy’s military affairs by his brother, Ferdinando, and he commanded the League of the Republic of Venice, the Grand Duchy of Tuscany, the Duchy of Parma, and the Duchy of Modena and Reggio, in the struggle against Pope Urban VIII.

As a reward for his military victories, his brother, Ferdinando, presented Mattias with the Villa of Lappeggi in a beautiful area of countryside near Florence.

Mattias was an enthusiastic  supporter of the arts and he became a keen collector. He was the patron of Justus Sustermans, the Flemish court painter of the Medici family, and of Baldassare Franceschini, who was also known as Il Volteranno.

His interests centred on painting, and he paid for the training of Livio Mehus, a Flemish painter, draughtsman and engraver, many of whose works are listed in an inventory of Mattias’s possessions made in 1669. As a soldier, Mattias was particularly interested in battle painting, and the artist Giacomo Cortese, who, like Mattias, had experienced military combat, was employed by him in the 1650s. 

Mattias was said to have been delighted with four paintings of battles in which he had fought himself, which have been identified in a room in the Villa of Lappeggi.  This room also contains a damaged fresco, which has been identified as Victory and Fame by Franceschini. 

Mattias promoted Siena’s famous Palio during its early history and a horse from his stable regularly took part in the event.

During his time in Germany, he acquired many scientific instruments, such as dials, astrolabes, quadrants, and compasses, which were given to the Uffizi gallery. 

Mattias never married and as he got older, he suffered from gout. He was considering re-entering the church, but illness prevented it. He died in Siena in 1667 at the age of 54. He was buried in the Medici family tombs in the Basilica of San Lorenzo in Florence.

His embalmed body was exhumed in 1857 during an investigation into the Medici remains in the church. He was found dressed as a Knight of Malta in black velvet, wearing velvet shoes and with a gold medal on his chest.

The Palio di Siena still attracts huge crowds
to witness the event in Piazza del Campo

Travel tip:

The Palio di Siena is a horse race that takes place in the Piazza del Campo in Siena twice each year, on 2 July and 16 August. Ten horses and bareback riders, who are dressed in the colours of their districts, represent 10 of the 17 contrade, or city wards, in a competition that dates back to 1633, when it was inaugurated soon after Mattias de’ Medici became governor of the city.  The 10 participants race each other on a temporary dirt track around the perimeter of the shell-shaped piazza. The race consists of three laps, which the horses cover at such a furious pace that the whole thing is over in about 90 seconds. It is not uncommon for riders to fall off but a riderless horse can still be declared the winner if the colours of their contrada are still attached to the bridle. 

The Basilica di San Lorenzo in Florence, which
houses the tombs of the Medici family

Travel tip:

The Basilica of San Lorenzo, where Mattias de’ Medici is buried, is one of the largest churches in Florence. It is at the centre of the main market district of the city, and is the burial place of all the principal members of the Medici family. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at a time when it stood outside the city walls. For hundreds of years it was the city's cathedral, before the Cathedral of Santa Maria del Fiore was completed in the 15th century. In 1419, Giovanni di Bicci de' Medici - father of Cosimo de’ Medici, the founder of the banking dynasty - offered to finance a new church to replace an 11th-century Romanesque building. Filippo Brunelleschi, the leading Renaissance architect of the first half of the 15th century, famous for the colossal dome of Santa Maria del Fiore, was commissioned to design it, although it was not completed until after his death.

Also on this day:

1815: The birth of adventurer Pierre-Napoleon Bonaparte

1896: The birth of composer and lyricist Cesare Andrea Bixio

2014: The death of soprano Anna Cerquetti

Home

Alessandro Tassoni – poet

Writer famed for legendary bucket in a belfry

Alessandro Tassoni was a political
commentator and literary critic

The writer Alessandro Tassoni, who became famous for a poem about an historic battle which included a story about a stolen bucket, was born on this day in 1565 in Modena in Emilia-Romagna.

Tassoni’s bucket, which inspired his mock-heroic poem La secchia rapita (The Rape of the Bucket), is still on public display to this day in the belfry of Modena Cathedral.  

According to some critics, his poem was one of the earliest - and best - Italian poems of its type, and it became very popular in Italy and abroad. 

Tassoni, who also wrote about politics and was a literary critic, was born into a noble family. He lost both of his parents at an early age and was brought up by his grandfather. He first saw the bucket in Modena Cathedral when he was taken there by his grandfather.

At the age of 13, he was taught Latin and Greek and he went on to study philosophy, law, and rhetoric at the universities of Bologna, Pisa, and Ferrara.  

In 1597 he entered the service of Cardinal Ascanio Colonna and went with him to Spain as his first secretary. After his return to Italy, Tassoni went to live in Rome.

He wrote a booklet, le Filippiche, which he published in 1612 anonymously because it attacked the Spanish domination of certain parts of Italy and he was afraid of reprisals. 

But the work became famous enough to attract the attention of Charles Emanuel I Duke of Savoy and in 1618 he hired Tassoni to work for him in Turin and gave him the title of first secretary.

