Eduardo Scarpetta - actor and playwright

Much-loved performer began theatrical dynasty

Scarpetta's comic plays were hugely
popular with Neapolitan audiences

Eduardo Scarpetta, one of the most important writers and actors in Neapolitan theatre in the last 19th and early 20th centuries, was born on this day in 1853 in Naples.

Fascinated by the commedia dell’arte and Neapolitan puppet theatre character Pulcinella, Scarpetta was the writer of more than 50 dialect plays in the comedy genre, creating his own character, Felice Sciosciammocca, a wide-eyed, gullible but essentially good-natured Neapolitan who featured prominently in his best-known work, Miseria e Nobiltà (Misery and Nobility).

His plays made him wealthy, although his standing was damaged towards the end of his career by a notorious dispute with Gabriele D’Annunzio, the celebrated playwright and poet with aristocratic roots who was a considerable figure in Italian literature.

A showman with a reputation for throwing extravagant parties, Scarpetta led a complicated personal life that saw him father at least eight children by at least four women, of which only one was by his wife, Rosa De Filippo.

One of his relationships, with Rosa’s niece, Luisa, a theatre seamstress, produced three children - Eduardo, Peppino and Titina De Filippo - central figures in an Italian theatre and film dynasty in the 20th century.

Another daughter, Maria, was the child of an affair with a music teacher, while a relationship with his wife’s half-sister, Anna, produced the journalist, poet and playwright, Ernesto Murolo, who co-wrote a number of famous Neapolitan songs with the composer Ernesto Tagliaferri, and another actor, Eduardo Passarelli.

His only legitimate son, Vincenzo, also became an actor, and later a director, playwright and composer. The part of Peppeniello in Miseria e nobiltà was written specifically for Vincenzo.

Scarpetta in character as his own
creation, Felice Sciosciamocca

Scarpetta did not come from a theatrical background. His father, Domenico, was a civil servant who tried without success to steer Eduardo into a more secure profession.

By joining a theatre company at the age of 15, Scarpetta believed he could help bring money into the family after his father’s poor health led to them falling on hard times.

He soon met Antonio Petito, a playwright and actor who at the time was one of Naples’s most famous interpreters of the Pulcinella character, and joined his company at the Teatro San Carlino on Piazza Castello, near the Castel Nuovo. It was while working with Petito that he created Felice Sciosciammocca, with whom Petito was so impressed he began to write plays with Pulcinella and Sciosciammocca as the main characters. 

Petito’s Pulcinella had evolved from the rather simple, slow-witted character of tradition to a sharp, insolent and above all instinctively cunning individual. Where Pulcinella was working class, Scarpetta’s middle-class Sciosciammocca was a perfect foil.

His partnership with Petito ended with the latter’s death in 1876, after which he worked briefly in Rome before returning to Naples. After a period performing at the Teatro Metastasio on the city’s pier, he returned to San Carlino as manager, investing much time and money in saving it from impending closure and restoring it.

San Carlino would in 1884 be demolished to make way for a new urban square, the Piazza Municipio, as part of a rehabilitation project for the area, which had become rather run down.

Nonetheless, Scarpetta had enjoyed a number of huge successes with his own plays, notably Miseria e Nobiltà, but also Il medico dei pazzi, na santarella, Lo scarfalietto, Nu Turco Napulitano and O miereco de’ pazzi.

Na santarella was one of Scarpetta's
most successful plays

His wealth enabled him to build a substantial palazzo on Via Vittorio Colonna in the prestigious Chiaia district and a villa on the Vomero hill, in Via Luigia Sanfelice, which he named La Santarella.

La Santarella hosted a huge party each year on the occasion of his daughter Tatina’s birthday, to which Scarpetta invited actors, directors, journalists, writers and poets for a celebration that traditionally ended with a spectacular fireworks display that was visible all over the city.

Rosa was happy to accommodate all of Eduardo’s various children. Indeed, after his affair with the music teacher, Francesca Gianetti, it was Rosa who was said to have rescued the child, Maria, from the religious institute to which she had been abandoned.  Rosa, in fact, had a son of her own, Domenico, whose father was none other than the King of Italy, Vittorio Emanuele II, with whom she had a relationship as a teenager before marrying Scarpetta.

Scarpetta’s fortunes began to decline when his Teatro Salone Margherita, a cabaret theatre in the basement of the then newly-built Galleria Umberto I in the centre of Naples began to suffer financially. At the same time a play he had written as a parody of a play by Gabriele D’Annunzio which prompted the well-connected D’Annunzio to accuse him of plagiarism and take him to court for staging the play without permission.

In the event, the court case went in the favour of Scarpetta, who successfully argued that his play, Iorio’s Son, was not a copy but a comic send-up of D’Annunzio’s tragedy, Iorio’s Daughter, but the case - and the panning that Iorio’s Son received from the critics - left Scarpetta embittered and though he continued to write he decided he would no longer act. 

