3 March

Charles Ponzi - fraudster

Name forever linked with investment scam

The swindler Charles Ponzi, whose notorious fraudulent investment scheme in 1920s America led his name to be immortalised in the lexicon of financial crimes, was born Carlo Ponzi in the town of Lugo di Romagna on this day in 1882.  Ponzi, who emigrated to the United States in 1903 but arrived there almost penniless, had been in prison twice - once for theft and a second time for smuggling Italian immigrants illegally into the US - when he came up with his scheme.  Ponzi identified a way to make profits through exploiting the worldwide market in international postal reply coupons.  This was not his scheme, simply the starting point.  These coupons, which allowed a correspondent in one country to pay for the cost of return postage from another, were sold at a universal cover price but variations in exchange rates meant that a coupon bought in one country might be worth more in another. Read more…

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The Balvano Disaster

Italy’s worst but little known train tragedy

The Italian railway network suffered its worst accident on this day in 1944 when more than 600 passengers died from carbon monoxide poisoning after a train stopped in a tunnel just outside the small town of Balvano, on the border of Basilicata and Campania about 90km (56 miles) east of Salerno.  Yet, despite the death toll being perhaps nine times that of the country’s worst peacetime rail disaster, few Italians were aware that it had happened until author and historian Gianluca Barneschi wrote a book about it in 2014.  Because the tragedy took place during the final stages of the Second World War, when much of southern Italy was a battleground between German and Allied forces, it resonated as a news story for only a short time, the victims essentially added to Italy’s overall count of civilian casualties during the conflict, which is put at more than 150,000.  Read more…

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Teatro Olimpico – Palladio masterpiece

Renaissance theatre still stages plays and concerts

The Teatro Olimpico in Vicenza, originally designed by Andrea Palladio, was inaugurated on this day in 1585.  A performance of Oedipus the King by Sophocles was given for its opening and the original scenery, which was meant to represent the streets of Thebes, has miraculously survived to this day.  The theatre was the last piece of architecture designed by Andrea Palladio and it was not completed until after his death.  The Teatro Olimpico is one of three Renaissance theatres remaining in existence and since 1994 it has been listed by Unesco as a World Heritage Site.  In 1579 Palladio was asked to produce a design for a permanent theatre in Vicenza and he decided to base it on the designs of Roman theatres he had studied.  After his death, only six months into the project, the architect Vincenzo Scamozzi was called in to complete it.  Read more…

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Sebastiano Venier – Doge of Venice

Victorious naval commander briefly ruled La Serenissima

Sebastiano Venier, who successfully commanded the Venetian contingent at the Battle of Lepanto, died on this day in 1578 in Venice.  He had been Doge of Venice for less than a year when fire badly damaged the Doge’s Palace. He died soon afterwards, supposedly as a result of the distress it had caused him.  Venier was born in Venice around 1496, the son of Moisè Venier and Elena Donà. He was descended from Pietro Venier, who governed Cerigo, one of the main Ionian islands off the coast of Greece, which was also known as Kythira.  Venier worked as a lawyer, although he had no formal qualifications, and he went on to become an administrator for the Government of the Republic of Venice. He was married to Cecilia Contarini, who bore him two sons and a daughter.  Venier was listed as procurator of St Mark’s in 1570. Read more...

Nicola Porpora – composer and teacher

Tutor of celebrated opera singers died in poverty

Nicola Porpora, who composed more than 60 operas and was a brilliant singing teacher in Italy, died on this day in 1768 in Naples.  Among his many pupils were poet and librettist Pietro Metastasio, composers Johann Adolph Hasse and Joseph Haydn and the celebrated castrati, Farinelli (Carlo Broschi) and Caffarelli (Gaetano Majorano).  Porpora’s most important teaching post was in Venice at the Ospedale degli Incurabili, where there was a music school for girls, in which he taught between 1726 and 1733.  He then went to London as chief composer to the Opera of the Nobility, a company that had been formed in opposition to Royal composer George Frideric Handel’s opera company.  The composer was born Nicola Antonio Giacinto Porpora in 1686 in Naples.  He graduated from the music conservatory, Poveri di Gesù Cristo, and his first opera, Agrippina, was a success at the Neapolitan court in 1708. Read more…

