Il sorpasso - commedia all’italiana classic

Film regarded as director Dino Risi’s masterpiece

Jean-Louis Trintignant (left) and Vittorio Gassman
driving along Via Aurelia in Il sorpasso

Il sorpasso, which has come to be seen as one of the most influential Italian films of the 20th century and a defining example of the commedia all’italiana genre, was released for Italian cinema audiences on this day in 1962.

Directed by Dino Risi, produced by Mario Cecchi Gori and with Vittorio Gassman outstanding as one of the film’s male lead characters, made its debut in the United States in December of the following year under the title The Easy Life. It was also a pioneer for the so-called “road movie” in Italy.

It has been judged as such a significant contribution to Italian culture that in 2008, Il sorpasso - 'Overtaking' in Italian - was included in the Italian Ministry of Cultural Heritage's 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."

Its inclusion put it in the company of Bicycle Thieves, La strada, La dolce vita, Divorce Italian Style, Rocco and his Brothers and The Leopard among those movies to have made a lasting mark on the minds of Italian audiences.

Il sorpasso tells the story of two strangers - 36-year-old Bruno, a brash, carefree extrovert played by Gassman, and Roberto, a shy law student - who meet in Rome during a holiday and set off in a flashy Lancia Aurelia sports car on a spontaneous road trip through the city and the countryside of Lazio and Tuscany. 

Bruno’s reckless charm and devil-may-care approach to life draws Roberto into a whirlwind of fast cars, flirtations and impulsive adventures, sharply at odds with his own cautious nature. 

A publicity poster for Dino Risi's
Il sorpasso, released in 1962

In time, Roberto wishes he were more like Bruno, yet learns that his new friend has a broken marriage, a daughter whom he never sees and is running out of money, despised by his estranged wife for the shallowness of his character.

As they travel, the film highlights Italy’s booming consumer culture and generational tensions. What begins as a comic journey gradually darkens, culminating in a sudden, tragic accident as Bruno, addicted to il sorpasso - overtaking - inevitably attempts one risky manoeuvre too many.

Dino Risi directed more than 50 films over the course of a career spanning half a century but Il sorpasso is considered to be his greatest work and a cornerstone of commedia all’italiana, a genre that blended traditional comedy with biting satire on the contradictions of contemporary Italian society.

Risi, who collaborated with Ettore Scola and Ruggero Maccari on the screenplay, made Il sorpasso as a critique of Italy’s postwar so-called "economic miracle".

Releasing the movie during a period of rapid modernisation and consumerism, Risi’s aim with its themes was to highlight the emptiness behind material prosperity and the reckless pursuit of pleasure.

The two main characters - the impulsive Bruno and the reserved Roberto, played by the French actor Jean-Louis Trintignant - embody the clashing values of postwar Italy: exuberant modern life versus cautious tradition. 

The road trip is seen as a metaphor for self-discovery and societal change, with the title itself chosen to reflect what Risi saw as Italy’s rapid, sometimes reckless overtaking of tradition in pursuit of modernity, its tragic conclusion designed to symbolise the fragility of life and the risks of seeking change with too little pause for reflection.

Dino Risi directed more than 50 movies
in a career spanning half a century

Italy’s "economic miracle” was the period of unprecedented growth it experienced between about 1958 and 1963, a time of industrial expansion and rising wages, when mass consumer goods such as cars and televisions became symbols of prosperity.

Bruno’s Lancia Aurelia convertible was not just a car but a metaphor for speed, freedom, and the allure of modern Italy. It represented both the excitement of progress and the dangers of reckless living.

Il sorpasso was at first largely ignored by Italian film critics, yet became a hit with cinemagoers, who made it one of the two highest-grossing Italian-made films in Italy for the year ended June 30, 1963.

Those critics warmed to it in time, however. The country’s National Union of Film Journalists handed Gassman their coveted Nastro d’Argento award for Best Actor and the film is now generally considered an undisputed classic, mentioned in the same breath as the work of directors as revered as Michelangelo Antonioni and Luchino Visconti. 

It came to be seen as particularly significant among social commentators who see the years of the “economic miracle” in a rather less positive light. While it was a period that saw prosperity and living standards rise after the bleak aftermath of World War Two, it can also be interpreted as the start of Italy’s transformation from a traditionally agricultural and family-centred society into a shallower, individualistic one driven by consumerism.

Il sorpasso influenced many later directors in their work, among them Martin Scorsese, the brilliant American director of Sicilian descent, who cited Il sorpasso as "the model" for his 1986 hit The Color of Money, which starred Paul Newman and Tom Cruise. 

Parioli is known for its
elegant tree-lined streets

Travel tip:

Though born in Milan, Dino Risi lived in Rome, including the last 30 years of his life in an apartment in the Aldrovandi Residence in the Parioli district, one of the Italian capital’s most elegant residential areas, renowned for its leafy boulevards, refined atmosphere and cultural landmarks. Nestled between the Villa Borghese gardens and the curve of the Tiber, Parioli developed in the early 20th century as a haven for Rome’s elite. Its name derives from the Monti Parioli hills, once dotted with pear orchards, now home to stately villas, Art Nouveau palazzi, and spacious apartments. The neighbourhood, favoured by diplomats, professionals and artists, is dotted with chic cafés, gourmet restaurants and tranquil parks such as Villa Ada, one of Rome’s largest green spaces and once the Rome residence of the Italian Royal family. Parioli is also the home of the Galleria Nazionale d’Arte Moderna and the Auditorium Parco della Musica, which hosts major concerts and events. As well as a number of elegant hotels, Parioli has many luxury apartments to rent, which make it popular with well-heeled visitors to the capital.

