Luisa Ranieri - actress

Naples-born star of The Hand of God

Luisa Ranieri in a scene from The Hand of God,
which won her a Best Supporting Actress award

The actress Luisa Ranieri, who received a Best Supporting Actress award for her performance in Paolo Sorrentino’s Oscar-nominated 2021 movie The Hand of God, was born on this day in 1973 in Naples.

Ranieri, who is married to Inspector Montalbano actor Luca Zingaretti, was honoured with a prestigious Nastro d’Argento for her portrayal of Patrizia, the troubled aunt of The Hand of God’s central character, Fabietto.

Among more than 30 films in a big screen career that began with a leading role in Leonardo Pieraccioni’s Il principe e il pirata (The Prince and the Pirate) in 2001, Ranieri is also well known for her performances in Michelangelo’s Antonioni’s Eros in 2004, in Pupi Avati’s Gli amici del Bar Margherita (The Friends of the Bar Margherita) in 2009 and Gary Winick’s final film, Letters to Juliet (2010).

Ranieri, whose latest movie, Diamanti, (Diamonds) directed by Ferzan Özpetek, premieres in Italy this week, also boasts a string of successes in television. 

In 2005, she won plaudits for her portrayal of the opera singer Maria Callas in a Canale 5 miniseries Callas e Onassis, and for playing the entrepreneur Luisa Spagnoli in the Rai fiction of the same name in 2016. Since 2021 she has filled the title role in the Rai crime series, Le indagini di Lolita Lobosco, (The Investigations of Lolita Lobosco) in which she plays a deputy commissioner of police in the southern Italian city of Bari. 

Ranieri won acclaim for her
portrayal of Maria Callas

It was while making another Rai miniseries, Cefalonia, in 2005 that she became romantically involved with co-star Zingaretti. The couple married in Sicily in 2012 and have two children. 

Ranieri spent her early years in the Vomero district of Naples, an upmarket suburb which occupies an elevated position that offers commanding views over the city. She enrolled in the Faculty of Law in the city’s university but gave up her studies to devote herself to acting, building the foundations of a career as a theatre actress before quickly landing the part in Il principe e il pirata in 2001, in which she also gained considerable exposure thanks to a starring role on a TV advertising campaign for Nestea, a major player in Italy’s lucrative iced tea market.

She quickly established her reputation as an actress of considerable talent, gaining significant recognition through TV roles, including playing Assunta Goretti, the mother of the child saint, Maria Goretti, who was murdered at the age of 11, in Giulio Base’s 2003 miniseries, and two years later Maria Callas opposite the Aristotle Onassis of French actor Gérard Darmon under Giorgio Capitani’s direction.

In 2009, the same year that Avati’s Gli amici del bar Margherita brought more critical acclaim, she demonstrated her versatility with a return to the stage, acting in the theatrical production of L'oro di Napoli (the Gold of Naples), directed by Gianfelice Imparato and Armando Pugliese, based on the stories of Neapolitan life by Giuseppe Marotta.

The terrace at the Castello di Donnafugata will
be familiar to fans of the Montalbano TV series

Back on screen, Letters to Juliet further solidified her reputation in the film industry, which was taken to another level by The Hand of God - È stata la mano di Dio in Italian - in which her performance as Patrizia, the voluptuous aunt for whom main character Fabietto has an adolescent crush, and who escapes an abusive husband by admitting herself to a psychiatric hospital, attracted much acclaim and turned her into something of an icon for many Italian women.

As a further recognition of her standing in the acting profession, Ranieri was chosen to host the opening and closing nights of the 71st Venice International Film Festival in 2014.

Her marriage to Zingaretti caught the public imagination. After living together for several years, the couple tied the knot at the Castello di Donnafugata, a castle near Ragusa in Sicily where scenes were filmed in several episodes of the long-running Inspector Montalbano series. 

The Castel Sant'Elmo and the Certosa di San
Martino tower above Naples on Vomero hill

Travel tip:

The Vomero district of Naples is widely-regarded as the most upmarket area of the city in which to live. Perched on a hill overlooking the city and the Bay of Naples, it is known for its elegant architecture, beautiful parks, and a more relaxed atmosphere compared to the sometimes chaotic nature of the southern Italian city’s centre.  Highlights include Castel Sant'Elmo, a mediaeval fortress offering stunning panoramic views of the city and the bay; the adjoining Certosa di San Martino, a former monastery that now houses a museum; the lively Piazza Vanvitelli, Vomero’s central square; and the Villa Floridiana, a beautiful park with gardens, fountains and another museum. Three funicular railways connect Vomero to the city centre. The district boasts a mix of high-end and local shops and a similar variety of restaurants. 

The magnificent Duomo di San Giorgio is one
of the main attractions of Ragusa Ibla

Travel tip:

The city of Ragusa, at the centre of the area of southeastern Sicily where Andrea Camilleri’s Inspector Montalbano mysteries were filmed, is set in a rugged landscape with a mix of mediaeval and Baroque architecture. It has two parts - Ragusa Ibla, a town on top of a hill rebuilt on the site of the original settlement destroyed in a major earthquake in 1693, and Ragusa Superiore, which was built on flatter ground nearby in the wake of the earthquake.  A spectacular sight in its own right and affording wonderful views as well, Ragusa Ibla attracts visitors to its maze of narrow streets and to see the Duomo di San Giorgio, the magnificent 18th century Sicilian Baroque church that stands at the top of a wide flight of steps at the head of the sloping Piazza Duomo, the wide square that, with Corso XXV Aprile, comprises Ragusa Ibla’s central thoroughfare. Designed by Rosario Gagliardi, the cathedral is characterised by a monumental façade which incorporates the bell tower beneath a bulbous spire.