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Ascanio Sforza – Cardinal

Borgia pope’s ally used his power to benefit Milan

Ascanio Maria Sforza Visconti, who became a skilled diplomat and a Cardinal of the Catholic Church, was born on this day in 1455 in Cremona in Lombardy.  He played a major part in the election of Rodrigo Borgia as Pope Alexander VI in the papal conclave of 1492 and served as Vice-Chancellor of the Holy Roman Church from 1492 until 1505.  Ascanio was the son of Francesco Sforza, Duke of Milan, and Bianca Maria Visconti. Two of his brothers, Galeazzo Maria Sforza and Ludovico Sforza, became Dukes of Milan, as did his nephew, Gian Galeazzo Sforza.  At the age of ten, Ascanio was named commendatory abbot of Chiaravalle and he was promised the red hat of a cardinal when he was in his teens. He was appointed Bishop of Pavia in 1479.  Pope Sixtus IV created him cardinal deacon of SS Vito e Modesto in March 1484. Read more…

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Book of the Day: The Rise of Mr. Ponzi, by Charles Ponzi

Who was Charles Ponzi?... a scoundrel, a petty criminal, a misunderstood financial genius, a criminal mastermind, or perhaps simply a salesman extraordinaire? The fascination in examining the life of Charles Ponzi lies in trying to understand the machinations of his heart, mind, and soul as he perpetrated one of the largest frauds in U.S. history. While much opinion and speculation has been bandied about regarding this key point, the complexity of Charles Ponzi has made reaching a satisfying conclusion all but impossible. In his autobiography, The Rise of Mr Ponzi, first published in 1936, Ponzi recounts his life and the extraordinary events of 1920 from his own perspective. Gain insight into the mind behind the most infamous "Ponzi" scheme in the history of the United States.

Revived by Despair Inc, this 400-page book offers a first-hand account from the infamous swindler himself regarding his rise to fortune and ultimate disgrace. 

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2 March

NEW - Antonio Buzzolla - composer, choirmaster and conductor

Output included operas, religious music and Venetian dialect songs

Antonio Buzzolla, a composer who was at various times a musician, conductor and choirmaster, was born on this day in 1815 in Adria, a town in the southern part of the Veneto region, situated between the mouths of the Po and Adige rivers.  Buzzolla, who was once a student of the opera composer Gaetano Donizetti, composed five operas of his own, as well as producing a substantial catalogue of religious music while serving as maestro di cappella at St Mark’s Basilica in Venice.  Yet during his life he was best known for composing ariettas and canzonettas - brief songs of a melodic, playful or sometimes sentimental nature - written in Venetian dialect. These songs became popular in the city, both for the light-hearted entertainment they provided and for the contribution they made to Venice’s musical identity.  Read more… 

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Vittorio Pozzo - double World Cup winner

Manager led Azzurri to victory in 1934 and 1938

Vittorio Pozzo, the most successful manager in the history of Italy's national football team, was born on this day in 1886 in Turin.  Under Pozzo's guidance, the Azzurri won the FIFA World Cups of 1934 and 1938 as well as the Olympic football tournament in 1936. He also led them to the Central European International Cup, the forerunner of the European championships, in 1931 and 1935. No other coach in football history has won the World Cup twice.  Pozzo managed some outstanding players, such as Internazionale's Giuseppe Meazza and the Juventus defender Pietro Rava, but his reputation was tarnished by Italy’s football success being exploited as a propaganda vehicle by the Fascist regime. While not a Fascist himself, Pozzo upset many opponents of Mussolini at the 1938 World Cup in France when his players gave the so-called 'Roman' salute  during the playing of the Italian anthem.  Read more…

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Pietro Novelli – painter and architect