Parioli, Rome hotels from Hotels.com

The modern Strada Statale I follows the coastal
route of the ancient Via Aurelia

Travel tip:

In Il sorpasso, the road trip embarked upon by Bruno and Roberto largely follows the course of the ancient Via Aurelia, which was originally built in 241BC by consul Gaius Aurelius Cotta, with the aim of connecting Rome with the colonies along the Tyrrhenian coast, ending in Pisa but linking with the Via Aemilia Scaura, which led from Pisa to Genoa. Combined with the Via Appia, which led from Rome to Apulia, it meant the Romans had use of a continuous route from the Ligurian coast in the northwest to the port city of Brindisi in the southeast. The Roman road stretched over 1,000km, with about 700km of the Via Aurelia’s route still in use as a paved road, incorporated into the Strada Statale 1, also known as SS1 Aurelia, which runs from Rome to the French border near Ventimiglia. The adaptation of the ancient road for modern use was helped by the way it was built. The Via Aurelia, like other Roman roads at the time, was paved at a width of approximately 4.6 metres (15 feet), to allow standard size chariots to pass each other comfortably.  The Romans, ever inventive, could be said to have been the pioneers of modern service areas in that every 15 miles or so along Via Aurelia, a ‘statio’ would be constructed to provide travellers with food, shelter, stables and a means to buy horses or other travel equipment for their journey.

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More reading:

How Dino Risi saw the potential in future stars such as Sophia Loren and Alberto Sordi

Otto e mezzo - the Fellini masterpiece hailed as ‘better’ than La dolce vita

Michelangelo Antonioni - the last great of Italian cinema’s post-war golden era

Also on this day:

343: The death of Saint Nicholas of Bari

1478: The birth of courtier and diplomat Baldassare Castiglione

1586: The birth of astronomer Niccolò Zucchi

1794: The birth of opera star and Royal voice coach Luigi Lablache

1921: The birth of lawyer and composer Piero Piccione

1975: The birth of businessman Andrea Agnelli

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Emma Gramatica – actress

Celebrating the long career of a seasoned stage and film performer

Emma Gramatica came from an acting 
background in the early 20th century

The theatre and cinema actress Emma Gramatica was born Aida Laura Argia Gramatica on this day in 1874 in Borgo San Donnino, which is today known as Fidenza, in the province of Parma in Emilia-Romagna.

Emma appeared in 29 films between 1919 and 1962 and was also a principal actress in the Italian theatre in the late 19th and early 20th centuries. Her sisters, Irma and Anna Gramatica, were also actresses. Anna, married the actor Ruggero Capodaglio and therefore became the sister-in-law of the famous actress, Wanda Capodaglio.

While still a teenager, Emma Gramatica made her stage debut next to the celebrated actress Eleonora Duse in La Gioconda by Gabriele D’Annunzio.

Emma became the primattrice (first actress) in the stage companies led by some of the most prestigious names in the Italian theatre of the late 19th and early 20th centuries, such as Ermete Zacconi, Flavio Andò, Enrico Reinach, and Ermete Novelli.

In the early part of the 20th century, she formed the famous theatre company Gramatica-Carini-Piperno, employing leading performers such as Renzo Ricci and Lola Braccini.

Emma’s film debut came - in the silent era - in 1916 when she appeared as a marriage wrecker in Quando il canto si spegne (When the Song is Over) opposite Luigi Serventi. The press praised her for her stage qualities but criticised her looks and theatricality and said they couldn’t accept her in the part of a mistress for whom a man would break up his marriage. 

As a result, Emma was to stay away from films until the arrival of sound cinema in Italy.

In 1931, by which time she was 57, she appeared in the film La Vecchia Signora, playing the part of an impoverished old lady selling chestnuts in the streets to support her niece.

As an older actress, Gramatica was
able to earn extra cash

She appeared in Napoli d’altri tempi in 1938, which starred Vittorio De Sica, and in Mamma in 1941, playing the mother of the opera singer Mario Sarni, played by the famous tenor Beniamino Gigli. In the film Sorelle Matterassi in 1944, Emma and her sister, Irma, played the parts of two old spinsters.

Emma Gramatica was in her seventies when she achieved her most important film and television successes.

Her most famous film was Miracolo a Milano, a neorealist fable directed by Vittorio De Sica in 1951, when she played the part of old Lolotta, who finds a baby among the cauliflowers in her garden and names him Totò, the movie’s central character played by Francesco Golisano. She brings him up to be both optimistic and kind.

Emma also appeared in Don Camillo: Monsignor in 1961 starring Fernandel and Gino Cervi.

The Don Camillo stories, featuring the characters Don Camillo and Peppone - the parish priest and Communist mayor of a fictional town in rural post-World War Two Italy - were the creation of writer and journalist Giovannino Guareschi in the 1940s and 1950s. They were hugely popular and have been adapted many times for film, radio and TV.

Emma received many awards and honours in Italy during her career and the Legion of Honour in France. The sculptor Mario Rutelli celebrated Emma’s looks in 1905 by creating a bronze portrait bust of her. 

The actress died in Ostia, a town near the ancient port of Rome, at the age of 91 in 1965. She was laid to rest in her family tomb in the cemetery of Signa in Via Sorelle Gramatica in Florence, with her sister, Irma, and her parents.

Fidenza's Piazza Garibaldi is flanked by the
Palazzo Comunale, the town hall

Travel tip:

Fidenza, where Emma Gramatica was born, is an historic town of 27,000 inhabitants in the Emilia-Romagna region of northern Italy, about 30km (19 miles) northwest of Parma and 45km (28 miles) southeast of Piacenza along the ancient Via Emilia. Originally known as Fidentia during Roman times, the town was later called Borgo San Donnino, in honour of Saint Domninus, a Christian martyr. It was renamed Fidenza in 1927. The town’s attractions include a 12th–13th century Romanesque cathedral, dedicated to St Domninus, with a façade attributed to the sculptor Benedetto Antelami. The town’s central square, Piazza Garibaldi, flanked by the Palazzo Comunale (Town Hall), is a lively civic space. Fidenza is close to Busseto - the birthplace of Verdi - the spa town of Salsomaggiore Terme, and the fortified village of Fontanellato. Fidenza had prominence in medieval times as a key stop along the Via Francigena, the pilgrimage route connecting Canterbury to Rome.

