21 February

Death of Pope Julius II

Pope who commissioned Michelangelo for Sistine Chapel

Pope Julius II, who was nicknamed ‘the Warrior Pope’, died on this day in 1513 in Rome.  As well as conducting military campaigns during his papacy he was responsible for the destruction and rebuilding of St Peter’s Basilica and commissioning Michelangelo to paint the ceiling of the Sistine Chapel.  He is also remembered by students of British history as being the Pope who gave Henry VIII dispensation to marry Catherine of Aragon, his brother’s widow.  Born Giuliano della Rovere, he was the nephew of Francesco della Rovere, who became Pope Sixtus IV.  His uncle sent him to be educated by the Franciscans and he was made a Bishop soon after his Uncle became Pope.  He later became Cardinal Priest of San Pietro in Vincoli in Rome and was very influential in the College of Cardinals.  One of his major rivals was Cardinal Rodrigo Borgia, who was elected Pope Alexander VI in 1492. Read more…

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Giuseppe Abbati - painter and revolutionary

Early death robbed Italian art of bright new talent

Italy lost a great artistic talent tragically young when the painter and patriot Giuseppe Abbati died on this day in 1868.  Only 32 years old, Abbati passed away in the hospital of Santa Maria Nuova in Florence, having contracted rabies as a result of being bitten by a dog.  Abbati was a leading figure in the Macchiaioli movement, a school of painting advanced by a small group of artists who began to meet at the Caffè Michelangiolo in Florence in the late 1850s.  The group, in which Giovanni Fattori, Silvestro Lega and Cristiano Banti were other prominent members, were also for the most part revolutionaries, many of whom had taken part in the uprisings that occurred at different places in the still-to-be-united Italian peninsula in 1848.  Abbati, born in Naples, had joined Giuseppe Garibaldi's Expedition of the Thousand, losing his right eye in the Battle of the Volturno in 1860. Read more…

Domenico Ghirardelli – chocolatier

Built famous US business with skills learned in Genoa

The chocolatier Domenico Ghirardelli, founder of the Ghirardelli Chocolate Company in San Francisco, was born on this day in 1817 in a village just outside Rapallo in Liguria.  Also known as Domingo, Ghirardelli arrived in San Francisco in 1849 during the rapid expansion years of the Gold Rush, having spent the previous 10 years or so in Peru, where he had run a successful confectionery business.  After making money as a merchant, initially ferrying supplies to prospectors in the gold fields, he set up his first chocolate factory in 1852, drawing on the skills he acquired as an apprentice in Genoa.  By the end of the century, the Ghirardelli Chocolate Company was one of the city’s most successful businesses, with a prestige headquarters on North Point Street, a short distance from Fisherman’s Wharf, in a group of buildings that became known as Ghirardelli Square. Read more…

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Raimondo Montecuccoli – military leader

Brilliant tactician outwitted his opponents

Raimondo, Count of Montecuccoli, a soldier, strategist and military reformer who served the Habsburgs with distinction during the Thirty Years’ War, was born on this day in 1609 in Pavullo nel Frignano in the Duchy of Modena and Reggio.  As well as being Count of Montecuccoli, Raimondo also became a Prince of the Holy Roman Empire and the Duke of Melfi in the Kingdom of Naples.  He was born in the Castle of Montecuccolo in Pavullo nel Frignano near Modena and at the age of 16 began serving as a soldier under the command of his uncle, Count Ernest Montecuccoli, who was a General in the Austrian army.  After four years of active service in Germany and the Low Countries, Raimondo became a Captain of Infantry.  He was wounded at the storming of new Brandenburg and at the first Battle of Breitenfeld, where he was captured by Swedish soldiers.  Read more…

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Book of the Day: Michelangelo: A Life in Six Masterpieces, by Miles J Unger

Michelangelo was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was the creative force behind the work.  Miles Unger narrates the astonishing life of this driven and difficult man through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the Pietà Michelangelo carved as a brash young man, to the apocalyptic Last Judgment, the work of an old man tested by personal trials. Throughout the course of his career he explored the full range of human possibility. In the gargantuan David he depicts Man in the glory of his youth, while in the tombs he carved for the Medici he offers a sustained meditation on death and the afterlife. In the Sistine Chapel ceiling he tells the epic story of Creation, from the perfection of God's initial procreative act to the corruption introduced by His imperfect children. In the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter's in a final tribute to his God.  Unger’s Michelangelo: A Life in Six Masterpieces brings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after 500 years. 