The bucket of Tassoni's famous epic poem today
hangs in the belfry of the Torre della Ghirlandina

Tassoni went to work for Cardinal Ludovico Ludovisi in 1626 and then he served under Francesco I d’Este, Duke of Modena. 

The poet died in 1635 in his home town of Modena and a statue of him was later erected in front of the city’s Ghirlandina, the cathedral’s bell tower.

Tassoni is also remembered for his political writing and his works of literary criticism, such as Considerazioni sopra le rime del Petrarca, and Pensieri diversi, an encyclopaedia covering scientific, literary, historical, and philosophical topics, but he is mainly remembered for his satirical poem about the bucket.

La secchia rapita was written by Tassoni between 1614 and 1615 and it was first published in Paris. It couldn’t be published in Italy until Tassoni had modified it to make it comply with the censorship rules imposed by the Catholic Church. 

Tassoni paid to have the first Italian edition bearing his own name published, and the final edition was published in 1630. 

The story related by the poem was loosely based on a war fought between Modena and Bologna in 1325. Most of the events in the poem are fictional, and it refers to a battle that had, in reality, been fought 100 years before the war. But the poem relates what  purports to be an episode when the soldiers from Modena stole a bucket from their Bolognese enemies.

This exploit was not reported by historians from that period. However, a bucket that is claimed to have been the one stolen has been on display in the Torre della Ghirlandina in Modena from Tassoni’s time up to the present day.

In the poem, the theft of the bucket results in a war, in which the Olympian Gods take part, in the tradition of Homer’s Iliad. The war is only resolved when the Pope intervenes to bring it to an end.

The poem references contemporary events and people who were alive at the same time as the author, and its primary purpose was to entertain readers.

For the last 20 years, Tassoni has been remembered in Modena when the city gives out the annual Alessandro Tassoni Literary Award.

The Ducal Palace in Modena, designed by Luigi
Bartolomeo Avanzini, dates back to 1635

Travel tip:

Modena is a city on the south side of the Po Valley in the Emilia-Romagna region of Italy, known for its car industry, because Ferrari, De Tomaso, Lamborghini, Pagani and Maserati have all been located there. The city is also well-known for its balsamic vinegar. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena. One of the main sights in Modena is the huge, Baroque Ducal Palace, begun by Francesco I on the site of a former castle in 1635. His architect, Luigi Bartolomeo Avanzini, created a home for him that few European princes could match at the time. In the Galleria Estense, on the upper floor of the Palazzo dei Musei in Modena, is a one-metre high bust of Francesco I d’Este, Duke of Modena, by Gian Lorenzo Bernini.

Tassoni's statue

Travel tip:

The Cathedral of Modena and its bell tower, Torre della Ghirlandina, are both UNESCO World heritage sites. The tower stands more than 89 metres (292ft) tall and can be seen outside the city from all directions. Inside, there is the Sala della Secchia room, which has 15th century frescoes, and the tower also houses a copy of the oaken bucket, from the War of the Bucket referred to by Tassoni in his poem, which was fought between Modena and Bologna in 1325. The tower was built in 1179, with five floors, and was initially called Torre di San Geminiano. It was renamed after the top of the tower was decorated with two ghirlande - marble railings - during a later renovation. The statue of Alessandro Tassoni, which stands at the foot of the tower, was sculpted by Antonio Cavazza and erected in 1860.

Also on this day:

1871: The birth of soldier and politician Pietro Badoglio

1924: The birth of actor Marcello Mastroianni

1943: The death of 13-year-old partisan Filippo Illuminato

Home

Francesco Borromini - architect

Rival of Bernini and Da Cortona was pioneer of Roman Baroque

The undulating facade of the church
of San Carlo alle Quattro Fontane

The architect Francesco Borromini, who was a pivotal figure alongside Gian Lorenzo Bernini and Pietro da Cortona in the development of the Roman Baroque style in the 17th century, was born on this day in 1599 in the village of Bissone, now in Switzerland but at that time part of the Duchy of Lombardy.

Borromini, who was born Francesco Castelli, gained widespread recognition for his innovative design of the small San Carlo alle Quattro Fontane church on the Quirinal Hill in Rome, which was his first independent commission and is regarded by some historians as one of the starting points for Italian Baroque.

His other major works include the church of Sant'Ivo alla Sapienza, which was part of Rome’s Sapienza University, the Re Magi Chapel, the Palazzo Spada and the church of Sant'Andrea delle Fratte.

As Francesco Castelli, he began his career as a stonemason, following in the footsteps of his father, Giovanni, who was in the service of the noble Visconti Borromeo family. He began his apprenticeship in the trade at just nine years old, moving to Milan even though he was still a boy. His father believed he would gain more practical experience there and it is thought he cut some of the stone used in the building of Milan Cathedral’s magnificent Gothic facade.

By 1619 he had moved to Rome, where he began working for Carlo Maderno, his uncle. He became involved in the construction of St. Peter's Basilica and the Palazzo Barberini. 