He died at the age of 72 in 1925 and after an elaborate funeral in which his body was placed in a crystal coffin, he was buried in the De Filippo-Scarpetta-Viviani family tomb at the Cimitero Monumentale di Poggioreale in Naples, close to what would become the site of the city’s international airport at Capodichino.

Scarpetta's impressive villa in the Vomero
district, which he named La Santarella

Travel tip:

Vomero, where Scarpetta had his impressive villa, La Santarella, is a middle class largely residential area of central Naples but has a number of buildings of historic significance. The most dominant, on top of Vomero hill, is the large medieval fortress, Castel Sant'Elmo, which stands guard over the city. In front of the fortress is the Certosa San Martino, the former Carthusian monastery, now a museum.  Walk along the adjoining street, Largo San Martino, to enjoy extraordinary views over the city towards Vesuvius.  Vomero's other tourist attraction is the Villa Floridiana, once the home of Ferdinand I, the Bourbon King of the Two Sicilies.  Surrounded by extensive gardens, the building now houses the Duke of Martina National Museum of Ceramics.

Chiaia is one of the more upmarket areas
of the city of Naples

Travel tip:

Chiaia, where Scarpetta’s wealth enabled him to build a large family house, is a neighbourhood bordering the seafront in Naples, roughly between Piazza Vittoria and Mergellina. It has become one of the most affluent districts in the city, with many of the top fashion designers having stores on the main streets. It is the home of a large public park known as the Villa Comunale, flanked by the large palazzi along the Riviera di Chiaia on one side, and the sweeping promenade of the Via Francesco Caracciolo on the other.  The area is home to many fine seafood restaurants and has become a popular nightlife destination for well-heeled young Neapolitans.

Also on this day:

1925: The birth of actor and voice-dubber Corrado Gaipa

1955: The birth of footballer and coach Bruno Conti

1960: The birth of rock musician Luciano Ligabue

1980: The birth of dancer Flavia Cacace

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Salvator Rosa – artist

Exciting Baroque painter inspired others

Salvator Rosa: a self-portrait (1645), which can
be seen at the Musée des Beaux-Arts in Strasbourg

Salvator Rosa, a fiery and flamboyant character who was a poet and actor as well as an artist, died on this day in 1673 in Rome.

One of the least conventional artists of 17th century Italy, he was adopted as a hero by painters of the Romantic movement in the 18th and 19th centuries.

He mainly painted landscapes, but also depicted scenes of witchcraft, revealing his interest in the less conventional ideas of his age. These scenes were also sometimes the background for his etchings and the satires he wrote.

Rosa was born in Arenella on the outskirts of Naples. His father, a land surveyor, wanted him to become a lawyer or priest and entered him in the convent of the Somaschi Fathers.

Rosa was interested in art and secretly learnt about painting with his uncle and his brother-in-law, Francesco Fracanzano, who was a pupil of Jose de Ribera. Rosa later became an apprentice to Aniello Falcone, working with him on his battle scenes.

His own paintings featured landscapes overgrown with vegetation and beach scenes with caves, peopled with shepherds, seamen, soldiers and bandits.

After moving to Rome in about 1638, Rosa painted the first of his few altarpieces, the Incredulity of Thomas. He also wrote and acted in satires put on around the city, causing him to make a powerful enemy in the sculptor and architect Gian Lorenzo Bernini, whom he offended.

Rosa's controversial painting Allegory
of Fortune almost saw him arrested

Rosa then moved to Florence to work in a more comfortable environment, where he enjoyed Medici patronage and founded the Academia dei Percossi - the Academy of the Afflicted - for artists and writers.

In 1646 he returned to Naples, where he is thought to have sympathised with the insurrection of Masaniello as he painted a portrait of him.

Rosa went back to live in Rome in 1649, where he enjoyed success as a history painter and with his etchings. It was then that he painted his Allegory of Fortune, which seemed to imply that frequently artists received rewards that did not match their talent. This was considered controversial and he was nearly arrested.

Rosa is remembered as being determinedly independent, refusing to be constrained by patrons. It is said he would not paint on commission or to an agreed price, a stance that appealed to the British Romantic painters who came later.

His final work is believed to be Saul and the Witch of Endor, which is now in the Louvre.

Rosa was ill with dropsy for a few months and died in 1673. In his last moments he married a woman from Florence who had borne him two sons. He was buried in Rome in the church of Santa Maria degli Angeli e dei Martiri.

The unconventional artist later inspired biographies, fictional accounts of his life, novels, a ballet, a piece of music by Franz Liszt, and an opera.