Miles J Unger writes on art, books, and culture for The Economist.  He is also the author of Picasso and the Painting That Shocked the World; The Watercolors of Winslow Homer; Magnifico: The Brilliant Life and Violent Times of Lorenzo de’ Medici; and Machiavelli: A Biography.

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20 February

NEW - Giovanni di Bicci de’ Medici - banker

Medici dynasty was built on his fortune

Giovanni di Bicci de’ Medici, who created the wealth upon which the Medici dynasty of Renaissance Italy was built, died on this day in 1429 in Florence.  Although Cosimo de’ Medici, his son, is regarded as the founder of the dynasty as the first Medici to rule Florence, it was the fortune that Cosimo inherited from his father that enabled him to command power and influence in the city.  Giovanni di Bicci de’ Medici founded the Medici Bank in 1397 and at the time of his death was one of the wealthiest men in Europe. Although he had another son who survived to be an adult, Lorenzo, the bulk of his fortune passed to Cosimo.  Born in Florence, it is thought in 1360, he was the son of Averardo de’ Medici and Jacopa Spini. Bicci was Averardo’s nickname. Averardo, a wool merchant, died comfortably off, but not wealthy.  His estate was divided between his five sons and Giovanni’s share was relatively small. Read more… 

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The Barber of Seville premieres in Rome

Rival fans wreck debut of Rossini’s most famous opera

The Barber of Seville, the work that would come to be seen as Gioachino Rossini’s masterpiece of comic opera, was performed for the first time on this day in 1816 at the Teatro Argentina in Rome.  Commissioned by the theatre’s owner, Duke Francesco Sforza-Cesarini, it had a libretto by Cesare Sterbini based on the French comedy play Le Barbier de Séville and was originally entitled Almaviva or The Useless Precaution, out of deference to Giovanni Paisiello, the most popular composer in Italy in the 18th century, whose own version of Il barbiere di Siviglia had been very successful.  The second part of the same text, by Pierre Beaumarchais, was behind Mozart’s opera The Marriage of Figaro, which premiered four years after Paisiello’s.  Nonetheless, Paisiello’s loyal fans saw Rossini’s opera as an attempt to steal their favourite’s thunder, whatever name he gave it, and organised what was nothing short of an act of sabotage. Read more…

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Ferruccio Lamborghini - car maker

Tractor manufacturer inspired by Enzo Ferrari's 'insult'

Fans on one side of a great rivalry in Italy's performance car market were in mourning on this day in 1993 following the death at the age of 76 of Ferruccio Lamborghini.  Lamborghini, who made his fortune from building tractors to service Italy's post-war agricultural recovery, set up as a car maker in 1963 in direct competition with Enzo Ferrari, who had been selling sports cars with increasing success since 1947.  It is said there was no love lost between the two, not least because they first met when Lamborghini turned up at Ferrari's factory in Maranello, a few kilometres from Modena, to complain to Enzo in person that Ferrari were using inferior parts.  Lamborghini had become a collector of fast cars and complained that Ferraris were noisy and rough, re-purposed track cars. Ferrari responded by saying he was not prepared to be lectured about high performance cars by a tractor manufacturer. Read more…

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Laura Bassi – scientist

Ground-breaking academic paved the way for women

Brilliant physicist Laura Bassi died on this day in 1778 in Bologna.  She had enjoyed a remarkable career, becoming the first woman to earn a Chair in Science at a university anywhere in the world.  When she was just 13 her family’s physician had recognised her potential and took charge of her education.  When she was 20 he invited philosophers from the University of Bologna along with the Archbishop of Bologna, who later became Pope Benedict XIV, to examine her progress.  They were all impressed and Bassi was admitted to the Bologna Academy of Sciences as an honorary member, the first female ever to be allowed to join.  Her theses at the university showed influences of Isaac Newton’s work on optics and light. She was a key figure in introducing his ideas about physics to Italy.  When she received her degree from the university there was a public celebration in Bologna.  Read more…

