15 March

The murder of Julius Caesar

He came, saw, conquered... and was assassinated

Statesman and soldier Gaius Julius Caesar was murdered on this day in 44 BC in Rome.  His death made the Ides of March, the day on the Roman calendar devised by Caesar that corresponds to 15 March, a turning point in Roman history, one of the events that marked the transition from the Roman Republic to the Roman Empire.  Caesar had made his mark as a soldier in Asia Minor and Spain and established himself as a politician, making useful allies.  But his invasion of Gaul took several years and was the most costly and destructive campaign ever undertaken by a Roman commander. Afterwards, Caesar crossed the Rubicon - a river that formed a northern border of Italy - with a legion of troops, entered Rome illegally, and established himself as a dictator dressed in royal robes.  On the Ides of March, Caesar was stabbed to death by a group of rebellious senators. Read more…

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Cesare Beccaria - jurist and criminologist

Enlightened philosopher seen as father of criminal justice

The jurist and philosopher Cesare Beccaria, who is regarded as one of the greatest thinkers of the so-called Age of Enlightenment in the 18th century, and whose writings had a profound influence on justice systems all over the world, was born on this day in 1738 in Milan.  As the author of a treatise On Crimes and Punishments (1764), which was a ground-breaking work in the field of criminal law and the approach to punishing offenders, Beccaria is considered by many academics to be the father of criminal justice.  The treatise, which Beccaria compiled when he was only 26 years old, condemned the death penalty on the grounds that the state does not possess the right to take lives and declared torture to be a barbaric practice with no place in a civilised, measured society.  It outlined five principles for an effective system of criminal justice. Read more…

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Salvator Rosa – artist

Exciting Baroque painter inspired others

Salvator Rosa, a fiery and flamboyant character who was a poet and actor as well as an artist, died on this day in 1673 in Rome.  One of the least conventional artists of 17th century Italy, he was adopted as a hero by painters of the Romantic movement in the 18th and 19th centuries.  He mainly painted landscapes, but also depicted scenes of witchcraft, revealing his interest in the less conventional ideas of his age. These scenes were also sometimes the background for his etchings and the satires he wrote.  Rosa was born in Arenella on the outskirts of Naples. His father, a land surveyor, wanted him to become a lawyer or priest and entered him in the convent of the Somaschi Fathers.  Rosa was interested in art and secretly learnt about painting with his uncle and his brother-in-law, Francesco Fracanzano, who was a pupil of Jose de Ribera. Read more…

Gianluca Festa - footballer

Sardinian became a favourite in England

The footballer and coach Gianluca Festa, who played 177 matches in Italy’s Serie A but is best remembered as the first Italian defender to sign for a club in England’s Premier League, was born on this day in 1969 in Cagliari.  Festa joined Middlesbrough in January 1997 after manager Bryan Robson agreed to pay Inter-Milan £2.7million for the centre-back, who joined his Italian compatriot Fabrizio Ravanelli at the northeast England club.  Ravanelli had arrived in England the previous summer as one of a number of Italian stars to move from Serie A, a sign that the Premier League was beginning to challenge Serie A for the right to be called Europe’s top league.  Chelsea had signed Gianluca Vialli from Juventus and Roberto Di Matteo from Lazio, to be joined by Parma’s Gianfranco Zola later in the autumn, and Sheffield Wednesday had bought Festa’s former Inter teammate Benito Carbone.  Read more…

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Giuseppe Mezzofanti - hyperpolyglot

Roman Catholic Cardinal could speak 38 languages

The death occurred in Rome on this day in 1849 of Cardinal Giuseppe Caspar Mezzofanti, a prodigiously talented academic renowned for his command of multiple foreign languages.  Defined as a hyperpolyglot - someone who is fluent in six languages or more - Mezzofanti is said to have full command of at least 38.  The majority were European, Mediterranean or Middle Eastern languages - mainstream and regional - but he was also said to be fluent in Chinese languages, Russian, plus Hindi and Gujarati.  His fame was such that he became something of an international celebrity, although he never actually left Italy, living the early part of his life in his home city of Bologna, before moving to Rome.  Visiting dignitaries from all over the world would ask to be introduced to him, ready to be awestruck as he slipped effortlessly into their native tongue.  Read more…

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Book of the Day: Rubicon: The Triumph and Tragedy of the Roman Republic, by Tom Holland