Also on this day:

1899: The founding of AC Milan football club

1944: The birth of businessman Santo Versace

1945: The death of Fiat founder Giovanni Agnelli

1952: The birth of footballer Francesco Graziani

1954: The birth of pop singer Ivana Spagna

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Clara Calamai - actress

Star remembered for groundbreaking moments in Italian cinema history

Clara Calamai enjoyed huge popularity with
Italian cinema audiences in the '30s and '40s

The actress Clara Calamai, best known for two Italian cinema classics of the 1940s and for a cult 1970s horror film, died in the Adriatic resort of Rimini on this day in 1998, at the age of 89.

Calamai’s career is generally seen to have peaked with her appearances in Luchino Visconti’s 1943 crime drama Ossessione and, three years later, in Duilio Coletti’s melodrama L’adultera, for which she won a Nastro d’Argento award as best actress.

She scaled down her career drastically after marriage but won fresh acclaim three decades later for her role as Marta, a murderous ageing actress in ‘Master of Horror’ Dario Argento’s box office smash Profondo Rosso.

For many years, Calamai was also known as the first woman to bare her breasts in Italian cinema - in a 1942 movie that not surprisingly caused scandal at the time - although it was later accepted that another actress, Vittoria Carpi, had beaten her to that claim to fame. 

Calamai, sometimes known as Clara Mais, was born in the Tuscany city of Prato, about 25km (16 miles) northwest of Florence, in 1909. She had two sisters, Vittorina and Paola, yet little is known about her early life before her big screen debut in Aldo Vergano’s 1938 historical epic, Pietro Micca.

She made a good living by accepting multiple parts in what then was a somewhat sanitised Italian film industry, which was regulated so tightly within the guidelines set by the Fascist authorities that approved film-makers were limited mainly to lightweight comedies and heroic costume dramas. 

Calamai in La Cena delle Beffe, a film
largely remembered for her 'nude' scene

Her ‘nude’ scene came relatively early in her career, although it scarcely constituted a scene, occupying just 18 frames of Alessandro Blasetti’s La Cena delle Beffe, a drama set in Renaissance Florence starring Amedeo Nazzari. Although it was so brief that an audience member could literally blink and miss it, the outrage provoked was such that minors under the age of 16 were not permitted to watch.

Despite the furore, the episode did no harm to Calamai’s career and her popularity maintained its upwards trajectory, putting her on a par with actresses such as Alida Valli and Valentina Cortese. It later transpired that Blasetti had already shown Vittoria Carpi's naked breast the previous year in La corona di ferro, although because Carpi was a young comparatively unknown actress, it attracted much less attention.

Indeed, the publicity generated may have helped Calamai land her most famous role, in 1943, when Visconti chose her to replace Anna Magnani, who was pregnant, in Ossessione, his debut film.

Co-written as well as directed by Visconti, the film was an adaptation of the 1934 novel, The Postman Always Rings Twice, by the American author, James M Cain. It was the second of seven adaptations of Cain’s novel, although Visconti’s - controversially - was not authorised or even credited.

The film was condemned by the Fascist regime for its unvarnished depictions of Italy’s working class population. But Calamai’s performance as Giovanna, who embarks on an affair with a young hobo and is eventually persuaded to murder her husband, was outstanding and the film is regarded today as a pioneering work of Italian cinema, perhaps the first neorealist film.

Calamai and co-star Massimo Girotti in a scene
from Luchino Visconti's 1943 drama Ossessione

Three years later, in Coletti’s L'adultera, her performance as Velca, a peasant woman who marries a wealthy but elderly landowner and goes on to be the adulteress of the title, resulted in Calamai winning a Nastro d’Argento - silver ribbon - award from Italian film critics as best actress of 1946.

The year before L’adultera’s success, Calamai had married Leonardo Bonzi, a former Italian tennis champion who also competed in bobsleigh at the Olympics. A qualified pilot, Bonzi was from noble stock and could call himself a count, if he so wished. They met when he embarked on a career in film directing and producing.

With the arrival of the first of their two children, Calamai severely limited her acting commitments, taking  parts only sporadically. She and Bonzi divorced in 1961, after which she began to accept invitations from directors she favoured. Her playing of a prostitute in Visconti’s Le notti bianchi reminded cinemagoers of her acting ability. She appeared on television, too, in a Rai adaptation of Henry Fielding’s 18th century novel, Tom Jones.

What turned out to be her final film was hailed as one of her finest. Cast as Marta, an eccentric multiple killer, Calamai’s performance in Dario Argento’s 1975 hit Profondo Rosso - Deep Red - turned her into something of a cult figure among fans of the director’s work. Argento would later describe the film, which starred David Hemmings as the musician who ultimately identified Marta as the murderer, as his greatest work.

Profondo Rosso kept Calamai in the public eye for a number of years but eventually she disappeared from view. After living alone in her home in Rome not far from Termini station, she spent her final years in Rimini, where her sister, Vittorina, had lived since starting a family.

She died there at the age of 89, reportedly following a heart attack. She is buried at the Cimitero Monumentale di Rimini, where the Emilia-Romagna resort’s greatest cinema icon, Federico Fellini, was laid to rest alongside his wife, the actress Giulietta Masina.