When Maderno died in 1629, he and Pietro da Cortona continued to work on the palace under the direction of Bernini. The smaller of two staircases flanking the main hall in the Palazzo was built to Castelli’s design. 

Borromini left his home to work in
Milan and then Rome while still a boy 

He decided to change his name to Borromini once he had become established in Rome. It is not known exactly why he chose to be Borromini, but it may have been because of his family’s connections with the Borromeo family, or because he had been in Milan when Carlo (Charles) Borromeo, the former Archbishop of Milan who had died in 1584, was made a saint. 

Borromini’s relationship with Da Cortona was stormy at times, while his tendency to be stubborn and easily angered led to clashes with Bernini, whom he is said to have resented for not passing on more of the huge commissions he was able to secure for his work, although some accounts say Bernini paid him handsomely. 

The two also had fundamental differences in their approach to design. Bernini, in line with convention, argued that the proportions of buildings should be derived from those of the body of man and woman, while Borromini based his buildings on geometric configurations. 

While working with Bernini at St Peter’s to execute Maderno's design for a monumental bronze canopy above the tomb of St Peter, Borromini began to seek patronage as an independent architect and set up on his own in 1633.

His first significant independent commission, in 1634, was for the church and monastery of San Carlo alle Quattro Fontane, built for the Spanish Trinitarians, at the corner of Via del Quirinale and Via delle Quattro Fontane in the centre of Rome. With its undulating facade, alternating between convex and concave curves, and an oval dome, the church served to announce the theatrical Baroque style that would become Borromini’s trademark.

Borromini's oval spiral staircase at
the Palazzo Barberini in Rome

Borromini’s works are generally characterised by their inventive use of geometry, dynamic forms, and the masterful manipulation of light and space, embracing bold curves and complex structures that have left a lasting impact on the world of architecture.

His use of light and space was particularly noteworthy in the characteristics of the church of Sant’Ivo alla Sapienza and of the Re Magi Chapel, while the Palazzo Spada is famous for its Galleria Prospettica - Perspective Gallery - which creates an optical illusion that makes a corridor appear much longer than it actually is.

His elegant juxtaposing of concave and convex curves can also be seen on the church of Sant’Agnese in Agone in Piazza Navona and the Oratorio dei Filippini, adjacent to the nearby Chiesa Nuova.

In the 1660s, Borromini’s fortunes declined. He was increasingly frustrated by the fame and success of his rival, Bernini, and succumbed to bouts of depression. He found relief by spending time in Lombardy, away from the sources of his irritation, but when he returned to Rome his melancholy also returned. 

Eventually, during one tormented, sleepless night in the summer of 1667 he took his own life, literally by falling on a sword he had propped up against the side of his bed, blade upright. In his testament, he requested that he be buried in the tomb of his teacher, Carlo Maderno, in San Giovanni dei Fiorentini.

He had added a condition that his name should not be on the tomb, which was observed until 1955, when the Swiss embassy in Rome commissioned a marble commemorative plaque to be placed on a pillar next to the tomb.

Bissone, Borromini's place of birth, occupies a
position on the shore of Lake Lugano

Travel tip:

Bissone, where Borromini was born, is a pretty village located on the shore of Lake Lugano, nowadays falling within the canton of Ticino in Switzerland. Part of the Lugano metropolitan area, it has a population of around 1,100. The village’s history dates back at least to the eighth century, when it appeared on maps as Blixuni and was home to a Lombard garrison. During the Middle Ages, at the site of today's Casa Tencalla, a castle was built. It occupied a strategic position and Bissone became the centre of the Ghibellines' resistance during the 12th century dispute between Milan and Como. Much later, following the French invasion in 1798 and the end of the Old Swiss Confederacy, it became a stronghold of supporters of the Cisalpine Republic. The local economy used to be based on fishing and the income generated by providing ferries across the lake, although that was ended by the construction of rail and road links. Nowadays, Bissone relies on tourism and the production of high-quality cheeses, wine, and chocolate. 

Rome's Palazzo Quirinale, which since 1946 has
been the official residence of Italy's President

Travel tip:

The Quirinale neighbourhood is located on one of Rome's seven hills. As well as being home to Borromini’s masterpiece, the church of San Carlo alle Quattro Fontane, the area also contains the Palazzo Quirinale, designed by Ottaviano Mascherino in the 16th century and since 1946 the official residence of the President of Italy, having previously been home to monarchs and popes. Just a short walk from the Palazzo Quirinale are the iconic Trevi Fountain, one of Rome's most famous landmarks, the ruins of the Baths of Constantine, the last great thermal complex built in imperial Rome, and the Piazza and Palazzo Barberini, built by Bernini and Maderno.  Also in the neighbourhood is Bernini’s church of Sant'Andrea al Quirinale, which is regarded as one of the most elegant examples of Baroque architecture in the city. 