The Roman Republic was the most remarkable state in history. What began as a small community of peasants camped among marshes and hills ended up ruling the known world. Rubicon paints a vivid portrait of the Republic at the climax of its greatness - the same greatness which would herald the catastrophe of its fall. This was the century of Julius Caesar, the gambler whose addiction to glory led him to the banks of the Rubicon, and beyond; of Cicero, whose defence of freedom would make him a byword for eloquence; of Spartacus, the slave who dared to challenge a superpower; of Cleopatra, the queen who did the same. Tom Holland brings to life this strange and unsettling civilization, with its extremes of ambition and self-sacrifice, bloodshed and desire. Yet alien as it was, the Republic still holds up a mirror to us. Its citizens were obsessed by celebrity chefs, all-night dancing and exotic pets; they fought elections in law courts and were addicted to spin; they toppled foreign tyrants in the name of self-defence. Two thousand years may have passed, but we remain the Romans' heirs.

Tom Holland, who received a double first from Cambridge, has adapted Homer, Herodotus, Thucydides and Virgil for BBC Radio. He is a writer of scholarly style, perfect for non-fiction. 

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14 March

NEW - Verdi’s Macbeth premieres in Florence

Shakespeare adaptation marked change in composer’s style

Giuseppe Verdi’s operatic interpretation of the Shakespeare play Macbeth was performed for the first time on this day in 1847.  The premiere took place at the Teatro della Pergola in Florence, where the composer, already gaining fame at 33 years old but with his most successful years still to come, was under contract to the impresario Alessandro Lanari.  After his success with Nabucco, his third opera, which featured the great chorus, Va, pensiero, in 1842, Verdi rapidly found himself in demand. Macbeth would be his tenth opera, his eighth in just five years. Lanari, confident that anything bearing the up-and-coming maestro’s name would sell tickets, was happy to leave the choice of work to Verdi himself, and so did not give him a particular brief.  The theatre was known for its refined acoustics and had a reputation for supporting innovative work.  Read more… 

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Giovanni Schiaparelli - astronomer

Discoveries sparked belief there was life on Mars

The astronomer Giovanni Schiaparelli, whose observations in the late 19th century gave rise to decades of popular speculation about possible life on Mars, was born on this day in 1835 in Savigliano, about 60km (37 miles) south of Turin.  Schiaparelli worked for more than 40 years at the Brera Observatory in Milan, most of that time as its director.  It was in 1877 that he made the observations that were to cause so much excitement, a year notable for a particularly favourable 'opposition' of Mars, when Mars, Earth and the Sun all line up so that Mars and the Sun are on directly opposite sides of Earth, making the surface of Mars easier to see.  Oppositions occur every two years or so but because the orbit of Mars is more elliptical than Earth's there are points at which it is much closer to the Sun than at others.  An opposition that coincides with one of these points is much rarer, probably taking place only once in a lifetime, if that.  Read more…

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Victor Emmanuel II

The first king to rule over a united Italy

King Victor Emmanuel II was born Vittorio Emanuele Maria Alberto Eugenio Ferdinando Tommaso on this day in 1820 in Turin.  He was proclaimed the first king of a united Italy in 1861 by the country’s new parliament and in 1870, after the French withdrew, he entered the city of Rome and set up the new Italian capital there. The Italian people called him Padre della Patria - Father of the Fatherland.  Born Prince Victor Emmanuel of Savoy, he was the eldest son of Charles Albert, Prince of Carignano, and Maria Theresa of Austria. His father succeeded a distant cousin as King of Sardinia- Piedmont in 1831.  In 1842 Victor Emmanuel married his cousin Adelaide of Austria and was styled as the Duke of Savoy before becoming King of Sardinia-Piedmont after his father abdicated the throne following a humiliating military defeat by the Austrians at the Battle of Novara.  Read more…

Giangiacomo Feltrinelli – publisher

Accidental death of an aristocratic activist

Giangiacomo Feltrinelli, a leading European publisher and one of Italy’s richest men, died on this day in 1972 after being blown up while trying to ignite a terrorist bomb on an electricity pylon at Segrate near Milan.  It was a bizarre end to the life and career of a man who had helped revolutionise Italian book publishing. He became famous for his decision to translate and publish Boris Pasternak’s novel Doctor Zhivago after the manuscript was smuggled out of the Soviet Union, where it had been banned on the grounds of being anti-Soviet.  This was an event that shook the Soviet empire and led to Pasternak winning the Nobel Prize in Literature.  Feltrinelli also started the first chain of book shops in Italy, which still bear his name.   He was born in 1926 into a wealthy, monarchist family. At the instigation of his mother, Feltrinelli was created Marquess of Gargnano when he was 12 by Benito Mussolini.  Read more…