A street in the well preserved 
Roman resort of Ostia, near Rome

Travel tip:

Ostia - Lido di Ostia, to give its full name - is a seaside escape popular with Romans, offering long stretches of sandy beaches, vibrant nightlife, and seafood restaurants. It is situated on the Tyrrhenian coast just 30km (18 miles) southwest of the capital and easily accessible by train from central Rome. It blends beach culture with history, thanks to its proximity to the ancient Roman city of Ostia Antica. Highlights include the scenic pier Pontile di Ostia and Borghetto dei Pescatori, a quaint fishing village that forms part of the resort.  Ostia Antica, founded in the 4th century BC, was the bustling port of ancient Rome. The remains offer a remarkably preserved glimpse into Roman urban life. The city was a hub for trade, grain storage, and maritime defense, reflecting Rome’s imperial might. Among the best preserved buildings are a Roman theatre, still used for performances today, a Forum and Baths and some apartment buildings that are rare examples of multi-story Roman housing.  Ostia Antica has the advantage for visitors of being quieter and less crowded, for example, than the world famous ruins at Pompeii, but is an equally important site. 

More reading:

Why Eleonora Duse is regarded as one of the greatest acting talents of all time

Vittorio De Sica and the golden age of neorealism in Italian cinema

Gino Cervi - from Don Camillo to Maigret

Also on this day:

1647: The death of scientist Evangelista Torricelli

1815: The birth of virtuoso violinist Camillo Sivori

1902: The birth of Carlo Gnocchi, chaplain to Italy’s WW2 alpine troops

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Milly Carlucci - TV host

Former actress is the face of Ballando con le Stelle

Milly Carlucci is host and artistic director of the
hit Italian TV show Ballando con le Stelle

The television host and former actress Milly Carlucci was born on this day in 1954 in Sulmona, a picturesque town in central Abruzzo, about 52km (32 miles) inland from the coastal city of Pescara.

With a career spanning nearly five decades, Carlucci has been a well-known and popular personality on Italian television since the late 1970s, establishing a reputation for elegance and professionalism and a list of credits that grew rapidly through the ‘80s and ‘90s.

But it is in her current and most enduring role, as the presenter of the pro-celebrity dance contest Ballando con le Stelle - the Italian version of the US hit Dancing with the Stars and the UK’s Strictly Come Dancing - that she has established herself as a giant of small-screen entertainment.

Having fronted the show from its inception in 2005, Carlucci is also its artistic director and project manager. Now into its 20th season, Ballando con le Stelle has become a flagship for the state television network Rai and is currently its longest-running variety show still on air.

Born Camilla Patrizia Carlucci, she was brought up in a household in which discipline was a virtue instilled in her from an early age. Her father, Luigi Carlucci, reached the rank of General in the Italian Army. Her mother, Maria, was known for her cultural refinement and interest in the arts, which helped nurture Milly’s creative instincts.

Carlucci on the set of the 2025
edition of Ballando con le Stelle

The Carlucci family moved frequently due to her father’s military postings, and Milly spent much of her childhood in Udine, in the northwest of the country, before settling in Rome. 

She attended the Terenzio Mamiani high school in Rome’s Prati district, where he shone in her studies but also revealed a talent for roller skating, winning an Italian championship as a member of the successful Skating Folgore Roma team.

Carlucci enrolled at Sapienza University of Rome to study architecture, but her interest in performance and natural ability to command a stage gradually eclipsed her academic pursuits. Articulate as well as elegant, in 1972 she entered and won the Miss Teenager Italy beauty contest.

This victory opened doors into modelling and television. She also studied classical dance and took part in amateur theatre productions, honing the stagecraft and composure that would become her trademarks. 

At times required to join the ranks of the showgirls that at the time were ever-present backdrop in Italian variety shows, Carlucci soon began to land presenting roles, first at the local Rome television station, GBR, and then with Rai, for whom she fronted various light entertainment shows including the Italian version of Jeux Sans Frontières. It was this show that made her famous, and she presented it for four seasons.

Carlucci enjoyed a brief career
as a pop singer in the 1980s

For a while, Carlucci had a parallel career in acting, appearing in popular Italian films such as The Taming of the Scoundrel (1980), Pappa e ciccia (1983), and Tomorrow I'm Getting Married (1984). Her role as Urania in The Adventures of Hercules (1985) further cemented her status as a screen favourite.

Blessed also with a beautiful singing voice, she was briefly a recording artist as well, releasing a number of pop singles and two albums in the 1980s.

However, it was television hosting that has truly defined Carlucci’s legacy. Apart from a few years in the 1980s when she worked for Silvio Berlusconi’s Fininvest networks, she has been a fixture on Rai for the best part of five decades, with a long list of successes from the popular game show Scommettiamo che...? (Shall we bet that…?), which she co-hosted with the late Fabrizio Frizzi, to the more recent Il cantante mascherato, the Italian version of The Masked Singer.

She has also become established as Rai’s go-to host for special events in the entertainment world. Having proved herself on big occasions such as the Sanremo Italian Song Festival, on which she was a co-host with Pippo Baudo in 1992, she was the long-running host of the annual Pavarotti & Friends concerts (1995 to 2003), in which the great operatic tenor performed in duets with famous guests. She hosted the David di Donatello film awards in 1997 and 1998, as well as 17 editions of the prestigious Ischia International Journalism Award.

Milly Carlucci at the funeral of her friend,
Luciano Pavarotti, in Modena in 2007

Yet nothing has come close to the success of Ballando con le Stelle, in which celebrities and sports stars dance with professional partners over 12 episodes, with couples marked by judges in the studio and by the viewing public, and eliminated one-by-one until a champion emerges at the end of the series.