Also on this day:

1733: The birth of biologist Agostino Bassi

1930: The birth of fashion designer Nino Cerruti

1955: The birth of singer-songwriter Zucchero

Home

Domitian – Roman emperor

Efficient tyrant rebuilt parts of Rome

Domitian, son of Vespasian, became 
Emperor after the death of his brother

The Emperor Domitian, who kept the Roman upper classes under control by subjecting them to a 15-year reign of terror, died on this day in 96 AD in Rome.

He has been described as ‘a ruthless, but efficient, autocrat,’ who clashed with the Senate and drastically reduced their powers. But he strengthened the Roman economy and started a massive building programme to restore the city of Rome, which had been damaged by successive wars and fires.

The last member of the Flavian dynasty, Domitian was the son of Vespasian, and the brother of Titus, who were his two predecessors as Emperor.

He played only a minor role during their reigns, but after the death of Titus, who had no children, Domitian was declared Emperor by the Praetorian Guard.

Domitian revalued the Roman coinage and strengthened the border defences of the Empire. He fought wars in Caledonia (Scotland) and Dacia, which roughly corresponds with present day Romania, and he became popular with both the ordinary people and the army. 

But he was considered a tyrant by the Roman senate because he appointed himself as a permanent censor and he tried to control public and private morals.  He prosecuted corrupt public officials and punished anyone who had libelled him with either exile or death. He also expelled all philosophers from Rome during his reign.

Domitian was born in Rome in 51 AD. He received the education of a privileged young man, studying rhetoric and literature. In his book, De vita Caesarum, commonly known in English as The Twelve Caesars, the historian Suetonius wrote that Domitian could quote the important poets, and writers such as Homer and Virgil, on significant occasions.

Domitian was unpopular 
with the Roman Senate

After falling in love with Domitia Longina, Domitian persuaded her husband to divorce her so that he could marry her himself. But when their only son died in childhood, Domitian exiled his wife for unknown reasons, although he quickly recalled her.

For his personal use, Domitian had  the Villa of Domitian built in the Alban Hills outside Rome. In the capital itself, he built the Palace of Domitian on the Palatine Hill and he built several other villas in different parts of Italy.

He had the Stadium of Domitian built and he dedicated it as a gift to the people of Rome. It was the city’s first permanent venue for competitive athletics and the Piazza Navona occupies the same area now.

He increased the silver purity of Roman coins and he restored and improved many buildings in Rome, while carrying out a rigorous taxation policy. He founded the Capitoline Games in 86 AD and spent money on public entertainment.

Domitian was assassinated on 18 September 96 at the age of 44 after a conspiracy by court officials. He was stabbed in the groin by one of his courtiers and although he fought back and killed his assailant, other courtiers joined in the fray and succeeded in killing the Emperor.

Domitian was succeeded as Emperor by Marcus Cocceius Nerva, who had served under Nero and succeeding members of the Flavian dynasty and was the first choice of the Senate. Although the Senate was said to have rejoiced at the death of Domitian, the army were upset by it.

The Praetorian Guard demanded the executions of Domitian’s assassins but when Nerva refused they laid siege to the imperial palace and took Nerva hostage. He was forced to submit to their demands and even gave a speech thanking them. He then adopted Trajan as his successor and abdicated.

Although the opinion of Domitian recorded in classical writing was mostly negative, later historians have re-evaluated his achievements and he is seen as having contributed to providing the foundation for the next, more peaceful, 100 years of the Roman empire. 

The remains of the Villa of Domitian still exist within
the gardens of Villa Barberini in the Alban Hills

Travel tip:

The Villa of Domitian, a vast and luxurious property, was built by the Emperor in the Alban Hills, 20km (12 miles) from Rome, where the summer temperatures are more comfortable than in the city. The villa faces west, overlooking the sea and the port city of Ostia. The remains of the villa are now located within the papal Villa Barberini property in the pontifical estate of Castel Gandolfo. The Villa Barberini gardens are open to visitors.  Situated in the Alban Hills with panoramic views of Lake Albano, Castel Gandolfo is home to approximately 8,900 residents and is renowned as one of Italy's most scenic towns, listed in I Borghi più belli d'Italia - The most beautiful villages of Italy.

What remains of the 'stadium' inside Domitian's
extensive palace on the Palatine Hill in Rome

Travel tip:

The Palace of Domitian was built as the Emperor’s official residence in Rome on the Palatine Hill in the city. Only parts of the palace can be seen today as some of it lies under later buildings. It was designed by the architect Rabinius and had an official wing (Domus Flavia) and a private house (Domus Augustana). You can still make out the shape of its two courtyards from the existing remains.  From the time of Augustus, who ruled from 27 BC to 14 AD, Roman emperors traditionally lived in an imperial palace atop the Palatine Hill, the central hill among the seven hills of ancient Rome.  Domitian's palace is one of three with remains that are visible today, the others being those of Augustus and Tiberius. The word ‘palace’ – palazzo in Italian – in fact derives from the name of the hill, which looks down upon the Roman Forum on one side, and the Circus Maximus on the other.

