11 March

NEW - Mantegna frescoes reduced to rubble

Precious works of art damaged by Allied bombing

One of the heaviest losses to Italy’s cultural heritage during World War Two occurred on this day in 1944 in Padua in the Veneto region when 15th century frescoes painted by the artist Andrea Mantegna were blown into thousands of pieces by bombs.  A raid on the city was carried out by the Allies, hoping to hit Padua’s railway station and an adjoining marshalling yard, as well as a building where the occupying Germans had established their headquarters. But the bombs landed on Padua’s Chiesa degli Eremitani instead, causing devastating damage to frescoes created by the young Mantegna in one of the side chapels.  It was one of the worst blows inflicted on Italy’s art treasures during the war, as Mantegna’s frescoes, which had been painted directly on to the walls of the church, were considered a major work.  Andrea Mantegna, who was born near Vicenza in 1431, had been commissioned to paint a cycle of frescoes in the Ovetari Chapel, one of the side chapels in the Church of the Eremitani.  The commission marked the beginning of Mantegna’s artistic career when he started work at the age of 17 in 1448.  Read more…

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Franco Basaglia - psychiatrist

Work led to closure of mental hospitals by law

The psychiatrist Franco Basaglia, whose work ultimately led to changes in the law that resulted in the closure and dismantling of Italy’s notorious psychiatric hospitals, was born on this day in 1924 in Venice.  As the founder of the Democratic Psychiatry movement and the main proponent of Law 180 - Italy's Mental Health Act of 1978 - which abolished mental hospitals, he is considered to be the most influential Italian psychiatrist of the 20th century.  His Law 180 - also known as Basaglia’s Law - had worldwide impact as other countries took up the Italian model and reformed their own way of dealing with the mentally ill.  Basaglia was born to a well-off family in the San Polo sestiere of Venice. He became an anti-Fascist in his teens and during the Second World War was an active member of the resistance in the city, to the extent that in December 1944, he was arrested and spent six months inside Venice’s grim Santa Maria Maggiore prison, being released only when the city was liberated in April of the following year.  He graduated in medicine and surgery from the University of Padua in 1949.  Read more…

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Rigoletto debuts at La Fenice

Verdi opera staged after battle with censors

Giuseppe Verdi's opera Rigoletto was performed for the first time on this day in 1851 in Venice.  It enjoyed a triumphant first night at the Teatro La Fenice opera house, where the reaction of the audience was particularly gratifying for the composer and his librettist, Francesco Maria Piave, after a long-running battle to satisfy the censors.  Northern Italy was controlled by the Austrian Empire at the time and a strict censorship process applied to all public performances.  Verdi, who had accepted a commission to write an opera for La Fenice the previous year, knew he was likely to risk falling foul of the Austrians when he chose to base his work on Victor Hugo's play, Le roi s'amuse, which provoked such a scandal when it premiered in Paris in 1832 that it was cancelled after one night and had remained banned across France ever since.  Hugo's play depicted a king - namely Francis I of France - as a licentious womaniser who paid only lip service to what was considered moral behaviour as he constantly sought new conquests.  The French government had been horrified by the play's disrespectful portrayal of a monarch and the Austrians.  Read more…

Torquato Tasso – poet

Troubled Renaissance writer came back to Sorrento

Torquato Tasso, who has come to be regarded as the greatest Italian poet of the Renaissance, was born on this day in 1544 in Sorrento.  Tasso’s most famous work was his epic poem Gerusalemme Liberata (Jerusalem Delivered or The Liberation of Jerusalem), in which he gives an imaginative account of the battles between Christians and Muslims at the end of the first crusade during the siege of Jerusalem.  He was one of the most widely read poets in Europe and his work was later to prove inspirational for other writers who followed him, in particular the English poets Spencer and Byron.  The house where Tasso was born on 11 March, 1544 is in Sorrento’s historic centre, a few streets away from the main square, Piazza Tasso, in Via Vittorio Veneto.  It now forms part of the Imperial Hotel Tramontano, where the words for the beautiful song, Torna a Surriento, were written by Giambattista De Curtis while he was sitting on its terrace in 1902.  Tasso travelled about in Italy constantly during his 51 years but came back to Sorrento towards the end of his life to visit his beloved sister Cornelia, at a time when he was deeply troubled with mental health problems.  Read more…