Francesco Maria II della Rovere - the last Duke of Urbino

Last male in famous family line

Francesco Maria II della Rovere, the last holder of the title Duke of Urbino and the last surviving male from a famous noble family, was born on this day in 1549 in Pesaro in Le Marche.  Descended from the 15th century Pope Sixtus IV, Francesco Maria II’s only male heir, Federico Ubaldo della Rovere, died without fathering a son, which meant the Duchy reverted to Francesco Maria II, who in turn was convinced he should give it to Pope Urban VIII, of the Barberini family.  Federico’s daughter, Vittoria della Rovere, had been convinced she would be made Duchess of Urbino but had to be content with the Duchies of Rovere and Montefeltro, as well as an art collection that became the property of Florence after she had married Ferdinando II de’ Medici.  Pope Sixtus IV is best known for building the Sistine Chapel in the Apostolic Palace, the official papal residence in Vatican City.  Read more…

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Pino Aprile – journalist

Author wrote about unification from the point of view of the South

Writer Pino Aprile, who became internationally famous as the author of Terroni, a book outlining 'all that has been done to ensure that the Italians of the south became Southerners', was born on this day in 1950 in Gioia del Colle, in Puglia.  Terroni was first published in 2010, a year before Italy celebrated the 150th anniversary of becoming a unified country. Over 200,000 copies were sold in Italy and an English version of Terroni, translated by Ilaria Marra Rosiglioni, was published in 2011.  With the stage set for the tricolore to fly proudly over a year of celebrations in Italy, Terroni appeared just before the party started, to provide readers with stark examples of what Aprile claims happened to people living in the south of the country when troops fighting for Victor Emmanuel II arrived in their towns and villages - a catalogue of alleged massacres, executions, rapes, and torture. Read more…

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The Battle of Parabiago

When Visconti fought Visconti for control of Milan

One of the bloodiest battles of the 14th century took place on this day near the village of Parabiago, about 20km (12 miles) northwest of Milan.  The Battle of Parabiago in 1339 saw the armies of Azzone Visconti, the ruler of Milan, defeat an attempt to unseat him by his exiled uncle, Lodrisio Visconti, leader of a mercenary army named the Compagnia di San Giorgio - the Company of St George.  In 1311, Lodrisio had helped Matteo Visconti and his son Galeazzo regain the rulership of Milan from the Della Torre family, who had previously held power in the city but was later instrumental in imprisoning Galeazzo and his son, Azzone, as part of a power struggle. When Galeazzo and Azzone ultimately escaped, Lodrisio fled.  Initially holding up in his castle at Seprio, about 38km (24 miles) northwest of Milan, near the city of Varese, he was besieged by soldiers led by Azzone, who destroyed the castle but failed to capture Lodrisio. Read more…

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Book of the Day: Medici Money: Banking, Metaphysics and Art in Fifteenth-Century Florence, by Tim Parks

The Medici are famous as the rulers of Florence at the high point of the Renaissance, their power derived from the family bank. Medici Money tells the fascinating, frequently bloody story of the family and the dramatic development and collapse of their bank (from Cosimo who took it over in 1419 to his grandson Lorenzo the Magnificent who presided over its precipitous decline). The Medici faced two apparently insuperable problems: how did a banker deal with the fact that the Church regarded interest as a sin and had made it illegal? How in a small republic like Florence could he avoid having his wealth taken away by taxation? But the bank became indispensable to the Church. And the family completely subverted Florence's claims to being democratic. They ran the city. Medici Money explores a crucial moment in the passage from the Middle Ages to the modern world, a moment when our own attitudes to money and morals were being formed. To read this book is to understand how much the Renaissance has to tell us about our own world. 

Tim Parks has lived in Italy since 1981. He is the author of numerous novels, collections of essays, accounts of life in Italy and many translations of Italian writers.

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Giovanni di Bicci de’ Medici - banker

Medici dynasty was built on his fortune

Giovanni di Bicci de' Medici; this portrait by
Alessandro Allori hangs in the Uffizi in Florence

Giovanni di Bicci de’ Medici, who created the wealth upon which the Medici dynasty of Renaissance Italy was built, died on this day in 1429 in Florence.

Although Cosimo de’ Medici, his son, is regarded as the founder of the dynasty as the first Medici to rule Florence, it was the fortune that Cosimo inherited from his father that enabled him to command power and influence in the city. The Medici family would rule Florence, barring a few interruptions, for the next 300 years.