Also on this day:

1587: The birth of singer and composer Francesca Caccini

1860: The birth of opera composer Alberto Franchetti

1916: The birth of actor Rossano Brazzi

Home

Pietro Tacca - sculptor

Pupil of Giambologna became major figure in own right

Tacca's equestrian sculpture of Philip IV 
of Spain broke new ground in statuary

The sculptor Pietro Tacca, who succeeded his master, Giambologna, as court sculptor to the Medici Grand Dukes of Tuscany, was born on this day in 1577 in Carrara.

Tacca, who initially produced work in the Mannerist style, later made a significant contribution to the advance of Baroque and helped preserve Florence’s pre-eminence in bronze casting.

As well as his work for the Medici family, Tacca achieved something never before attempted with his marble equestrian statue of King Philip IV of Spain in Madrid’s Plaza de Oriente. 

The sculpture, considered to be a masterpiece, is notable for depicting the monarch on a rearing horse with its front legs off the ground and the entire weight of the statue supported by its hind legs and tail. 

Tacca began attending the Florence workshop of Giambologna in 1592 at the age of 15. Giambologna was the most important sculptor of his time in Florence, not only for his relationship with the Medici but also for his bronze statue of Neptune above the Fontana di Nettuno in Bologna.

When Giambologna’s first assistant, Pietro Francavilla, left for Paris in 1601, Tacca was chosen to fill his role. On the death of the master in 1608 at the age of 79, Tacca inherited both his studio and his house in Borgo Pinti. A year later, the Medici family appointed him as Giambologna’s successor as the grand-ducal sculptor.

Tacca's i Quattro Mori sculptures in Livorno
showed his embrace of the drama of Baroque

Among Tacca's earliest tasks in his prestigious new position were the completion of some of Giambologna’s unfinished works, including the equestrian statues of Ferdinando I de' Medici in Piazza Santissima Annunziata in Florence, of Henry IV of France, which was sent to Paris but later destroyed during the revolution in 1793, and of Philip III of Spain, which is still located in the Madrid’s Plaza Mayor.

The statue of Ferdinando I de’ Medici was cast with bronze melted from the cannons of captured Barbary and Ottoman galleys, taken by the Order of Saint Stephen, of which Ferdinando was Grand Master.

As his own career progressed, Tacca began to embrace the Baroque aesthetic. His work became characterised by a sense of the theatrical, conveying dramatic movement and exaggerated emotion. While his sculptures often depicted religious subjects, such as saints and biblical figures, he also created secular works, including fountains and allegorical figures.

Between 1623 and 1626 he executed what is considered his masterpiece, i Quattri Mori - the Four Moors - which shows four Saracen pirates chained at the base of Giovanni Bandini's monument to Ferdinando I de' Medici in Piazza della Darsena in Livorno. The pirates were supposedly taken prisoner by the Order of St. Stephen and imprisoned in Livorno. Tacca used some of them as models, posing them in accentuated twists and depicting grimaces of pain on their faces.

Tacca's Porcellino Fountain, a bronze of a wild
boar, is now in a museum in Florence

Two bronze fountains by Tacca originally destined for Livorno, notable for their intricate grotesque masks and shellwork textures, were set up instead in Piazza Santissima Annunziata in Florence.

In 1634, Tacco created his famous Fontana del Porcellino, a bronze fountain statue of a wild boar originally planned for the gardens - the Giardino di Boboli - behind Palazzo Pitti, the main Medici residence in Florence, but subsequently placed in the recently built Loggia del Mercato Nuovo, where a copy is currently on display. The original is in the Museo Stefano Bardini in Palazzo Mozzi.

The colossal equestrian bronze of Philip IV in Madrid was Tacca's last public commission.

Based on a design by Diego Velázquez, it was started in 1634 and shipped to Madrid in 1640, the year of Tacca’s death. The sculpture, set on top of a fountain composition, forms the centrepiece of the façade of the Royal Palace. 

Tacca consulted the scientist Galileo Galilei for advice on how he might make the statue stable, despite its entire weight being supported by the two hind legs and the tip of the tail, shown as brushing the ground as the horse rears. The feat had never been attempted successfully in a statue of such scale. 

Towards the end of his life, Pietro Tacca was assisted by his son, Ferdinando, who almost certainly completed some of his father’s unfinished projects. After the death of Ferdinando Tacca, the studio and foundry in Borgo Pinti were taken over by Giovanni Battista Foggini.

Foggini specialised in small bronze statuary. His reproductions of Tacca’s Moors figures in bronze and ceramic were still selling well on the connoisseur market in the early to mid-18th century.