The view across Naples towards Vesuvius
from the top of Vomero hill

Travel tip:

Arenella, where Rosa was born, is an area of Naples on the Vomero hill above the city, which was once considered a desirable place to get away from the chaos of the city. There is a street, Via Salvator Rosa and a metro stop named after the artist. Vomero is a middle class largely residential area of central Naples but has a number of buildings of historic significance. The most dominant, on top of Vomero Hill, is the large medieval fortress, Castel Sant'Elmo, which stands guard over the city. In front of the fortress is the Certosa San Martino, the former Carthusian monastery, now a museum.  Walk along the adjoining street, Largo San Martino, to enjoy extraordinary views over the city towards Vesuvius. 

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Salvator Rosa's tomb

Travel tip:

Salvator Rosa’s tomb is in the Basilica of Santa Maria degli Angeli e dei Martiri, a 16th century church built to a design by Michelangelo inside the ruined frigidarium of the Roman Baths of Diocletian in the Piazza della Repubblica in Rome.

More reading:

How the Baroque artist Cerquozzi depicted the Revolt of Masaniello

The mysterious death of Caravaggio

The genius of Gian Lorenzo Bernini

Also on this day:

44BC: Julius Caesar is murdered

1738: The birth of criminal law philosopher Cesare Beccaria

1849: The death of hyperpolyglot Giuseppe Mezzofanti 

(Picture credit: Tomb by Giovanni dell'Orto via Wikmedia Commons)


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Flavia Cacace - dancer

Star of Strictly Come Dancing famous for Argentine Tango

Flavia Cacace became a well known
face through Strictly Come Dancing

The dancer Flavia Cacace, who found fame through the British hit television show, Strictly Come Dancing, was born on this day in 1980 in Naples.

She and professional partner Vincent Simone, who is from Puglia, performed on the show for seven seasons from 2006 to 2012.

The show, which has been mimicked in more than 50 countries across the world, including Italy and the United States, pairs celebrities with professional dancers, combining Latin and ballroom dances in a competition lasting several months.

Cacace, who was runner-up in 2007 with British actor Matt d'Angelo, left the show as champion in 2012 after she and the British Olympic gymnast Louis Smith won the final, which was watched by an estimated 13.35 million viewers.

The youngest of six children, Cacace moved to England shortly before her fifth birthday when her father, Roberto, a chef, decided to look for work opportunities in London.

Her family are from the Vomero district of Naples, a smart neighbourhood that occupies an elevated position on a hill overlooking the city, offering spectacular views. Although more than 30 years have passed since she left the area, Cacace has been quoted as saying that she still considers herself Neapolitan.

A hazy view of Mount Vesuvius across Naples
from the top of Vomero Hill

Cacace attended the St Peter's Roman Catholic School in the town of Guildford in Surrey, about 43km (27 miles) south-west of central London.

She was introduced to dancing at the age of six when her mother, Rosaria, keen to find her an activity outside school, took her and her eldest sister to Hurley's dance school in Guildford, unaware that it had a reputation for Latin and ballroom tuition that attracted dancers from around the world.

Her talent shone through and she began to win medals at an early age.  It was at Hurley's, at the age of 14, that she met Simone, who had arrived in the UK at the age of 17 and was looking for a partner.

The two formed a professional relationship and won a string of titles together, including numerous UK Ballroom, Ten-dance and Showdance championships.  They have been UK Argentine Tango champions and world Argentine Tango Showdance champions.

The Argentine Tango became their trademark and for several years they have been on tour with a series of glitzy stage productions, including Midnight Tango and Dance 'Til Dawn, both of which were sell-outs.  They announced last year, however, that their 2016 tour The Last Tango, would mark the end of their career on the road.

Their professional partnership turned into a romance for several years before they went different ways after Cacace began a relationship with Strictly partner D'Angelo.

Flavia Cacace on Strictly with Jimi Mistry, now her husband

Simone is now married with two children, having met his future wife, Susan, in the bar after a show during the 2007 Strictly series, when she had been in the audience as a fan.

Cacace is married to Jimi Mistry, a Yorkshire-born actor who was her celebrity partner in the 2010 series of Strictly.  They were married in London in 2013 and live in Jacobs Well, a village just outside Guildford.

She has been approached several times about appearing on the Italian version of Strictly - entitled Ballando con le Stelle (Dancing with the Stars) - but has been unable so far to take up any offers.  Ballando is currently in its 12th series on the Rai Uno channel.

Castel Sant'Elmo (left) and the Certosa San Martino

Travel tip:

Vomero is a middle class largely residential area of central Naples but has a number of buildings of historic significance. The most dominant, on top of Vomero Hill, is the large medieval fortress, Castel Sant'Elmo, which stands guard over the city. In front of the fortress is the Certosa San Martino, the former Carthusian monastery, now a museum.  Walk along the adjoining street, Largo San Martino, to enjoy extraordinary views over the city towards Vesuvius.  Vomero's other tourist attraction is the Villa Floridiana, once the home of Ferdinand I, the Bourbon King of the Two Sicilies.  Surrounded by extensive gardens, the building now houses the Duke of Martina National Museum of Ceramics.