The Palazzo Pretorio is one
of Prato's notable buildings

Travel tip:

Prato, a city of just under 200,000 inhabitants, is less than 20 minutes by train from Florence, yet Clara Calamain’s home city is something of an overlooked gem among Tuscany's many attractions. Prato is the home of the Datini archives, a significant collection of late mediaeval documents concerning economic and trade history, produced between 1363 and 1410, as well as many artistic treasures, including frescoes by Filippo Lippi, Paolo Uccello and Agnolo Gaddi inside its Duomo, which has an external pulpit by built by Michelozzo and decorated by Donatello. The Palazzo Pretorio is a building of great beauty, situated in the pretty Piazza del Comune, and there are the ruins of the castle built for the mediaeval emperor and King of Sicily Frederick II.  Prato’s commercial heritage is founded on the textile industry and its growth in the 19th century earned it the nickname the "Manchester of Tuscany".

Rimini's Tempio Malatestiano has frescoes by
Piero della Francesca and paintings by Giotto

Travel tip:

Rimini has become one of the most popular seaside resorts in Europe, with wide sandy beaches and plenty of hotels and restaurants. But it is also a historic town with many interesting things to see. One of Rimini’s most famous sights is the Tempio Malatestiano, a 13th century Gothic church originally built for the Franciscans but which was transformed on the outside in the 15th century and decorated inside with frescoes by Piero della Francesca and works by Giotto and many other artists. Rimini had a role in the unification of Italy in the 19th century. It was there that Joachim Murat, the brother-in-law of Napoleon and King of Naples, issued his Proclamation in 1815, calling for all Italians to unite into a single people and drive out foreigners, namely the Austrians, who occupied large parts of northern Italy at the time. Although Murat was almost certainly acting out of self-interest at the time - he had just declared war on Austria and desperately needed support - the Proclamation is often seen as the opening statement of the Risorgimento.

Also on this day:

1559: The birth of painter and architect Cigoli

1744: The birth of architect Giacamo Quarenghi

1960: The birth of controversial conceptual artist Maurizio Cattelan

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Kaspar Capparoni - actor

Found fame co-starring with crime-fighting dog

Kaspar Capparoni with his German Shepherd
co-star in the crime drama Il Commissario Rex

The actor Kaspar Capparoni, an accomplished performer on stage and screen whose fame received its biggest boost after he starred alongside a German Shepherd dog in the TV crime series Il Commissario Rex, was born in Rome on this day in 1964.

Capparoni played the part of Commissioner Lorenzo Fabbri, a homicide detective who is accompanied in his work by an unusually talented police dog known as Rex, whose ever-growing range of skills are often key to solving the crimes Fabbri is charged with investigating.

Il Commissario Rex, which was screened by Italian national broadcaster Rai between 2008 and 2015, revived a show previously shown on TV in Austria but which had ceased production in 2004 after 11 years.

Capparoni portrayed Commissioner Fabbri for four seasons, working alongside two different German Shepherds in the Rex role. The action, which had been set in Vienna in the original version, was switched to Rome for the Italian revival.  Capparoni decided to leave after the show’s producers proposed a return to its former setting in Austria.

Nonetheless, the popularity of Rex with Italian audiences brought Capparoni a much higher profile. His acting ability was already well regarded within his profession but thanks to Rex he acquired a large following among the public.

Capparoni and his dance partner Julija Musichina
won the 2011 edition of Ballando con le Stelle

Invited to take part in the 2011 edition of Ballando con le Stelle - the Italian equivalent of the UK’s Strictly Come Dancing and the US show Dancing with the Stars - he was paired with the Russian dancer Julija Musichina, the couple emerging from 10 weeks of competition to be crowned champions.

Born Gaspare Capparoni, his father was a surgeon, his mother a German teacher, originally from Sexten - Sesto in Italian - a German-speaking village in Alto Adige, also known as South Tyrol. Kaspar attended Rome’s German School - the Deutsche Schule - and is fluent in German as well as Italian.

After some early work as a model in advertising campaigns, he enrolled for acting lessons at the Teatro Argentina in Rome, where his work came to the attention of the writer and director Giuseppe Patroni Griffi, who gave him his stage debut at the age of 18.

It was the beginning of a relationship that would last 20 years and see Capparoni appear under Griffi’s direction in a host of classic stage plays, including works by Molière, Shakespeare, Goldoni, Ceckhov, Pirandello, Ibsen and Tennessee Williams among others.

Giuseppe Patroni Griffi, who
nurtured Capparoni's stage career

Capparoni’s big screen debut came in 1985 when he was cast in a small role in the horror film Phenomena, directed by Dario Argento and with a cast that included Jennifer Connelly and Donald Pleasance. 

Although he subsequently starred in a number of movies, notably opposite Valeria Golino in Il Sole Nero (2007) and with Claudio Amendola and Elisabetta Rocchetti in Il ritorno del Monnezza (2005), it for his work in television that he has become best known.

In addition to Il Commissario Rex, he is well known for his roles in the drama series such as Solo per amore and Capri, soaps such as Incantesimo and the period drama Elisa di Rivombrosa.

Capparoni has been married twice, first to the former Tunisian model Ashraf Ganouchi, with whom he had two children - Sheherazade, born in 1993, and Joseph, born in 2000 - before a traumatic divorce in 2003, and subsequently to Veronica Maccarone, who was best known for her appearances on Quelli che il calcio, a sports-themed entertainment show. She is the mother of Alessandro, born in 2008, and Daniel (2013).

He recently appeared with Alessandro - a student at the Teatro dell’Opera in Rome - in Mothers, Fathers, Sons and Daughters, a production of words and dance, on stage at the Teatro Municipale in Piacenza.