Sicilian great who was killed in Palermo riot

Pietro Novelli, recognised as the most important artist in 17th century Sicily, was born on this day in 1603 in Monreale, a town about 10km (6 miles) from Palermo.  A prolific painter, his works can be seen in many churches and galleries in Sicily, in particular in Palermo.  There are good examples of his work outside the city, too, for example at Piana degli Albanesi, about 30km (19 miles) from Palermo, where he painted a fresco cycle in the cathedral of San Demetrio Megalomartire and another fresco, entitled Annunciation, in the church of Santissima Annunziata.  At his peak, wealthy and aristocratic members of Sicilian society, as well as monasteries and churches, competed to be in possession of a Novelli work.  His father, also called Pietro, was a respected artist who also worked with mosaics and Pietro initially worked in his father’s workshop in Monreale.  Read more…

Pope Pius XII

Pope elected on 63rd birthday to lead the church during the war

Cardinal Eugenio Pacelli was elected Pope and took the name of Pius XII on this day in 1939, his 63rd birthday.  A pre-war critic of the Nazis, Pius XII expressed dismay at the invasion of Poland by Germany later that year.  But the Vatican remained officially neutral during the Second World War and Pius XII was later criticised by some people for his perceived silence over the fate of the Jews.  Pope Pius XII was born Eugenio Maria Giuseppe Giovanni Pacelli on March 2, 1876 in Rome.  His family had a history of links with the papacy and he was educated at a school that had formerly been the Collegio Romano, a Jesuit College in Rome.  He went on to study theology and became ordained as a priest.  He was appointed nuncio to Bavaria in 1917 and tried to convey the papal initiative to end the First World War to the German authorities without success.  Read more…

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Book of the Day: Nineteenth-Century Italian Opera from Rossini to Puccini, by Danièle Pistone

Intended for the performer and general music lover as well as for students and musicologists, this three-part retrospective of Italian opera of the romantic era focuses on the settings, characters, and styles of the librettos; the voices, orchestration, and formal structure of the music; and the contemporary exigencies of the performance itself, moving from behind-the-scenes administration and artistry to the front-and-centre interpreters and the audiences they played to.  More than 120 musical examples support the text, the majority of them in an alphabetical appendix of "Famous Melodies", which includes the themes of popular arias along with captions detailing the operas, the composers, the acts in which the melodies occur, and the characters who sing them. Nineteenth-Century Italian Opera from Rossini to Puccini also includes appendices of main characters, celebrated singers and conductors, and principal librettists; a glossary; and a note on Italian pronunciation. Numerous illustrations and tables, an exhaustive topical bibliography, and a select CD discography round out this informative introduction to opera's golden age.

Danièle Pistone is a French musicologist. Since 1971, she has been teaching at the University of Paris-Sorbonne where she was appointed professor of history of music in 1981.

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Antonio Buzzolla - composer, choirmaster and conductor

Output included operas, religious music and Venetian dialect songs

An illustration of Antonio Buzzolla, thought
to show him at the age of 25 in 1840

Antonio Buzzolla, a composer who was at various times a musician, conductor and choirmaster, was born on this day in 1815 in Adria, a town in the southern part of the Veneto region, situated between the mouths of the Po and Adige rivers.

Buzzolla, who was once a student of the opera composer Gaetano Donizetti, composed five operas of his own, as well as producing a substantial catalogue of religious music while serving as maestro di cappella at St Mark’s Basilica in Venice.

Yet during his life he was best known for composing ariette and canzonette - brief songs of a melodic, playful or sometimes sentimental nature - written in Venetian dialect. These songs became popular in the city, both for the light-hearted entertainment they provided and for the contribution they made to Venice’s musical identity.

It was a sign of the respect in which Buzzolla was held among his peers that he was invited by Giuseppe Verdi to contribute to a requiem mass he was organising for his fellow opera giant Gioachino Rossini following the latter’s death in 1869.