Giovanni di Bicci de’ Medici founded the Medici Bank in 1397 and at the time of his death was one of the wealthiest men in Europe. Although he had another son who survived to be an adult, Lorenzo, the bulk of his fortune passed to Cosimo.

Born in Florence, it is thought in 1360, he was the son of Averardo de’ Medici and Jacopa Spini. Bicci was Averardo’s nickname.

Averardo, a wool merchant, died comfortably off, but not wealthy. His estate was divided between his five sons and Giovanni’s share was relatively small, compelling him to build his fortune through skill and opportunity rather than inheritance. 

Giovanni's uncle, Vieri, on the other hand, was rich. From another branch of the Medici family, he owned one of the 70-plus banks thought to have existed in Florence in the second half of the 14th century and was good at his business, much of which involved loans and investments.

Vieri took the young De’ Medici on and supervised his rise through the ranks, being sufficiently impressed with the speed at which he learned that he made him a junior partner of the bank’s branch in Rome. In 1385, thanks to a dowry of 1500 florins that his wife, a noblewoman called Piccarda Bueri, brought to their marriage, he was able to take control of the Rome branch. The branch grew and when Vieri retired, in 1393, he decided to place De’ Medici in charge of the entire business.

In 1397, De’ Medici moved from Rome to Florence and opened the Medici Bank, establishing a headquarters at the crossroads between Via Porta Rossa and Via Calimala in an area of the city called Orsanmichele, a short distance from Piazza della Signoria.

Giovanni's son, Cosimo, built the
Medici powerbase on the bank's success

Giovanni De’ Medici was a shrewd businessman and the Medici Bank prospered in part thanks to his careful investment in the cloth trade. By the early 15th century, it had already become one of the most respected financial institutions in Europe, with branches in Venice, Rome and Naples as well as Florence. 

Under his leadership, the structure of the bank was revised in a way that meant that it functioned as a collection of partnerships, rather than having a central structure. This meant that if one branch suffered a loss, the impact on the bank as a whole would be less. In this way, the Medici Bank enjoyed financial resilience that other institutions lacked.

Giovanni was not an overtly political operator but had a knack for forming advantageous friendships, the most successful of all being the relationship he forged with the Catholic Church during his time in Rome. 

His decision to align himself with Baldassarre Cossa, a cardinal who would become the Antipope John XXIII during the Western Schism. In return for support from the Medici Bank, Cossa appointed them as managers of the papal treasury, a lucrative privilege that earned the bank a substantial amount in commissions.

Although Cossa was deposed after five years, Giovanni had by then foreseen the return of the papacy to Rome and found favour with Oddone Colonna, who as Pope Martin V maintained the Medici as papal bankers.

At the same time, he honoured Baldassare Cossa’s trust in him by paying a 38,000 ducat ransom to secure his release from prison in Germany. When Cossa died in 1419, Giovanni sponsored the construction of a magnificent tomb for him in the Florence Baptistery.

The Old Sacristy, a Brunelleschi masterpiece,
where Giovanni de' Medici is buried

Subsequent popes also retained the services of the Medici banks, setting the family on the path to becoming one of the richest dynasties in Europe. 

Through all this, Giovanni De’ Medici diligently protected the image he liked to portray as a humble businessman rather than a political figure. He insisted that he and his sons rejected the finery they could easily have afforded in favour of dressing like ordinary Florentines. He always believed that keeping on the side of the people would serve the family well. 

As an example, when Florence was hit by a serious outbreak of plague in 1417, Giovanni made substantial funds available to help the sick. He also used his considerable influence within the Signoria, Florence’s ruling council, to replace the city’s inequitable and oppressive poll tax with a new property tax he had designed himself that shifted the burden of tax to the wealthy, even at considerable cost to himself.

The Medici’s long tradition of patronage of the arts can also be attributed to a large degree to the example set by Giovanni, who made large donations to the work of artists such as Filippo Brunelleschi and Jacopo della Quercia.

Most notably, he commissioned the great Florentine architect Brunelleschi, famous for the colossal dome of Florence’s duomo, to renovate the ancient Basilica of San Lorenzo, destined to become the church of the Medici family. 

The Old Sacristy in the basilica is regarded as among Brunelleschi’s masterpieces - and of early Renaissance architecture in general. Donatello also contributed significant sculptural work to the project. 