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Giuseppe Maria Crespi - painter

Artist from Baroque period who excelled in genre painting

The painter Giuseppe Maria Crespi, one of the first Italian exponents of genre painting, which depicts ordinary people in scenes from everyday life, was born on this day in 1665 in Bologna.  Crespi also painted portraits and caricatures as well as religious paintings, especially at the beginning and end of his career. Even in his religious work, the scenes would include ordinary people, such as his acclaimed series, the The Seven Sacraments, originally commissioned by Cardinal Pietro Ottoboni in Rome, which now hangs in the Gemäldegalerie Alte Meister - the Old Masters’ Gallery - in Dresden.  Growing up in Bologna, he learned the basics of drawing and painting from Angelo Michele Toni, to whom he was apprenticed at the age of 12. His taste in clothes - he favoured the tight garments characteristic of Spanish fashion - earned him the nickname Lo Spagnuolo - the Spaniard.  Read more…

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Umberto I - King of Italy

Assassination attempts overshadow the reign of unpopular monarch

The second king of the newly-unified Italy, Umberto I, was born on this day in 1844 in Turin, in the region of Piemonte, which was then in the Kingdom of Sardinia.  As king, Umberto I led Italy into the Triple Alliance with Austria-Hungary and Germany, and his support for nationalistic and imperialist policies during his reign led to disaster for his country and helped to create the atmosphere in which he was eventually assassinated. The son of King Victor Emmanuel II and Archduchess Adelaide of Austria, Umberto was brought up with no love or affection from his parents, but was instead taught to be obedient and loyal.  His father, whose 24th birthday fell on the day Umberto was born, gave him no training in politics or government and entrusted Umberto’s education to some of his statesmen. Umberto went into the Royal Sardinian Army as a captain and took part in the Italian Wars of Independence. Read more…

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Book of the Day: The Shortest History of Italy, by Ross King

From Michelangelo to Mussolini, Nero to Meloni, Galileo to Garibaldi, here is the sparkling story of the world’s most influential peninsula.  The calendar, the university, the piano; the Vespa, the pistol and the pizzeria… It’s easy to assume that inventions like these could only come from somewhere sure of its place in the world. Yet these pages reveal a land rife with uncertainty even as its influence spread.  From the rise of the Roman Republic to the decline and fall of the Roman Empire, from the glories of Renaissance Florence to the long struggle for unification, from Europe’s first operas to the world’s first ghettos, Ross King nimbly charts the checkered course of Italian history. In the last hundred years, film, fashion and Fiat – once bigger than Volkswagen – emerge from the horrors of fascism and world war. The Shortest History of Italy is a majestic sweep across three millennia of history that not only shaped Europe but the wider world.

Ross King is the author of many bestselling and acclaimed books about Italian history and culture, including The Bookseller of Florence, Brunelleschi’s Dome and Leonardo and the Last Supper. He lives just outside Oxford.

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Verdi’s Macbeth premieres in Florence

Shakespeare adaptation marked change in composer’s style

The poster advertising the first
performance of the opera

Giuseppe Verdi’s operatic interpretation of the Shakespeare play Macbeth was performed for the first time on this day in 1847.

The premiere took place at the Teatro della Pergola in Florence, where the composer, already gaining fame at 33 years old but with his most successful years still to come, was under contract to the impresario Alessandro Lanari.

After his success with Nabucco, his third opera, which featured the great chorus, Va, pensiero, in 1842, Verdi rapidly found himself in demand. Macbeth would be his tenth opera, his eighth in just five years. Lanari, confident that anything bearing the up-and-coming maestro’s name would sell tickets, was happy to leave the choice of work to Verdi himself, and so did not give him a particular brief.

The theatre was known for its refined acoustics and had a reputation for supporting innovative work and Verdi, who already felt his artistic freedom was being compromised by a need to produce commercially viable output, saw an opportunity to shake off at least some constraints.

Having revered the English dramatist William Shakespeare from an early age, Verdi chose Macbeth for a number of reasons. First, he felt the nature of the play would allow him to focus on the drama of the story, rather than adhering strictly to bel canto convention, which demanded a structure built around vocal highlights, sometimes at the expense of realism and depth.