Carlucci has been the host for every series so far, until this year alongside co-host Paolo Belli, whose Big Band provides the musicians. Belli is starring in the 2025 edition as a competitor. The panel of judges includes the fashion and set designer Guillermo Mariotto, whom Carlucci has known since the 1990s and was one of the original panel in 2005. The head judge since 2007 has been Glasgow-born Carolyn Smyth, who has been a dance teacher based in Italy since 1982. 

Beyond entertainment, Carlucci has also been active in humanitarian work. In 1996, she was named a UNICEF Goodwill Ambassador, using her platform to advocate for children’s rights and global development initiatives.

She has been married since 1985 to engineer Angelo Donati, with whom she has two children. Her two younger sisters, Gabriella and Anna Carlucci, have also had careers in the entertainment industry, Gabriella as a presenter, Anna as an actress, writer and director.

Gabriella also served for 12 years as a member of the Chamber of Deputies in the Italian parliament, representing Puglia.

Sulmona's elegant Piazza Garibaldi includes a
section of the town's 13th-century aqueduct 

Travel tip:

Nestled in the heart of Abruzzo, Sulmona is an historic town renowned for its cultural heritage, dramatic mountain backdrop, and artisanal traditions. Surrounded by the Majella National Park, it offers sweeping views of rugged peaks and verdant valleys. The town’s origins trace back to Roman times, its history visible in ancient Roman ruins, medieval churches, and Renaissance palaces. The town’s centerpiece is the elegant Piazza Garibaldi, framed by arcades and overlooked by an imposing aqueduct built in the 13th century. Nearby, the Gothic-style Church of Santa Maria della Tomba and the Palazzo Annunziata showcase centuries of architectural evolution, the palace a rare example of early Renaissance architecture in Sulmona that survived the earthquake of 1706.  Sulmona is famously the birthplace of the Roman poet Ovid, whose legacy is honoured with a statue and museum. Equally famous is its production of confetti - sugar-coated almonds crafted into elaborate floral arrangements, an Italian  confectionery tradition that dates back to the 15th century. 

Look for accommodation in Sulmona with Expedia

Its tree-lined boulevards give Rome's Prati
district something of a Parisian feel

Travel tip:

Carlucci went to school in the Prati district of Rome, close to the Vatican and St Peter’s Basilica, which is now an affluent residential neighbourhood that is also popular with tourists for offering a relatively quiet place to stay that still provides easy access to the city’s historical centre. It has many authentic Roman trattorie as well as a host of bars and pubs.  Located just north of the Vatican and west of the Tiber River, the area was developed in the late 19th and early 20th centuries, it was designed with wide boulevards and a grid layout - distinct from the winding alleys of Rome’s historic centre. This gives Prati a Parisian feel, its streets lined with stately buildings and Art Nouveau facades. Its main thoroughfare, Via Cola di Rienzo, is a hub for upscale shopping, featuring Italian fashion boutiques, gourmet food shops, and stylish cafés. Prati is also the home of the vast Palazzo di Giustizia in Piazza Cavour that houses the Supreme Court.

Stay in the Prati district with Hotels.com

More reading:

Pippo Baudo - record-breaking host of Sanremo song contest 

How Maria De Filippi became one of the most popular faces on Italian TV

The former actress who became the face of Sunday afternoons

Also on this day:

1450: The death of Leonello d’Este, Marquis of Ferrara

1910: The birth of Olympic cycling champion Attilio Pavesi

1931: The birth of composer and avant-garde artist Sylvano Bussotti

1961: The birth of football coach Walter Mazzarri

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Elio Germano - actor

Contemporary star has won multiple awards

Elio Germano has become one of Italy's most
popular and acclaimed movie actors

Elio Germano, one of Italy’s most acclaimed contemporary actors, was born in Rome on this day in 1980.

Germano has won six David di Donatello awards - Italy’s highest film honour - across a career in which he has won praise for the emotional depth of his performances in films often notable for their social realism. 

The prestigious prize, named after the bronze statue of the biblical hero created by the Renaissance sculptor Donatello, is awarded each year by the  Academy of Italian Cinema. Only four actors have won the award more times since their inception in 1955. 

He won it five times as best actor, the first coming in 2007 in what was his breakthrough year, cast in one of the lead roles in Daniele Luchetti’s Mio fratello è figlio unico - My Brother Is an Only Child.

Four years later, Germano teamed up with Luchetti again to pick up the best actor award for a second time for his performance in La nostra vita - Our Life - for which he also shared a Palme d’Or at the Cannes Film Festival.  

He was best actor again 2015 for his portrayal of the poet Giacomo Leopardi in Mario Martone’s Il giovane favoloso - The Fabulous Young Man, which was alternatively titled Leopardi. Further David di Donatello awards followed for Giorgio Diritti’s Hidden Away (best actor, 2020) and Andrea Segre’s Berlinguer - La grande ambizione (best actor, 2024) in which he played the Communist leader, Enrico Berlinguer.

Elio Germano's breakthrough came in
Mio Fratello è Figlio Unico 

Germano picked up the best supporting actor award in 2023, playing opposite Michele Riondino in Palazzina Laf, which Riondino also directed. All told, he won 28 awards, including the Silver Bear, another best actor prize, from the Berlin Film Festival for Hidden Away.

Born in Rome to a Molisan family from Duronia in the province of Campobasso, Germano made his screen debut at the age of just 12 in the directing duo Castellano e Pipolo's 1992 movie Ci hai rotto papà. He received formal acting training at the Teatro Azione in Rome. 

He had an opportunity to work in theatre but his career moved in a different direction after landing a part in Carlo Vanzina's 1999 comedy, Il cielo in una stanza, which launched him as a popular actor with Italian audiences.

His breakthrough year, though, was 2007, when he was cast as the lead in the successful movies Fallen Heroes as well as My Brother is an Only Child, both directed by Daniele Luchetti. 

The following year he received his first international recognition, winning the Shooting Stars Award at the 58th Berlin International Film Festival.