The structure was completed in 1428, a year before Giovanni died. As per his wishes, Giovanni De’ Medici was buried in the Old Sacristy. His wife was buried with him after her death four years later.

De’ Medici was thought to be 69 at the time of his death. Though less flamboyant than some of his descendants, his achievements were foundational. By establishing the Medici Bank and securing the family’s early fortunes, he set in motion a dynasty that would shape European history for centuries. 

The Basilica of San Lorenzo in Florence became
the family church of the Medici dynasty

Travel tip:

The Basilica di San Lorenzo, the burial place of the principal members of the Medici family, is one of the largest churches in Florence, situated in the middle of the market district in Piazza di San Lorenzo. Filippo Brunelleschi was commissioned to design a new building in 1419 to replace the original 11th century Romanesque church on the site but the new church was not completed until after his death. It is considered one of the greatest examples of Renaissance architecture.  Numerous architects worked at the church, including Michelangelo. Brunelleschi designed the central nave, with the two collateral naves on either side, and the Old Sacristy. The sacristy chapel is a cube with a lateral length of about 11 metres (36 feet), covered with a hemispheric dome, that is without any decoration beside its twelve ribs that converge in an oculus. The interior became a standard in Renaissance architecture, as did Brunelleschi’s use of white walls. 

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The beautiful Florence Baptistery, featuring 
Ghiberti's 'Gates of Paradise' is a city landmark

Travel tip:

The Florence Baptistery, where Giovanni De’ Medici commissioned a tomb for Baldassare Costa, is also known as the Baptistery of Saint John, dedicated to the patron saint of the city, John the Baptist. The octagonal baptistery stands where Piazza del Duomo meets Piazza San GThe architecture of the Baptistery takes inspiration from the Pantheon, an ancient Roman temple, yet it is also a highly original artistic achievement, although the identity of the architects who worked on its construction in the 11th and 12th century is undocumented. What is known is that the North Doors and the famous East Doors - dubbed the Gates of Paradise and widely regarded as a masterpiece of Renaissance art - were constructed in the 15th century by the sculptor Lorenzo Ghiberti. The project was awarded to Ghiberti after he entered a competition for designs in which the judges were unable to decide between his submission and that of Filippo Brunelleschi, with whom he might have shared the commission had the latter not refused.

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More reading:

The colourful life of Baldassare Cossa

Why Cosimo di Giovanni de’ Medici is seen as the founder of the Medici dynasty

The architectural genius of Filippo Brunelleschi

Also on this day:

1339: The Battle of Parabiago

1549: The birth of Francesco Maria II della Rovere

1778: The death of scientist Laura Bassi

1816: Rossini’s Barber of Seville premieres 

1950: The birth of journalist Pino Aprile

1993: The death of car maker Ferruccio Lamborghini

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19 February

Massimo Troisi – actor, writer and director

Tragic star died hours after completing finest work

Massimo Troisi, the comic actor, writer and director who suffered a fatal heart attack in 1994 only 12 hours after shooting finished on his greatest movie, was born on this day in 1953 in a suburb of Naples.  Troisi co-directed and starred in Il Postino, which won an Oscar for best soundtrack after being nominated in five categories, the most nominations in Academy Award history for an Italian film.  He also wrote much of the screenplay for the movie, based on a novel, Burning Patience, by the Chilean author Antonio Skármeta, which tells the story of a Chilean poet exiled on an Italian island and his friendship with a postman whose round consists only of the poet’s isolated house.  Plagued by heart problems for much of his life, the result of several bouts of rheumatic fever when he was a child, Troisi was told just before shooting was due to begin that he needed an urgent transplant operation.  Read more…

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Luigi Boccherini – musician

Composer gave the cello prominence in his charming quintets

Cellist and composer Luigi Rodolfo Boccherini was born on this day in 1743 in Lucca in Tuscany.  Boccherini is particularly known for a minuet from his String Quintet in E, which became popular after its use by characters posing as musicians in the 1955 film, The Ladykillers, which starred Alec Guinness and Peter Sellers.  Though his works became neglected after his death in 1805 they enjoyed a revival after the Boccherini Quintet, which was formed in Rome, started performing them in the 1950s.  Boccherini’s father was himself a cellist and double bass player and sent the young Luigi to study in Rome.  In 1757 they went to Vienna together where the court employed them both as musicians in the Imperial Theatre orchestra.  In 1764 Luigi obtained a permanent position back in Lucca, playing in both the church and theatre orchestras.  Read more…