The play had been in Verdi’s mind for some time. What convinced him that the moment to work with it had arrived was the availability of Felice Varesi, a baritone renowned for his dramatic intensity, to cast in the title role.

He faced some challenges in bringing the project to fruition in the way he intended. There were disagreements with his librettist, Francesco Maria Piave, over how to convey the tone Verdi desired. A number of times, the composer asked his friend, Andrea Maffei, another librettist, to provide input as well, even rewriting parts of Piave's libretto.

His leading lady, the soprano Marianna Barbieri-Nini, who had worked with him on his sixth opera, I due Foscari, had to be coached not to infuse her performance with the vocal polish usually required. Keen to emphasise character. Verdi demanded that her Lady Macbeth be “ugly and evil.”

When Verdi’s Macbeth was unveiled, audiences were sceptical about the lack of a central romance and some critics were unsettled by its darkness. Structured in four acts, with the emphasis on Lady Macbeth’s ruthless ambition, Macbeth’s psychological unravelling and the three witches - represented in Verdi’s interpretation by three choral groups - as a driving force of fate, it was nonetheless deemed a success, if not the crowd-pleasing blockbuster Lanari might have been hoping for.

Felice Varesi, the first to
sing the title role

The Florentine audience, who were seen as traditionally more restrained, say, than those in Milan, respected it as a considered, serious and innovative work, if a little unusual. It toured Italy, reportedly being performed at 21 venues around the country, before making its United States debut in New York in 1850, and its United Kingdom debut in Manchester in 1860, although it was never seen as a runaway hit.

The composer himself was said to regard it as his greatest achievement to that point. Later he would talk about it in terms of marking the start of his move away from what he spoke of as his “galley years” as a composer, when he likened himself to a “galley slave”, endlessly under pressure in terms of workload, deadlines, and artistic constraints, as if chained to an oar.

Indeed, Macbeth is now seen as a landmark moment in Verdi’s career, signalling a transition towards the artistic depth that would set him apart as the greatest composer of Italy’s operatic history, placing him above even Giacomo Puccini and Gioachino Rossini as titans of the genre.

By the time he produced the substantially revised version of Macbeth he presented in Paris in 1865, the version generally performed today, he had written Rigoletto, Il trovatore, La traviata, Simon Boccanegra, Un ballo in maschera and La forza del destino, transforming his reputation from that of rising star to a creator of genuine masterpieces.

Verdi’s reverence towards Shakespeare never diminished, even though he would not return to the English playwright until the end of his career, signing off with Otello in 1887 and Falstaff, adapted from The Merry Wives of Windsor, in 1893.

It is thought this was down to a number of factors, among them the conventions of Italian opera in the 19th century, with star singers expecting showcase roles and impresarios wanting traditional theatre-filling melodrama. 

Verdi also had to feel artistically confident that he was able to do a Shakespeare play full justice and be supported by a librettist who could do likewise. Until his collaboration with Arrigo Boito, who worked with him on Otello and Falstaff, such a librettist never appeared.

The Teatro della Pergola, the historic
theatre in the centre of Florence

Travel tip:

Florence’s Teatro della Pergola, where Verdi’s Macbeth was performed before an audience for the first time, was inaugurated in December 1656. It is one of Italy’s oldest and most historically significant theatres, celebrated as the first substantial example of what came to be known as an Italian‑style theatre, with tiers of private boxes, a shift away from the traditional design based on a semi-circle of decreasing steps. It is said to have taken its name from the grape pergola that used to stand nearby. Built under the patronage of Cardinal Giancarlo de’ Medici, it was designed by the architect Ferdinando Tacca, quickly becoming a centre of Florentine cultural life. It was officially opened during the carnival of 1657, with the world premiere of the comic opera Il podestà di Colognole by Jacopo Melani. The genre of melodrama, which became the fundamental currency of opera in Italy, is said to have been born at the Teatro della Pergola, which hosted the premieres of two operas by Gaetano Donizetti,  Parisina d'Este and Rosmonda d’Inghilterra, in 1833 and 1834.  The Pergola also appears as a footnote in another famous story, it being the theatre at which Antonio Meucci, the Italian said to have been the real inventor of the telephone, was working as a stage technician when he constructed a prototype acoustic telephone to communicate between the stage and the theatre’s control room.  Located on Via della Pergola, the theatre is a short walk from Piazza del Duomo, and close to landmarks such as the Palazzo Bargello and the Basilica di Santa Croce. 