The Giambologna coat of arms
identifies his former workshop

Travel tip:

Borgo Pinti is an historic street in the heart of Florence, which runs from Via Sant’Egidio to Piazzale Donatello. It has several notable landmarks along its path, including the Chiesa di Santa Maria Maddalena dei Pazzi, a church dating back to around 1250 on a site that was previously occupied by the Monastery of the Women of Penance, a house of refuge for repentant women known as the Repentite, to which some ascribe the origin of the name Pinti, although others claim it was the name of an ancient family. The street, which forms a north-south axis of the historic centre, is lined with many notable palaces, as well as houses occupied by the painter Perugino and the sculptor Lorenzo Bartolini.  The house and workshops where Giambologna and Pietro Tacca created so much of their art were at numbers 24-26 in a building now called Palazzo Bellini delle Stelle, identifiable by the Giambologna coat of arms over the door.

The white of Carrara's marble makes the Apuan
Alps seemed snow-covered even in the summer

Travel tip:

Pietro Tacca’s town of birth, Carrara, famous for its blue and white marble, sits just inland from the Ligurian Sea coastline, in a valley that descends from the Alpi Apuane in Tuscany. The natural white of the peaks often convinces visitors they are covered with snow even in the summer. Marble has been quarried in the area for more than 2,000 years. Michelangelo was said to have been so taken with the purity of the stone that he spent eight months there choosing blocks for specific projects.  The Pantheon and Trajan's Column were both constructed using Carrara marble, which was also the material used for many Renaissance sculptures.  Carrara, nowadays a city of around 70,000 inhabitants, is home to many academies of sculpture and fine arts and a museum of statuary and antiquities.  The exterior of the city's own 12th century duomo is almost entirely marble.

Also on this day:

1797: The birth of revolutionary-turned-librarian Sir Anthony Panizzi

1841: The birth of politician Alessandro Fortis

1866: Sette e mezzo revolt breaks out in Palermo

1985: Terrorists attack Rome’s iconic Café de Paris

2005: Camorra boss Paolo Di Lauro captured in Naples

Home

Death of Pliny the Elder

Roman writer was fascinated by nature and geography

A 19th century lithograph depicting the death of Pliny
the Elder by the Spanish painter Ricardo Martí Aguiló

The author, philosopher, and naval and army commander who became known as Pliny the Elder died on this day in 79 AD during the eruption of Mount Vesuvius near Naples in Campania.

Pliny had been stationed with the Roman Navy a short distance away at Misenum, on what is now known as the Gulf of Pozzuoli, and had organised a rescue mission after a friend had sent him a message saying that she was stranded at Stabiae. It is thought he died from asphyxiation  caused by the toxic gases coming from the volcano.

Born Gaius Plinius Secundus in either 23 or 24 AD in Como, then called Novum Comum, in Lombardy, Pliny grew up to become a prolific writer, naturalist and philosopher.

He wrote Naturalis Historia - The Natural History - a 37-volume work about the natural world, based on his extensive studies and investigations into nature and geography. He also wrote the 20-volume Bella Germaniae, a history of the German wars, which was used as a source by Roman historians such as Plutarch, Tacitus and Suetonius.

Pliny had some legal education in Rome and became a junior officer in the army at the age of 23. He was interested in Roman literature and through this made influential literary friends, who helped him advance his career.

Pliny the Elder was a writer and
lawyer as well as a naval officer

Pliny the Elder’s first book was about the use of missiles by cavalry troops, but it has not survived. Some of its contents were revealed in his Naturalis Historia, where he refers to using the movements of the horse to assist the rider when throwing a javelin.

During the reign of Nero, Pliny lived in Rome, where he witnessed the construction of Nero’s Domus Aurea, or Golden House. As well as pleading law cases, Pliny studied and carried on writing. His second published work was The Life of Pomponius Secundus, a distinguished statesman and poet.

After the death of Nero, Vespasian became emperor and put Pliny to work immediately governing various provinces and he spent time in Africa and Spain. He was trusted by Vespasian right up to the emperor’s death, which was a few months before that of Pliny.

Vespasian had appointed Pliny as praefectus classis in the Roman Navy and the writer was in Misenum with the fleet when Vesuvius erupted in August 79 AD and he saw what he at first thought was an unusual cloud formation in the sky. According to the writing of his nephew, Pliny the Younger, he ordered a fleet of galleys to cross the Gulf of Naples to Stabiae to investigate what was happening and try to rescue his friend, Rectina, and any others who were stranded there.

A 15th century copy of Pliny the Elder's
Naturalis Historia printed in Venice

When cinders and pumice began to fall on the vessel, Pliny was advised to turn back, but he vowed to continue, saying, ‘Fortune favours the bold.’ 

After reaching Stabiae, strong winds prevented his party from leaving again. But later, when they did try to leave because they realised that they were in danger, a plume of hot, toxic gases engulfed them. Pliny, who it is thought may have suffered from asthma, probably died from asphyxiation.

Pliny the Elder never married and he had no children. In his will, he adopted his nephew, who later became known as Pliny the Younger, to enable him to inherit his entire estate. 

Pliny the Elder had deliberately reserved some of his writing on Roman history to be published after his death, knowing it to be controversial and that it could have put his life in danger during the reign of Nero. During his lifetime he had tried to stick to writing about safe topics, such as grammar and nature.