Germano’s success in winning over audiences and critics can be attributed to a number of characteristics in his acting style.

For example, he has consistently rejected the polished, romantic archetype of the Italian male lead, gravitating instead towards flawed, working-class, politically entangled characters, of which Accio in My Brother Is an Only Child was a prime example. His performances have been notable for psychological nuance and emotional realism, reshaping audience expectations of masculinity and heroism in Italian film.

Germano won plaudits for his animated portrayal
of the former Communist leader Enrico Berlinguer

In La nostra vita, he played a grieving construction worker navigating bureaucratic and emotional collapse, the role highlighting social inequality, the precariousness of working life and political disillusionment. 

He has shown himself to be equally at home portraying historical figures such as Leopardi and Berlinguer, which showcased his ability to humanise iconic individuals without flattening their complexity. 

For Germano, 2024 was a busy year. Apart from taking the lead role in Berlinguer - La grande ambizione, he collaborated again with Luchetti in the director’s 2024 movie, Confidenza - Trust - also starring Federica Rosselini, in which he plays a revered schoolteacher haunted by his past, and starred opposite Tony Servillo and Daniela Marra in Sicilian Letters, based on a true story, in which Germano plays the Mafia boss Matteo Messina Denaro, who succeeded Bernardo Provenzano and Salvatore Riina as the unchallenged boss of all bosses within the Sicilian Cosa Nostra, spending three decades as a fugitive.

Away from acting, Germano says his passion is music. He writes songs and performs with a rap group, BestieRare, with whom he has so far recorded three albums.

Duronia, perched on a hill in Molise, has a history
stretching back to the third century BC

Travel tip: 

Duronia, where Germano has his family roots, is a historic hilltop village in the Molise region of southern Italy, about 20km (12 miles) northwest of Campobasso, nestling in an area of wooded hills and steep-sided valleys. The name Duronia can be traced back to a Samnite settlement conquered by Rome in 293 BC, although the modern town adopted this name only after 1875, having previously been known as Civitavecchia. Above the town lie remnants of Stone Age megalithic structures, believed to have been used for funerary and commemorative rituals. Duronia today is a popular destination for Canadian descendants of emigrants who left the area in the late 19th and early 20th centuries, settling in particular in Montreal and Vancouver.  The annual Feast of San Rocco, a celebration dedicated to Duronia’s patron saint, which takes place every August, is another highlight. 

Find accommodation in Duronia with Hotels.com

Rome's Non-Catholic Cemetery, just a short distance
from the Teatro Azione, is well worth visiting

Travel tip:

The Teatro Azione, where Germano received his formal theatrical education, is one of Rome’s most respected acting schools, known for its rigorous training in both theatre and film. Founded in 1983 by Cristiano Censi and Isabella Del Bianco, its alumni apart from Elio Germano include Maya Sansa, Carolina Crescentini and Nicolas Vaporidi. It is located in Via dei Magazzini Generali in the Ostiense district, once an industrial area but now a vibrant and evolving area just south of the historic centre, notable for street art, nightlife, and contemporary culture. Attractions nearby include Rome’s Non-Catholic Cemetery (Cimitero Acattolico), also referred to as the Protestant Cemetery or the English Cemetery, a serene garden cemetery that is the resting place of John Keats, Percy Shelley and Antonio Gramsci among others, with a heavy emphasis on artists, writers and philosophers. Also look out for the Piramide Cestia, a striking 1st-century BC Egyptian-style pyramid built as a tomb for Gaius Cestius, and the Centrale Montemartini, a former power plant turned museum, where classical sculptures are dramatically displayed among turbines and industrial relics.

Rome hotels from Expedia

More reading:

The comic genius who won seven David di Donatello awards

Italy’s ultimate screen siren who is also an Oscar winner

The stage and screen star once dubbed ‘Italy’s Olivier’

Also on this day: 

1599: The birth of architect Francesco Borromini

1773: The birth of biologist Agostino Bassi

1930: The birth of fashion designer Nino Cerruti

1955: The birth of blues musician Zucchero

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Walter Chiari - actor

Talented star with taste for high life

Walter Chiari had the bonus of 
good looks on top of acting talent

The actor Walter Chiari, whose passionate affair with the American superstar Ava Gardner in 1950s Rome is said to have influenced Federico Fellini in the making of his landmark movie La dolce vita, was born on this day in 1924 in Verona.

Chiari was an accomplished stage and film actor when he met Gardner on the set of The Little Hut, a 1957 romantic comedy that was British made and with a Canadian director but was filmed largely at Cinecittà in Rome.

Gardner was still married to Frank Sinatra at the time but the pair were estranged and she was open to romance. She developed a taste for the Rome nightlife around the Via Vittorio Veneto and her relationship with the handsome Chiari soon began to dominate the gossip columns. They were constantly harassed by photographers, some of whom felt the rough edge of Chiari’s temper.

Fellini supposedly based Paparazzo, the photographer who relentlessly pursues Anita Ekberg’s character in La dolce vita, on the antics of some of the real-life snappers who followed Chiari and Gardner’s every move.

Chiari, who enjoyed much success on screen and in theatre, mostly in comedy roles, was already a high-profile figure in Rome’s glitzier clubs and bars, often stepping out with glamorous partners. Among those with whom he was romantically linked were actresses Elsa Martinelli, Silvana Pampanini and Lucia Bosè, and the pop star Mina. He reportedly had a brief fling with Ekberg herself.

In his professional life, he was best known for his film roles in the aforementioned The Little Hut (1957), Bonjour Tristesse (1958), Chimes at Midnight (1966) and The Valachi Papers (1972), which brought him international acclaim. 

He appeared opposite Anna Magnani in Luchino Visconti's film Bellissima (1951), won much praise for the quality of his performances in the commedia all’italiana genre and worked with some of Italy’s leading directors, including Mario Soldati, Mario Monicelli, Luigi Comencini, Ettore Scola, Dino Risi, Alessandro Blasetti and Damiano Damiani.