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The Baratta Salsamenteria Storica in Busseto, which
celebrates the career of a reputed former customer

Travel tip:

Giuseppe Verdi came from Busseto, a town in Emilia-Romagna about 45km (27 miles) from Parma, 35km (21 miles) from Piacenza and 25km (15 miles) from Cremona. The area has plenty to offer Verdi fans, who can visit the house where he was born, in 1813, in the village of Le Roncole, and the churches of Santa Maria degli Angeli and San Michele Arcangelo, where he played the organ. Visitors can also admire the Palazzo Orlandi, a beautiful house on Via Roma that Verdi bought in 1845, which he shared with his future wife, the soprano Giuseppina Strepponi, from 1849 to 1851. Verdi is said to have composed Luisa Miller, Stiffelio, Rigoletto and Il trovatore while living there. Look out also for the Rocca dei Marchesi Pallavicino, on Piazza Giuseppe Verdi, which houses the Teatro Giuseppe Verdi. In 1913, Arturo Toscanini conducted a performance of Falstaff there in celebration of the centenary of Verdi's birth and to raise funds for what is now a large monument of the seated composer located in the piazza. Visitors to the small town, which has a population of around 6,700 residents, are often drawn to the Baratta Salsamenteria Storica, a tavern and salumeria on Via Roma where Verdi was once reputed to be a regular customer. The tavern specialises in charcuterie boards loaded with local hams, salami and cheeses, which customers eat with chunks of country bread, washed down with red lambrusco wine, traditionally drunk from a bowl rather than a glass.

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More reading:

Giuseppina Strepponi, the soprano who inspired Verdi and Donizetti

How the premiere of Otello, Verdi’s penultimate opera, prompted 20 curtain calls

The Verdi chorus that, for many Italians, became the country’s national anthem

Also on this day:

1655: The birth of painter Giuseppe Maria Crespi

1835: The birth of astronomer Giovanni Schiaparelli

1820: The birth of Victor Emmanuel II, first king of the unified Italy

1844: The birth of Umberto I, second king of the unified Italy

1972: The shocking death of publisher Giangiacomo Feltrinelli

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13 March

Bruno Conti - World Cup winner

Roma star was key figure for azzurri in 1982 victory

The former footballer and subsequently coach, Bruno Conti, who played a starring role as Italy won the World Cup in Spain in 1982, was born on this day in 1955 in Nettuno, a seaside resort south of Rome.  A winger with extravagant skills, Conti became an increasingly influential figure as the azzurri campaign in 1982 gathered momentum after a slow start.  He scored Italy’s goal against Peru in the first group stage, a fine shot into the top right-hand corner from 20 yards (18m), although as a team Italy were not at their best and failed to win any of their opening three matches, scraping into the second group phase only by virtue of having scored more goals than Cameroon, who finished with the same number of points.  But the second phase saw a transformation as Italy defied the odds to beat the holders Argentina and the multi-talented Brazil team of Socrates, Zico and Falcao who had started the tournament as hot favourites. Read more…

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Eduardo Scarpetta - actor and playwright

Much-loved performer began theatrical dynasty

Eduardo Scarpetta, one of the most important writers and actors in Neapolitan theatre in the late 19th and early 20th centuries, was born on this day in 1853 in Naples.  Fascinated by the commedia dell’arte and Neapolitan puppet theatre character Pulcinella, Scarpetta was the writer of more than 50 dialect plays in the comedy genre, creating his own character, Felice Sciosciammocca, a wide-eyed, gullible but essentially good-natured Neapolitan who featured prominently in his best-known work, Miseria e Nobiltà (Misery and Nobility). His plays made him wealthy, although his standing was damaged towards the end of his career by a notorious dispute with Gabriele D’Annunzio, the celebrated playwright and poet with aristocratic roots who was a considerable figure in Italian literature.  Read more…

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Corrado Gaipa – actor

From The Godfather to voice of Alec Guinness

The respected character actor and voice-dubber Corrado Gaipa was born on this day in 1925 in Palermo.  His versatility as a voice actor brought him considerable work at a time when Italian cinema audiences much preferred to watch dubbed versions of mainstream English-language films rather than hear the original soundtrack with subtitles.  Gaipa’s voice replaced that of Alec Guinness as Obi-Wan Kenobi in the original Star Wars trilogy.  He was also heard dubbing Spencer Tracy in Guess Who’s Coming to Dinner, Burt Lancaster in The Leopard, Telly Savalas in The Dirty Dozen and Lee J Cobb in The Exorcist.  He was the voice of a number of characters in animation films also, including Bagheera in Walt Disney’s The Jungle Book and Scat-Cat in The Aristocats.  As an actor in his own right, he worked with many leading directors in Italian cinema, including Francesco Rosi and Vittorio Gassman. Read more…