His huge work, Naturalis Historia, which was published just before his death, is thought to have been the first ever encyclopaedia, and it is the earliest known encyclopaedia to have survived to this day. It remained an authority on scientific matters until the Middle Ages.

Statues of Pliny the Elder and Pliny the Younger
flank the entrance to the Duomo di Como

Travel tip:

Como, where Pliny the Elder was born, is a city at the foot of Lake Como in Lombardy, which in Roman times was called Novum Comum, so called because it was a new city built on swampland at the southern tip of the lake that had been drained on the orders of Julius Caesar after he had deemed that the settlement be moved from its former location on nearby hills. Today it is a popular tourist destination because of its proximity to the lake and has many attractive churches, gardens, museums, theatres, parks, and palaces to visit. The Villa Olmo, built in neoclassical style there in 1797 by an aristocratic family, has hosted Napoleon, Ugo Foscolo, Prince Metternich, Archduke Franz Ferdinand I and Giuseppe Garibaldi, to name but a few of the eminent people who have stayed there. The 15th century facade of Como's duomo - the Cattedrale di Santa Maria Assunta - has a portal flanked by Renaissance statutes of Pliny the Elder and Pliny the Younger.

The atrium, with some frescoes still intact, at the
well-preserved Villa San Marco in Castellammare

Travel tip:

The town of Stabiae in Campania, where Pliny the Elder met his death, was an ancient city which used to be situated near the modern town of Castellammare di Stabia. Many Roman villas were built in ancient Stabiae because it was a popular seaside resort for wealthy Romans and, although the town was buried under layers of volcanic ash, like nearby Pompei, some of the villas can still be visited today. They are the largest concentration of well-preserved Roman seaside villas known in the world. Built on the northernmost edge of Varano hill, which offers panoramic views of the Gulf of Naples, they include the Villa San Marco, one of the largest villas ever discovered in Campania, measuring over 11,000 square meters. It has an atrium, courtyard with a pool, triclinium with bay views, colonnaded courtyard, kitchen, and two internal gardens, as well as a private bath complex. The walls are decorated with mosaics and frescoes. At the time of the eruption, the Villa San Marco is thought to have been undergoing repairs following an earthquake and was not occupied.

Also on this day: 

79: Vesuvius erupts, destroying Pompeii and other cities

665: The death of Saint Patricia of Naples

1509: The birth of Borgia cardinal Ippolito II d'Este

1609: Galileo demonstrates the potential of telescope

1691: The birth of architect Alessandro Galilei 

1829: The birth of composer Carlo Eduardo Acton

Home

Flavius Stilicho - Roman general

Last defender of the Western Empire

A diptych in Monza cathedral is thought to show 
Stilicho (right), with Serena and Eucherius

The military commander Flavius Stilicho, who for part of his career could be considered the most powerful man in the Western Roman Empire, was executed on this day in 408 in Ravenna.

Stilicho had successfully defended the empire against several Barbarian invasions and gained his power through acting as regent when the death of Theodosius I in 395 left the Western Empire in the hands of Honorius, his 10-year-old son.

But as a soldier of partly Vandal descent, Stilicho had always aroused suspicion within the Roman court and his failure to deal with the advance across northern Europe of the rebellious Constantine III, leader of the Romans in Britain, combined with rumours that he planned to install his own son, Eucherius, as emperor of the Eastern Empire following the death of Arcadius, sparked a mutiny of the Roman army at Ticinum - modern Pavia - on August 13, 408.

Stilicho retreated to Ravenna, then capital of the Western Empire, where he was imprisoned on the orders of Honorius and executed, along with Eucherius, on August 22.

Born around 359, at a time of political turbulence and rivalries within a Roman Empire in decline, Stilicho is thought to have been the son of a soldier of Vandal origin in the Roman army and a Roman mother. 

A bust of Theodosius I,
in the Louvre in Paris

As a soldier himself, he proved to be a skilled strategist and diplomat and quickly rose through the ranks under Theodosius I, the last emperor of a unified Roman Empire.

His success in 383 in negotiating a territorial settlement with Shapur III, the King of Persia, on behalf of Theodosius saw him quickly promoted to be head of the emperor's corps of bodyguards.

Theodosius increasingly saw Stilicho as a valued ally and strengthened their bond by allowing Stilicho to marry his favourite niece, Serena.

In around 393, Theodosius made him commander-in-chief of the Roman army and entrusted him with the guardianship of Honorius ahead of his death in 395.

Stilicho’s successes on the battlefield strengthened his position still further.

The Battle of the Frigidus in 394 in what is now western Slovenia saw him fighting alongside Alaric, the King of the Visigoths, to defeat the usurper Eugenius, unifying the Empire under Theodosius, while between 395 and 398 he successfully contained the Gothic threat in the Balkans.

In 398 Stilicho defeated Gildo, the rebel governor of Africa, securing a vital grain supply for Rome.