Chiari's relationship with the American star
Ava Gardner (left) dominated the gossip columns

Fluent in English and as comfortable acting on stage as he was in front of the camera, he was an accomplished performer in musical comedy and enjoyed a long run on Broadway in The Gay Life, with lyrics by Howard Dietz and music by Arthur Schwartz. 

He starred in an Italian production of Neil Simon’s The Odd Couple and, towards the end of his career, won critical approval for his performances in more serious stage roles, in plays such as Marc Terrier’s Six Heures au Plus Tard, Samuel Beckett’s Endgame and Richard Sheridan’s The Critic.

Born Walter Michele Armando Annicchiarico, Chiari spent the early part of his childhood in Via Quattro Spade in the heart of historic Verona, where his father, Carmelo, originally from Puglia, worked as a security officer for the local authority.

On finishing school he took a job as a warehouseman at a car factory in Milan, where the family had moved when he was nine. He subsequently found work as a radio technician and a bank, where - already showing a talent for acting - he was sacked after imitating Adolf Hitler while standing on a desk.

His break in acting came on a night out at the Teatro Olimpia in Milan, when the revue he had gone to see with a group of friends was on the point of being cancelled because one of the actors was absent. Urged to volunteer as a stand-in by his friends, he so impressed the director that he was invited to join the company.

Chiari had a brief marriage to the actress
Alida Chelli between 1969 and 1972

It opened the door into a career in revue theatre that flourished after he moved to Rome. He demonstrated his versatility by taking more serious roles, too, which in turn created opportunities to transfer his talents to the screen. In fact, his debut movie, in which he played the lead role in Giorgio Pastina’s Vanità (1947), won him a Nastro d’Argento award as best new actor.

Apart from his regular appearances in the gossip pages, Chiari was at the centre of other scandals. In 1970 he spent 98 days in the Regina Coeli prison in Rome after being arrested on charges of cocaine use and cocaine trafficking. He was released on payment of three million lire bail and acquitted of all but the possession charge at trial in 1971.

He received a suspended sentence for possession, but even though he had been cleared of the more serious charges the scandal severely damaged his career. The national TV channel Rai dropped him from a number of shows in which he had participated and until the late stages of his career his only television work was for minor, regional channels.

After his death, it was revealed that he had served for part of World War Two in the German army, who posted him to northern France with an anti-aircraft unit. He was captured by the Allies after being wounded soon after the D-Day landings and sent to an American prisoner of war camp in Tuscany.

Chiari was married - once and for just three years - to the singer and actress Alida Chelli. They had a son, Simone Annicchiarico, who became a TV presenter.  Chiari died from a heart attack in Milan in 1991, at the age of 67. His funeral, attended by more than 3,000 people, took place at the church of San Pietro in Sala, near Milan’s Teatro Nazionale.

His tombstone in Milan’s monumental cemetery famously is inscribed with the words: "Don't worry, I'm merely catching up with sleep".

The Via Quattro Spade in Verona,
where Walter Chiari was born

Travel tip:

Verona, where Walter Chiari was born, is the third largest city in the northeast of Italy, with a population across its whole urban area of more than 700,000. Among its wealth of tourist attractions is the Roman amphitheatre known as L’Arena di Verona, which dates back to AD30. Just a five-minute walk from Chiari’s home in Via Quattro Spade, the arena has a seating capacity of 22,000, often selling out for open air opera performances and pop concerts. Verona was chosen as the setting for three plays by William Shakespeare – Romeo and Juliet, The Two Gentlemen of Verona and The Taming of the Shrew - although it is unknown whether the English playwright ever actually set foot in the city.  Each year, thousands of tourists visit a 13th century house in Verona where Juliet is said to have lived, even though there is no evidence that Juliet and Romeo actually existed and the balcony said to have inspired Shakespeare’s imagination was not added until the early 20th century.

The church of San Pietro in Sala in the Wagner
district of Milan, which held Chiari's funeral

Travel tip:

The church of San Pietro in Sala is in the well-heeled Wagner district of Milan, which has some expensive apartments and upmarket shops but is also seen as a trendy neighbourhood. The main shopping streets, Corso Vercelli and Via Belfiore, are lined with quirky boutiques and shoe shops, while the area has a lively vibe in the evening. One attraction is the indoor food market in Piazza Riccardo Wagner, directly opposite the church. The largest food market in Milan, it stocks all manner of gourmet treats and is not to be missed by food-loving visitors to the city. Situated about 3km (1.9 miles) west of the centre of Milan, a 15-minute Metro ride from the station in Piazza Duomo.

Also on this day:

La Festa della Donna - International Women’s Day

1566: The birth of composer Carlo Gesualdo

1925: The birth of priest and politician Gianni Baget Bozzo

1949: The birth of singer-songwriter Antonello Venditti

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Luisa Ranieri - actress

Naples-born star of The Hand of God

Luisa Ranieri in a scene from The Hand of God,
which won her a Best Supporting Actress award

The actress Luisa Ranieri, who received a Best Supporting Actress award for her performance in Paolo Sorrentino’s Oscar-nominated 2021 movie The Hand of God, was born on this day in 1973 in Naples.

Ranieri, who is married to Inspector Montalbano actor Luca Zingaretti, was honoured with a prestigious Nastro d’Argento for her portrayal of Patrizia, the troubled aunt of The Hand of God’s central character, Fabietto.

Among more than 30 films in a big screen career that began with a leading role in Leonardo Pieraccioni’s Il principe e il pirata (The Prince and the Pirate) in 2001, Ranieri is also well known for her performances in Michelangelo’s Antonioni’s Eros in 2004, in Pupi Avati’s Gli amici del Bar Margherita (The Friends of the Bar Margherita) in 2009 and Gary Winick’s final film, Letters to Juliet (2010).

Ranieri, whose latest movie, Diamanti, (Diamonds) directed by Ferzan Özpetek, premieres in Italy this week, also boasts a string of successes in television. 

