Mantegna frescoes reduced to rubble

Precious works of art damaged by Allied bombing

A photograph taken soon after the raid
shows the scale of damage to the church

One of the heaviest losses to Italy’s cultural heritage during World War Two occurred on this day in 1944 in Padua in the Veneto region when 15th century frescoes painted by the artist Andrea Mantegna were blown into thousands of pieces by bombs.

A raid on the city was carried out by the Allies, hoping to hit Padua’s railway station and an adjoining marshalling yard, as well as a building where the occupying Germans had established their headquarters. But the bombs landed on Padua’s Chiesa degli Eremitani instead, causing devastating damage to frescoes created by the young Mantegna in one of the side chapels.

It was one of the worst blows inflicted on Italy’s art treasures during the war, as Mantegna’s frescoes, which had been painted directly on to the walls of the church, were considered a major work.

Andrea Mantegna, who was born near Vicenza in 1431, had been commissioned to paint a cycle of frescoes in the Ovetari Chapel, one of the side chapels in the Church of the Eremitani.

The commission marked the beginning of Mantegna’s artistic career when he started work at the age of 17 in 1448. The artist was in his mid-20s by the time he had finished the cycle in 1457, which showed scenes from the lives of Saint James and Saint Christopher. 

Some of the scenes from Mantegna's
frescoes have been partially restored

Because of the historical value of Mantegna's work, the Church of the Eremitani was on a list of buildings and monuments Allied bombers had been instructed to avoid. However, tragically, the German invading army had established their headquarters in Padua right next to the church.

When the bombs fell in 1944, targeting was not as precise as it is today and the Ovetari Chapel was severely damaged. Mantegna's wonderful frescoes were reduced to more than 88,000 separate pieces, which were later found mixed in with bits of plaster and bricks on the ground.

Fortunately, a detailed photographic survey of the work had been made previously and it was possible later to reconstruct the artist’s designs and recompose part of the cycle depicting the Martyrdom of Saint James. The photographic record was used to create panels in black and white where Mantegna's frescoes had been.

 Recovered fragments that could be identified were then fixed to the panels in their original positions, so that at least a partial reconstruction could be carried out. Colour has been applied to other parts of the panels to give visitors to the chapel a better idea of how the frescoes originally looked. 

Other frescoes by Mantegna, including the Assumption and the Martyrdom of St. Christopher, had been removed before the war to protect them from damp, and they remained undamaged and were eventually reinstated in the church.

In other chapels in the church, 14th century frescoes painted by Guarentio and Giusto de’ Menabuoi miraculously survived.

Padua was bombed 24 times by Allied aircraft between December 1943 and the end of the war. On  March 11, when the Church of Eremitani was hit, the city was attacked by 111 planes, which dropped 300 tons of bombs.

The previous month, during the Battle of Rome, the Abbey of Monte Cassino to the south east of the capital city, which was the oldest Benedictine monastery in the world, was destroyed by Allied bombers. This is now acknowledged as one of the biggest strategic errors of the Second World War on the Allied side.

Some of the remains of Padua's Roman
amphitheatre are still standing

Travel tip: 

Padua is believed to be one of the oldest cities in northern Italy. It was founded in about 1183 BC by the Trojan prince, Antenor. The Roman writer, Livy, records an attempted invasion of the city by the Spartans in 302 BC. Later attempts at invasions were made unsuccessfully by the Etruscans and Gauls. The city formed an alliance with Rome against their common enemies and it became a Roman municipium in about 49BC. By the end of the first century BC, Padua was the wealthiest city in Italy, apart from Rome. The Roman name for Padua was Patavium. You can still see the remains of the Roman Ampitheatre, or Arena as it was known, which is in Padua’s Giardino dell’Arena. The main entrance would have been near the present-day Piazza Eremitani, where the Church of the Eremitani is located. 

The Chiesa degli Eremitani in Padua dates
back to the mid-13th century 

Travel tip:

La Chiesa degli Eremitani - Church of the Eremitani or Church of the Hermits - is a former Augustinian Gothic-style church close to the Cappella Scrovegni in Piazza Eremitani in the centre of Padua. The church was built for Augustinian friars between 1260 and 1276 and dedicated to the Saints Philip and James. The friars remained in the church and adjoining monastery until 1806 when Padua was under Napoleonic rule and the order was suppressed. The church was reopened for services in 1808 and became a parish church in 1817. The church has a single nave with plain walls decorated with ochre and red bricks and it has a vaulted wooden ceiling. It houses the ornate tombs of two lords of Padua, Jacopo II da Carrara and Ubertino da Carrara, designed by Andriolo de Santi. The Musei Civici agli Eremitani (Civic Museum) of Padua is now housed in the former Augustinian monastery to the left of the church.  The Scrovegni Chapel is famed for its brilliant frescoes by Giotto, painted between 1303 and 1305.

Also on this day: 

1544: The birth of poet Torquato Tasso

1669: Mount Etna’s biggest eruption

1847: The birth of politician Sidney Sonnino

1851: Premiere of Verdi opera Rigoletto

1924: The birth of psychiatrist Franco Basaglia

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