Rome's Teatro Argentina has staged
a number of important premieres 

Travel tip:

The Teatro Argentina, where Capparoni enrolled for acting lessons as a teenager, is one of the oldest theatres in Rome. Located in Largo di Torre Argentina the Teatro Argentina was built over the remains of the curia section of the Theatre of Pompey, where Julius Caesar was murdered in 44BC. It was commissioned by the Sforza-Cesarini family, designed by the architect Gerolamo Theodoli and inaugurated in 1732. In the 19th century, it staged the premieres of Gioachino Rossini's The Barber of Seville as well as Giuseppe Verdi's I due Foscari and La battaglia di Legnano. Several plays by Luigi Pirandello, Henrik Ibsen and Maxim Gorky were performed for the first time there in the 20th century. The auditorium is set out in the traditional horseshoe shape, with seats for 696 people, including 344 in the stalls, and 40 boxes on five levels seating an additional 352.

Sexten (Sesto) enjoys a picturesque setting in 
the Puster Valley in the Alto Adige region

Travel tip:

Sexten - known as Sesto in Italian - is the home village of Capparoni’s mother, who taught German to Italian students. A centre for both winter and summer sports, it is situated in a branch of the Puster Valley, near Innichen (It: San Candido) and Toblach (It: Dobbiaco). Just 3km (1.88 miles) from the Austrian border, it has a population of just under 2,000, 95 per cent of whom speak German as their first language, yet is part of the Alto Adige region. The nearest substantial Italian cities are Bolzano, which is 113km (70 miles) to the west by road, and Belluno, 86km (53 miles) south. Damaged during World War One, when it was on the front line as the Italian army battled against the forces of Austria-Hungary, it is now a thriving centre for skiing in the Dolomite mountains in the winter months and for trekking and mountain biking in the summer. Its most famous sporting product is the tennis player Jannik Sinner, who was born in Innichen but grew up in Sexten.

Also on this day:

902: Arab forces complete their conquest of Sicily

1464: The death of Cosimo de’ Medici, the banker who founded the Medici dynasty

1776: The birth of soldier Francesca Scanagatta

1831: The birth of baritone Antonio Cotogni

1905: The birth of painter and enameller Paolo De Poli

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Chiara Iezzi - singer and actress

One half of popular duo Paola e Chiara

Chiara Iezzi has enjoyed success both
as a singer and in tv and film roles

The actress and singer Chiara Iezzi, who with sister Paola forms half of the top-selling Paola e Chiara pop duo, was born on this day in 1973 in Milan.

The sisters performed together for seven years between 1996 and 2013, selling more than five million records, before breaking up, Chiara deciding to focus increasingly on acting and enjoying some success in the United States.

The duo were reunited in 2023, when they took part in the Sanremo Music Festival for the sixth time, having made their debut at the celebrated Italian song contest 26 years earlier.

Interested in music, acting and fashion since she was in her teens, Chiara graduated in fashion design, simultaneously taking acting lessons, but it was music that initially provided her with a career.

After seeing her perform in jazz and funk groups, in 1994 the record producer and television presenter Claudio Cecchetto hired her together with Paola to join singer Max Pezzali as backing vocalists in a group called 883, who were popular in Milan in the 1990s.

Paola (left) and Chiara with the trophy they won
at the Sanremo Music Festival in 1997

Two years later, the sisters began to perform as Paola e Chiara, signing a recording contract with Sony Music Italia. Aged 21 and 22 respectively, they made their debut at the 1996 edition of Sanremo Giovani - a special contest for young artists, held separately from the main event - making the final with their song, In viaggio.

The following year, they entered Sanremo proper, performing the song Amici come prima, with which they won the New Proposals category.

The song featured on their debut studio album for Sony, Ciriamo Bambine, which would be the first of eight studio albums. They also released three collections of hits and 35 singles, the most successful of which was Vamos a bailar (Esta vida nueva), sung in Spanish and released in 2000.

Performing Vamos a bailar, which featured on their album Television, they won two song contests, Festivalbar and Un disco per l'estate. The single contributed substantially to their more than five million records sold.

Alongside her career with Paola, Chiara released a number of singles and EPs as a solo performer before turning her attention increasingly to acting, her ambitions not at all harmed by being invited in 2010 to collaborate on the soundtrack of the film Maledimiele, directed by Marco Pozzi, for which she sang the main theme, L'altra parte di me. 

Chiara Iezzi starred in the Disney Channel 
television series Alex & Co in 2015

It prompted her to resume her study of acting, for which she spent increasing amounts of time in America, attending seminars in New York and Los Angeles. After the break-up of the Paola e Chiara partnership, she announced her intention to limit her singing career to projects connected to the film industry.

She had a number of successes in acting, notably playing the role of Victoria Williams in the 2015 TV series Alex & Co, produced by Disney Channel.

In 2016, she landed a role in the film Il ragazzo della Giudecca (The Boy from the Giudecca), directed by Alfonso Bergamo and starring Giancarlo Giannini and Franco Nero, and in 2017 was picked for Louis Nero's film The Broken Key alongside Rutger Hauer, William Baldwin, Geraldine Chaplin and Michael Madsen.

The possibility that she and her sister might reform their partnership arose in 2022. Chiara appeared at a DJ set hosted by her sister, for whom deejaying had become the focus of her career, and they surprised the audience by performing a number of their songs together. The clip of their performance was downloaded so many times it became a viral hit, after which they agreed to make an appearance as guests at a concert in Bibione, on the Adriatic coast of the Veneto, which was part of a Max Pezzali tour, and alongside Jovanotti at Fermo, further down the Adriatic in Marche. 