In 2005, she won plaudits for her portrayal of the opera singer Maria Callas in a Canale 5 miniseries Callas e Onassis, and for playing the entrepreneur Luisa Spagnoli in the Rai fiction of the same name in 2016. Since 2021 she has filled the title role in the Rai crime series, Le indagini di Lolita Lobosco, (The Investigations of Lolita Lobosco) in which she plays a deputy commissioner of police in the southern Italian city of Bari. 

Ranieri won acclaim for her
portrayal of Maria Callas

It was while making another Rai miniseries, Cefalonia, in 2005 that she became romantically involved with co-star Zingaretti. The couple married in Sicily in 2012 and have two children. 

Ranieri spent her early years in the Vomero district of Naples, an upmarket suburb which occupies an elevated position that offers commanding views over the city. She enrolled in the Faculty of Law in the city’s university but gave up her studies to devote herself to acting, building the foundations of a career as a theatre actress before quickly landing the part in Il principe e il pirata in 2001, in which she also gained considerable exposure thanks to a starring role on a TV advertising campaign for Nestea, a major player in Italy’s lucrative iced tea market.

She quickly established her reputation as an actress of considerable talent, gaining significant recognition through TV roles, including playing Assunta Goretti, the mother of the child saint, Maria Goretti, who was murdered at the age of 11, in Giulio Base’s 2003 miniseries, and two years later Maria Callas opposite the Aristotle Onassis of French actor Gérard Darmon under Giorgio Capitani’s direction.

In 2009, the same year that Avati’s Gli amici del bar Margherita brought more critical acclaim, she demonstrated her versatility with a return to the stage, acting in the theatrical production of L'oro di Napoli (the Gold of Naples), directed by Gianfelice Imparato and Armando Pugliese, based on the stories of Neapolitan life by Giuseppe Marotta.

The terrace at the Castello di Donnafugata will
be familiar to fans of the Montalbano TV series

Back on screen, Letters to Juliet further solidified her reputation in the film industry, which was taken to another level by The Hand of God - È stata la mano di Dio in Italian - in which her performance as Patrizia, the voluptuous aunt for whom main character Fabietto has an adolescent crush, and who escapes an abusive husband by admitting herself to a psychiatric hospital, attracted much acclaim and turned her into something of an icon for many Italian women.

As a further recognition of her standing in the acting profession, Ranieri was chosen to host the opening and closing nights of the 71st Venice International Film Festival in 2014.

Her marriage to Zingaretti caught the public imagination. After living together for several years, the couple tied the knot at the Castello di Donnafugata, a castle near Ragusa in Sicily where scenes were filmed in several episodes of the long-running Inspector Montalbano series. 

The Castel Sant'Elmo and the Certosa di San
Martino tower above Naples on Vomero hill

Travel tip:

The Vomero district of Naples is widely-regarded as the most upmarket area of the city in which to live. Perched on a hill overlooking the city and the Bay of Naples, it is known for its elegant architecture, beautiful parks, and a more relaxed atmosphere compared to the sometimes chaotic nature of the southern Italian city’s centre.  Highlights include Castel Sant'Elmo, a mediaeval fortress offering stunning panoramic views of the city and the bay; the adjoining Certosa di San Martino, a former monastery that now houses a museum; the lively Piazza Vanvitelli, Vomero’s central square; and the Villa Floridiana, a beautiful park with gardens, fountains and another museum. Three funicular railways connect Vomero to the city centre. The district boasts a mix of high-end and local shops and a similar variety of restaurants. 

The magnificent Duomo di San Giorgio is one
of the main attractions of Ragusa Ibla

Travel tip:

The city of Ragusa, at the centre of the area of southeastern Sicily where Andrea Camilleri’s Inspector Montalbano mysteries were filmed, is set in a rugged landscape with a mix of mediaeval and Baroque architecture. It has two parts - Ragusa Ibla, a town on top of a hill rebuilt on the site of the original settlement destroyed in a major earthquake in 1693, and Ragusa Superiore, which was built on flatter ground nearby in the wake of the earthquake.  A spectacular sight in its own right and affording wonderful views as well, Ragusa Ibla attracts visitors to its maze of narrow streets and to see the Duomo di San Giorgio, the magnificent 18th century Sicilian Baroque church that stands at the top of a wide flight of steps at the head of the sloping Piazza Duomo, the wide square that, with Corso XXV Aprile, comprises Ragusa Ibla’s central thoroughfare. Designed by Rosario Gagliardi, the cathedral is characterised by a monumental façade which incorporates the bell tower beneath a bulbous spire.

Also on this day:

1899: The founding of AC Milan football club

1944: The birth of businessman Santo Versace

1945: The death of Fiat founder Giovanni Agnelli

1952: The birth of footballer Francesco Graziani

1954: The birth of pop singer Ivana Spagna

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Clara Calamai - actress

Star remembered for groundbreaking moments in Italian cinema history

Clara Calamai enjoyed huge popularity with
Italian cinema audiences in the '30s and '40s

The actress Clara Calamai, best known for two Italian cinema classics of the 1940s and for a cult 1970s horror film, died in the Adriatic resort of Rimini on this day in 1998, at the age of 89.

Calamai’s career is generally seen to have peaked with her appearances in Luchino Visconti’s 1943 crime drama Ossessione and, three years later, in Duilio Coletti’s melodrama L’adultera, for which she won a Nastro d’Argento award as best actress.

She scaled down her career drastically after marriage but won fresh acclaim three decades later for her role as Marta, a murderous ageing actress in ‘Master of Horror’ Dario Argento’s box office smash Profondo Rosso.

For many years, Calamai was also known as the first woman to bare her breasts in Italian cinema - in a 1942 movie that not surprisingly caused scandal at the time - although it was later accepted that another actress, Vittoria Carpi, had beaten her to that claim to fame. 