Pope Innocent XII

Pontiff who banned nepotism in papal appointments 

Pope Innocent XII, whose nine years as Pope at the end of the 17th century were notable for his ban on the practice of pontiffs appointing relatives to key positions in the papal court, was born Antonio Pignatelli on this day in 1615.  Innocent XII, who was elected Pope in July 1691 and led the Catholic Church until his death in September 1700, issued the papal bull entitled Romanum decet pontificem within a year of taking office, abolishing the position of Cardinal-Nephew in the church hierarchy.  The creation of Cardinal-Nephew as an office in the church had been officially recognised since 1566 but the practice of appointing family members had been used by a succession of popes since the Middle Ages to help them consolidate family power and wealth in an era when papal authority extended well beyond the confines of the church.  Read more…

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Ligabue - record-breaking rock star

Musician and writer once dubbed 'Italy's Springsteen'

Rock musician Luciano Ligabue - known simply as Ligabue - was born on this day in 1960. Once dubbed ‘Italy’s Springsteen’, he has been hugely successful in his own country but has never managed to achieve true international recognition. Yet such is his popularity in Italy that a Ligabue concert held on a stage erected on Reggio Emilia's airfield in 2005 attracted an audience of 180,000, at the time a European record for a paid-for event headlined by a single artist. He has played before audiences of more than 110,000 at the Giuseppe Meazza football stadium in Milan -- the home of Internazionale and AC Milan - and has twice repeated the so-called Campovolo event in Reggio Emilia. In September 2015, a concert to celebrate Ligabue's 25 years in the music business sold 150,000 tickets, making it the most lucrative single music concert in Italian history, with proceeds of around €7 million.  Read more…

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Flavia Cacace - dancer

Star of Strictly Come Dancing famous for Argentine Tango

The dancer Flavia Cacace, who found fame through the British hit television show, Strictly Come Dancing, was born on this day in 1980 in Naples.  She and professional partner Vincent Simone, who is from Puglia, performed on the show for seven seasons from 2006 to 2012.  The show, which has been mimicked in more than 50 countries across the world, including Italy and the United States, pairs celebrities with professional dancers, combining Latin and ballroom dances in a competition lasting several months.  Cacace, who was runner-up in 2007 with British actor Matt d'Angelo, left the show as champion in 2012 after she and the British Olympic gymnast Louis Smith won the final, which was watched by an estimated 13.35 million viewers.  The youngest of six children, Cacace moved to England shortly before her fifth birthday. Read more…

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Book of the Day: The Power and the Glory: A New History of the World Cup, by Jonathan Wilson

By 1930, football had outgrown the Olympic Games. A new competition, run by Fifa, would take international football to the next level. After a shambolic start to the first tournament in Uruguay - an incomplete stadium, shoddy refereeing and physios accidentally injuring players - the thrilling final saw Uruguay beat Argentina 4-2.  From those chaotic beginnings grew the modern World Cup, a cultural phenomenon that draws the world together like nothing else. Ask a random person to name a moment in the history of Senegal and they may well say Pape Bouba Diop's winner against France in the 2002 World Cup, defeating his country's former colonial masters. The World Cup has political significance. West Germany's success in 1954 was a moment of reintegration into global society, while progress to the semi-finals in 1998 boosted Croatia's sense of national self. At the other end of the scale, in the so-called Soccer War of 1969, tensions between El Salvador and Honduras were ignited by a World Cup qualifier. More recently, hosting the tournament has been a vehicle for governments seeking political gain, the World Cups in Russia and Qatar being clear examples of sportswashing, staging a tournament to project an image of a thriving society. The story of the World Cup is also the story of the world. The Power and the Glory tells its definitive history.

Jonathan Wilson is the editor of The Blizzard and a freelance writer for the Guardian, World Soccer and Sports Illustrated. He is the author of 11 books, including Inverting the Pyramid: The History of Football Tactics, Behind the Curtain: Football in Eastern Europe, Angels with Dirty Faces: The Footballing History of Argentina, The Barcelona Legacy and The Names Heard Long Ago.

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