They were so well received by the audiences that talk of a Paola e Chiara revival soon gathered pace. In December of the same year it was announced that they would participate in the 2023 edition of the Sanremo Festival, their first appearance there for 15 years.

Their song, Furore, finished only 17th, yet was a hit nonetheless, prompting them to embark on a first tour in 12 years and to release their first album since 2015, a reworked collection of their best work entitled Per Sempre (Forever).

The duo returned to Sanremo in 2024 as guests, reprising Furore on the third evening and performing alongside veteran entrants Ricchi e Poveri on the fourth evening, as well as presenting some of the accompanying broadcasts as national TV channel Rai dedicated hours of airtime to the festival and peripheral activities.

Bibione's wide expanse of golden, sandy beach
makes it an attraction for thousands of tourists

Travel tip:

Bibione, where Paola e Chiara reunited alongside former professional partner Max Pezzali at a 2022 concert, is a seaside resort in the Veneto region of northern Italy, about 50km (31 miles) from Venice as the crow flies, although about twice that distance by road. It is a popular destination for tourists from Germany, Austria, Czech Republic, and Slovakia, as well as Italy, who enjoy its golden sand beach, pine wood, and water park. The area used to be uninhabited marshland until land reclamation work began in the early part of the 20th century and it was not until the 1950s that the first holiday accommodation was built. Nowadays, in the summer months, Bibione can offer up to 100,000 beds for tourists, yet in the winter is largely deserted, with many shops and beach facilities closed.

Stay in Bibione with Booking.com

Fermo sits atop the Sabulo hill, the cathedral of
Santa Maria Assunta in Cielo at its highest point

Travel tip:

Fermo, where Paola e Chaira performed at a Jovanotti concert in 2022, is a charming and lively town in the Marche region, with a population of about 37,000. It is located on a hill, the Sabulo, some 319m (1,050ft) above sea level, about 7km (4.34 miles) inland from the Adriatic resort of Porto San Giorgio. A former Roman colony, it was owned by a succession of prince-bishops and powerful families, including the Visconti and Sforza, before becoming part of the Papal States in 1550, all of whom contributed to its impressive monuments, buildings and fortifications. The Roman cisterns, the 13th century cathedral of Santa Maria Assunta in Cielo, the Palazzo dei Priori, built between the 13th and 16th centuries, the Pinacoteca Civica and the Teatro dell’Aquila are among its noteworthy attractions. The town hosts diverse cultural events, from an August palio (horse race) and festival of mediaeval games, the Cavalcata dell’Assunta, to an annual film festival.  The town is also famed for its culinary specialities, which include a type of lasagna with meat sauce, olives, and cheese, called vincisgrassi, a fish soup with tomatoes, saffron, and vinegar known as brodetto, and frustingo, a cake made with dried fruits, nuts, honey, and chocolate.

Find accommodation in Fermo with Booking.com

More reading:

The history of the Sanremo Music Festival

The singer whose Sanremo disqualification produced his biggest hit

The tenor who became known as ‘the King of Sanremo’

Also on this day:

1950: The birth of fashion designer Franco Moschino

1935: The birth of opera singer Mirella Freni

1964: Italy appeals for help to save Pisa’s leaning tower

1978: The birth of dancer Simone Di Pasquale

(Picture credits: Bibione beach by Tiesse; Fermo skyline by Daniele Pieroni; via Wikimedia Commons)

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Giuseppe De Santis - film director

Former Resistance fighter famous for neorealist classic Bitter Rice

Giuseppe De Santis used his films to highlight
social problems in postwar Italy

The writer and film director Giuseppe De Santis, who is best remembered for the 1949 neorealist film Bitter Rice - screened as Riso Amaro for Italian audiences - was born on this day in 1917 in Fondi, a small city in Lazio about 130km (81 miles) south of Rome.

De Santis is sometimes described as an idealist of the neorealism genre, which flourished in the years immediately after World War Two, yet it can also be argued that he moved away from the documentary style that characterised some of neorealism’s early output towards films with more traditional storylines.

Bitter Rice, for example, while highlighting the harsh working conditions in the rice fields around Vercelli in the Po Valley and the exploitation of labourers by wealthy landowners, is also a tale of plotting, jealousy and treachery among thieves.

Nonetheless, De Santis, a staunch opponent of Mussolini and Fascism, an Italian Communist Party member who fought against the Germans with the Italian Resistance, inevitably underpinned his work with a strong social message.

The son of a surveyor, De Santis wrote stories from an early age, drawing on the day-to-day lives of the people around him in Fondi and the surrounding countryside. He enrolled to study literature and philosophy at university in Rome, making friends among the city’s young intellectuals, meeting poets, writers and artists who shared his vision. The Osteria Fratelli Menghi in Via Flaminia was a popular hang-out.

Luchino Visconti, with whom De
Santis worked on Ossessione

He identified cinema as the art form in which he would most like to work and began to attend Rome’s Centro Sperimentale di Cinematografia, a cinema school established under Mussolini - who at one time banned all foreign films from Italian cinemas - to encourage the development of a thriving Italian film industry.

Despite their opposition to Fascism, De Santis and other anti-Fascists in the industry did not turn down the chance to take advantage of the facilities available at the CSC. At the same time, aware that a group of talented young directors could achieve his aims for the industry, Mussolini turned a blind eye to their political views, which some of the articles De Santis and others - including fellow future directors Antonio Pietrangeli, Luchino Visconti and Michelangelo Antonioni - wrote for the fortnightly Cinema magazine did not disguise.