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The Cathedral of Santa Maria
Icona Vetere in Foggia

Travel tip:

Foggia, where Vincent Simone was born, is a largely modern city, much of it rebuilt following heavy bombardment during the Second World War.  Nonetheless, there are some attractive features, including the 12th-century Cathedral of Santa Maria Icona Vetere, off Piazza del Lago. The present campanile replaced the one destroyed in a major earthquake in 1731. The opera composer Umberto Giordano, born in Foggia, is commemorated with a theatre that bears his name and a square, Piazza Umberto Giordano, that contains several statues representing his most famous works.

Find a hotel in Foggia with Tripadvisor

More reading:

How Strictly judge Bruno Tonioli dealt with playground bullies

Fanny Cerrito, the Neapolitan ballet star who wowed audiences across Europe

When Vomero was home to King Francis I

Also on this day:

1925: The birth of actor Corrado Gaipa

1955: The birth of World Cup-winner Bruno Conti

1960: The birth of rock musician Ligabue



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Lady Blessington’s Neapolitan Journals

Irish aristocrat fell in love with Naples

Lady Blessington, depicted here by Thomas
Lawrence, settled in Naples after touring Europe

Marguerite, Lady Blessington, an Irish-born writer who married into the British aristocracy, arrived in Naples on this day in 1823 and began writing her Neapolitan Journals.

She was to stay in the city for nearly three years and her detailed account of what she saw and who she met has left us with a unique insight into life in Naples nearly 200 years ago.

Lady Blessington made herself at home in Naples and thoroughly embraced the culture, attending local events, making what at the time were adventurous excursions, and entertaining Neapolitan aristocrats and intellectuals at the former royal palace that became her home.

Those who know Naples today will recognise in her vivid descriptions many places that have remained unchanged for the last two centuries.

She also provides a valuable insight into what life was like at the time for ordinary people as well as for the rich and privileged.

A society beauty, she came to Naples during a long European tour after her marriage to Charles Gardiner, the first Earl of Blessington, and immediately became fascinated by the local customs, food and traditions. She also visited Ercolano, Paestum, Capri, Ischia and Sorrento and made an ascent of Vesuvius on an ass.

The Vomero hill offers spectacular views over Naples

She describes her first sight of the city on her arrival on 17 July in 1823. “Naples burst upon us from the steep hill above the Campo Santo, and never did aught so bright and dazzling meet my gaze. Innumerable towers, domes and steeples, rose above palaces, intermingled with terraces and verdant foliage. The bay, with its placid waters, lay stretched before us, bounded on the left by a chain of mountains, with Vesuvius, sending up its blue incense to the Cloudless sky.”

She was so impressed with her first view of the city that she ordered the postilions to pause on the brow of the hill so that she might fully appreciate the panorama in front of her.

She recalls: “… as our eyes dwelt on it, we were ready to acknowledge that the old Neapolitan phrase of ‘Vedi Napoli e poi mori’ - 'see Naples and die' - had a meaning, for they who die without having seen Naples, have missed one of the most enchanting views in the world.”

Three days later, having looked at half the palaces in Naples, she arranges to rent the Palazzo Belvedere at Vomero, describing it as: “…one of the most beautiful residences I ever beheld, in the midst of gardens and overlooking the Bay. The view it commands is unrivalled; and the gardens boast every rare and fragrant plant and flower that this delicious climate can produce.”

In February 1826 she writes with sadness about her planned departure from Naples. “As the time approaches for quitting Naples, my regret increases. A residence of nearly three years has attached me to the country and the people by ties that cannot be rent asunder without pain.”

Lady Blessington’s Neapolitan Journals are fascinating and endearing and have inspired many people to visit the city over the years. There is an abridged version of the journals in Edith Clay’s book Lady Blessington at Naples published by Hamish Hamilton.

The Royal Palace, once home to the Kings of Naples

Travel tip:

Lady Blessington mingled in royal and aristocratic circles while in Naples and would have visited the Royal Palace (Palazzo Reale), one of the magnificent residences of the Kings of Naples. The palace is at the eastern end of Piazza del Plebiscito and dates back to 1600. It now houses a 30-room museum and the largest library in southern Italy, which are both open to the public.

Travel tip:

You can take the funicular railway up the hill to Vomero, where Lady Blessington lived for a while, to see the fine views over the city and the bay of Naples. It is well worth visiting the 14th century Castel Sant’Elmo for for what you can see from its vantage point.

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