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Sidney Sonnino – politician

Minister who pushed Italy to switch sides in World War One

Sidney Sonnino, the politician who was Italy’s influential Minister of Foreign Affairs during the First World War, was born on this day in 1847 in Pisa.  Sonnino led two short-lived governments in the early 1900s but it was as Foreign Affairs Minister in 1914 that he made his mark on Italian history, advising prime minister Antonio Salandra to side with the Entente powers – France, Great Britain and Russia – in the First World War, abandoning its Triple Alliance partnership with Germany and Austria-Hungary.  His motives were entirely driven by self-interest. A committed irredentist who saw the war as an opportunity to expand Italy's borders by reclaiming former territory, he reasoned that Austria-Hungary was unlikely to give back parts of Italy it had seized previously.  Instead, he sanctioned the secret Treaty of London with the Entente powers, which led Italy to declare war on Austria-Hungary in 2015.  In the event, although Sonnino backed the winning side, the promises made in the Treaty of London, namely that Italy would win territories in Tyrol, Dalmatia and Istria, were not fulfilled. Despite suffering major casualties, including 600,000 dead, Italy was granted only minor territorial gains.  Read more…

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Etna’s biggest eruption

Sicily volcano spewed lava for four months

The largest eruption of the Mount Etna volcano in recorded history began on this day in 1669.  After several days of seismic activity in the area, a fissure measuring two metres wide and about 9km (5.6 miles) long opened up on the southeastern flank of the Sicilian mountain in the early hours of 11 March.  The lava that was spewed out of the enormous gash continued to flow for four months until the eruption was declared to be over on 16 July, a duration of 122 days.  Although stories of 20,000 deaths as a result of the eruption have been dismissed as myth, with no recorded evidence of any casualties, an estimated 15 towns and villages were destroyed as well as hundreds of buildings in the city of Catania, and some 27,000 people are thought to have been made homeless.  Mount Etna is situated in the northeastern vertex of the triangular island of Sicily. The most active volcano in Europe, it looms over the coastal city of Catania, which has a population within its metropolitan area of more than 1.1 million.  It has a long history of eruptions, going back at least to 396BC, when it reportedly thwarted an advance on Syracuse by the Carthanaginians.  Read more…

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Book of the Day: Andrea Mantegna and the Italian Renaissance, by Joseph Manca

Humanist, geometrist, archaeologist, of great scholastic and imaginative intelligence, Andrea Mantegna in a way dominated the whole of northern Italy by virtue of his imperious personality and the depth of his ambition. Aiming at optical illusion, he mastered perspective. He trained in painting at the Padua School where Donatello and Paolo Uccello had previously attended. Even at a young age commissions for Andrea’s work flooded in, for example the frescoes of the Ovetari Chapel of Padua. In a short space of time Mantegna found his niche as a modernist due to his highly original ideas and the use of perspective in his works. His marriage with Nicolosia Bellini, the sister of Giovanni, paved the way for his entry into Venice. Mantegna reached an artistic maturity with his Pala San Zeno. He remained in Mantova and became the artist for one of the most prestigious courts in Italy - the Court of Gonzaga. Classical art was born. Despite his links with Bellini and Leonardo da Vinci, Mantegna refused to adopt their innovative use of colour or leave behind his own technique of engraving. Andrea Mantegna and the Italian Renaissance is an illuminating study of the genius and the influence he had on the future of his art.

Joseph Manca is the Nina J Cullinan Professor of Art and Art History at Rice University in Houston, Texas. He specialises in European art and culture, from the Renaissance to the early 20th century, especially Italian Renaissance and 17th-century Dutch painting.

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