Calamai, sometimes known as Clara Mais, was born in the Tuscany city of Prato, about 25km (16 miles) northwest of Florence, in 1909. She had two sisters, Vittorina and Paola, yet little is known about her early life before her big screen debut in Aldo Vergano’s 1938 historical epic, Pietro Micca.

She made a good living by accepting multiple parts in what then was a somewhat sanitised Italian film industry, which was regulated so tightly within the guidelines set by the Fascist authorities that approved film-makers were limited mainly to lightweight comedies and heroic costume dramas. 

Calamai in La Cena delle Beffe, a film
largely remembered for her 'nude' scene

Her ‘nude’ scene came relatively early in her career, although it scarcely constituted a scene, occupying just 18 frames of Alessandro Blasetti’s La Cena delle Beffe, a drama set in Renaissance Florence starring Amedeo Nazzari. Although it was so brief that an audience member could literally blink and miss it, the outrage provoked was such that minors under the age of 16 were not permitted to watch.

Despite the furore, the episode did no harm to Calamai’s career and her popularity maintained its upwards trajectory, putting her on a par with actresses such as Alida Valli and Valentina Cortese. It later transpired that Blasetti had already shown Vittoria Carpi's naked breast the previous year in La corona di ferro, although because Carpi was a young comparatively unknown actress, it attracted much less attention.

Indeed, the publicity generated may have helped Calamai land her most famous role, in 1943, when Visconti chose her to replace Anna Magnani, who was pregnant, in Ossessione, his debut film.

Co-written as well as directed by Visconti, the film was an adaptation of the 1934 novel, The Postman Always Rings Twice, by the American author, James M Cain. It was the second of seven adaptations of Cain’s novel, although Visconti’s - controversially - was not authorised or even credited.

The film was condemned by the Fascist regime for its unvarnished depictions of Italy’s working class population. But Calamai’s performance as Giovanna, who embarks on an affair with a young hobo and is eventually persuaded to murder her husband, was outstanding and the film is regarded today as a pioneering work of Italian cinema, perhaps the first neorealist film.

Calamai and co-star Massimo Girotti in a scene
from Luchino Visconti's 1943 drama Ossessione

Three years later, in Coletti’s L'adultera, her performance as Velca, a peasant woman who marries a wealthy but elderly landowner and goes on to be the adulteress of the title, resulted in Calamai winning a Nastro d’Argento - silver ribbon - award from Italian film critics as best actress of 1946.

The year before L’adultera’s success, Calamai had married Leonardo Bonzi, a former Italian tennis champion who also competed in bobsleigh at the Olympics. A qualified pilot, Bonzi was from noble stock and could call himself a count, if he so wished. They met when he embarked on a career in film directing and producing.

With the arrival of the first of their two children, Calamai severely limited her acting commitments, taking  parts only sporadically. She and Bonzi divorced in 1961, after which she began to accept invitations from directors she favoured. Her playing of a prostitute in Visconti’s Le notti bianchi reminded cinemagoers of her acting ability. She appeared on television, too, in a Rai adaptation of Henry Fielding’s 18th century novel, Tom Jones.

What turned out to be her final film was hailed as one of her finest. Cast as Marta, an eccentric multiple killer, Calamai’s performance in Dario Argento’s 1975 hit Profondo Rosso - Deep Red - turned her into something of a cult figure among fans of the director’s work. Argento would later describe the film, which starred David Hemmings as the musician who ultimately identified Marta as the murderer, as his greatest work.

Profondo Rosso kept Calamai in the public eye for a number of years but eventually she disappeared from view. After living alone in her home in Rome not far from Termini station, she spent her final years in Rimini, where her sister, Vittorina, had lived since starting a family.

She died there at the age of 89, reportedly following a heart attack. She is buried at the Cimitero Monumentale di Rimini, where the Emilia-Romagna resort’s greatest cinema icon, Federico Fellini, was laid to rest alongside his wife, the actress Giulietta Masina.

The Palazzo Pretorio is one
of Prato's notable buildings

Travel tip:

Prato, a city of just under 200,000 inhabitants, is less than 20 minutes by train from Florence, yet Clara Calamain’s home city is something of an overlooked gem among Tuscany's many attractions. Prato is the home of the Datini archives, a significant collection of late mediaeval documents concerning economic and trade history, produced between 1363 and 1410, as well as many artistic treasures, including frescoes by Filippo Lippi, Paolo Uccello and Agnolo Gaddi inside its Duomo, which has an external pulpit by built by Michelozzo and decorated by Donatello. The Palazzo Pretorio is a building of great beauty, situated in the pretty Piazza del Comune, and there are the ruins of the castle built for the mediaeval emperor and King of Sicily Frederick II.  Prato’s commercial heritage is founded on the textile industry and its growth in the 19th century earned it the nickname the "Manchester of Tuscany".

Rimini's Tempio Malatestiano has frescoes by
Piero della Francesca and paintings by Giotto

Travel tip:

Rimini has become one of the most popular seaside resorts in Europe, with wide sandy beaches and plenty of hotels and restaurants. But it is also a historic town with many interesting things to see. One of Rimini’s most famous sights is the Tempio Malatestiano, a 13th century Gothic church originally built for the Franciscans but which was transformed on the outside in the 15th century and decorated inside with frescoes by Piero della Francesca and works by Giotto and many other artists. Rimini had a role in the unification of Italy in the 19th century. It was there that Joachim Murat, the brother-in-law of Napoleon and King of Naples, issued his Proclamation in 1815, calling for all Italians to unite into a single people and drive out foreigners, namely the Austrians, who occupied large parts of northern Italy at the time. Although Murat was almost certainly acting out of self-interest at the time - he had just declared war on Austria and desperately needed support - the Proclamation is often seen as the opening statement of the Risorgimento.

Also on this day:

1559: The birth of painter and architect Cigoli

1744: The birth of architect Giacamo Quarenghi

1960: The birth of controversial conceptual artist Maurizio Cattelan

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