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Domenico Grimani - cardinal and art collector

Owned works by Da Vinci, Titian and Raphael among others

The Venetian cardinal Domenico Grimani, whose vast art collection now forms part of the Museo d'Antichità in the Doge's Palace in Venice, was born on this day in 1461.  Grimani acquired works among others by Italian Renaissance masters such as Leonardo da Vinci, Giorgione, Titian and Raphael, as well as by Hans Memling and Hieronymus Bosch, two of the great Early Netherlandish painters of the 15th century.  He also owned the illustrated manuscript that became known as the Grimani Breviary, produced in Ghent and Bruges between 1510 and 1520, which is considered one of the most important  works of Flemish art from the Renaissance period.  Gerard David, Gerard Horenbout, Simon Bening and other illustrators contributed to the work, which was acquired by Grimani for 500 gold ducats, and subsequently bequeathed to the Venetian Republic.  Read more…

Orazio Vecchi – composer

Late Renaissance church musician wrote madrigal comedies to entertain audiences

Orazio Vecchi, who is regarded as a pioneer of dramatic music because of his innovative madrigal comedies, died on this day in 1605 in the city of Modena, in the Emilia-Romagna region.  His most famous composition, L’Amfiparnaso, was always intended as music for entertainment. It was a set of 15 pieces that were dramatic in nature, although they were not meant for the stage.  Vecchi is known to have been baptised in December 1550 in Modena. He was educated  at a Benedictine monastery and took holy orders.  He knew composers of the Venetian school, such as Giovanni Gabrieli, and he composed himself in the form of sacred music, such as masses and motets, as well as canzonette and madrigals for entertainment.  Vecchi served as maestro di cappella at the cathedral of Salò and as choirmaster at the cathedral of Reggio Emilia. Read more…

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Vittorio Grigolo - opera singer

Tenor courted public popularity as way to land 'serious' roles

The operatic tenor Vittorio Grigolo was born on this day in 1977 in Arezzo in Tuscany.  Grigolo has performed at many of the world's leading opera houses and starred in Werther by Jules Massenet at the Metropolitan Opera in New York.  Yet he has achieved fame as a serious performer after first releasing an album of popular songs and using reality TV shows to put himself in the public eye.  Brought up in Rome, Grigolo was a child prodigy who began to sing at the age of four, his love for music inspired by his father, who liked the family house to be filled with the sound of opera arias.  He won a place at the prestigious Sistine Chapel Choir School by the time he was nine and at 13 appeared on the same stage as the opera legend Luciano Pavarotti as the shepherd boy in Giacomo Puccini's Tosca at the Rome Opera House.  Read more…

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Book of the Day: The Postman (Il Postino): A Novel, by Antonio Skármeta. Translated by Katherine Silver

Antonio Skármeta’s The Postman - originally published as Ardiente paciencia (Burning Patience) - is a short, lyrical novel first published in Chile in 1985. The novel follows Mario Jiménez, a shy young fisherman who abandons the sea to become a postman on the small coastal island of Isla Negra. His only customer is the exiled poet Pablo Neruda, who receives mountains of fan mail.  As Mario delivers letters, an unlikely friendship forms. Mario admires Neruda’s poetry and asks for help in wooing Beatriz González, a beautiful barmaid he has fallen for. Neruda teaches him about metaphors, desire, and the power of words, and Mario gradually discovers his own poetic voice. The story unfolds against the backdrop of Chile’s political transformation, culminating in the rise of Salvador Allende and the looming instability that precedes the 1973 coup. The novel blends personal tenderness with national upheaval, giving it both intimacy and historical weight. As well as being the inspiration for Il Postino, which transposes the story from Chile to a small Italian island, it was also turned into a film in Chile, entitled Burning Patience, directed by Skármeta.

Antonio Skármeta was a Chilean writer, screenwriter, director and diplomat. As well as being the author of many novels, plays, and short stories, he was popularly known for hosting a television show on literature and the arts. He served as Chile’s ambassador to Germany from 2000 to 2003. Katherine Silver is an award-winning literary translator.

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