Buzzolla was born into a musical family. His father, Angelo Buzzolla, was maestro di cappella - choirmaster - at what was then Adria's cathedral. Angelo, who was also an accomplished violinist, provided his son with a well-rounded musical education that saw him become proficient on a range of instruments, including violin, flute, organ, piano and piccolo, by the age of 16. 

At this point, he left Adria to live in Venice, a city rich in opportunities to further his career. He had not been studying there long when he was invited to play in the orchestra at the Gran Teatro La Fenice, the city’s principal opera house, at first as a flautist before being promoted to second violin.

At the same time, he began to try his hand at composition, leading him to write his first opera, Il Ferramondo, which premiered at the Teatro Gallo, formerly the Teatro San Benedetto, in Venice in December, 1836, and was also performed in Trieste and Mantua.

The reception for Il Ferramondo was positive enough to persuade Buzzolla to go to Naples to study composition at the Conservatory of San Pietro a Maiella. His teachers included Donizetti and, later, Saverio Mercadante. His output there included a cantata for the Neapolitan court and vocal pieces performed at the Teatro San Carlo. 

Teatro La Fenice in Venice, where 
Buzzolla was an orchestra member

On returning to Venice, Teatro La Fenice premiered both of Buzzolla’s second and third operas, Mastini I della Scala in 1841 and Gli avventurieri the following year, which also saw his first works of sacred music performed. 

With his reputation now extending beyond Italy, Buzzolla took up a position as director of Italian Opera at the Berlin court of Frederick William IV of Prussia, to whose children he became tutor. From Berlin he toured Russia, Poland and France before being appointed director of the Théâtre de la comédie italienne in Paris, in 1846.

He returned to Venice again in 1848, directing two more operas, Amleto and Elisabetta di Valois, at Teatro la Fenice. He also conducted his own Requiem for four voices and large orchestra at the Basilica di San Marco.

In 1848, Venice briefly became an independent state following the uprising against the occupying army of Austria, and Buzzolla demonstrated his commitment to the cause by co-directing a patriotic concert at La Fenice in November of that year, featuring excerpts from Verdi's Macbeth and Attila alongside works by Rossini and Donizetti. 

Buzzolla’s operas were respected by his fellow composers and well received by audiences, yet his output was small. It was dwarfed, in fact, by his catalogue of short songs, which were mostly performed in Venice’s salons or at domestic gatherings in middle-class homes.

Written in the tradition of bel canto opera, which emphasises the beauty of the voice, these lyrical pieces had light-hearted themes based on everyday life in Venice, highlighting romance and nature in particular.

Buzzolla’s Canzonette Veneziane, a collection of 12 light-hearted songs in Venetian dialect, was published by Ricordi in 1852.

After the successful staging of Elisabetta di Valois in 1850, Buzzolla announced it would be his last opera. Where other composers of the mid-19th century, such as Giovanni Pacini and Errico Petrella, relentlessly exploited the popularity of opera by composing literally dozens of them, Buzzolla was less commercially driven and decided to devote himself to sacred music, the culmination of which was his appointment in 1855 as maestro of the Cappella Marciana, the choral and instrumental ensemble that provides musical service at Basilica di San Marco.

He held the prestigious position until his death in 1871, after which his body was interred in a tomb on the Isola di San Michele, the island in the Venetian Lagoon that houses the city’s main cemetery.

Adria in the Veneto, once a thriving seaport on
the Adriatic coast, is now several miles inland

Travel tip:

Adria, where Antonio Buzzolla was born and grew up, is a town in the Veneto about 23km (14 miles) east of Rovigo and just over 60km (36 miles) south of Venice. It is situated between the lower courses of the Adige and Po rivers. Today it lies inland, but in antiquity it was a major port on the Adriatic Sea, so influential that the sea itself took its name from the town. It thrived in particular during the Etruscan and Greek civilisations but fell into decline during the Roman era as the Po and Adige progressively silted up, pushing the coastline further east and robbing Adria of its direct maritime access. Over time it was absorbed into the territories of Ravenna and Venice before coming under French and Austrian rule. After incorporation in the new Kingdom of Italy in 1867, the late 19th and early 20th centuries brought land reclamation, new road networks and agricultural expansion. The Adria of today, with a population of around 19,500, is a relatively modern town with an economy based on agriculture, commerce, and light manufacturing. As a town boasting one of the longest continuous settlements in the whole of Italy, going back perhaps to the 12th century BC, it is home to the huge collection of relics preserved at the Museo Archeologico Nazionale di Adria. The Conservatorio Statale di Musica Antonio Buzzolla was established in Adria in 1975, and named in his honour. 

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The cemetery island of San Michele, with the
neighbouring island of Burano in the distance

Travel Tip:

The Isola di San Michele, where Buzzolla was buried, has been the home of Venice’s principal cemetery since the early 19th century. Situated between Venice and the island of Murano, it had previously been home to a Camaldolese monastery, built in the 13th century, and the Chiesa di San Michele in Isola, which was designed by the architect Mauro Codussi and built in 1469 as the first Renaissance church in Venice. The island was also used as a prison at one time. In 1807, when Venice was occupied by the French under Napoleon, the neighbouring island of San Cristoforo was designated as the city’s cemetery, only for it to become clear after only a few years that it was not big enough. In 1835, work began to fill in the narrow canal between the two islands to create one much larger island. Annibale Forcellini, an architect and engineer, was given the task of designing the cemetery complex, which retains the Chiesa di San Michele near the entrance and includes a domed chapel built in memory of the ancient Chiesa di San Cristoforo, which had been demolished during the construction of the original cemetery. As well as housing the remains of ordinary Venetian citizens, the cemetery has a sufficient number of illustrious occupants to have become a tourist attraction. In addition to Buzzolla, the remains of the poet Ezra Pound, the entrepreneur and Venice Film Festival founder Giuseppe Volpi, the psychiatrist Franco Basaglia, the writers Carlo and Gasparo Gozzi, the football manager Helenio Herrera, the avant-garde composer Luigi Nono, and others, are buried there.

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More reading:

How the overlooked work of Giovanni Pacini has enjoyed a revival

Nabucco - the Verdi opera that became a symbol of the Risorgimento

The Venetian lawyer who led fight to drive out the Austrians

Also on this day:

1603: The birth of Sicilian painter and architect Pietro Novelli

1886: The birth of football manager Vittorio Pozzo

1939: The election of wartime pontiff Pope Pius XII

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1 March

Cesare Danova - movie actor

Acclaim came late for Bergamo-born star

The actor Cesare Danova, who appeared in more than 300 films and TV shows over the course of a 45-year career, was born Cesare Deitinger on this day in 1926 in the Lombardy city of Bergamo.  The son of an Austrian father and an Italian mother, he adopted Danova as his professional name after meeting the film producer, Dino De Laurentiis, in Rome.  De Laurentiis gave him a screen test and was so impressed he immediately cast Danova in the 1947 movie The Captain's Daughter, playing alongside Amedeo Nazzari and Vittorio Gassman.  So began a career that was to see Danova star opposite Elizabeth Taylor and Richard Burton in Joseph L Mankiewicz's 1963 hit Cleopatra, opposite Elvis Presley and Ann-Margaret in Viva Las Vegas (1964), alongside Robert De Niro and Harvey Keitel in Martin Scorsese's cult movie Mean Streets (1973) and as part of a star-studded cast in National Lampoon's Animal House (1978). Read more…