While working for Cinema magazine, De Santis met the screenwriter Cesare Zavattini, under whose influence he became proponent of early neorealist filmmakers such as Visconti, who sought to make films that mirrored the reality of life for working-class Italians in the tough years of post-war rebuilding, shooting on location and giving parts to ordinary people with no acting experience.

De Santis, in fact, worked with Visconti on scripting the latter’s 1943 film Ossessione, a crime drama based loosely on the James M Cain novel The Postman Always Rings Twice, which the Fascists initially banned as morally corrupting.

His own directing debut came in 1947 with Caccia Tragica (Tragic Hunt), the first of three films protesting about conditions for working people that culminated in Riso Amaro, which starred the already-established Vittorio Gassman and the American actress Doris Dowling in the headline roles, with former footballer and journalist Raf Vallone making his debut.

It is remembered largely for the performance of Silvana Mangano, a voluptuous 19-year-old in her first credited part, who conveyed a combination of physical strength and earthy beauty that audiences and critics found entirely convincing in the role of a peasant worker accustomed to hours of slog in the rice fields, but still with the energy to dance the night away to her beloved boogie-woogie music.  Mangano ultimately married the film’s producer, Dino De Laurentiis.

De Santis's Bitter Rice turned the previously 
unknown actress Silvana Mangano into a star

The film, which premiered at the 1949 Cannes Film Festival and was a finalist for the Palme d'Or, was a box office success in Italy and the United States. The film was nominated for Best Story in the 1950 Academy Awards.

De Santis made another important neorealist film three years later entitled Roma, ora 11 (Rome, 11 o’clock), a dramatic reconstruction of a real-life event in the Italian capital the previous year when a staircase collapsed under the weight of women queuing for job interviews, causing one death and multiple injuries.

In 1959 he won a Golden Globe with La strada lunga un anno (The Road a Year Long), which gained him another Oscar nomination for Best Foreign Language Film.

However, none of his subsequent work really had the same impact as Riso Amaro, which has been included on several subsequent lists of the best films in Italian cinema history.

De Santis directed his last feature film in 1972. He returned to the Centro Sperimentale di Cinematografia in the 1980s and ‘90s, this time in the role of lecturer. In 1995 he received the Golden Lion for Lifetime Achievement at the Venice Film Festival and came out of retirement to direct, jointly with Bruno Bigon, a documentary called Oggi è un altro giorno (Today is Another Day) - Milano 1945-1995, a documentary about the Resistance in Milan.  

He died in Rome in 1997 at the age of 80, suffering a heart attack. A day of mourning was declared in Italy. His widow, Gordana Miletic, joined friends in establishing the Giuseppe De Santis Foundation, which gives an annual award in his memory to an emerging young film-maker. 

The Castello Baronale, parts of which date back
to the 12th century, stands proudly over Fondi

Travel tip:

Situated on the Via Appia, the former Roman road that was once the main route from Rome to much of southern Italy, the city of Fondi rarely features on tourist itineraries, yet travel guides often include the word charming, even enchanting, in their description. Situated on a small plain - il Piano di Fondi - between the Ausoni and Aurunci mountain ranges and the Tyrrhenian Sea, it was founded by the ancient Romans, it became an important commercial centre in mediaeval times, when the powerful Caetani family built the impressive Castello Baronale, which still dominates the skyline. Subsequently the home of the literary court of Giulia Gonzaga, in more recent times it has housed a museum. The Collegiata di Santa Maria Assunta,a beautiful Gothic-style church, is another attraction. The plain also benefits from a fine stretch of natural beach and Fondi has a tradition of excellent seafood.

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An arch over the original
Via Flaminia in Umbria

Travel tip:

The Osteria Fratelli Menghi, the historic tavern in Rome where De Santis would hang out with painters, actors, musicians and writers, was located in Via Flaminia on the site today occupied by the Caffè dei Pittori. The osteria was just 300m on foot from Piazza del Popolo, one of the major squares in the heart of Rome, yet there is much more to the Via Flaminia than simply a street in central Rome. It follows the route of the ancient Roman Via Flaminia, which was built by Gaius Flaminius in around 220 BC, going due north to cross the Tiber by way of the Ponte Milvio and continuing via a course over the Apennine Mountains to Ariminum (Rimini) on the coast of the Adriatic, a distance by the more recent of two routes of 328km (204 miles). The modern route from Rimini to Rome still follows closely the path of the original Roman road, a distance of 341km (), tracking the Adriatic coast to Fano, turning inland to pass close to Urbino, Perugia and Assisi and onwards towards the capital.

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More reading:

Luchino Visconti - the aristocrat of Italian film

The enigmatic ‘last great’ of Italian cinema

The director known as the ‘father of neorealism’

Also on this day:

1791: The birth of architect Louis Visconti

1881: The birth of painter Carlo Carrà

1929: The Lateran Treaty gives independence to The Vatican

1948: The birth of footballer Carlo Sartori

1995: The birth of singer Gianluca Ginoble

(Picture credits: Via Flaminia by Imcarthur via Wikimedia Commons)

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For a Few Dollars More released in Italy

Second in Spaghetti Western trilogy

The poncho-wearing Clint Eastwood became one
of the Western genre's most famous characters

The movie For a Few Dollars More, the second in what became known as the Dollars Trilogy of Spaghetti Westerns, was released for public viewing in Italy on this day in 1965.

Directed by Sergio Leone and starring Clint Eastwood as the Man with No Name, the film followed the unexpected success of the low-budget feature A Fistful of Dollars, released 15 months earlier, which overcame poor initial reviews to become, for a time, the biggest-grossing movie in Italian cinema history.