In the early fifth century, he defeated the Ostrogoth king Radagaisus, preventing an invasion of the Italian peninsula, and twice defeated Alaric, his ally in Frigidus, in the Battles of Pollentia and Verona.

A bust depicting Emperor
Honorius as an adolescent

Stilicho’s power inevitably made him enemies, notably a Praetorian prefect by the name of Rufinus, who is said to have been appointed to be the guardian for Theodosius’s other son, Arcadius, in the Eastern Empire.

They clashed over a number of issues but matters came to a head during one of Stilicho’s battles against Alaric, sparked by the latter reneging on a peace treaty with Rome.  

After purportedly trying to negotiate a diplomatic solution to the conflict, Rufinus is said to have instructed Arcadius to order the Roman troops to withdraw just as they were about to attack Alaric's army.  A group of the returning soldiers then murdered Rufinus, leading some historians to speculate that Stilicho ordered Rufinus to be killed because he suspected him of being in league with Alaric.

Stilicho’s power began to wane after the twin threat of Alaric and Radagaisus depleted the Roman forces defending the empire in the north. 

In 407, Constantine, a Roman general who had been proclaimed by his soldiers as the Emperor in Britain, moved his troops across the English Channel, taking control of Gaul and Hispania. 

Stilicho failed to stop his advance, which further drained his resources and highlighted the empire’s inability to defend its borders, leading to growing dissent among the Roman army.

The Basilica of Sant'Ambrogio in Milan has a monument called 
 the Sarcophagus of Stilicho, although it is unlikely he is buried there 

This and the false news that Stilicho was planning a coup d’état to install his son as Eastern Roman Emperor led to their mutiny. They killed Stilicho’s most trusted generals, leaving him powerless to the extent that when he was arrested in Ravenna, he is said to have accepted his fate.

For the future of the Western Empire, Stilicho’s execution proved to be a telling moment. In the disturbances that followed, murderous attacks by Romans on fellow  citizens of Vandal and other Germanic descent caused an exodus of 30,000 men to the side of Alaric, demanding that he lead them against the Romans.

The Visigoth leader subsequently led his forces on a campaign that saw them reach the walls of Rome and lay siege to the city in September, 408.

Without a general in the mould of Stilicho, Honorius could do little to break the siege. Alaric tried and failed four times to negotiate a peace treaty until August 27, 410, when - with the people of Rome dying of hunger - his army smashed through the gates and sacked the city.

It was the first time in 800 years that an invading army had successfully breached the walls of the Eternal City and many historians regard the event as the beginning of the end for the Western Roman Empire.

The Basilica of San Vitale in Ravenna is
famous for its Byzantine mosaics

Travel tip:

Ravenna, where Stilicho was executed, was the capital of the Western Roman Empire from 402, when Honorius moved his court from Mediolanum (modern Milan), until the collapse of the empire in 476, after which it became the capital of the Italy ruled by the barbarian Odoacer until he was defeated by the Ostrogoth king Theodoric. In 540 Belisarius conquered Ravenna for the Byzantine Empire, and the city became the capital of Byzantine Italy.  The city, which is in the region of Emilia-Romagna, about 78km (48 miles) east of Bologna, is now renowned for its wealth of well-preserved late Roman and Byzantine architecture and has eight UNESCO World Heritage Sites. One of the most important examples of early Christian Byzantine art and architecture is the Basilica of San Vitale, which is famous for its fine Byzantine mosaics.  Ravenna was also the city where the 13th century poet Dante Alighieri lived in exile until his death in 1321. Dante's tomb is next to the Basilica of San Francesco.

The beautiful Ponte Coperto, which links the city
of Pavia with the suburb of Borgo Ticino

Travel tip:

Ticinum, which occupied the site of the modern Pavia, was an ancient city of Gallia Transpadana, a division of Cisalpine Gaul. It was founded on the banks of the river of the same name - now the Ticino - near where it joins the Po, then called the Padus. Its importance in Roman times was due to the extension of the Via Aemilia from Ariminum (Rimini) to the Padus, which it crossed at Placentia (Piacenza) and there forked, one branch going to Mediolanum (Milan) and the other to Ticinum.  Modern Pavia has little in the way of Roman remains.  It is thought that the city’s Duomo might have been built over the remains of an ancient temple, but there is no evidence of this. Pavia’s picturesque covered bridge, the Ponte Coperto or Ponte Vecchio, which originated in the 16th century and was rebuilt after being bombed in the Second World War, linking Pavia with the Borgo Ticino suburb, was preceded by a Roman bridge, of which only one pillar exists under the remains of the central arch of the mediaeval bridge.  Pavia is also known for its ancient university, which was founded in 1361, and its famous Certosa, a magnificent monastery complex north of the city that dates back to 1396. 

Also on this day:

1599: The death of composer Luca Marenzio

1849: Venice hit by history’s first air raid

1913: The birth of nuclear physicist Bruno Pontecorvo

1914: The death of bishop Giacomo Radini-Tedeschi

1970: The birth of TV chef Giada De Laurentiis

Home