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Giovanni Dupré - sculptor

Work helped end the dominance of Neoclassicism

Giovanni Dupré, who came to be seen as one of the most important figures in 19th century Italian sculpture, was born on this day in 1817 in Siena. Like his contemporary, Lorenzo Bartolini, Dupré went back to the Renaissance for inspiration and his success helped Italian sculpture move on from the dominance of Antonio Canova, whose brilliant work in the Neoclassicist style had spawned a generation of imitators.  Dupré did much of his work in Florence and Siena, his greatest piece generally judged to be the Pietà he carved between 1860 and 1865 for the family tomb of the Marchese Bichi-Ruspoli in the cemetery of the Misericordia in Siena.  Although his family were of French descent, they were long established in Tuscany when Giovanni was born. The street in the Contrada Capitana dell'Onda where the family lived, a few steps away from Piazza del Campo, subsequently saw its name changed to Via Giovanni Dupré. Read more…

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Luigi Vanvitelli – architect

Neapolitan genius drew up a grand design for his royal client

The most famous Italian architect of the 18th century, Luigi Vanvitelli, died on this day in 1773 in Caserta in Campania.  The huge Royal Palace he designed for the Bourbon kings of Naples in Caserta is considered one of the greatest triumphs of the Baroque style of architecture in Italy.  Vanvitelli was born Lodewijk van Wittel in Naples in 1700, the son of a Dutch painter of landscapes, Caspar van Wittel. His father later also took up the Italian surname Vanvitelli.  Luigi Vanvitelli was trained as an architect by Nicola Salvi and worked with him on lengthening the façade of Gian Lorenzo Bernini’s Palazzo Chigi-Odelscalchi in Rome and on the construction of the Trevi Fountain.  Following his notable successes with the facade of the Basilica di San Giovanni in Laterano (1732) and the facade of Palazzo Poli, behind the Trevi Fountain, Pope Clement XII sent Vanvitelli to the Marche to build some papal projects.   Read more…

Gastone Nencini - cycling champion

Lion of Mugello won both Tour de France and Giro d’Italia

Gastone Nencini, sometimes described as Italy’s forgotten cycling champion, and certainly one of its least heralded, was born on this day in 1930 in Barberino di Mugello, a town in the Tuscan Apennines, about 38km (24 miles) north of Florence.  Nencini won the 1957 Giro d’Italia and the 1960 Tour de France, putting him in the company of only seven Italians to have won the greatest of cycling’s endurance tests.   He followed Ottavio Bottecchia, Gino Bartali and Fausto Coppi and preceded Felice Gimondi, Marco Pantani and the most recent Italian winner, 2014 champion Vincenzo Nibali.  Yet often even cycling fans asked to name the seven Italian champions sometimes forget Nencini, despite his courage and resilience earning him the nickname The Lion of Mugello.  This may be in part because he died very young, a month short of his 50th birthday. Read more…

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Pietro Canonica - sculptor

Artist in demand from European royalty

The sculptor Pietro Canonica, who was also a proficient painter and an accomplished musician but who found himself most in demand to create busts, statues and portraits for the royal courts of Europe, was born on this day in 1869 in Moncalieri in Piedmont.  Canonica’s ability to create realism in his work, bringing marble sculptures almost to life, resulted in an endless stream of commissions, taking him from Buckingham Palace in London to the courts of Paris, Vienna, Brussels and St Petersburg.  He was highly skilled in equestrian statuary and after the First World War was commissioned to create many monuments to the fallen, which can be seen in squares around Italy to this day.  Canonica’s mastery of Naturalism and Realism were the qualities that set him apart, exemplified nowhere with such stunning effect as in his 1909 work L'abisso - The Abyss. Read more…

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Book of the Day:  A History of Italian Cinema, by Peter Bondanella and Federico Pacchioni

This second edition of A History of Italian Cinema, an update of the bestselling definitive guide, was published to celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni’s new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.

The late Peter Bondanella was the author of a number of groundbreaking books, including Hollywood Italians, The Cinema of Federico Fellini, and The Films of Roberto Rossellini. In 2009, he was elected to the European Academy of Sciences and the Arts for his contributions to the history of Italian cinema and his translations or editions of Italian literary classics (Dante, Boccaccio, Machiavelli, Vasari, Cellini).  Federico Pacchioni is Chair of Italian Studies at Chapman University in Orange, California. 

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