Released for Italian audiences as Per Qualche Dollaro in Più, the follow-up proved even more commercially successful than its predecessor. By 1967, it had displaced A Fistful of Dollars as the highest-grossing Italian production, generating 3.1 billion lire ($5 million) in ticket sales from more than 14 and a half million admissions.

Eastwood, who had been little known outside America before A Fistful of Dollars catapulted him to international fame, had been paid a reputed sum of just $15,000 for his role in the original film, from a production budget of only $200,000.

This time Leone had more money at his disposal after teaming up with Italian producer Alberto Grimaldi and Eastwood received $50,000, although co-star Lee Van Cleef, given the part of a rival bounty hunter after Charles Bronson turned the role down, was paid a rather more modest $17,000.

One of the original posters
advertising the film in Italy

As with A Fistful of Dollars, the lead villain in For a Few Dollars More was played by Gian Maria Volonté, who was to become one of Italy’s most celebrated movie actors, famous for portraying memorable but neurotic characters in high-profile social dramas, usually with a political message. Volonté always insisted he took the Dollars roles only for the money.

Some critics were again derisive, dismissing the theme as corny, others accusing the director of glorifying violence and murder, yet For a Few Dollars More transfixed audiences with a gripping storyline, stunning cinematography, and powerful performances, as well as another brilliant musical score by Leone’s former school friend, the great Ennio Morricone.

The central plotline revolves around the rivalry between Eastwood’s character, on this occasion known as Manco, and Van Cleef’s former army officer, Colonel Douglas Mortimer, a fellow bounty hunter, with Volonté as a cold-blooded bank robber known as El Indio, who is just out of prison with a price on his head.

In common with the original, the film was shot on location in Spain rather than Italy. The original takes were all recorded without sound. Voices, sound effects and the musical score were all added later.

Leone completed the trilogy the following year with The Good, The Bad and The Ugly, which teamed Eastwood again with Lee Van Cleef but with Eli Wallach taking over from Volonté as the chief villain.

The budget this time was $1.2 million and box office revenue worldwide was almost as much as the first two parts of the trilogy combined.  Eastwood and Leone’s careers went in opposite directions but both enjoyed considerable success.

Leone scored another huge western hit with Once Upon a Time in the West in 1968 and, despite turning down the chance to direct The Godfather, directed a great gangster epic of his own in 1984, with Once Upon a Time in America. Sadly, he died of a heart attack in 1989 at the age of 60.

Eastwood went on to enjoy countless box office successes as an actor before becoming an Oscar-winning director, remaining active even into his 90s.

The arches of the Palazzo della Civiltà
Italiana echo those of the Colosseum 

Travel tip:

Sergio Leone, born in Rome, died there in 1989 when he suffered a fatal heart attack in the villa he used to entertain friends in the city’s EUR district, the complex to the south of central Rome that was originally developed to host the 1942 World's Fair - the Esposizione Universale Roma - which was cancelled because of the Second World War.  Mussolini’s modern city within a city was designed by a team of prominent architects, headed by Marcello Piacentini and including Giovanni Michelucci. The designs combined classical Roman elements with Italian Rationalism in a simplified neoclassicism that came to be known as Fascist architecture.  The Palazzo della Civiltà Italiana, which has become known as the “square colosseum”, is regarded as the building which is the most symbolic of EUR. Designed by Giovanni Guerrini, Ernesto La Padula, and Mario Romano, it draws inspiration from the Colosseum with its rows of arches, while its square shape and stark whiteness are reminiscent of metaphysical art.

The historic entrance to the Cinecitta film studios
in Rome, in its heyday the largest in Europe

Travel tip:

The Italian film industry for many years revolved around Cinecittà, the Rome film studio that is the largest in Europe, spreading over an area of 100 acres with  22 stages and 300 dressing rooms. Situated six miles south of the city centre, like EUR it was built during the Fascist era under the personal direction of Mussolini. The studios were bombed by the Allies in the Second World War but were rebuilt and used again in the 1950s for large productions, such as Ben Hur. These days a range of productions, from television drama to music videos, are filmed there. The complex contains a permanent exhibition about the history of the studio, within which a special hall is devoted to the work of Sergio Leone, who worked at Cinecittà in the early stage of his career as an assistant director on several large-scale international productions, notably Quo Vadis (1951) and Ben-Hur (1959).

Also on this day: 

39: The birth of Roman emperor Titus

1572: The death of architect Galeazzo Alessi 

1962: The birth of politician Alessandra Mussolini

1991: The birth of tennis star Camila Georgi

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Nino Martoglio - writer, theatre and film director

Journalist and playwright whose movies inspired post-war neorealism 

Nino Martoglio is considered by some
as the founder of Sicilian theatre

The journalist, playwright and theatre and film director Nino Martoglio was born in Belpasso, a town in the foothills of volcanic Mount Etna in eastern Sicily, on this day in 1870.

Martoglio is widely considered to be Sicily’s finest dialect playwright and by some to be the founder of Sicilian theatre.  He was also an acclaimed poet, basing a good deal of his verse on the everyday conversations of working class Sicilians, written to amuse. His collection, Centona, is still sold today.

Later in a career that was ended abruptly by his death in an accident, Martoglio directed a number of silent films, the style of some of which prompted critics to describe them as forerunners of the post-war neorealism movement.

The son of a journalist and a school teacher, Martoglio studied sailing as a young man and obtained a captain’s licence. Yet he sought a career in journalism and joined the editorial staff of La Gazzetta di Catania, a daily newspaper founded by his father, Luigi.

In 1889, he launched a weekly magazine, D’Artagnan, a Sicilian language periodical devoted to art, literature and theatre, sharp political satire and the plight of the people of Civita, a poor neighbourhood in Catania which suffered particular deprivation. It also proved to be a useful vehicle for the poems that would eventually be gathered together in the Centona collection.

Theatre began to occupy most of Martoglio's attention from around the turn of the century. In 1901, he created the Sicilian Dramatic Company, which thanks to the talents of actors such as Angelo Musco, Giovanni Grasso, Virginia Balistrieri and others enjoyed success with Sicilian language productions even in Milan, where they performed at the Teatro Manzoni in 1903. The company’s productions of comedies written by a young Sicilian playwright, Pier Maria Rosso di San Secondo, were especially popular, among them San Giovanni Decapitato - Saint John the Beheaded - which he later turned into a film.

Martoglio staged the first theatrical
works of Luigi Pirandello (above)

Martoglio’s work became still more widely known after he moved to Rome in 1904, having become unhappy with the political climate in Sicily, where he had been elected a municipal councillor in Catania. In the capital, he met and married Elvira Schiavazzi, the sister of Piero Schiavazzi, a Sardinian tenor. They would go on to have four children. 

In 1910, he founded the first "Teatro Minimo" in Rome at the Teatro Metastasio. He staged one-act plays from the Italian and foreign repertoire, as well as bringing to the stage the first theatrical works of Luigi Pirandello, by then famous as a novelist and a future Nobel Prize winner. Their collaborations included A vilanza (la bilancia) and Cappidazzu pava tutu.

Martoglio’s venture into cinema spanned two years from 1913-14. He directed the actress Pina Menichelli, one of the so-called ‘three divas’ of Italian silent movies, in Il romanzo and followed it with Capitan Blanco, Sperduti nel buio, for which he wrote the screenplay and directed in collaboration with Roberto Danesi, and Teresa Raquin.  

All his screen work emphasised the gulf in Italian society between wealth and poverty and Sperduti nel buio - Lost in the Dark - which starred Grasso and Balistrieri - veterans of Martoglio’s original company in Catania - came to be regarded as a classic of the silent film era, representative of a small number of films that made up the realismo movement in Italian cinema. 

In the 1930s, the film critic and lecturer Umberto Barbaro enthusiastically showed Sperduti nel buio in his classes at Centro Sperimentale di Cinematografia in Rome, where his students included Roberto Rossellini and Luchino Visconti, who would go on to become leading figures in the neorealism film movement after the Second World War.

The bust of Martoglio
in the Bellini Gardens

Martoglio’s death at the age of 50 remains something of a mystery.  After visiting the Vittorio Emanuele II Hospital in Catania on the evening of 15 September, 1921, to see one of his sons, who was being treated there, Martoglio’s body was found the following morning at the bottom of an elevator shaft in part of the hospital that was under construction.  Although there were no witnesses, the assumption was that he had suffered a tragic accident, perhaps after getting lost as he tried to find the way out. 

His body was laid to rest at the Campo Verano monumental cemetery in the Tiburtino quarter in Rome, not far from the Basilica di San Lorenzo fuori le mura. The cemetery is notable as the burial place of hundreds of illustrious figures from the artistic, historical, literary, musical and cinematographic world.  

Although his films were lost, presumably stolen or destroyed during World War Two, Martoglio’s nieces, Vincenza and Angela, took steps to preserve their uncle’s manuscripts.  There is a monumental bust of him in the Bellini Gardens in Catania, a short distance from the Teatro Metropolitan. 

The Teatro Comunale Nino
Martoglio in Belpasso

Travel tip:

The town of Belpasso, where Martoglio was born, has a population of 28,000. Located about 10km (six miles) northwest of the city of Catania, it has something of a chequered history, having twice been destroyed by the forces of nature and repositioned in consequence. In 1669, it was buried in lava following an eruption of the Mount Etna volcano which looms over Catania. Rebuilt in another location at a lower level, it was then badly damaged by an earthquake in 1693 and abandoned. The current settlement was founded two years later at a third site. Today, it is best known as the home of Condorelli, one of Sicily’s most famous brands of confectionary, biscuits and cakes. Nino Martoglio’s name is preserved in the Teatro Comunale Nino Martoglio, the town’s municipal theatre, in Via XII Traversa.

The port city of Catania, the second largest city
in Sicily, with a snow-capped Etna in the distance

Travel tip:

The city of Catania, which is located on the east coast of Sicily facing the Ionian Sea, is one of the ten biggest cities in Italy, and the seventh largest metropolitan area in the country, with a population including the environs of 1.12 million. Twice destroyed by earthquakes, in 1169 and 1693, it can be compared in some respects with Naples, which sits in the shadow of Vesuvius, in that it lives with the constant threat of a natural catastrophe.  As such it has always been a city for living life to the full. In the Renaissance, it was one of Italy's most important cultural, artistic and political centres and enjoys a rich cultural legacy today, with numerous museums and churches, theatres and parks and many restaurants.  It is also notable for many fine examples of the Sicilian Baroque style of architecture, including the beautiful Basilica della Collegiata, with its six stone columns and the concave curve of its façade.

Also on this day:

1596: The birth of violin maker Nicolò Amati 

1779: The birth of Tuscan painter Matilde Malenchini

1911: The birth of composer Nino Rota

1917: The death in WW1 of champion cyclist Carlo Oriani

1937: The birth of actress Angela Luce

1947: The birth of controversial politician Mario Borghezio

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